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Oct 14

The Art of Amputation: Distorted Pop Song | Music News

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Ruby Music
17 November 2014
The Art of Amputation are an alternative five-piece from London who combine soaring melodies with experimental sounds and big fuzzy guitars to create soundscapes they claim will “hold your hand in dark times.”

The band consists of Freddy de Lord (Keyboards, Vocals and Saxophone), Hugh Fox (Drums, Drum-Loops/Programming and Percussion), Allan Harrod (Vocals, Guitar and Keyboards), Mark Hyden (Guitars and Vocals) and newly added member Tim Harrod (Vocals and Percussion).

theartofamputation

The Art of Amputation began when Hugh and Allan got together as a duo after the break up of a previous band. The pair started writing and rehearsing together as a simple keys/guitar and a drummer outfit. Together they wrote and recorded most of their first EP, though it soon became clear that they needed to find an additional guitarist to attain the sound they wanted. Mark was recruited and the trio began rehearsing and writing based on a shared appreciation of an eclectic range of artists like Weezer, Pixies, The Beatles and Bowie. Time in the studio triggered an influx of ideas and the band needed another member in order to realise them. Freddy joined in a formative period for The Art of Amputation. Each member’s individual styles began to compliment the others and the result was the creation of some impressive and polished tracks.

Allan’s keen ear for melody has been the main catalyst for the creation of each of the band’ compositions with other members working together until the song as a whole falls into place. The bands last writing tool is always the studio. They have big ideas and working with producer Steve Honest in Hackney Road Studios has ensured the creative process progresses seamlessly. Allan’s brother Tim recently completed the band’s line up, joining The Art of Amputation on vocals and percussion for their live shows.

Their new single ‘Distorted Pop Song’ is a stunning and intricately layered composition that channels the influences of The Flaming Lips and The Big Pink with its infectious, uplifting melody climaxing in a Spector-esque Wall of Sound.

Gigs:
17th October – Headline show at Camden Barfly