Review: Grimm Tales, Chichester

Grimm Tales – For Young and Old
Adapted by Philip Wilson
Chichester Festival Youth Theatre at the Cass Sculpture Foundation, Goodwood
Until 19 August

Photo credit: Johan Persson

If you go down to the woods today… Just when it seems impossible for Chichester Festival Youth Theatre (CFYT) to achieve any greater heights they come along and smash it of the park. The sculpture park, in this instance.

The Cass Sculpture Foundation is the perfect setting for Grimm Tales. Woodland paths, tree-lined hollows and sheltered clearings provide a series of glorious natural stages. Greeted by a raggle-taggle band of minstrels beckoning us into the woods, the music throughout is evocative, catchy and haunting. All members of the Youth Theatre, these young troubadours are exceptional and add greatly to both the charm and continuity of the production.

Starting with Little Red Riding Hood and followed at different locations by Hansel and Gretel, Hans My Hedgehog, The Goose Girl at the Spring, The Three Snake Leaves, Rapunzel and The Juniper Tree, these yarns are grim indeed. Adultery, murder, child abduction, cannibalism – Mr Disney may have prettied some of them up for the big screen, but in their original form these fairy tales offer no trace of saccharine sparkle or Bibbidi-Bobbidi-Boo. Marvellously dark, but not without humour, Philip Wilson’s adaptations are magical, mysterious and utterly spellbinding.

Under the skilful direction of Dale Rooks the acting is uniformly superb. Remaining totally in character even when leading the audience from location to location, even those in minor roles demonstrate the discipline and focus of seasoned professionals. It would be grossly unfair (and almost impossible) to single out any one performance.

Testament to the excitement and enrichment of the experience, the smiles of the cast at the curtain call are wider than that of Grandma’s wolf. With satellite groups across the county, West Sussex children are so lucky to have CFYT available to them. Especially at a time when funding cuts threaten to hack drama and the arts down to almost nothing in some schools.

Ably supported by members of the Technical Youth Theatre, as darkness fell there wasn’t a star in the sky to outshine this supremely talented company.

Tickets: 01243 781312 www.cft.org.uk
There is no parking at the sculpture park, but a highly efficient system of park-and ride coach transport is in operation from Chichester College.

Review: Fabulous Fiddler

Review
Fiddler on the Roof (until 2 September)
Chichester Festival Theatre
Box Office: 01243 781312 www.cft.org.uk


Photo credit: Johan Persson

Heart, humour and world-class performances are just some of the elements that make Daniel Evans’s big summer musical an absolute belter. Add to that terrific musicians, Alistair David’s thrilling choreography and Lez Brotherston’s cleverly conceived set, which makes the very best use of Chichester’s unique stage, and you have a show that has all the hallmarks of a West End transfer.

The story of Tevye, a poor dairyman with five daughters, it is 1905 and in Russia an uneasy sense of impending change is in the air. But on a poor shtetl Tevye is more immediately concerned with finding husbands for the three eldest of his girls. Alas, despite his best efforts to keep with tradition, it seems that they are determined to follow their hearts rather than their heads, or indeed the advice of Matchmaker Yente (gloriously played by Liza Sadovy).

Omid Djalili is superb as Tevye. Radiating warmth sufficient to melt a Moscow frost in January, he convinces absolutely as the ordinary family man who is not without his shortcomings. In his regular exchanges with God (Dajalili’s stand-up career is much in evidence here), and later as he sings the touching Do You Love Me? to his wife, he reveals a touching vulnerability.

Tracy-Ann Oberman as his wife Golde is equally impressive. A feisty lioness who knows her old man better than he knows himself, it is an inspired pairing.

The singing overall is outstanding. From sweet and soaring to joyous and rousing, Tradition, the opening number, is nothing short of an emotional musical wallop to the gut.

A stupendous ensemble effort, this is a revival that feels both fresh and relevant. Delivering the theatrical triple of laughter (the dream scene is as clever as it is riotous), tears, and food for thought, it is the latter of the whole shebang that is the production’s ultimate strength.

A sharp reminder of how political and social unrest continues to throw lives into disarray, the final moments are heartbreakingly poignant.

Review: Forty Years on at Chichester Festival Theatre

ARSONatChichesterFestivalTheatre.PhotoJohanPersson_02652

Photos: Johan Persson

Taking up his post as Artistic Director new Head Boy Daniel Evans opens his first Chichester Season with Alan Bennett’s early play, which is set in 1968 at Albion House, a fading public school.

Some fifty local schoolboys join the cast and are outstanding, opening the production with a roof-raising rendition of Praise My Soul the King of Heaven.

The occasion is the end of term show, which also marks the retirement of the elderly headmaster. Under the directorial auspices of his reformist successor, the offering of a history revue includes some sketches that get the old duffer decidedly hot and bothered – to be overtly risqué is definitely tsk-tsk territory.

There are some joyous moments. Danny Lee Wynter’s naughty portrayal of an elderly aristocrat à la Dame Maggie as Downton’s Lady Violet is delicious, while an ace tap-dance solo is worthy of the Strictly! final. A stage invasion of lusty-voiced rugger buggers is also a gas, which for all the headmaster’s puritanical tendencies is deemed perfectly acceptable once it is revealed that the opposition has been roundly trounced.

Alan Cox as incoming headmaster Franklin, Jenny Galloway as Matron and Lucy Briers as Miss Nisbitt give accomplished performances, while the music and singing is superb, thanks to the excellence and exuberance of a terrific ‘school orchestra.’

Some of the historical inspirations do not resonate, leaving these skits teetering on the brink of tedium. But there are plenty of jolly spoofs to compensate, as well as flashes of poignancy bringing a balancing shade.

)inCFT'sproductionofFORTYYEARSON.PhotoJohanPersson_04653You can almost smell overcooked cabbage thanks to Lez Brotherston’s impressive school hall set, which comes complete with an almighty oak organ, rising from and towering over the stage.

At eighty years on himself, and having suffered a heart attack only last year, it is perhaps unsurprising that Richard Wilson is not yet tight on his lines. Reading from a script for the most part, when he struggles to find his place on the page it causes the audience collective anxiety. It’s a shame, but there is still much to enjoy here.

www.cft.org.uk Box office: 01243 781312

Vicky Edwards

True: Lee’s scrumptious! Vicky Edwards talks to Lee Mead

Starring in one of the most famous musicals of all time, Lee Mead tells Vicky Edwards why he’s so happy to be in the driving seat…

Pictures: Alastair Muir

At the wheel of the most fantasmagorical car in history, Lee Mead freely admits that when the offer to play Caractacus Potts in the stage musical Chitty Chitty Bang Bang was made, he didn’t have to think twice. It is debatable, however, who was more excited: Lee, or five-year-old daughter Betsy.

“I took her to see the show in Southampton and watching her get so involved was really special. She knows all the songs and sings them all the time,” grinned Lee, who is clearly both a proud and hands-on dad.
Having grown up watching the film version, Lee was already familiar with the Chitty story and score, but he also has another link to our fine four-fendered friend; a connection that dates back to the early days of his career.

“When I was just starting out, the show was opening in the West End and I went to an open audition to be Michael Ball’s second cover. Now, I can move really well, but I’m not a trained dancer and you needed to be part of the dance ensemble to be second cover for the role”.
Game over. Footwork not quite up to scratch, Lee lost the gig.

“It makes it all the more special playing the role now,” he told me, eyes twinkling with both amusement and delight.
Talking of things being special, I asked Lee what he thinks makes Chitty such a well-loved show and why audiences of all ages are still so enchanted by Ian Fleming’s story of a magical car and a single dad.
“I think what makes it one of the most iconic shows in the world is that it has such a heart,” he answered, thoughtfully, adding:
“The relationship between Potts and the children, Grandpa and Truly are really important, but you have to hit those beats or it becomes just a show about a flying car; you need those truths. The scenes going into songs are quite tiny so you have to really work to get those transitions right and to mark those moments.
“It’s also a great story. Even as an adult you are taken on that journey; you can’t help but allow yourself to do that. It’s a very clever show with brilliant characters and brilliant songs.”
Ah yes, the songs. Wonderful they are indeed, and thanks to an ace 12-piece orchestra the impact of the music in this particular production is nothing short of spellbinding.
“It’s unusual for a touring production to have such a big orchestra and they are incredible,” agreed Lee, who shot to fame when he won the BBC talent show Any Dream Will Do, and with it the title role in the West End revival of Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat.
Leading West End roles in Wicked and Legally Blonde followed, along with the release of several solo albums, and also being cast in TV’s Casualty as Ben ‘Lofty’ Chiltern, for which he earned a Best Newcomer at the National Television Awards 2015.

Picture Alastair Muir

Not bad going for a lad whose first job was singing on a booze cruise ferry where the clientele was often so well lubricated that Lee sang from a cage in case any of them, worse for drink, took exception to his dulcet tones.
“But actually I loved it and looking back I realise that not being able to afford to go to drama school in London was no bad thing. A lot of young actors now aren’t prepared to go on tour; they just want to walk into the West End, but that’s not where you learn your craft.”
From schlepping around the country on low-budget tours to playing gigs on car ferries and doing cabaret with seasoned old-timers like Ken Dodd, Lee soaked up experience and learnt as much as he could.
“Apart from being great fun I think you have a far greater appreciation of success when it comes than if you had just walked into the West End,” he nodded, explaining that the ratio of actors out of work at any time far and away exceeds those with jobs.
“I do talks in colleges and I always advise kids to go and learn on the touring circuit.”
Starring in a major musical, being a devoted dad, talking to college kids – nobody can accuse Lee of being a slacker.
Laughing, he said: “I’ve also released a new album called Some Enchanted Evening. I wanted to do an album of songs from the 40s and 50s film era, giving them a modern twist.”
A huge hit with fans, the album smashed into the top 20 in the Independent Charts. Typically modest, Lee is quick to credit his band, but is nevertheless thrilled.

“The response has been brilliant and I’ll be touring the album in October when I finish on Chitty.”
Actors are often slightly rigid about their pre-show routines, so while I put my coat on I asked Lee if he had any such rituals.
“I like the five minutes before the show to be silent and focussed; to have that still moment before you go out on stage and it is like an express train,” he says, unnecessarily apologetically.
Wanting a bit of peace and quiet before a musical marathon hardly counts as diva behaviour, I countered.
“And I’m a bit OCD about my desk area,” he joked, in mock hopefulness of sounding like a highly strung artiste.
Sorry, fella. You’re just too much of a sweetheart to qualify as a foot-stamping prima donna. And, after an hour in his company, and later watching him in rehearsal, I can confirm that this triple threat performer and gentlest of gentlemen is also absolutely perfect as Potts.
Vicky Edwards

For more information, visit www.chittythemusical.co.uk
Facebook: Chitty Chitty Bang Bang The Musical
Twitter: @ChittyMusical / #chittymusical

Top of the Potts: Jason Manford Talks to Vicky Edwards

Currently starring as Caractacus Potts in Chitty Chitty Bang Bang, Jason Manford talks to Vicky Edwards about musicals, being a dad and why ibuprofen is his new best friend…

Photo: Alastair Muir

Photo: Alastair Muir

There’s more to Jason Manford than being funny. Warm, articulate and astute, he also happens to have been born into a family of talented singers. Trilling for longer than he’s been cracking gags, the 8 Out of 10 Cats star has notched up some impressive credits, not least playing Pirelli in Sweeney Todd with Michael Ball and Imelda Staunton, and Leo Bloom in The Producers with Phill Jupitus, with whom he also stars in a brand new touring version of the classic musical story Chitty Chitty Bang Bang.

 

 

 

“My family are all folk singers and we have been singing together for a very long time,” Jason explained. “I was always interested in musicals; I was always in productions at school, then at university I directed shows like Bugsy Malone. I wrote a musical, too.”

Offered the role of Caractacus Potts, Jason says that while he didn’t want to over-think the characterisation, he nevertheless gave careful consideration to what he could bring to the role.

“I re-watched the film and what I saw was someone who was not dissimilar to me: a dad who would do anything for his kids. He keeps trying and failing and he’s reached a point in life where he thinks that something just has to go right for him. He really is that heartbroken, lonely, lovely man that Truly Scrumptious sings about.

“The setting is 1919 and my idea of him was that he was in the Navy but that he had to leave when his wife died to look after his kids. I like his journey. He’s optimistic, although he has his darker moments, and he’s a man who doesn’t like confrontation. But then suddenly the kids are taken by the Childcatcher, Grandpa is kidnapped and the car is stolen – everything that he knows and loves about his life is gone. He has to man up,” said Jason, who while mindful of driving himself bonkers by fleshing out a complex character history, knew that he needed to give Caractacus a back-story. (“You need that weight otherwise it’s just a musical about a flying car.”)

Although Jason is perhaps better known as a comedian than he is for his musical theatre talents, in terms of being the source of all things comedic, Chitty gives him a bit of a breather.

“What’s nice for me is that no one is counting on me to be funny. If I’m funny it’s a bonus, and Caractacus does have some funny moments, but you’ve got the spies and the Baron for laughs. I just have to play the heart and soul of the piece to keep it interesting and I love that.”

As for Chitty’s enduring qualities, Jason cites the film rather than the original book as being responsible for inspiring such huge affection across the generations.

“The biggest thing for me isn’t the Ian Fleming story, but the Roald Dahl film adaptation. The original book is actually quite linear; quite similar to his writing for James Bond, and there was no Childcatcher or Truly Scrumptious. But the film is much more magical and for many the Childcatcher was probably the first time you were scared by something on the telly. Nostalgia and magic is what I think does it for people.”

It is a highly physical show for Jason and he confessed that the number Me Ol’ Bamboo, in particular, is a bit of a killer. Part manic Morris dance and part frenzied tap routine, it is certainly breath-taking to watch and, one suspects, leaves even the fittest dancers out of breath.

“I’ve lost a stone and a half – it’s unbelievable!” he said, shaking his head in disbelief. Joking that he has thought about releasing an exercise DVD based on Me Ol’ Bamboo, he added: “It takes a lot of work but it’s so spectacular and to get it right is just brilliant. It’s the one moment of the show when I take the applause and let the audience clap until they stop.”

Does such a frenetic routine result in a few aches and pains? A heartfelt groan said it all.

“My poor knees and lower back! Ibuprofen is getting me through and I have to go for a swim between the matinée and evening shows because if I sit down I seize up,” he sighed.

And when he staggers off the stage and back to his digs he’s got fellow cast member Phill Jupitus [who plays Baron Bomburst and Lord Scrumptious] to look out for him and, it transpires, to rustle up some top-notch grub.

“We’ve been pals a while and we enjoy each other’s company. He’s also a great chef and cooks some brilliant meals. We look after each other. You need that when you’re away from home.”

Talking about being away from home, with a partner, and five children, Jason’s got plenty to miss.

“The thing about this show is that it’s all about family and the kids in the show [three pairs of Jeremy and Jemimas tour with Chitty] are roughly the same height as my two oldest girls. At the end when I’ve rescued them and they run over to me for a big hug there’s that moment every night when my kids flicker into my head.”

And it’s home and family that is part of the reason that Jason is taking a well-earned break from Chitty between 4 May and 18 September, when Lee Mead will be playing the part of Caractacus Potts.

“Having young children you can’t be away too much, but as well as the children I’ve also got to write my own tour for 2017 and then I’m writing a sit com and also a musical. It’s lovely to know that I can do all that and then come back to Chitty.

Touring the country, working on several writing projects and keeping his successful comedy career on the boil, not to mention family life – it is certainly an impressive juggling act. How does he find the energy and stamina to sing and dance his heart out at every performance of Chitty? Shrugging, he referred me back to his friend ibuprofen, although just being in such a stupendous show seems to be the real spur. Even if it does mean that his joints creak like an old banger in need of the oil can.

“A lot of effort goes in but it’s a great show so it’s really worth it,” he told me as we said goodbye.

And so it is. Prompting standing ovations wherever they go, the audience reaction is unified: “Chitty Chitty Bang Bang we love you!”

For more information, visit www.chittythemusical.co.uk

Facebook: Chitty Chitty Bang Bang The Musical       

Twitter: @ChittyMusical / #chittymusical

Vicky Edwards

Spandau Baddie: Martin Kemp Meets Vicky Edwards

Martin Kemp tells Vicky Edwards why his musical theatre debut is going with a bang-bang…

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Photo credit: Alastair Muir

From gangster Reggie Kray to evil control freak Steve Owen in EastEnders, Martin Kemp is extremely good at being bad. Currently on tour in Chitty Chitty Bang Bang playing the Childcatcher, arguably one of the most iconic villains of all time, Martin is drawing on his previous roles for inspiration, but admits that there’s unchartered territory to explore when it comes to the character that regularly tops the polls of movie monsters.
“The Childcatcher is an exaggerated version of everything I have ever done before, but it comes from a completely different angle,” explained Martin. “He’s a step away from reality; all the characters are really, especially in the second half when we go to Vulgaria.
“In the first half I play a character called the Junk Man, but in the second half that kind of Alice in Wonderland thing happens and the Junk Man becomes the Childcatcher. Robert Helpmann did an amazing job [in the film], but my physicality is not the same as his; I don’t have his ballet background, so instead I try to bring a bit more horror to the role.”
Judging from the booing that fills the theatre before he has even set foot on the stage, he’s clearly doing that very effectively.
“Kids are scared of the name: Childcatcher. When the Baron says “Call for the Childcatcher!” I can feel the tension in the theatre and then I hear the boos,” he laughed, adding, “But that’s part of the whole experience. If you haven’t laughed, cried and been scared then you haven’t seen a good show. You need to be taken to all those places.”
And with cheers at the curtain call almost taking the roof off the theatre, it seems that it’s a journey that audiences of all ages are delighted to undertake. A co-production between Music & Lyrics Limited and West Yorkshire Playhouse, this brand spanking new reimagining of the much-loved Sherman Brothers musical is winning critical acclaim as well as standing ovations.
“Ten years ago I saw the show in London and the main thing I remembered about it afterwards was the car,” said Martin. “But now it’s very much about the story. It amazes me, but every night I walk out of stage door and people are there saying how much they loved the whole show. From old people who saw the movie on their first date to kids meeting Chitty for the very first time, the demographic is extraordinary. Yes, it’s changed from the book, and then again from the film and again from the original stage musical, but it really works. We’re sending people home with big smiles on their faces.”
As for his fellow cast members, mention them and it is Martin with a big smile on his face. “It’s a great cast,” he enthused. “I’ve worked with Michelle [Collins] before and it’s lovely to work with her again, but they are all brilliant performers.” And so they are. Funny men Jason Manford as Caractacus Potts and Phill Jupitus as Lord Scrumptious and Baron Bomburst are joined by Martin and Michelle, as well as Andy Hockley of Phantom of the Opera fame as Grandpa Potts, and West End leading lady Amy Griffiths as Truly Scrumptious. Add to that a world class company of singers and dancers and you have a show that is dazzling, star-studded and that absolutely lives up to the ‘fantasmagorical’ praise.
But while the story of Chitty might have been knocking around for a good while, musical theatre is a new challenge for Martin.
“One reason I am here is that I have never done a musical before and I thought this might be a nice way to dip my toe in. I love trying new things and I love working with new people.”
That happy-go-lucky, have-a-go attitude wasn’t always there, however. In fact, as a child he confesses that he struggled with crippling shyness.
“I’ve been doing this a while now but at the age of eight I was incredibly shy, so my mum sent me to Anna Scher’s drama workshops,” said Martin, who knows first-hand what an advantage drama classes can be to children.
“What drama clubs give you is a small amount of this magic dust called charisma. I always say that I owe everything to Anna Scher because she formed my personality as a kid.”
Pointing out that whether you become an actor or join a band or you just use that acquired confidence to get through interviews when you’re 16, Martin is certain that drama clubs are a fantastic way of developing both character and life skills.
As for children watching live theatre, absorbing stories close up rather than on a screen, Martin loves the way they get totally involved.
“Adults watch, but kids believe and become part of the world they see unfolding; they just dive in,” he nodded.
“For Chitty we recently did what is called a ‘Relaxed Performance’ for children with disabilities and conditions like Autism. The show was adapted around the audience’s needs and it was a wonderful thing to be part of.”
A member of one of the most popular bands of all time, star of movies, TV and now a musical, Martin certainly can’t complain of always doing the same old same old.
“I have always changed it up a bit and I like never knowing what’s around the corner,” he laughed, although actually this time he does know what is coming next.
“I have just finished a year on tour with Spandau which was wonderful, but it’s this great big machine that needs five artic trucks and a 100-strong crew. When you play huge arenas the size of Wembley you know that to people at the back you’re just a speck of dust in the distance and that you’ll never get to meet those people. So in May I am doing the sort of antidote to not meeting people with a show that’s going to tour called An Audience with Martin Kemp. I’ll be travelling around England chatting about my life and career and taking questions from the audience. Yeah, it’s going to be different and fun,” he grinned.
With such a busy professional life, relaxation, he says, comes in the form of painting.“That’s my down time. Sometimes it shuts me off from the world and I lose myself completely.” Asked what he paints and the smile that stole my sixteen-year-old heart lights up his face again. “I paint rock ‘n’ roll,” he says with a chuckle.
Super-talented, funny, warm and with rock ‘n’ roll artistic flair to boot, however brilliantly nasty he is as the Childcatcher, in real life Martin Kemp is a total sweetie.
Vicky Edwards

 

Frost Magazine’s Diet Books Special

bellyfatdietWant to get the weight off or even just get healthy? Well Frost Magazine has the answer. A diet book special. Read on….

Living Paleo For Dummies, by Melissa Joulwan and Dr. Kellyann Petrucci.

Some people might not know what living Paleo means but basically it is the caveman diet. It is big on meat but nothing that our ancestors would not have eaten. Which means no sweets, diary, legumes, grains, gluten, sugar, potatoes, processed food and to go easy on the alcohol. While a vegetarian could do the Paleo diet, I reckon it wouldn’t be easy. Although the book does give you information on how to do so. The Paleo diet is mostly meat, fish, fowl, eggs and vegetables.

The first chapter tells you all about Paleo. It is a lifestyle, not just a diet. It tells you the science behind Paleo and why you should adopt the Paleo way. It is very interesting and they certainly do present their case. We do eat a lot of things our ancestors would never have heard of.

The book has a 30 day reset program. The authors bill this as the ultimate health plan. One that will not only help you lose weight, but will also make you healthier and stop you getting ill and aging badly. It informs you on what will be happening to your body during the reset program and how to cope. The book lets you know how to stock your kitchen. It certainly covers everything and makes living a Paleo lifestyle easy as long as you have the willpower.

The book also covers sleep, supplements and sunshine. It even tells you about your home and what toxins you should avoid.

Of course the book also has over 40 recipes and step-by-step exercises. Potential pitfalls are covered too. This is a very good informative book. Worth a read if you want to know more about the Paleo diet.

The Paleo movement is one of today’s hottest diet and healthy-eating approaches. The paleo diet is about using natural foods to achieve great health and a perfect physique. Published in January 2013, Living Paleo For Dummies gives readers a fun and practical guide for adopting paleo diet principles into their daily lives. Offering more than 40 recipes for all meals of the day, and providing tips for getting around common roadblocks such as eating out, this essential guide to adopting a primal diet also provides the latest, cutting edge research from genetics, biochemistry, and anthropology to help readers look, feel, and perform their best.

 

Acid Alkaline Diet For Dummies, by Julie Wilkinson

The whole acid/alkaline thing is something I have always been interested in. Occasionally I would get indigestion or acid reflux and I knew this meant I was not eating properly. In fact acid reflux is widely known to cause esophageal cancer so the need to get my body more alkaline was strong.

Like all of the diet books, the diet is written about in detail. What it entails, what it can do for you, the information on acids and alkaline and handy information boxes on a variety of things from the top ten reasons to pay attention to your diet to how long the digestion process takes.

Any diet can seem scary and too difficult but the acid/alkaline diet makes things easier by letting you follow an 80/20 rule. This means your food should be 80 per cent alkaline and 20 per cent acid-forming. And unlike the Paleo diet, the acid/alkaline diet tells you to limit the meat you eat, and to stay clear of red meat.

For inspiration the book also goes through the different systems in the body (digestive, muscular) and tells you what happens to each with an acid-forming diet. To be honest it really does make you think. The human body was never supposed to be acidic. The food we eat makes it so.

This book will be great for the results-driven. The author tells you how to check your PH balance and monitor your progress. You can even test the water in your area. The tests in this book are excellent. It tells you how to test your pulse, your body fat, your calorie needs: the list goes on.

It takes you through your food cupboards and tells you what to buy. Of course it also has a lot of delicious recipes and an exercise program. It has a section on overcoming PH obstacles and helps you eat well when out and about. All of the books do this but to be honest if you are going to the expense of eating out I think you should take a day off from your diet and eat whatever you want.

I loved this book. I have recommended it to my friends and family. I will do the same to you.

The acid alkaline diet is designed to restore the pH balance in our bodies. To keep healthy, the body needs balanced quantities of alkaline and acid substances, and a simple change in our diets to achieve this important acid-alkaline balance can result in a vast improvement in our overall health. Acid Alkaline Diet for Dummies will show readers how to restore the necessary pH balance and live a healthier life, covering areas including: Symptoms of a high acid diet; Foods to avoid; Foods that have a high alkaline quality;  and how to lose weight, prevent illness and increase energy. It also contains a month’s worth of grocery lists for items to have on hand and over 40 healthy recipes to help balance pH, making it easier to follow the acid alkaline diet

 

Belly Fat Diet For Dummies, by Erin Palinski-Wade

The main complaint with most of my friends is belly fat. Even if you are slim you can still get that little bit of fat that just won’t go away. So I was quite excited to review the belly fat diet book.

The book starts of with telling you about belly fat, what it is and what it can do to your health. It has tests and information to identify your body type to start you off. The great thing about this diet is that it tells you what to eat to lose the belly fat. Okay it also has a list of things you shouldn’t eat but the good list has enough delicious stuff to keep you going. Not only that but it also has the portion sizes which I find especially handy.

This book is great. It it has three different plans, which are different for men and women. The turbocharged plans are from level 1 to level 3. The step-by-step exercises are well laid out and there is also over 40 recipes. To help you along after you get started it also tells you how to overcome potential pitfalls and has a belly fat maintenance plan.

All in all an excellent book. For anyone who wants to get rid of their belly fat I would highly recommend it.

Including a proven 7-day quick-start programme, a no-gym fitness plan and a month’s worth of shopping lists and recipes, this recently published title gives readers the information they need to help them lose unwanted weight around the middle.

So which book is best? It is too hard to say as each diet would be best for different people. Each book is great and really gets to the nitty gritty of each diet. I would say you should look at your individual needs. For those with belly fat, the Belly Fat Diet would obviously benefit, if you want to go back to a more natural way of living and eat meat, the Paleo diet would suit you. If your PH balance is out of whack the Acid Alkaline diet will get you back on track. Of course you could try all of the diets and at Frost that is what we will be doing.

Are you on a diet? Let us know what diet you are doing and the results you are getting. We could write about you in a future article.

 

 

January's Magazines: Lady Gaga and Gwen Stefani Cover Stars.

Lady Gaga takes the cover of Vanity Fair. She tells Vanity Fair: ‘I can’t commit to being an adult- I’m not ready.’

One of the main reasons I subscribe to Vanity Fair is the intelligent articles. I get my monthly dose of politics and economics. This month is no exception, there are brilliant articles to help you understand the economical crisis and a brilliant article on George F. Kennedy.

I really enjoyed Henry Aldord’s article on manners. It’s a sample from his book, Would it kill you to stop doing that?

  • Vanity Fair take Celine Dion out to lunch and she tells them she has over 3000 pair of shoes.
  • There is a brilliant article on Rick Perry, can he comeback?
  • Salman Rushdie on Lewis Carroll’s struggle to write his second book. ‘Follow that syndrome’ and how it helped him. Great piece.
  • The Japanese workers cleaning up Fukushima Daiichi nuclear power plant.
  • Rebecca Eaton, who has put her stamp on Downton Abbey and Upstairs Downstairs amongst others.
  • Michael Ovitz and his (alleged) failed takeover of IMG from the late Teddy Forstmann.
  • The wonderful Christopher Hitchens debates whether the phrase ‘what doesn’t kill you makes you stronger’ has merit.
  • The Queen and Prince Phillip in love. 16 pages on the blossoming of their love.
  • And P.D. James answers the Proust Questionnaire.

Marie Claire has Kelly Rowland on the cover. She talks Beyonce, men, music and admits she has cellulite.

There is a lot of clothes and shoes that will help you plan your wardrobe for next year, and lots of sparkly stuff for Christmas.

There is also a 2011 in review. Most magazines do this in December, watch out for Frosts.

  • Why famous men cheat, and does it sound like your man? Good article, and Lizzie Cundy tells Marie Claire how it felt when her husband cheated on her. Forgive and forget?
  • Four style savvy women share the party prepping secrets.
  • Janine di Giovanni goes in search of the truth about Aisha Gaddafi.
  • Should you tell your boss if your pregnant?
  • Matt Smith interview.
  • Who finds you the perfect date?
  • Jean Shrimpton’s Life story.
  • Amy Manson on the things she loves.
  • Future proof your looks.
  • Dakota Fanning’s beauty rules.
  • There is a very informative article on hormone problems, their symptoms and treatments.

Florence Welch take the cover of British Vogue and is interviewed inside. She tells Vogue: ‘I don’t think I’ll ever be polished. I’m integrally slightly scruffy. You know, you meet those women who are so cool? I’m striving for that so much!”.

  • In Vogue’s scrapbook there is a guide to flowers and their seasons and lots of floral dresses.
  • Sarah Lund from The Killing is interviews and asked about THAT jumper.
  • Women under siege, stories from women in Libya.
  • The new generation of female drummers.
  • Designing Duos.
  • Michael Kors
  • The Frieze Art; pictures and interviews from the art world’s fashion week.
  • Nomi Rapace interview.
  • Steven Spielberg and the cast for Warhorse.
  • Vogue’s great escapes. A brief history of Vogue shoots in foreign countries.
  • Three beauty hotshots show you how to par-down your make up bag.
  • Fast track your workout.

 

Glamour has X Factor’s Tulisa on the cover. She says ‘I don’t think I am anything like Cheryl, except we can both put a bit of volume in our hair’. She also says that she likes to ‘stick up for other women’. Which makes Frost like her. A lot.

  • Dermont O’Leary interview.
  • Don’t fear your fashion ghosts.
  • Get your dream job in 2012.
  • How to get blogged about.
  • The truth about food intolerance.
  • 3 Health problems you can fix yourself.
  • Can dating pro Matthew Hussey find you a man?
  • Tamara and Petra Ecclestone.
  • There is a good article on the rise of those awful pay day loan companies, beware of them at all costs!
  • Hollywood female stereotypes, a funny article by Mindy Kaling, writer of the US Office.
  • The truth about Hollywood stars selling their bodies when times get tough.
  • Give your closet a January detox with Danni Minogue.
  • Nicki Minaj interview and photo shoot.
  • How to get your s**t together. Sort out your wardrobe, make up bag, and everything else in your life.
  • Josh Duhamel interview.
  • The stars of 2012.
  • Your everything guide to skin.
  • Nicole Scherzinger on health and beauty.
  • The Devil in your diet: The low-down on sugar. Did you know that sugar has 4kcal per gram? There is also no difference between brown and white sugar.
  • 12 dinners for £50.

Tatler has Florence Brudenell-Bruce is on the cover. The girl that got away, Prince Harry’s ex tells Tatler that ‘one day everything will drop and I won’t be able to earn a living in my bikini’.

 

  • Free travel guide.
  • Rigby and Peller give Tatler their Mood Board.
  • What the recent overhaul of the royal succession means for the aristocracy.
  • Santa Sebag Montefiore launches a new skiing clothes line.
  • The Posh Commune.
  • Ella Hughes goes to an orgy.

  • Charles Gilkes and Duncan Stirling launch yet another party venue.
  • Quentin Letts sketchbook: Yvette Cooper.
  • Russian Billionaires at the High Court. Abramovich and Berezovsky go head to head.
  • Emma Freud reviews toasters.
  • Dafydd Jones on 30 years of chronicling the art crowd.
  • Writers on manners.
  • Joanne Lumley on her beauty routine.
  • Jo Malone on what she loves.

Gwen Stefani is on the cover of Instyle and is interviewed. Did you know she is friends with Angelina Jolie?

  • Where style starts: statement earrings.
  • Josephine de la Baume on her style.
  • Actors at the Toronto Film Festival.
  • Fashion insiders reveal what they cannot live without.
  • Tom Ford and Kate Bosworth. Tom has just launched a new make up range and Kate models
  • Instyle Shopping rules; jeans, vintage, lingerie, jewellery.
  • Instyle meets Jenna Lyons from J Crew.
  • Beyonce’s body rules.
  • Christmas Prep.
  • Megan Fox Up Close. Her beauty secrets.
  • Gizzi Erskine is In Style’s new columnist.