Actress Kim Cattrall Reveals Her Secret to Younger Looking Body Skin.

Kim Cattrall Makes the Switch to Olay Total Effects 7-in-1 Anti-Aging Body Wash & Body Lotion

Award-winning actress Kim Cattrall is revealing one of her most unexpected beauty secrets. She swapped her body products and upgraded to Olay Total Effects 7-in-1 Advanced Anti-Aging Body Wash and Body Lotion for softer, smoother and younger looking skin after one use.

The striking star, best known for portraying Samantha Jones on Sex & The City, is now encouraging women to follow her lead and demand more from their body products to achieve a youthful appearance from head to toe.

“As an actress, Kim works hard to look her best on and off the big screen. We are thrilled that the Olay Total Effects 7-in-1 Advanced Anti-Aging Body Wash and Body Lotion are essential parts of Kim’s beauty routine,” said Joe Arcuri, Vice President, North America Female Beauty, Procter & Gamble.

“It’s important that I keep my body skin looking smooth and radiant,” agreed Kim. “Now that I’ve swapped to Olay Total Effects 7-in-1 Advanced Anti-Aging Body Wash and Body Lotion, it’s never been easier to achieve firm skin that looks younger after just one shower.”

In a study conducted by evolutionary biologist Dr. Bernhard Fink, the impact of body skin’s appearance was explored in relation to perception of age. The study indicated that, when judged independently from the face, your body skin, if maintained, is perceived up to 10 years younger than your face and adds to the overall perception of youthfulness.

Dr. Fink’s findings signal the importance of body skin and that looking young requires taking care of both your face and your body skin – and women agree. During a recent P&G survey of over 1000 women aged 35 and older, 93% believed that looking young requires taking care of both your face and body skin. However, a staggering 80% had never heard of anti-aging body wash products.

Harnessing the power of Total Effects skin care, Olay developed the Total Effects 7-in-1 Advanced Anti-Aging Body Wash and Body Lotion with innovative formulas that go beyond basic cleansing and moisturizing to remove dry skin cells and improve skin elasticity for younger looking skin. Designed to fight the seven signs of aging all over the body, the Olay Total Effects 7-in-1 Advanced Anti-Aging Body Wash and Body Lotion help to improve skin’s elasticity in seven days and provide radiant skin in just one month.

No stranger to the spotlight, Kim Cattrall continually works to keep her body looking young and healthy. The Olay Total Effects 7-in-1 Advanced Anti-Aging Body Wash and Body Lotion can now be credited as one of the acclaimed actress’s top beauty secrets for maintaining her famous physique.

To find out more about Kim’s partnership with Olay, log on to www.facebook.com/olay or check out www.olay.com to explore the brand’s collection of body products for women of all ages, including the now available Olay Total Effects 7-in-1 Advanced Anti-Aging Body Wash and coming in February, the accompanying Body Lotion .

A Peak into A/W 2011 – Part Three – Accessories

So here we are, on the brink of S/S 2011 – engaging our enthusiasm on what’s hot for this season’s primary looks and trends. Fashion is forever changing and reinventing itself. After looking at this A/W’s main Looks and Trends, it’s time to take a little peak into the merging accessories.  Ladies, the aim of fashion is to stay one step ahead!

Hats – BIG this year, and let’s face it, the latter part of the year plays happy to cute knits and a warm palate of colours. From warm woollen in bright welcoming colours, to boyfriend peaker caps, it’s all in fashion. Checks and vintage marked pieces are all splendour, combined with gloves and woollen detailed scarves – it’s all in the mix.

The Eccentric and Bold Hat Statement: We’ve paid homage to last year’s flappy ear inspired hats – so individual and characterised, an illustration of how A/W accessories don’t need to be minimal in mirror of the weather! Russian inspired, these hats will be ever present this A/W. Turn down ears, in sync with vibrant multi colours, embedded with fur and button detail. Fun and chic.

The Chic Downtown Girl: The Cap Accessory – Boyar Mink Cream and dyed jet black winter caps are all dominant this year. Look to Oscar De La Renta‘s line for inspiration.  Feminine, cosmopolitan and eye-catching. Perfectly combined with monochrome scarves from Soft Angora.

P for Pom pom!: The Pom pom hat. Distinguished and adorable – for all women. Presented in a range of colours, the bolder, the better! A reminder of yesteryear trends – the pom pom hat was more than likely worn by most of us at some point, but this 2011 makes the stage for a large pom pom comeback!

Jewellery – Making a figurative fashion statement all year round, jewellery can be effortlessly accessorised from season to season. This A/W, look out for vintage-inspired rings and necklaces. A divine accessory to wear along with patterned, graphic autumn prints, tuxedo jackets and long knits. Think bohemian meets fall chic.

Tangled necklaces, heavily encrusted in a mix of dazzling reds, mustards and greens, in spirit of the Autumn season, as well as browns, silvers and reds for the winter.

Tassels – Remarkably popular through this S/S 2011, tassels will be making their mark this A/W, but unlike the fusion of tassels on handbags, this year will see tassels making a standpoint in jewellery. Delicately derived choker necklaces and bracelets. In addition, the featuring of tassels on ethnic gold and silver mused jewellery.

Knitted Headbands – I’m not talking slim line headbands. More thicker, striking coloured bands – perfectly accessorised with trench coats and printed scarves, again, perfect boho allure.

Knit Legwear – The chunkier, the better. Worn over your simple Osbornes’ or ankle boots, this accessory makes for a brighter statement to any footwear, and equally as comfortable without footwear.

Top handle Bags and Satchels. The trademark cosmopolitan look. Leather enthused, in a mirage of cream, black and mustard palates. For the more adventurous satchel lover, check out the line by Ed Hardy, for creative, illustrated inspiration.

The Skinny Belt – A favourite for most fashion followers, the skinny belt is a great accessory to have in your wardrobe. Versatile and easy to wear – from day to evening. Worn with Navy, Military jackets or longer collar fuelled coats, the skinny belt adds that simple edge to an outfit.

One of my personal favourites – Craft fair inspired bracelets and scarves. If you love vintage shopping, you will love this. Woollen flowered and patch-enthused scarves and bracelets. You can find these individually charactered pieces in vintage stores and markets. If you want to keep your collection exclusive this year – this is a must!

Mason Kayne. {Actor Interviews}

What made you go into acting?

To be honest, I don’t actually remember making a conscious decision to go into acting. It was more like acting chose me. I had been doing it for many years as a hobby, appearing in the school shows and the local amateur dramatics. For some reason acting just seemed to suit my personality.

What’s your favourite job so far?

Ashes to Ashes of course!! We had an amazing crew, an amazing cast, amazing writing and it was just so much fun to be on!

And your least?

Hmm, I think I would have to say a short film I agreed to do when I first came out of drama school. I was keen to get clips for my showreel and just said yes to the first thing that came along. The script was terrible and the director and crew were inexperienced. There was very little hope in making it a good film. It was a rookie error to agree to it, but I’m glad that I made the mistake so that I know NOT to repeat it in the future.

Favourite actors?

I couldn’t possibly say! There are too many to list! I admire any actor that I feel safe with, anyone that I can watch and not have any doubts in my mind that I am about to be entertained.

Tell me about Ashes to Ashes

Ashes was probably the most fun I’ve ever had on a project to date. There was just this fantastic vibe to the atmosphere, like everything there just fit together perfectly. We had a fantastic cast, the crew were very professional, everyone was friendly and the storyline looked amazing. It felt like a true honour to be a part of the production.

What do you think of the industry at the moment?

If I’m honest I’m not entirely sure what to think of the industry at the moment. It seems to be lacking in a logical structure.

Gone are the days where you could start out in Rep Theatre and work your way up the ladder so I can understand how many young aspiring performers find it difficult to work out where to begin in an acting career.

These days as young actors, people seem to be very keen to pigeonhole us quite early on in our careers, or ‘type’ us so to speak, so that we end up playing similar roles. And politics in the acting game seem to be quite illogical at times too. Iit’s almost like people are terrified to take a chance of any kind these days, so they stick with safe decisions. Talent scouts no longer seem to exist either. It all seems to boil down to what drama school you went to and how successful your last show was.

Did you train? Do you recommend it?

I did indeed train but I never finished the course. One thing that was bugging me about drama school was that they focused primarily on the performing skills and neglected to teach how to function in the industry. It also bothered me how I felt like I was living in a bubble and that my fate was, to a certain extent, out of my control. Don’t get me wrong, I’m not dead set against drama training, It sure as hell doesn’t do you any harm, it just wasn’t for me. I learn better from hands-on experience, so I cannot recommend it, but I don’t discourage it either.

What is your advice for aspiring actors?

I’m of the mind that if you want to be an actor, then don’t do it. If you’re going to be an actor, then do it. It sounds petty, but that slight difference in attitude makes all the difference. Loads of people want to be actors, but only a small percentage will actually go out and do it, so get out there, dive in, explore options, make mistakes, learn from them, and for the love of God don’t let anyone tell you: “You’ll never succeed as an actor”.

What’s next?

Well, now that I’m all fired up from answering that last question, I’m going to follow my own advice from above, dive back in and I’ll see you in theatre or on screen at some point.

Conviction Review {Film}

True stories are always hit and miss. Very easily falling into smaltz and cliché. Conviction not only sidesteps these, but also manages to make the story fun.

Betty Anne Waters (Hilary Swank), an unemployed, single mother of two boys, sees brother Kenneth (Sam Rockwell) begin serving a life sentence in 1983 for murder and robbery of a woman in Ayer, Massachusetts.

Kenneth runs out of public defenders and without a lawyer, is destined to die in prison. Betty Anne, convinced of her brother’s innocence, decides to become a lawyer – sacrificing everything else in the process. The love between Betty Anne and her brother is strong and beautiful. They come from a broken family and only have each other.

Hilary Swank is always a brilliant actress, but she also has the face of a movie star. Her bone structure and beauty make her easy to watch. Then there is Minnie Driver, always excellent, as her bolshy best friend. Accent right on the money.

Sam Rockwell is always good and Rockwell dancing to ‘My Sharona’ will probably stay with me forever. I have never seen him put in a bad performance and this is no exception. I really loved this movie. It is a good story on what happens when lies wreck lives and the justice system lets people down. Highly recommended as a film to go and see.

SPOILER ALERT

After spending 12 years studying, in 1995 with a law degree, she began focusing on her brother’s case. Using new, at the time, DNA evidence, with the help of the Innocence Project, she proved her brother’s innocence, and Kenneth Waters walked out a free man in March 2001 after 18 years in prison.

He only enjoyed six months of freedom. On September 19, 2001, he fell 15 feet off a wall, hit his head and died. The estate of the late Kenneth Waters settled a civil rights lawsuit against the town of Ayer for $3.4 million in 2009.

True Grit Preview/Review. {Film}

You can always trust the Coen brothers to go off the beaten track. Their films always have a large dose of the absurdity of life about them. True Grit is no exception. A remake of the classic starring John Wayne – which Jeff Bridges claims he hasn’t seen and deliberately didn’t watch. Those are big shoes to fill, and Bridges, who is having nothing short of a renaissance at the moment, fills the shoes and makes the character his own with gusto.

Although I have nothing against any specific type of film, I found it truly refreshing to see a good old-fashioned western. Which is exactly what this is.

Hailee Steinfield has the kind of part that actresses double her age would kill for. A perfect role model for women and girls everywhere. And she plays it perfectly. She’s a talent to watch. The scene where she rides her horse across the river is nothing less than brilliant. Matt Damon joins in the fun by making his Texas ranger just as kooky as the rest of the characters.

The Coen Brothers have made it clear that this is not based on Henry Hathaway’s version of the movie, but the Charles Portis novel. Their interpretation is as stunning and original as their other movies. The film truly transports you to a different, harsher and harder era – when there really was a wild west and even dead bodies were nothing more than a money-making opportunity.

There are a lot of good films coming out this year.. This is definitely one.

In The Pink – How Doctor Who Turned Gay

Before Matt Smith became the 11th incarnation of Doctor Who, there was the usual excited comment in the media. Would – or could – the new Doctor be black, a woman, or gay?

Seeing as Time Lords seemingly don’t have the habit or ability of changing sex or race, the talk is always irrelevant and frankly, redundant. But that doesn’t stop the lively debate every time there’s a change of face.

As it turned out, Smith’s Doctor is, like all the others, male, white and seemingly straight, but William Hartnell’s irascible first Doctor from 1963 aside, Doctor Who has always bordered on camp with more than a degree of innuendo.

With the advent of the Swinging Sixties later in the decade, more overt sexuality crept in with mini-skirted female companions – and mini-skirted males, if you care to count Frazer Hines’ kilted highlander, Jamie McCrimmon.

Wendy Padbury’s Zoe Herriot often crops up in Whovian conversations thanks pretty much to a spangly, tight purple zip-up jump suit she once wore while scrambling on to the Tardis console. But it was probably Katy Manning’s character of Jo Grant who is most fondly remembered as the girl who first put the sex into Doctor Who.

Jo, apart from being a good screamer as the role frequently required, had a tendency to flash her knickers courtesy of her early 1970’s outfit of short skirt and plastic boots. Not only did Manning thus cement her role as the first crush of small boys and the lust object of dads everywhere, ratings went through the roof.

After Manning left the series, she capitalised by posing nude with a Dalek, but it was really only as Doctor Who began its decline in the mid-1980s that Nicola Bryant’s Peri Brown briefly stirred the watching public again by appearing in a much-commented upon – and criticised – skimpy bikini.

Peter Davison has also frequently mentioned how his intense death scene as the fifth Doctor was completely upstaged by Bryant’s cleavage as she knelt beside him, but even the Doctors’ famed regenerations eventually proved no match for the BBC hierarchy. Where numerous enemies had tried and failed, poor stories and a poor time slot brought the Time Lord’s career to a close in December 1989.

Enter Russell T Davies. The TV Producer and Screenwriter had a number of hits on his CV before he tackled the resurrection of Doctor Who in 2005, including Queer as Folk, a controversial series about the Manchester gay scene, drawn loosely on Davies’ own experiences.

Despite initial scepticism, under Davies’ stewardship the ninth Doctor – portrayed by Christopher Eccleston along with Billie Piper’s superb Rose Tyler – was a huge hit. When Eccleston left, David Tennant’s Time Lord took the ratings even higher.

It would take an extremely brave move to make such an iconic figure as the Doctor into a gay man. And chances are that if anyone could have done it, Davies is the one, but that’s always likely to be a step too far for the BBC.

And yet, the reborn Doctor Who embraces numerous gay references, all the more remarkable in a top-rated, worldwide, prime time TV show aimed at the family. In fact, it is probably the gayest, non-gay programme anywhere in the TV schedules.

Davies is responsible for writing many of the episodes, but it was the Steven Moffat-penned ‘The Empty Child’, which introduces John Barrowman’s Captain Jack Harkness, with Barrowman’s character the obvious crutch – pun intended – for what soon becomes a running theme throughout the entire series.

There are no holds barred when the viewing public is first introduced to Harkness. He caresses a fellow airman’s backside at a party before it’s revealed the two are having a relationship. Which, let’s face it, is pretty bold of them considering the law and public opinion of homosexuality in the 1940s.

And in the second of the two-parter, ‘The Doctor Dances’, the character of Nancy stops a black-marketeer from threatening her with the police by telling him she knows he’s ‘messing around’ with the male butcher. Although it takes a couple of more episodes before, following much innuendo, Captain Jack kisses the Doctor in what’s believed to be the series’ first same-sex kiss.

Davies himself took the opportunity to take a sly dig at gay stereotyping in werewolf episode ‘Tooth and Claw’.

When Tennant’s Doctor is asked why he failed to notice anything odd about the servants of a manor house, he replies: “Well, they were bald, athletic, your wife’s away. I just thought you were happy.”

Meanwhile, in ‘The Age of Steel’, a deleted scene from the DVD reveals Noel Clarke’s alternate Earth counterpart, Ricky, is the boyfriend of friend Jake.

Continuing the gay theme, Catherine Tate’s debut in ‘The Runaway Bride’ shows two men dancing together at her wedding reception, while in ‘The Shakespeare Code’ the Bard responds to Tennant’s comment about future flirting with: “Is that a promise Doctor?”

In ‘Gridlock’, the pensionable Cassini sisters are clearly married lesbians, while the Doctor’s sexuality is again called into question in ‘Daleks in Manhattan’ by New Yorker Tallulah who asks if Tennant prefers ‘musical theatre’.

Tennant’s Doctor is again involved in some mild male ‘bromance’, offering another New Yorker, Frank, the chance of a kiss, while John Simm’s Master asks Tennant if he is “asking me out on a date?” after the Doctor reveals they are the last of the Time Lords.

Tate’s character of Donna Noble returns in the fourth series, and after announcing a previous boyfriend ran off with another man, it’s all about the girls.

‘The Doctor’s Daughter’ reveals two of Donna’s friends are a lesbian couple who had a child with IVF, while in ‘Midnight’, the character of Sky Silvestry is on holiday to get over a relationship with another woman. Even the return of Piper’s Rose Tyler in ‘Turn Left’ is greeted by Noble with a heartfelt: “Blonde hair might work on men, but not on me!”

Meanwhile, in the series finale ‘Journey’s End’, Davies and Barrowman’s Captain Jack up the ante big time by hinting at a possible threesome with Tennant’s two identical Doctors.

Davies left Doctor Who at the same time as Tennant in 2009 after the two-parter, ‘End of Time’, but couldn’t resist a final scene involving Barrowman.

In a homage to the Star Wars cantina scene, Captain Jack sits alone at a bar next to Being Human’s Russell Tovey – Midshipman Alonso Frame from ‘Voyage of the Damned’. The Doctor passes Jack a note giving Frame’s name. A quick suggestive chat-up between Harkness and Frame follows before Frame asks Harkness if he can guess what he’s thinking.

Well, yes. I think we get the gist.

Since replacing Davies at the helm for 2010, Moffat has largely reined in the gay references. Indeed, Smith’s 11th Doctor remains asexual while Karen Gillan’s companion, Amy Pond, is the flirt.

However, Gillan has had some viewers and newspapers frothing and complaining over her short skirts. Which is odd, considering she has showed considerably less than Manning did, despite it being almost 40 years later in a time of a much more liberal media.

And there’s the irony.

Put against the usual right wing hysteria about traditional family values, Doctor Who has done much to open the doors to more liberal views about homosexuality at prime time and Davies should be applauded for having the guts to do so.

Too bad that the complaints about Ms Pond shows that tolerance of heterosexual sex appeal still has some way to go.

Jemma Kidd opens up about her panic attacks.

Model, Business Woman and Make-up Artist Jemma Kidd Speaks Out About Her Crippling Anxiety, Panic Attacks And The Man Who ‘Transformed’ Her Life.

A national magazine today broke the story that Jemma Kidd has kept secret for most of her adult life. The celebrity Make-up Artist and sister of model Jodie Kidd (who also suffered from panic attacks and anxiety) would appear to the public and the majority of people that know her to have led a charmed and carefree life. Today, she revealed that crippling anxiety and panic attacks plagued her throughout her twenties until she and her sister came across Charles Linden and his program for anxiety disorder recovery.

“The attacks are so random and debilitating that you become fearful of the fear that they bring. You start to anticipate them and find yourself doing anything to avoid them. I stopped driving on my own. I manipulated my life so that when I had to go somewhere, I had someone with me. I couldn’t go into the supermarket or anywhere crowded. If I was going to stay at someone’s house for the weekend, I would be anxious for about ten days before and would insist on knowing how close they lived to a hospital. The symptoms were so real that I believed I could have a heart attack at any time,” Jemma states.

Jemma went online and came across the website of Charles Linden, 42, a former TV producer from Kidderminster, Worcestershire, who suffered from chronic anxiety for more than seven years and subsequently developed his own method of treating anxiety, panic attacks, phobias and obsessive compulsive disorder. “I bought his book and CD and read his story, which was 50 times worse than mine, and it made me realise that I could do something to help myself. Within days, I was feeling better,” says Jemma.

Jemma has since met Charles and agreed to work with him at his residential anxiety recovery retreats in Worcestershire. “I have been on one myself and seen how transformational his work is.”

Since curing himself in 1998, Charles and the team at The Linden Centre have helped over 139,000 anxiety sufferers internationally. Of Jemma’s recovery, Charles comments: “Jemma and her sister Jodie are a fantastic example of how the method works to put people back in control of their lives. We are very excited to have Jemma on board encouraging other sufferers to start their recovery asap.

“We at The Linden Centre are so proud to have guided tens of thousands of anxiety sufferers through the program, which shows them how to make changes in their lives to affect the way the mind perceives its environment – which in turn, switches of the anxiety response in humans. It really is very simple.”

On Tuesday 25th January, Charles will be hosting a one-off live webchat at www.charles-linden.com/webcast . Between 7pm and 9pm GMT, Charles is encouraging sufferers and carers to log on and ask him anything in relation to Anxiety Disorders and The Linden Method.

Anyone who would like to find out more can also contact The Linden Method support centre and speak to one of their advisers on 01562 742 004 Monday- Friday 9am – 5pm.

Full story was in The Mail on Sunday’s You magazine 23rd Jan 2011.

Mary Portas: Secret Shopper. {Frost interview}

Retail guru Mary Portas, the undisputed Queen of the British aisles, moves to Channel 4 this month to present a brand new series, Mary Portas: Secret Shopper.

In Secret Shopper, Mary Portas has changed sides. Rather than helping businesses to maximise profits, she’s now championing the shopper, and battling to get Britain’s biggest chains to put customers first.

Mary believes that Britain is cowering under a cloud of poor customer service and that we’ve never had it so bad. By using the stealth weapon of secret shopping, she exposes shoddy customer service and uses the evidence to give company bosses a wake-up call. And, with the help of her covert cameras, she’s planning to start a retail revolution.

The giants may be delivering bumper profits but they won’t be smiling for long – Mary and her gang of shoppers have caught some of Britain’s biggest brands with their trousers down. Together they have unearthed shoddy shop floors and minimal service from apathetic shop staff.

Having got to grips with the problems, Mary believes she’s got the answer to this malaise. Here, she explains what she’s hoping to achieve with her new series, why customers are being sold short in Britain today, and what we can do about it.

What’s your new series all about?

It’s me actually going on the side of the consumer. In the past, my shows have involved me going in to save failing retail businesses. This time, I’m looking at it from the customers’ point of view.

I just think we’ve lost the whole culture of service in this country. I think we’ve ended up with sales teams stacking shop floors as opposed to any type of service. I think it’s criminal. We’re probably one of the worst countries in the world for customer service now. You don’t realise how bad it is until you travel.

There’s now a whole generation – certainly my kids, who are teenagers – who don’t even expect good service. They don’t even expect to be greeted now when they go into a shop.

So I’m looking at that, and how we can improve that. And in some circumstances it’s very funny – it’s so bad it’s funny.

What sort of areas will you be going into?

First of all, fast fashion, where there’s just no service anymore. I go into shops like that undercover.

Then I’m also looking at places where you’re sold at – the hard sell – so places such as furniture showrooms. I’ve seen people being sold stuff that they don’t need. So we’re looking at all types of customer service.

Now, when you go to the supermarket, it’s just beep beep, ‘Have you got a clubcard?’, and that’s it. They don’t even tell you the price – you have to look at the machine.

It’s as if we’ve lost the ability to communicate or care. I hate it. It’s something that I’ve got so upset about. And as consumers we just accept it. So I’m going to go into businesses and ask them ‘Are you genuinely putting the customer first?’. You look at the cultures of these businesses, and you realise nobody on the shop floor is being properly trained or given time, and they’re the ones who are the interface with the customer.

Is it much better abroad, then?

Certainly in America it’s superb. But they are on commission, so there is the question, ‘Are they really selling me the right thing?’

But, I went into Bed, Bath and Beyond in America just to buy a cafetiere about three weeks ago, and the guy was just talking me through every type of cafetiere possible. And I said, ‘Well actually I only want it because my friend hasn’t got a cafetiere and I’m staying here for a week.’ And he said ‘Well then, it’s the cheap version that you want.’ He just gave me really brilliant service. I just can’t remember having that in the UK.

I’d love to put that into our retail. We’re meant to be a nation of shopkeepers, it’s the number one social pastime, yet it’s hell. Genuinely, it’s not fun.

Have you met any resistance from the retailers?

Yeah, but that’s what makes good TV! They go, ‘No, we look after the customer.’ And so you show them the undercover footage.

And then they blame the sales team, and they go, ‘I trained them!’, and then you discover the training is a notice on the back of the door that says ‘smile before you go on stage’.

That’s your training? And they’re paying the minimum wage, and they’ll get someone who doesn’t speak more than five words of English.

How did you decide who to shine the spotlight on?

We wrote down a list of the ones that we disliked. Then we did a poll of lots and lots of customers, and asked what their hates were. And then we began to realise it was everything.

It wasn’t just phone shops or electrical goods. People would go into jewellers and the staff wouldn’t know about the product they were selling. It just seemed like such a big issue. We could go anywhere and look at any business and in 90% of cases they wouldn’t be putting the customer at the centre of what they do.

Is it all retail that you’re dealing with?

Yes it is, because it’s very difficult, visually, to show me dealing with phone companies in India. And I felt most strongly about it in the retail sector, because that’s where my background is.

I know there are these call centres which are just heinous. But in the last 15 years, it’s been a period of very high consumer spend, where anybody could have made money. You didn’t have to be good. So this is coming at a time when the consumer has all the cards in their hand.

Often when you get economy dips, which we’ve got, something good comes out of it. I think we’re now becoming a little bit more considered and caring about how we shop.

Were there any places you visited where you were impressed by the standard of service?

Yes. There was an incredibly sophisticated sales operation in this furniture showroom. They had it down to a fine art.

But, even then, was it actually giving what was right for the customer? The more time I spent watching them the more I realised it was all about getting the sale. So, very sophisticated, but not about the customer.

Which companies in general do you think have got it right?

There’s hope, when you look at companies such as Apple. They weren’t retailers, and came on to the high street and delivered one of the best retail experiences there is today.

They put things such as the Genius Bar in, they gave free advice to people, they trained people, all the guys were geeks who knew their products, and it’s successful. And every one that they’ve opened has been managed that way.

And I think Pret a Manger is one of the best out there. The energy when you go in there is great. Gap do it really well – the sales team have an upbeat freshness and energy about them.

And John Lewis staff are extraordinarily good. They know their stuff, they’re pleasant and they’ll go out of their way for you.

Do you think even when we’re getting cheap prices, we should still expect good customer service?

Of course. Why wouldn’t you? The profit margins are much greater than on luxury goods. You should absolutely expect decent customer service wherever you’re shopping.

How do you persuade shopkeepers to invest in their staff and in good customer service? What’s in it for them?

I genuinely believe that consumers will see that you’ve put that extra effort in, and will come back.

I also think that we’re culturally shifting towards that – we’re questioning where we spend. We’ve got a much more considered consumer, and, because of the financial crisis, they’re looking at what true value is today.

I’m speaking to retailers and saying to them, ‘Let’s start to be part of this new shift.’ And some of the big, global brands are starting to do that.

So how do you go about ensuring that customer service improves?

I think it’s a cultural change from two sides. I think it’s about the top of the business genuinely, genuinely thinking about their consumer. And I think it’s a cultural change from the shopper going, ‘Do I really need this? Have I really been looked after? Has this been honest and trustworthy?’

I was filming in a fast fashion shop, and the state of the place was unbelievable. There were clothes on the floor, there were queues of 40 or more people – it was gobsmacking. I wouldn’t do that. I think standards have got steadily worse and worse.

Why is that?

If you look at the history of retailing, in the 50s it was all independent retailers. You went to your butcher, your baker, your local fashion shop, and you had small businesses that really needed to serve.

By the 70s, chains started emerging, and the minute you get into chains, trying to keep that service culture is very difficult. You had to grow, and open up other shops across the country, which meant you had to use very cheap labour.

Also, in other countries, there’s a certain amount of pride in the job – you go in and you work hard and climb the ladder in retail. Here, a shop assistant just sees themselves as a shop assistant.

What sort of changes did you implement in the course of the series?

Well, to give you one example, I changed the whole fitting-room experience. Shoppers want to be acknowledged, smiled at, they want to be served quickly and efficiently, but the biggest complaint shoppers have is the fitting rooms. The queues, the rooms, the smell. And the staff are bored. They just stand there saying ‘only four garments… only four garments.’

I worked in a fitting room for a day during the filming, and I almost lost the will to live. The customers hate it, the staff hate it, how can it be all right? So I looked at creating a new type of fitting room. What would inspire and motivate both the staff and the consumer?

Have you always been a complainer?

Yes, I suppose I have. Ever since I trained at Harrods. Wealthy people have no problem complaining if something isn’t up to scratch, and I learned from them.

I think, sometimes, less well-off people don’t think they have the right to complain, or they don’t have the self-confidence to do so, so they just end up accepting mediocrity or poor service.

You’ve been tackling problems in retail for years now on telly. Do you ever despair about the task – that things will never improve?

I look at the restaurant industry, which has been on our TVs for 15 years now. I’ve only been at this four years. I look at what’s happened in the restaurant industry and I think there’s been a huge shift, from the Bernie Inns to actually understanding what good food is about.

That’s all changed through awareness. It’ll probably be a few more years yet. But when it’s done brilliantly, retail is one of the most exciting, fun things to do. A day at the shops can be wonderful when it’s done right.

So I refuse to let the fat cats out there make serious amounts of money and not hear the voice of the consumer.

You’ve moved from the BBC to Channel 4. What was behind the move?

I loved the BBC, absolutely, but at Channel 4, I felt that commercially I was able to flex myself a bit more, and make a bigger change in a louder way. They’re a little bit more racy. It just feels like the right sort of environment to me.

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