Kenny Dalglish – a hero’s return, and it’s not just sentiments running high.

By Yue Ting Cheng.

Second comings don’t always work out. Not least in football.

Howard Kendall, Everton’s greatest manager, who won the league twice, was a pale imitator in his second and third spells, while Kevin Keegan’s return to Newcastle was short-lived.

But the curious reappointment of Kenny Dalglish as Liverpool manager – the Reds’ and Scotland’s greatest all-time player – brought an unusual warm feeling to the heart.

Since last year,  I thought that, paradoxically, Liverpool won’t be able to move on until they bring back the past – that Rafa Benitez should be replaced by the club’s favourite son – Kenneth Mathieson Dalglish!

His reappointment brought back childhood memories. It was an era just before the Premier League, pay-per-view, Sky Sports and massive, massive salaries. I read in an old economics book that John Barnes, Footballer of the Year in 1988 and 1990, was paid £100,000… a year! Imagine that. Nowadays, some players earn that in a week.

It was an era before Sir Alex Ferguson and Manchester United were winning everything in sight, with occasionally Arsenal and Chelsea upsetting them – and for one time only – Blackburn Rovers, managed by, guess who? Dalglish.

Now I’ll say that I am no Liverpool supporter. Yes, the team of the 1980s – particularly the 1987-88 team featuring John Barnes, Peter Beardsley, John Aldridge, Ronnie Whelan, Alan Hansen, Steve Nicol and Bruce Grobbelaar  – remains one of the finest British teams of all time. But I have always supported the two teams of my roots, Norwich and Watford.

But Kenny Dalglish represents something unusual in that he is a symbol of real change. Both in the sense that he was Liverpool’s first player-manager, and following his shock resignation to an entire nation in 1991, marking the end of the Liverpool dynasty.

Then the Premier League happened. Fellow Scotsman and former team captain, Graeme Souness’ reign was the start of a downward spiral heralding an era of underachievement starting in 1991 and lasting till about… now.

Twenty years is a long time in any part of life, especially in football. One could only imagine Dalglish’s burning desire. The feeling that he had unfinished business at the club he should have made dominate English football for another two decades.

In 1991, Sir Alex Ferguson had yet to win a league title. In 2011, with Liverpool and Manchester United jointly holding 18 league titles, Ferguson is now close to bringing Manchester United a record 19th, finally eclipsing the Anfield outfit.  History comes round in circles, it seems.

People are saying that Dalglish has been out of the game for too long or his methods are outdated. Cynics add that he is behind the times, and that he’s not managed a club for ten years – since picking up the pieces following John Barnes’ disastrous spell at Celtic, and a turbulent spell at Newcastle, where he was sacked after finishing 2nd in the Premier league in 1996-7 and 13th the following season.

But his record speaks for itself. Four league titles as manager at two different clubs – a feat achieved by only two other men, the legendary Brian Clough and Herbert Chapman – and countless more as a player, including several European Cups. And Liverpool fans know his passion for the club, inside and out. His reappointment has already galvanised the Reds and the city.  He probably won’t cause miracles. He may be lucky to get the team to finish in the top six this season, but then, who would expect him to? When you clear up a bloody mess, it takes time to get the kitchen clean!

Simply, Dalglish is the spiritual king of Liverpool FC, and a link between past, present, and possible future. Remember, he’s younger than Roy Hodgson – his sorrowful predecessor by four years, younger than his arch-nemesis Alex Ferguson by ten, and even Arsenal’s Arsene Wenger is older by two years.

Who knows how much he’ll be able to achieve? But for me, this story is not about Liverpool, Kenny Dalglish or even football itself, but people feeling optimism when they think they’re down and out. And suddenly a spark arrives.

I don’t know if it has anything to do with him as a man. He’s a very earthy Glaswegian (detractors would say dour and often verbally cryptic!), but although he hardly brims with bright charisma, he has a real straightforward charm and wit about him which more pretentious people lack. But I can sense he really means something to the people who understand him as a man and as a footballing legend.

At the start of last year, I watched an old Scottish television documentary of his life (from a VHS video I’ve had for years) from 1986, about his life until that point. What I was struck by, was not just the documentary style – which was very thoughtful and partly shot on film, giving it an artistic quality – but the minimalism of how they portrayed him, his frankness, and the constant look of worry on his face!

He was still a player in 1986 at 35 years old,  but almost completely free from the razzmatazz and hype you see surrounding players of today like your Ronaldos, Messis and Beckhams. There’s a poignant moment in the film when he walks on the beach with his wife Marina and their kids. He is talking about his family and how much they matter to him. It’s very hard to imagine a modern day footballer in such a scene at all.

So here’s to you King Kenny, and your continued success!

We love: Britney's 'Hold It Against Me'

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Britney Spears dropped her new single Hold It Against Me just before midnight on 11/1/11 to an overwhelmingly positive response from the media and general public.

Anticipation had built to a deafening clamour following the leak of a demo, prompting Britney to release a few hours ahead of schedule, tweeting: “Don’t #HOLDITAGAINSTME for coming out early. I couldn’t wait any longer. Hope you don’t mind….. – Britney”

The addictive track shot to the top of the iTunes charts within 24 hours of its release, and has been a constant request on the most influential US radio stations since, breaking records for first day spins according to her label and top industry analyst Kevin McCabe. Twitter and YouTube have been flooded with exuberant praise for the single, which was produced by pop masters Dr. Luke and Max Martin. Hold It Against Me is the first single from Britney’s new album, tipped by Jersey Shore star DJ Pauly D as an ‘amazing’ sure-fire hit, packed with ‘incredible’ tracks.

Why we love Hold It Against Me:

1. The name. Genius.

2. Up tempo. So necessary to get through these grey months.

3. The hint of dub-step, thanks to which we feel almost credible recommending it. Just tune out for the cringalicious: “Cause you feel like paradise… and I need a vacation tonight”

4. An unprecedented quota of Britney noises. Practically every other word ends in ‘uh’, and listen out for what happens when ‘hazy’ meets 12 + sound technicians.

5. The line ‘pop it like a hood’- so many terrible moves/puns will surely occur thanks to this phrase.

6. It is irresistibly danceable, so resign yourself – those committed to going out regularly may as well choreograph something.

Fall in love:

Manga Dreams at the Hamilton Gallery. {Art}

MANGA DREAMS

An exhibition of prints by fine art photographers Anderson & Low

www.andersonandlow.com

27 January – 5 March 2011

Hamiltons Gallery

13 Carlos Place

London

W1K 2EU, UK

Focusing on the dynamic between subject and photographer, Manga Dreams explores a visual hybrid of photography, graphics, digital painting and calligraphy with numerous layers of interpretations. Subjects tailor their look to that of manga, including extremely styled hair and elaborate costume, while performing for the camera.

Manga, stemming originally from Asia, means ‘cartoon’ and within the context of this exhibition connects street youth and visual cyberculture with contemporary art. The influence of street culture is well recognised in modern art – take Lichtenstein and Warhol for example. Manga Dreams can be seen as a continuation of this genre, drawing on an Eastern paradigm and applying it to portraiture.

Prints are for sale. Please contact Christina Richardson at Hamiltons for more information christina@hamiltonsgallery.com / 020 7499 9494

Spotted! Kate Middleton at The Ebury with bridal mags. {Celebrity}

Kate Middleton has become a regular customer at stylish Chelsea Brasserie, The Ebury, where she was recently spotted poring over a stack of magazines, which looked suspiciously like bridal ones. The restaurant is located a stone’s throw from where the procession will be leaving Buckingham Palace, so is the perfect setting for viewing the Royal nuptials.

Bambi legs: Holly Thomas dips her toe into the icy pool of freelance journalism

Age is a sensitive issue. ­ From childhood, we are taught that there can be no more heinous insult than to enquire as to a stranger’s vintage. I never really understood why until now.

Despite my youth, given the choice between a student debt-clearing windfall or three years wiped off my passport, I would choose the latter without a blink. Because there is nothing more depressing than awaiting the arrival of another birthday without feeling that you’ve achieved anything to merit celebration, and in the bleak knowledge that you’re another year closer to expiring. And when said achievement is largely dependent on the procurement of a job, or at the very least, sufficient work to keep financially afloat, it’s fairly tempting to climb under the covers with a tub of (cheap) ice cream and eat your way into chilly depression as your pride wrestles with the desire to call Mum and tell her to ‘come get you’.

Yes kids, this is what happens to optimism when you enter the world of freelance journalism.

Perhaps I sound unduly pessimistic. I only graduated in July. However, let us consider the landscape: I took a gap year. I also took a break for personal reasons after university [read: I went home for a few months, confronted a less than savoury family situation, ate an obscene quantity of chocolate, found that didn’t help, and so moved to London]. BUT there are people more organised than me who didn’t take gap years, jumped on the application wagon during their third year, and are now, at the age of 21, sitting pretty in their first job and well on their way to having ‘a life’.

Not everyone of course, we’re talking about the blessed few upon whom karma smiled, and who of course had the acumen to think ahead. But you see what I mean. Once stuck in professional no-man’s land, it’s pretty damn hard to claw your way out, especially when you’re aiming for a job in a competitive field such as journalism (hi), which requires evidence of busy labour. “But I have a first class degree, a bagful of awards and a pretty sweet list of work experience placements”. Nope, unless you’ve been employed by a respectable (ie: widely circulated) publication for at least a year OR have a helluva good specialised qualification, you are barely worth the gum on the heel of that elusive editor who refuses to answer your emails.

What happened though? When did the outlook become so bereft of any hope? And when did we supposedly bright young things become such ungrateful, acrid husks of woe? After all, a few decades ago my main concern would have been the hunt for a groom to worry about all this job malarky on behalf of us both. Now that’s only plan two (*JOKE. Unless things get really bad).

The recession (I’m really sick of that word, so that will be the only time I whisper its bromidic name in the course of this moan, er, article) obviously hasn’t helped.  The unrealistic glamorisation of the hack trade, has, I think, also added rather to the numbers of aspiring scribes clamouring for their slice of the journo pie.

Take Twitter for example. I joined a couple of months ago because it appears to be the ‘done thing’. And thanks to Twitter, I am now privy to the minutiae of the lives of almost every well-known journalist one might care to name.  And this doesn’t just entail their personal opinions on the hot topics of the day, but actual titbits (or jaw breaking gobfuls) of their home lives. And what fabulous lives they are.

Initially, I must confess to having felt a hint of jealousy. When, for example, India Knight and Caitlin Moran, both highly successful and extremely talented self-made journalists tweet each other to arrange celebratory cocktails “when you’ve finished your book” (and we know that this book will inevitably sell by the bucket load), the figurative stomach thunders with hunger for that lifestyle – the luxury to type away in one’s beautiful London home safe in the certainty that the fruits of your labour will comfortably furnish an entire Christmas shop within the hallowed confines of Selfridges and Harvey Nichols.­

I wouldn’t dream of suggesting that this is undeserved, or that these fortunate women didn’t have to pay their dues and work their way up. But things have undeniably changed in the last couple of decades, and whilst deeply painful to accept, we ‘newbies’ (until October that is) must either find something else to do or acknowledge the fact that we’re just going to have to suck it up and endure whatever it takes to get ahead.

SO if you can’t afford an MA or quickie journalism course (I can’t), write. Get a blog. Learn your stuff. Apply for things. Obviously learn how to use InDesign, WordPress, etc. But to be honest, though all the technological fireworks look pretty on a CV, ultimately the key thing is to be good and be motivated. And be interested. It doesn’t matter what your topic is; be it music, film, fashion, the environment (gulp), whatever, keep up to date so that when your dream job comes up you’ll ace the interview. Don’t be picky.

Frankly, if you’re actually talented you don’t need loads of serious writing practice. Just take what relevant work you can, suck up, be prepared to make tea and copies, and thank your lucky stars you have somewhere to go in the mornings. And most importantly, find the thing that spurs you on, cling to it like a limpet, and let it push you forward. For me, that’s watching India and Caitlin on Twitter, and imagining the day when I too will have 57,000 followers (sounds quite cult-like doesn’t it) and can afford to stuff myself to the gills with organic goodies bought online and delivered to my W1 door.

Five of the Best Gloves AW10-11 {Fashion}

You’ve got your faux fur, your cape, your hat with animal ears, it’s almost spring but not quite and there’s still a chill in the air. So chilly that writing emails on our berrys on the go becomes a chore too much. So what’s a girl to do for her frosty fingers? Well we’ve found 5 of the toastiest and we think you’ll like them too…

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Asos “Mango Balm Bow” Glove, £38

If chic and ladylike is something you’d like to call your sense of style then these might be the ones for you. Leather with a press stud fastening and bows on the wrists.

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Top Shop Rust Faux Fur Trim Cable Knit Gloves, £16

Old school nostalgia brought up to date with tactile faux fur trim. Thread them through your coat for that feeling of having never grown up.

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Asos Sheepskin Gloves, £19

Want your digits to be extra warm? These will probably do the trick. Sheepskin gloves from Asos with a thick pile cuff. Like hugging a sheep, but with less confusion and bleating.

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All Saints Ambrin Gloves, £25

These fine knit Cashmere/Wool gloves with ruching and tassle details are the sensible, stylish and yet somehow trendy option. Go smart, go casual, scrunch them up and pop them in your handbag without taking up too much room.

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Miss Selfridge Grey Long Button Gloves, £10

These woolen gloves from Miss Selfridge will keep your hands and your wrists warm. They also come in black you say?

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Being Human 3 officially an awesome foursome {TV}

As you can tell, we here at Frost can’t wait to watch the new series of Being Human. We’ve scoured the net to find behind the scenes clips and brought you the views of the actors and creators.

Like all re-commissioned supernatural series, it’s expanded from the original premise and everyone seemingly has a supernatural element to them. It’s no longer ‘a werewolf, a vampire and a ghost share a house in Bristol’ as Nina, the new werewolf, will be going with the original three to the new residence in Wales.

Werewolf couple George (Russell Tovey) and Nina (Sinead Keenan), and reformed vampire Mitchell (Aidan Turner) have fled their beloved shared house in Bristol and are looking for a new house to rent in Barry, Wales. They are also without ghost Annie (Lenora Crichlow), who is stuck in purgatory and desperately trying to escape.

The BBC have released a George & Nina trailer and some new artwork of the four in the world’s tidiest supermarket to keep us all excited…and it’s working. Click on the image below for a larger version. Wait… chicken, steak and tea in the same aisle?

Series three boasts an impressive array of guest-stars, including Lacey Turner in her first role after EastEnders as Lia, who Mitchell meets in purgatory; Robson Green (Wire In The Blood) as primitive werewolf McNair; Michael Socha (This Is England ’86) as McNair’s son Tom; Paul Kaye (It’s All Gone Pete Tong) as twisted vampire Vincent; Craig Roberts (Young Dracula) as teenage vampire Adam; Nicola Walker (Spooks) as social worker Wendy; James Fleet (Vicar Of Dibley) as George’s father George Snr; and Jason Watkins making an eventful return as vampire leader Herrick.

An online extension to Being Human will also launch online mid-way through the third series. Created by Toby Whithouse, and written by Brian Dooley, Jamie Mathieson and John Jackson, Becoming Human is set in a fictional college and will follow a new group of characters over nine episodes.

Being Human returns to BBC Three on Sunday 23rd January 2011

Jonathan Hansler on Goodbye: The Afterlife of Cook & Moore. {Acting}

Tell me about GOODBYE: THE AFTERLIFE OF COOK & MOORE

Goodbye: The Afterlife of Cook & Moore started off life at the Gilded Balloon, Edinburgh, and was on Mervyn Stutters’ Pick of the Fringe. A couple of years later in 2009, it gained rave reviews at the Leicester Square Theatre.

In the original play, Dudley Moore dies and finds himself in a bar in a comedians’ limbo run by his old sparring partner Peter Cook They need to resolve their differences, and are up for judgment for blasphemy for Derek & Clive. It features a cast of eight. Peter Cook & Dudley Moore leading Peter Sellers, Tony Hancock, Leonard Rossiter, Frankie Howerd, Kenneth Williams & Charles Hawtrey (all six played by one actor, Clive)

In the movie there is a cast of 50-odd, but apart from five leads, these are mainly small cameos, and we are looking for names for a lot of these. We have a lot of people we know and can call on as does the Director, Martin Gooch, who knows the world.

Clive will play Leonard Rossiter and I will play Peter Cook. The play is much enlarged in the film and there are The Great Programmer, Angels, Demons, Mary Whitehouse, Bill Hicks, Lenny Bruce, John Belushi, Princess Persephone, Queen of Hades and many more. Basically, Alice in Wonderland meets Bedazzled – with the tagline: “You cant escape your comedic fate.”

How did you two meet?

Clive and I met many moons ago, probably doing murder mysteries.

How do you collaborate?

Clive sits at the laptop, I make tea and pace around the room. We tend to have a good creative crossover as writers.

How did you get into acting?

Wandering round the garden at three years old dressed in a towel thinking I was Julius Caesar may have been a clue. It was all I was good at. I was crap academically.  I went to a drama school which when I was there was very good, but due to two deaths a year later closed. Maybe I should have retrained.

What advice would you give to actors who are not as established as you?

Unless you are serious about this business and would kill a relative to do it, get out. It is tough. On the lower rungs, it can be full of the biggest egotistical, untalented two-faced people. It gets a lot better as you get higher up. People are good at what they do and are generally nicer.

It is an industry that is not well policed, although generally we have a good union. If you are serious and have just murdered your uncle, network, meet people, go to festivals like Cannes, and blag it. Find a good agent, ask people about theirs, be versatile – although that may be a curse. Being excellent, and versatile at what you do, scares people off sometimes.

How do you think the industry has changed?

It’s changed because films are made so incredibly cheaply today.. Fifteen years ago, hundreds of people were queuing up to do one student film, for no money. It would cost a minimum of £250 an hour to edit a movie. Showreels were hugely costly. With the advent of technology and tiny broadcast quality cameras today, people can make a movie cheaply and quickly.. There were of course no Casting Call Pro’s or any other online services. There were just casting directors and answerphones.

If you did a show you would mail 10 x 8 photos with CV, SAE and flyer in a hard backed envelope. I did 97 fringe shows and spent 20 years before getting my first TV break via a play I blagged the auditions for (they wanted names) playing Peter Cook, so you can imagine what that cost me. Nowadays there are many ways of attracting attention via the internet.

What’s next?

Well, we want to push Cook & Moore the movie and the play, and are probably going to do a reading of the film in front of an invited audience, including mates in the film industry. I have a couple of leads in features screening soon, and am shooting a feature a mate is directing in Jan as well as another in Malta in April/May.  I am currently in Decline and Fall by Evelyn Waugh playing Dr Fagan, an eccentric headmaster, at the Old Red Lion with Sylvester McCoy til 29th Jan.

Thank you Jonathan.

If you are interested in investing in the film. Jonathan Hansler would love to hear from you. Get in touch via Frost.