The Academic Archers’ Conference 2018 by Michael Rowan

 

‘And this? asked the tall broad security guard, clearly more used to checking bags at Nightclubs than at the third Academic Archer’s Conference.

‘It’s a crochet hook’ said the woman in front of me in the queue with a small sigh of exasperation.

The security guard locked eyes with me, having already let in a variety of knitting needles, pinking scissors and even a Voodoo Doll.

The typical Archers’ listener is female, University educated, over 50 and according to the market research, resolutely middleclass.

The men form a smaller group and are clearly incapable of listening to the conference papers and knitting, crocheting and embroidering unlike the women who multi task throughout the day. In fact, one woman not only listened and knitted, but even ran up and down the aisle with a roving microphone.

 

We were at the British Library where an audience of over 200 people had converged and an almost messianic fervour is palpable in the room.

 

The Archers is the world’s longest running radio soap opera piloted in 1950, with a remit to educate agriculturists and which still performs this role today, though with much more dramatic tension.

One speaker explained that in the mid- 1970s audience levels had dwindled and the BBC was considering cancelling the show. The advent of a woman producer and women writers gave the Archers a much-needed boost and the show has continued to increase its audience ever since.

Our worth as fans is measured in how long we have been listening and at thirty- six years I have only just shed my newcomer status.

Speakers who have only listened for a few years begin with an apology to the all forgiving audience.

The bond between fans is strong and the Speakers – all academics are all fans themselves and clearly relishing the opportunity to impart their, not insignificant knowledge with fellow devotees.

The highlight of the day takes place when one of the show’s actors, Charlotte Martin, took the platform for a wide -ranging discussion. Her character is that of a social climbing busy body that we all love to hate, but by the end of the debate we had agreed that she was in fact the Greek chorus and we sneered because she was an older working- class woman. Food for thought indeed.

The papers covered a variety of Archer related topics, the most surreal about how the featured village would fair if a revolution took place. What appeared on paper to be a whimsical piece had the audience on the edge of their seats as the speaker worked for NATO and had served in Afghanistan. Suddenly this cosy soap was not quite so cosy and yet the delivery had us roaring with laughter.

Michael Rowan and Charlotte Martin

In jokes are shared and before we know it the day has passed and many more new friends have been made.

Last year’s conference has all the papers featured in a book entitled Custard Culverts and Cake and is still available to fans and none fans alike.

I leave with a kindly looking lady who could easily be typecast as the perfect grannie, white hair, glasses and a kindly smile. As we leave she reaches into her bag to remove the voodoo doll she has made of one of the characters in the Archers whom she hates with a passion.

She waves the doll at the Security Guard who again locks eyes with me.

I merely shrug, before waving my companion goodbye and arranging to meet up again next year.

 

A Healthy Alternative to Easter Eggs by Dr Kathleen Thompson

 

 

Easter eggs are delicious, I cannot lie, but sometimes our kids get just too many, don’t you think? So maybe they would prefer an ‘eggy’ themed game, instead of at least some of the chocolate this Easter?

First established in 1919, the family-owned company, Gibsons, use well-known artists and illustrators to produce high quality traditional games and jigsaws. These are something to treasure and make a welcome change from computer-based games (Yes, I am showing my age, and proud of it).

In fact Gibsons’ fun card game, Chicken Out! won the Indoor Toys & Games Creative Play Award 2017. For 2-6 players, aged 7+ it is beautifully illustrated by Clare Elsom. Players aim to reach 21, but cheeky fox cards can sabotage chances of winning. The chicken and egg theme makes it perfect for Easter.

 

The Easter Egg Hunt 500-piece jigsaw is also great for older children, or even adults who are watching their waist line.

 

 

But their large collection of beautifully-illustrated jigsaws are not confined to Easter. In fact I was given the ‘Keep on Dancing’ jigsaw myself for Christmas. It is a fabulous scene of dancers at The Blackpool Tower, home of ballroom dancing – and it certainly challenged the old grey matter as I tried to sort the sequins from chandeliers.

Gibsons also produce accessories for jigsaw enthusiasts and other games. So why not re-experience the pleasure of traditional games and remind ourselves how great they can be this Easter?

 

By Dr K Thompson, author of From Both Ends of the Stethoscope: Getting through breast cancer – by a doctor who knows

http://www.amazon.co.uk/dp/B01A7DM42Q http://www.amazon.com/dp/B01A7DM42Q

http://faitobooks.co,uk

 

Note: These articles express personal views. No warranty is made as to the accuracy or completeness of information given and you should always consult a doctor if you need medical advice

 

Das Fest at The Vaults, Waterloo, London – review by Paul Vates

 

“It was a bit dull and, ironically, predictable”

 Philipp Oberlohr’s Das Fest at VAULT Festival (courtesy Daniel Haingartner)

Philipp Oberlohr presents a one-man show that is slow, methodical and precise. He slips into artistic moments of contemplation, drowned in a spotlight, uttering Freudian statements to break up the production.

 

Everyone in the audience has a piece of paper, a pencil and an envelope under their seats. We are split into two – one half have to note down a happy memory, the other a dare to oneself or a challenge to be faced. All are then placed in two upturned umbrellas and throughout, Oberlohr removes random envelopes and predicts what it says inside, sometimes bringing people onto the stage with him.

 

 Philipp Oberlohr’s Das Fest at VAULT Festival (courtesy Daniel Haingartner)

 

He’s an illusionist. A magician. A mentalist. Announced on the posters as Austria’s Derren Brown. In the end – this evening is one very long, thoughtful, dramatic magic trick, stretched over an hour.

 

There are the expected jokes and audience participation. His previous show, Das Spiel (The Game), won the People’s Choice Award at VAULT 2016. This production, as part of the VAULT Festival, Das Fest (The Party), lacks in atmosphere and pace. Although incredibly watchable, Oberlohr, although warm and likeable, managed to pick an audience member who hindered the act through incompetence – the problem really coming from Oberlohr himself not being clear in his instructions. English is not his first language, obviously. But neither was the volunteer’s, so confusion reigned. Some mind reading was obviously ditched in order to move on, but Oberlohr never quite looked secure in his control of the show, thinking on his feet.

 

 Philipp Oberlohr’s Das Fest at VAULT Festival (courtesy Daniel Haingartner)

What this shows is that Das Fest has great potential to impress an audience (and, undeniably, some people around me were genuinely shocked by his correct predictions about the contents of their envelopes or about their private lives) but, on this evening’s showing, he needs more confidence and just a tad more showmanship. Only once did a prediction get a spontaneous and impressive round of applause – all the others were thrown away without a punchline to encourage us to show our appreciation.

 

Perhaps, here is the point. The production, although competent, is simply not joyous. Considering the title – this is not a party one would hang around for. It was a bit dull and, ironically, predictable. The staging is all black and oppressive. It needs, in more ways than one, some lightness.

 

 

Philipp Oberlohr’s Das Fest at VAULT Festival (courtesy Daniel Haingartner)

 

Photography:     Daniel Haingartner

Venue:               The Vaults, Leake Street, Waterloo, London SE1 7NN

Running:            Until Sunday March 4th 2018 at 7.45pm

Saturday March 3rd Matinee at 3.15pm

Running Time:   60+ minutes

Tickets:              £13 from www.vaultfestival.com

 

Author:               Philipp Oberlohr

Dramaturg:         Daniel Haingartner

Director:             Margot Newkirk Grambow

Producer:           Cristina Catalina

Reared:  Theatre503, 503 Battersea Park Road, London SW11 3BW

 

 

Sounds intriguing. Frost thought the Rapid Write Response such a good idea.

But what is Reared about?

She wiped his arse as a child, surely he should be wiping her arse now?

 

BAFTA-nominated John Fitzpatrick’s brand new play Reared will debut at Theatre503 this April. With unfailing humour, Reared tackles intergenerational conflict, postnatal depression, and the role of the Irish mother in the ‘sandwich’ generation caught looking after both their children and their parents.

 

Under one roof, three generations of Anglo-Irish women try to find space for a fourth. As Caitlin waits for life to begin, her grandmother Nora fears the end and Eileen frets about them both. Between her mother-in-law’s incipient dementia and her daughter’s struggle for independence, Eileen finds herself battling to adjust her household and wrangle her husband.

 

The Constitution of Ireland holds that the family is the cornerstone of society and at the heart of the family is the mother. As Eileen struggles to find some sort of control over her life she begins to see that the enemy might not be a controlling mother-in-law or an ineffectual husband but rather the roles they have been forced into.

 

Writer John Fitzpatrick comments, At the heart of this play, I hope there are warm, funny, hardworking women. Society has set them against one another and yet, through their resilience, they manage to deeply care for and protect each other. Reared had to be funny because the women I’ve grown up with in Ireland are the wittiest people I know and I’d be doing them a disservice if my characters didn’t at least try to match their level of humour.

 

Reared will also take part in Theatre503’s Rapid Write Response. Writers are invited to see the new work and write a 10 minute play in response to it. These will need to be submitted by Monday 9th April. The company will read and choose between six and eight short plays which will be read and partly staged on Sunday 22nd and Monday 23rd April.

 

Performance dates  Wednesday 4th – Saturday 28th April 2018

Tuesday to Saturday evenings, 7.30pm

Saturday Matinee, 2.30pm

Chilled Performance Wednesday 11th April, 7.30pm

Parent & Baby Performance with Coffee and a Chat, Wednesday 18th April, 12pm

Chilled Performance with Coffee and a Chat, Wednesday 18th April, 2.30pm

Rapid Write Response, Sunday 22nd April & Monday 23rd April, 7.30pm

 

Running time   90 minutes

 

Location   Theatre503, 503 Battersea Park Road, London SW11 3BW

Tickets are available at priced £18 – £12; Previews £10; Early Bird Offers are available from Theatre503 box office and  www.theatre503.com or 020 7978 7040.

 

Twitter    #REARED @boldandsaucytc @Theatre503

 

‘Sand & Vision’ Exhibition Launch: by Paul Vates

 

Stash Gallery, Vout O’Reenees, The Crypt, London E1

“How do you photograph freedom?”

 


(© Mohamed Mouloud Emhamed / Olive Branch Arts)

The Sahrawi Arab Democratic Republic is a partially recognised state that controls a thin strip of area in the Western Sahara. Morocco controls and administers the disputed territory. The Sahrawi Republic maintains diplomatic relations with 40 UN states, and is a full member of the African Union.


(© Emma Brown)

Olive Branch Arts offer a broad range of art-based experiences and training programmes and have been creatively engaging with the Sahrawi refugee community since 2012.

(© Tumana Buzaid Mohamed Salem / Olive Branch Arts)

Last October, creative director Becky Finlay Hall and associate artist Emma Brown returned to the Sahrawi refugee camps in SW Algeria to run a participatory photography training programme – empowering the people themselves to take their own images through workshops and mentoring – under the title ‘How do you photograph freedom?’


(© Tumana Buzaid Mohamed Salem / Olive Branch Arts)

This ‘Sand & Vision’ Exhibition is one of the results. Stunning images from award-winning Emma Brown (her photograph of of two Sahrawi women recently won the UN World Food Programme ‘Food for Life’ Category at the Food Photographer of the Year Awards 2017) hang alongside photographs taken by some of the Sahrawi refugees.


(© Emma Brown)

The pictures have an emotive balance between the bleakness of a sun-drench terrain with the warmth and familiarity of home. These are normal, happy people in a tough and dry environment. The subjects reach out and feel so close and neighbourly, expressing exactly the same emotions as we do, proving the point although they live far away from us, with just the one click of a camera, they are just the same as us.

Searching for a more long-term home, the exhibition aims to highlight the story of this African region and its people, as well as bringing their plight to an international audience.

As well as the exhibition, there was music from Matt King Smith and special performances from Sahrawi Hip Hop artist Yslem Hijo Del Desierto. Plus, there were poetry performances from Sam Berkson as he launches a new print of Settled Wanderers published by Influx Press – a collection of original works alongside interpreted poems from some of the greatest poets of the Western Sahara.

Organiser: Olive Branch Arts
Website: www.olivebranch-arts.com
Twitter: @OliveBranchArts

Emma Brown’s stunning photography book Sahrawi Spirit – People, Proverbs and Poems of the Sahrawi is available from the Olive Branch website.


(Image © Emma Brown)

www.emmabrownphotography.com

 

Bettys hand made chocolates and Easter Eggs anyone? I should say so.

 

 

Oh dear, oh dear, Frost has been at the chocolates again, but it is Bettys  chocolates and eggs, handmade in their Craft Bakery, They are totally  exceptional chocolates so no apologies for indulging. Let’s just remember folks – Easter cometh, not to mention Mother’s Day

Perhaps I should shout: Mother’s Day and hope my children are listening.

Forget the diet, give a box of Bettys for goodness sake, or buy some for yourself.

Of course we had to test drive these potential gifts. So, what did we think?

Smooth, creamy Swiss chocolate and a bit like a good book, one that you can’t put down – let’s read just another page. or eat another chocolate, perhaps just another one, and another, but really, it is best to pace yourselves and savour… Restrict yourself to a few a day, to make them last just that little bit longer. Fabulous, all of them.

Let’s look at the chocolates first, but just a reminder that there is not ONE calories in any of these products, and if you believe that, you’ll believe anything but they’re so worth the jog round the block if you feel guilty at any stage, though this is something that has not occurred at the Frost Magazine office

 

Hand-Painted Ganache Eggs BOX OF 8 | 22.5 X 3.5 X 2.5CM | 80G | £9.95 A collection of eight milk and dark chocolate eggs, each filled with Bettys rich Venezuelan chocolate ganache and hand-painted with a luxurious finish.

Caramel – Filled Chocolate  Easter Selection 22.5 X 3 X 2CM | 70G | £6.50 A delightful collection of seven caramel-filled white and milk chocolates, including butterflies, flowers, a duck, an Easter bunny and a speckled egg.

Champagne Truffle Eggs BOX OF 9 | 9 X 9 X 2CM | 90G | £11.50 Individually hand-decorated with Royal icing spring flowers, these dark, milk and white Swiss chocolate eggs reveal a rich Champagne and Marc de Champagne truffle filling.

 

 

Pink Shimmer Egg 10CM HIGH | 85G | £7.50 An individually-wrapped pink Easter egg, made with milk chocolate, finished with silver shimmer and hand-piped with a white chocolate woodland fern design.

These are just a few of the products produced in Harrogate at Bettys, so have a look at their other spring offerings:

Online www.bettys.co.uk Telephone 0800 456 1919 or 01423 814008

Visit one of our six shops in Harrogate, Ilkley, Northallerton and York.

Corporate Gifts Service: pr@bettysandtaylors.co.uk or telephone 01423 814186.

Deliveries & Charges:  Bettys delivers to homes and businesses across the UK, as well as to Europe, North America, Australasia and the Far East.

Delivery charges start from £3.95 for the UK and from £12.95 internationally. Last order dates for Easter UK, Highlands & Islands – Friday 23 March UK, Mainland – Tuesday 27 March EU & Rest of world – Tuesday 20 March

 

 

Death of an Honest Man by M.C. Beaton is published  – my life is complete

 

 

I adore M.C.Beaton’s books and her latest Hamish MacBeth is out in hardback, so I have had many hours catching up on life at Lochdubh, in Sutherland, the northwest of Scotland, but all the while trying not to finish it too quickly.

It features an honest man, you know, the type that destroys your confidence by feeling they must be honest and tell you that you look dreadful in that skirt, or quite frankly, you are boring. Well, I’m sure no-one has said that to you, but you know the sort I mean.

You want to kill them.

Aahhh. And someone does, but who?

As usual Hamish, that most laid back and unambitious of policemen digs away until he sees beyond the smoke churned up by the ghastly Blair, and sometimes aided, sometimes not by his sort of pal, Jimmy Anderson. And don’t forget Charlie who has resigned, and what about the animals… Well, his big cat, Sonsie, is no longer part of the pack, and instead Sally the poodle keeps Lugs company.

So what’s Death of an Honest Man about?

This review is a taster, because like all good things, it must be read slowly and lovingly, savouring every page.

Paul English the honest man has set about the inhabitants of the villages from Lochdubh to Cnothan with his brutal tongue. Harsh feelings are aroused, but who takes their fury to  heights that leads to the murder of his horrid little man, who ‘speaks as he finds’.

Who indeed? As Hamish struggles to come to terms with his big cat, Sonsie’s departure, the chaos of his hunt for a murderer, Charlie’s love life, and the lack of Hamish’s own, we drift along with him, noting the glorious descriptions of the highlands, the depth of love for a pet that can trick you into believing something that all others feel is not the truth, and of course, the murder, the solving of which must not end up dragging Hamish away from Lochdubh to Strathbane.

Read it, love it, and hate it when it’s over, then wait for the next one, or what about the next Agatha Raisin. When, oh when is that due?

The Death of an Honest Man by M.C. Beaton. Pub Constable. Hb£16.99

Gallery of the Dead by Chris Carter is a page turner, but stay behind the sofa

 

 

 

This man can write, really he can, but how does he sleep at night after conjuring up these plots? Does he dream the scenarios up? Or should I say, nightmare them up? I bet people he meets think he’s such a nice boy…

It’s when you read his biography that you realise that Carter has a lot of grist to inform his mill, or indeed his writing. Chris Carter studied psychology and criminal behaviour at the University of Michigan. As a member of the Michigan State District Attorney’s Criminal Psychology team he interviewed and studied a great many criminals – it shows. He now lives in London.

So perhaps no dark dreams, just a knowledge of how the criminal mind might work. Knowing a few policeman I am aware they all have a few cases they can’t erase from their minds, so  in Gallery of the Dead when an LAPD lieutenant tells Detectives Hunter and Garcia of the Ultra-Violent Crimes unit: ‘Thirty seven years in the force, and if I was allowed to choose just one thing to erase from my mind, what’s inside that room would be it’ as they arrive at a crime scene, you know it’s going to be a bad ‘un.

It is, but such a damn good novel, and totally addictive.

The serial killer who has created this nightmare scene needs the combined forces of the FBI and Hunter and Garcia to even get close to stopping the escalating creativity of his appalling acts. This is a psychopath whose work could win the Turner Prize, it’s so artistic and weird.

For one who used to hide behind the sofa watching Quatermass and the Pit (don’t bother if you’re young, you won’t even have heard of it) this was a book I should have read in small bits, and then sniffed smelling salts. But it is so addictive, so pacey and well written that I gulped it down, page after page, but not last thing at night. Oh no, this is a daylight read for me, but you might be made of sterner stuff.

The structure is sound, tension is on overload, and the characters of Hunter and Garcia empathetic, the other characters live and breathe, except the dead ones of course and Carter ‘gets’ the women .

Gallery of the Dead by Chris Carter hb. £16.99 pub Simon and Schuster.