Crime Round up:   by Milly Adams

 

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Cut   by Marc Raabe should keep you insomniacs company during the night, or in fact, create insomniacs – it’s a real nightmare of a book.

I’m one of those wimps who hid behind the sofa when Dr Who was on, but for you out there made of sterner stuff it’s just the ticket. Raabe owns and runs a television production company, and it shows. It’s visual, scenic and immensely powerful. Be afraid, very afraid as Gabriel searches for his missing girlfriend, knowing that his past has caught up with him, and that she will pay for it, unless he can find her in time. Edge of the seat stuff.

Cut:  pb £7.99

 

Fireraiser by Torkil Damhaug

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This is the third psychological mystery in the Oslo Crime Files, a tense and dark quartet of thrillers – in English for the first time. Set around the Fire Man who believes in the cleansing power of fire to destroy everything that reminds him of his youth. Intense, and tricky as though one is walking amongst shadows wondering what is real, and what isn’t.

The author worked as a psychiatrist for many years, and it shows. Arghhh.

Fireraiser: £8.99

 

Before I Let You In by Jenny Blackhurst

 

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This crime novel asks a question: if you don’t know who is walking through the door, how do you know if you should let them in?

 

Karen fixes problems – she is a psychiatrist after all. But then there is Jessica who knows things about Karen, things no patient should know… It’s complex, but the author has control of her plot and always works forward. You will enjoy this.

Before I let you In. £7.99 ebook available

 

Ash and Bones by Mike Thomas

 

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This is set in Cardiff, and whacks into gear immediately as Will MacReady embarks on his first day with CID. For one inexperienced young man the body count is growing… And the pace of the novel takes off, and sounds completely authentic but then the author has twenty years experience in the force. A good one, I thought. Give it a go.

Ash and Bones £7.99 ebook available

A nation in mourning   by Alex Bannard – Bangkok correspondent.

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The esteemed & beloved King of Thailand passed on Oct 13th 2016 – and the nation was devastated. We expats were in a tail-spin above and beyond the sadness, because what was the etiquette, the protocol? The problem was no one really knew because the King was the longest reigning monarch, and the majority of Thais have not experienced this event in their lifetime.

King Bhumibol Adulyadej came to the throne aged 18 and was much revered and loved by his people. He was their champion, spearheading projects to support the poor whilst at the same time bringing the nation into the 21st century. As a result Thailand has become one of the more successful Asian nations whilst still maintaining it’s cultural heritage and spirit. He has navigated political and social crises with grace and diplomacy. He once said, ‘My place in this world is being among my people, the Thai people.’

While he was ill, it was not acceptable to talk of his death, as the Thais believe even mentioning the d-word is un-auspicious and to do so may prompt the awful reality, Besides the King merely passes on: he is beyond death.

 

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When finally the official announcement went out it was literally met with wails of despair and an unprecedented outpouring of grief. Almost immediately TV stations closed or began back to back Royal documentaries, websites turned black, grey and white and institutions, businesses, schools, hospitals, hotels erected great edifices and floral tributes to the King. One Thai friend of mine said she felt like an orphan when she heard the news. Feelings ran very deep indeed, partly because of the question the situation raised – what now?

Well, Crown Prince Maha Vajiralongkorn has not only requested time to mourn his father’s death but also to delay the proclamation of his title. His sister, who epitomizes much that her father believed in could it seems be the people’s preferred choice, as the Crown Prince not only lives abroad but has a fairly hectic private life. So, after a long reign of certainty, the only thing that is certain on the King’s death, appears to be uncertainty.

However these are the bigger questions. As expats and with a definite desire to respect this country and support our local friends, we were keen to understand what was expected of us. What’s app messages and line group threads bounced back and forth. It was apparent that as culture and beliefs dictated no discussion regarding the king’s passing there had indeed been no planning for the event and everyone was floundering.

 

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Finally decisions were made. The schools were closed. We were to dress in black for a month, though the Thais would officially mourn for a year. We dressed in dark sombre clothes, encouraging slightly more minecraft play than entirely ‘good’ for the kids and, taking the lead from local kids playing nearby, allowed ours out to knock a ball around, no screaming, yelling or raucous laughter and I am proud to say they delivered with bells on.

I took almost an hour to decide on appropriate attire to walk the dog round the Moobaan, eventually deciding on dark. There was a noticeably sombre mood and it was exactly as I had expected.

All entertainment was cancelled for the next month: concerts, competitions and so on, but when we ventured to a local mall over the weekend, the masses, dressed in a sea of black and white, were clearly shopping through their grief. We had all expected everything to quite literally grind to a halt, but life went on, just shrouded in monochrome.

Eventually the Grand Palace has reopened for tourists and mourners alike. The attire is still strictly mainly monochrome and if not, black ribbons are sported, including by school children.

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As our Queen takes over the position as the longest ruling monarch, there are some parallels between the two situations. The role of Queen of England was not her initial destiny, neither was it King Bhumibol’s – he only became King after his brother was murdered. Also Queen Elizabeth has worked tirelessly for her people; her presence will be sadly missed by the nation, there might be uncertainty – this time over the role of her successor’s wife. I so hope we British, of all faiths all political flavours, follow suit bearing ourselves with the same respect, dignity and decorum I’ve witnessed here.

There are certainly interesting times ahead here in Thailand. In less than 24 hours the landscape shifted enormously and there are more seismic shifts to come. My only hope is that the good sense the king always demonstrated prevails in his absence.

My deepest and most sincere condolences to the Thai nation during this sad and uncertain time.

Blenheim Literary Festival 2016     by Philippa Brewer

 

I was fortunate to be able to attend the Blenheim Literary Festival recently. Set in beautiful Capability Brown landscaped grounds, the Palace provides a stunning backdrop to the event, which featured many of the nation’s best loved writers and personalities.

 

Nicholas Parsons– as delightful and charming in real life as he is on radio and television – gave a talk on the life and work of Edward Lear which managed to be informative and very amusing at the same time. He impressed his enthusiastic audience speaking for an entire hour without any reference to notes at all, making several long (and error free, I should add) recitations of favourites such as The Pobble who had No Toes, The Owl and the Pussycat, and The Jumblies.

 

Lord Owen provided a complete contrast in the next talk as he discussed his fascinating account of the meetings of the May 1940 War Cabinet Cabinet’s Finest Hour: The Hidden Agenda of May 1940. He then took questions on topics as wide ranging as the situation in Syria and how it might be resolved, and his views on the future of the NHS.

On a different – but wholly appropriate note given the setting – I also thoroughly enjoyed the talk given by Adrian Tinniswood on The Long Weekend – Life in the English Country House Between the Wars for the glimpse that it gave of the decadent ways of the aristocracy.

 

The same sort of luxurious living (albeit post) was also fully on display in Justine Picardie’s account of Dior at Blenheim, which told how he showed off his New Look to fashion hungry debutantes and socialites in two fabulous fashion shows put on to raise money for the Red Cross in the 1950s. Justine herself, who had clearly fallen under the spell of not just the clothes, but also the Palace, was a main mover behind the reprise of this evening earlier in the year, and I for one will be watching the Palace website in the coming season to see if it repeated in 2017. –

 

Helios Collective: Formations Masterclasses – supported by ENO

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Monday 14th – Friday 25th November 2016

Following the successes of Formations 2015 where three new operas were worked on over a two-week period by Kasper Holten (Director of Opera, Royal Opera House), Robert Saxton (composer), Stephen Unwin (Dean of BADA), Stephen Barlow (Artistic Director, Buxton Festival), Bettina Bartz (dramaturg) and David Parry (conductor), Helios Collective return with their Formations Masterclass series this November.

The 2016 masterclasses feature the likes of Mark Wigglesworth, Janis Kelly, Judith Weir, David Pountney, James Clutton, Stephen Medcalf, Jonathan Moore and Brian Dickie. The Formations series allow participants to engage with the development of three new operas with the aid of leading industry professionals.

The three pieces selected for this year’s masterclasses are:

Dead Equal: In 2016, a barrage of criticism met the introduction of British Servicewomen into army combat roles. But in 1916, one British woman was already there, embedded in the Allied frontline. Dead Equal celebrates the courage and sacrifice of women in theatres of war, probing the cost and meaning of service; the force of class in shaping opportunity, and the disruptive power of a female identity forged in blood and sweat.

FOR the LOVE of THORSTEIN SHIVER: FOR the LOVE of THORSTEIN SHIVER is the Albran breakfast cereal of fecal epiphanies. It is loosely based on the medieval Iclandic þættir “The Tale of Thorstein Shiver”.

Yellow Wallpaper: The Yellow Wallpaper is a short, chamber opera based on the story of the same name by Charlotte Perkins Gilman (1860-1935). The story is based on a nameless
young woman’s descent into psychosis as her mental health issues are left misunderstood.

This project is supported by Arts Council England, the International Opera Awards, the Hinrischen Foundation and The Fenton Trust.

The Formations series will conclude with a final performance and feedback session at Lilian Baylis House on Friday 25th November.

For more details: www.helioscollective.co.uk

@helioscollectiv, #Formations

Tickets are available priced £10 (£5 concessions) from

www.ticketsource.co.uk/helioscollective

Benighted by J.B. Priestley by Milly Adams

Presented by Damien Tracey Productions Ltd and the Old Red Lion Theatre.

Tuesday 6th December 2016 – Friday 1st January 2017

 

Originally published as a novel in 1927, Benighted was the first real introduction to the world of a then unknown J.B. Priestley. Now the world premiere of its stage production, adapted by Duncan Gates, will be staged at the Old Red Lion this Christmas. Following the success of the 2015 world premiere of Arthur Miller’s No Villain, the Old Red Lion are now renowned for their exciting programming decisions.

In 1932, Benighted was adapted by Universal into a film version called The Old Dark House which broke box office records across the UK and continues to influence modern cinema to this day.

J.B. Priestley is best known for An Inspector Calls which I still love. In Benighted, the literary seeds of one of Britain’s greatest ever playwrights are beautifully evident in the rich dialogue, unforgettable characters and gripping tension – now fully realised on stage for the first time.

J.B. Priestely’s son, Tom Priestley, comments, Benighted was my father’s second novel which was totally unlike his first novel Adam in Moonshine, and indeed unlike anything he wrote later. He liked to try his hand at different genres and, as he told me later, he had to enjoy his writing himself, otherwise how could he expect anyone else to enjoy it? Experiment was a key part of that enjoyment. It will be fascinating to see how it now translates for the stage, a new and very different medium. Of course the blend of characters will be as written but the setting must be adapted for the theatre.

Tuesday 6th December 2016 – Friday 1st January 2017 Tuesday to Saturday, 7.30pm
Saturday and Sunday matinees, 3pm

tbc
@BenightedPlay, @ORLTheatre

Old Red Lion Theatre, 418 St John Street, London EC1V 4NJ,

www.oldredliontheatre.co.uk.
 Tickets are available priced £19.50 (£17.50 concessions) Previews priced £16
Available from Old Red Lion Theatre Box Office and www.oldredliontheatre.co.uk or 0844 412 4307

 

ALL STAR IMPROV COMEDY CHARITY WEEKENDER in aid of Great Ormond Street Hospital on 26th – 27th November.

The Free Association; London’s leading improv theatre and school is delighted to announce a charity weekend of live improvised comedy.

 

My granddaughter had been operated on at GOSH and is in line for another within the next three months. This fundraiser sounds worthy of support.

The Free Association’s mission is to delight and inspire with a selection of the finest improvised comedy in town, and this charity weekender will be showcasing the most established and exciting improv acts around. The Free Association are delighted to be hosting UK exclusive shows from legendary LA based improvisers and guest instructors Craig Cackowski (Community, Veep, Drunk History) Holly Laurent (The Reckoning) and Greg Hess (Cook County Social Club).  

Not only are The Free Association London’s answer to Second City and the UCB, they are also the creative minds behind the C5 part-improvised comedy hit sitcom Borderline;

Borderline has recently been commissioned for its second series, so what better way to celebrate than with the first ever live stage outing of the show as part of the charity weekend of comic theatre, all crafted in the moment. The Free Association  feature amongst others :

Graham Dickson: founder member of award winning improv show Austentatious and appears in  Borderline

Liz Smith – Lead in Borderline and 1/3 of comedy hot sketch group Massive Dad and star of Channel 4’s Ballot Monkeys

Alison Thea-Skot – Fringe favourite, with her 5 star sell-out shows ‘Some Like it Thea-Skot’ and ‘It’s Thea-Skot in Here (So Take Off All Your Clothes).

All proceeds go to the Great Ormond Street Children’s Hospital

DATES: Sat, Nov 26, -Sun, Nov 27 2016 TIMES: Saturday 12:00pm – 10:30pm, Sunday: 12:00pm – 9:30pm

The Free Association Theatre (Formally The ARTSpace) 113 Southgate Road London, England, N1 3JS

DAY TICKET: £15 // FULL WEEKEND: £25 // INDIVIDUAL SHOWS: £5 (limited)https://billetto.co.uk/events/91675

Tickets:https://billetto.co.uk/en/events/fas-charity-weekender/tickets?utm_campaign=billetto_widget&utm_medium=referral&utm_source=http%3A%2F%2Fthefreeassociation.co.uk%2Fshows-1%2F2016%2F11%2F26%2Fthe-fas-charity-weekender

The first round-up of feel good stories for Christmas – for all ages.     Reviewed by Milly Adams

A Friend for Life True stories from Battersea Dogs and Cats Home.

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Opening with a foreword by Paul O’Grady, this heart-warming and uplifting collection of real life stories demonstrate the extraordinary lengths Battersea volunteers go to in order to give animals a second chance, as well as celebrating the power of animals to transform people’s lives.

Battersea Dogs and Cats Home is the oldest and most-loved animal home in the country, caring for thousands of lost, abandoned or unwanted cats and dogs every year. But while they play a vital role in saving animals, quite often these animals go on to save their new owners in surprising ways.

Royalties from the sale of this book go towards supporting the work of Battersea Dogs and Cats Home (registered charity no.206394)

What’s not to like about this, especially if you’re an animal lover. A book very much full of love, hope, and sheer delight.

A Friend for Life: £6.99.

 

A Christmas Angel at the Ragdoll Orphanage by Suzanne Lambert

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When the author, Suzanne, was left, two weeks old, at the door of an orphanage in Newcastle, it was Nancy the nanny who fought for the right to adopt Suzanne. Now, 60 years later, Suzanne is sharing the untold story of all the many orphans that her mother Nancy saved throughout the 1940s and 50s.
A Christmas Angel at the Ragdoll Orphanage tells the story of a remarkable woman, who worked tirelessly to give society’s most vulnerable children a chance of home and happiness. Full of touching,unforgettable stories, this is a wondrously festive book all about the real meaning of motherhood.

Another winner: an inspiring book, full of hope. As one with roots near Newcastle I loved this but even as a someone from down south I would have done, anyway.

A Christmas Angel at the Ragdoll Orphanage: pb Michael Joseph £6.99

A Pug Like Percy by Fiona Harrison

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Be still my beating heart. This is a fantastic book for the Christmas stocking, but for what age? Children would enjoy it, and the print is such that it is easily read, but why deprive adults? What a peach of a pug.

Percy is homeless, abandoned by his owner at an animal rescue centre on a cold winter’s night. So when he finds a loving new home with Gail and her family, his deepest wish is that this time, it’s forever. Will it be, with the family under strain as the young daughter Jenny endures frequent trips to hospital?

Ah, wait and see.

A Pug Like Percy hb: £9.99

 

 

Pro Plus 36 VARIDESK – standing desk

 

pic-a-standing-desk-pro-plus-36_main-10a88d7d8eef66cbc9309ff1100d93b41At last, some workplace relief…

As an author with Arrow, writing two books a year under a couple of names, plus running a small charity which helps wounded ex-service personnel, plus the role of contributing editor, feature writer and literary reviewer for Frost Magazine, plus teaching creating writing, plus…

Well, you get the idea.

Yep, so there I sit in my kitchen/dining room, which doubles as my study because I need to be in the heart of the house with the dogs scattered about. I sit there, typing, and thinking, and typing, with my bum getting bigger, and my back getting worse, hour after hour, producing the latest Margaret Graham, or Milly Adams, or whatever writing is needed that day. At the end of it, I swallow pills to cope with the backache.

Then I read that Churchill – as well as writing in bed, in the bath, at his desk – also wrote at a standing desk. I then thought of all the traditional clerks who stood at them too. Would this help me?

So I have ‘road tested’ the Pro Plus 36 VARIDESK

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It’s the most amazing tool for anyone who types and writes a great deal. It can be used at the height you need – just squeeze the handles at the side and it will spring up effortlessly. I move it a little up and down from time to time, to ease the elbow and shoulder position.  If you find you would like to sit for a bit, just squeeze again, and lower it. You can see that the book (Milly Adams – Sisters at War) I had stood on the top level stayed upright as I lowered it.

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The difference it makes is extraordinary because you are changing your position throughout the day, and taking the pressure off your spine as you sit. My back is vastly improved and I will save on chiropractic fees. But let me tell you a bit more.

The footprint is 4.5” H 36” W x 29.75” D (11.43 CM X 91.44 CM x 75.57 CM)

It is ideal for those with dual-monitor setups or larger workspace needs, but I find it great for my laptop, reference books, and coffee cup, not to mention my phone. However, ‘him indoors’ is showing too much interest in its two-tiered design with separate keyboard/mouse deck which gives you plenty of room for basics and accessories with the added convenience of never having to move any components when raising or lowering your VARIDESK. 

Like all VARIDESK stand up desk models, the Pro Plus 36 features VARIDESK’s patented spring-assisted lift mechanism that allows you to raise and lower it almost effortlessly in just seconds, (that’s true, trust me) making it a true sit stand desk. It can hold up to 15.8kg (35 lbs.) with ease and stays sturdy and stable even at its fully extended height. There are other desks available too.

  • Free delivery
  • 4cm (36″) wide for larger, dual-monitor setups
  • Two-tier design: upper display surface, lower keyboard/mouse deck
  • Holds up to 15.8kg (35 lbs.)
  • Sits on top of existing desk.

Seriously, this is a great buy at RRP £335.

For more information: http://uk.varidesk.com