About Alex Knott

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Ólöf Arnalds, St John on Bethnal Green | Live Music Review

I’ve been to a lot of strange places on a Tuesday evening but church in Bethnal Green wasn’t previously on that list. I say strange because at first glance going to a gig in a church is a slightly odd thing to do but in reality it couldn’t be a more perfect space to watch some lovely Icelandic folk. The place is by no means full but judging by the reaction of those gathered as Ólöf bounds onto the stage, along with longtime collaborator Skúli Sverrisson, they’re ready and willing to be blown away.
From the off they, and the venue, didn’t disappoint – the sound being carried around to great and beautiful effect – opener “German Fields” with it’s back and forth “You know I care. Why I see you, all the way through” sends the hairs on the back of one’s neck into a mohawk.
The show being in support of her third album, Sudden Elevation, and her first sung wholly in English, the songs from the record don’t so much disappoint but it’s the older songs, sung in her mother tongue, that really stand out. For all I know she could simply be reading out loud the back of a tin of paint or the terms and conditions for a 2 for 1 pizza voucher but it sure as hell sounds beautiful. Achingly beautiful.
Maybe that’ll be her downfall in terms of taking things to a much bigger level of fandom; that we in Britain don’t go mad for chaps singing in foreign tongues and it’s those older, foreign-tongued tunes of Ólöf’s that are the ones that stand her out from the pack.
Between songs the chatter is laced with nothing but enthusiasm – you can tell there’s nowhere else she’d rather be and that if the audience weren’t there she’d still happily be playing her songs with Skúli to anyone who’d listen. And to be honest, there’s nowhere else this audience would rather have been tonight. Simply marvellous.

Adam Green + Binki Shapiro, Bush Hall | Live Music Review

Adam Green first burst onto the scene in 2001 as one half of New York anti-folk duo The Moldy Peaches. 12 years on he’s stood in West London on a Wednesday evening alongside Binki Shapiro crooning out a beautiful 60’s folk-pop sound. It’s been quite a time for the irrepressible Mr. Green.

Adam and Binki’s collaboration has been described elsewhere as being similar to that of Nancy & Lee and as they open with “Don’t Be Jealous With My Thoughts” it’s not hard to spot the similarities, with Green’s soft guitar plucks swirling around Shapiro’s honey coated swoon of a voice. The arrangements are lush and the only thing that seems off here is the time of year; with the weather cold outside, close your eyes inside Bush Hall tonight, take a sip of your pint and you could be in some beautiful piece of countryside on a hot summers day. It’s a splendid show on a cold night on the Uxbridge Road and “Just To Make You Feel Good” has the sound of romantic possibility running through its sound but the lyrics hint at altogether less than convivial romantic ties. The pair are backed by a full band who blend into the background with a heads-down, workman-like attitude but add layer upon layer of beauty to proceedings.

Duets can often be a horrible thing and end up being corny, cheesy and slushy muck but this collaboration has the crowd, including a rather fat, legging-clad Carl Barât, enthralled from start to finish. Green and Shapiro come across as kindred spirits, fashioning difficult circumstances into beautifully crafted songs. With little music released there’s little familiarity with the tunes but after 13 songs they exit stage left  with the crowd wishing for more.

With my expectations for the show low I wasn’t disappointed but even if they were higher than Adam’s old pal Pete Doherty, they’d not disappoint. The LP for this project isn’t due out until January 2013 but on this performance expect it to be amongst the records of 2013.

Eugene McGuinness: new video + tour of London | Music News

London born singer Eugene McGuinness has announced the release of his new single, 6th August 2012, the video of which is available here:

Eugene has also announced a four date London specific tour entitled ‘The Invitation Tour’, with shows in north (Proud Galleries), south (Corsica Studios), east (Birthdays) & west (Notting Hill Arts Club) London this August, as highlighted below. Eugene’s London show at the Lexingon on 3rd July is now sold out. Further dates have also been announced, including shows as special guest to Anna Calvi and The Wombats.
Full live dates are as follows:

30th June – Blissfields Festival, Hampshire

3rd July – Lexington, London (Headline) – SOLD OUT

6th July – Lounge on the Farm Festival, Merton Farm, Canterbury

8th July – Delamere Forest, Cheshire (Wombats support)

12th July – Somerset House, London (Anna Calvi support)

22nd July – Tramlines Festival, Sheffield (free)

3rd August – Corsica Studios, Elephant & Castle, London (In The Woods Festival warm up show)

8th August – Proud Galleries, Camden, London (Music Week Breakout)

17th August – Parr Hall, Warrington (supporting Miles Kane)

23rd August – Birthdays, Dalston, London

29th August – Notting Hill Arts Club, London (Death 2 Disco)

Sep 14th – 16th – Festival No.6, Portmeirion, Wales


Milk Maid – Mostly No | Music Review

As the late, great Mark Twain once said, “plain question and plain answer make the shortest road out of most perplexities”. On listening to Milk Maid’s 2nd album, ‘Mostly No’, it becomes abundantly obvious that chief protagonist Martin Coren is a subscriber to the school of though that simplicity is often the best path to tread. ‘Mostly No’ is a great record for it’s simplicity, not in spite of it. It doesn’t matter what you do to it, what effects you layer over the top or what wizardry you imagine into things – great music comes from the simple stuff, great melodies and great lyrics.

The record begins with ‘Dolpamine’, which builds slowly and beautifully from a campfire strum (one with electric guitars, natch) into a beautiful fog of distorted guitars. ‘Do Right’ starts with that fog of distorted guitars and emerges into a cleverly crafted slice of Lemonheads-esque pop before descending into a beautiful cave of feedback and distortion. ‘Stir So Slow’ is Coren’s Nirvana Unplugged moment.

As the record continues on the turntable the one thought on it is that this is probably the sort of music that grunge would be playing if it were alive today. There’s a hint of shoegazing in there too. Acoustic numbers ‘New Plans’ ‘No Goodbye’ and ‘Picture of Stone’ bring to mind Swearing at Motorists and even The Stone Roses. A lush, rich sound that is oh so achingly beautiful.

Whilst ‘Mostly No’ isn’t reinventing the wheel, it certainly deserves its place in any decent record collection. It’s Martin Coren stepping away from being ex Nine Black Alps and into being Mr Milk Maid in his own worthy right. Play it lots and play it loud!

Bloc Party unveil album details | Music News

 

Less than a year ago there was doubt over Bloc Party producing another record again. This week they’ve announced the release of their fourth album, ‘FOUR’, set for release on 20th August via Frenchkiss Records.

Following an extended hiatus after 2008’s critically acclaimed ‘Intimacy’, the four piece of Kele Okereke, Russell Lissack, Gordon Moakes and Matt Tong reunited in New York in the winter of 2011, prompted by a creative impetus inspired by a dramatic year in world events, as well as a shared desire to rekindle their singular musical kinship.

Teaming up with producer Alex Newport (Death Cab For Cutie, The Mars Volta, At The Drive-In), the band, in Kele’s words, “wanted to challenge ourselves by not relying on the invisible grid that seems to be mapping out all of popular music these days” and goes on to say that it “is the sound of four people in a room, loving what they do and doing it to the best of their ability. It is the sound that only the four of us could make, and I am prouder of it than any record we have ever made”.

‘FOUR’ is released August 20th via Frenchkiss Records.

Tracklist:

01. So He Begins To Lie
02. 3×3
03. Octopus
04. Real Talk
05. Kettling
06. Day Four
07. Coliseum
08. V.A.L.I.S.
09. Team A
10. Truth
11. The Healing
12. We’re Not Good People

Givers – new single ‘Ceiling of Plankton’ & UK Festival dates in July | Music News

 

Louisiana quintet Givers have announced they’ll be returning to the UK in July to perform at Latitude and Larmer Tree festivals. Coinciding with these dates the band have confirmed the release of live favourite ‘Ceiling of Plankton’ on July 30th through Glassnote and Island Records.  Have a watch of the video here:

 

Givers UK Dates:
13th July – Latitude Festival – Suffolk
14th July – Larmer Tree Festival – Dorset

New video of The Orb featuring Lee Scratch Perry + free download | Music News

 

The Orb featuring Lee Scratch Perry have unveiled first song, ‘Hold Me Upsetter’, from their forthcoming album ‘THE ORBSERVER in the star house’. They are giving away a free download of the song here. The track is taken from the album, which is released on 3rd September via Cooking Vinyl. The album has come together during a series of sessions in Berlin, which took place over the last few months.

 

 

Ben Howard unveils new Everything Everything remix of Old Pine | Music News

Ben Howard releases his new single ‘Old Pine’ on the 6th August and last night premiered a brand-new Everything Everything remix of the track on Zane Lowe’s Radio 1 show. ‘Old Pine’ has been a live favourite of Ben Howard since the release of his debut album ‘Every Kingdom’ last year. Have a listen below:
As previously reported Ben is heading out on an entirely SOLD OUT UK tour later this year. Dates here.