SUNDAY SCENE: EVA GLYN ON HER FAVOURITE SCENE FROM AN ISLAND OF SECRETS

Spread the love

It’s every writer’s dream, isn’t it? To sit in the exotic location where you’ve set your book and actually write the scene. From exactly the same place as your character; to see what they see, hear what they hear, smell what they smell. Well, one morning when I was on the Croatian island of Vis researching An Island of Secrets, I made it happen when early one morning I picked up my notebook and strolled down to the harbour…

 

Although a few cafés were open at this hour Leo had chosen one in front of a broad flight of steps in a corner of the harbour, its tables tucked back into a narrow space between a pizzeria and a bakery. Not the one where she usually bought her bread, but today that might change too. Or it might not. If she was to stay in Komiža then something damn well had to – she’d been here a month and she couldn’t go on as she was.

Cigarette smoke drifted around her and music was playing from a radio further down the quay. A few local people were about and the crew of one of the holiday yachts moored on the mole had settled at a table somewhere behind her, but generally there was an air of peace about the place and she felt herself relax. A scrawny black and white cat with the swagger of a prize-fighter strolled past, but the tiny tabby cleaning itself under one of the chairs seemed unimpressed.

There were two reasons she had chosen this place to have her coffee. The first was that she could see The Fishermen’s House from here, and the second that yesterday she had found a photo from 1944 in the online archive of a museum in Split and she was pretty sure she recognised where it had been taken.

She pulled out her phone and looked again. Yes, that was definitely the narrow building where the tobacco shop now was, and the distinctive carved lintels above the windows of the property directly to her right were in the picture too. The palm trees were in the correct places, although in the photo they were barely taller than the men and now they towered more than four storeys high.

She had scanned the faces of the commandos in vain for anyone who looked vaguely like Grandad. But although she had been disappointed, she knew he might recognise some of the men and the thought made her tingle with excitement; she had already emailed the photo to Auntie Mo so she could show it to him. It was progress of a sort and there was pitifully little else to say. How the hell did you find out about some random woman who lived sixty years ago in a foreign land? Especially when you weren’t entirely sure who that woman was.

 

Leo is in Komiza to try to find out what happened to the woman her grandfather, Guy Barclay, had to leave behind when his commando unit pulled out in 1944. When Guy first arrived on Vis, the only part of Yugoslavia not occupied by the Germans, his mission had seemed straight forward, but then he stumbled across a brutal execution on a remote hillside that changed everything.

These executions – of female partisan fighters who had fraternised with their male colleagues – really happened, and at the time their British allies were powerless to do anything about it. But it made me wonder, what if one of them had tried? I had my hero and I had my story.

 

Find out more about my books set in Croatia at evaglynauthor.com