F2D Clothing Launch New Collections. {Fashion}

F2D Clothing have launched a new collection just in time for Valentine’s day. So if you want your man looking urban cool, check out the website F2D Clothing.

Born on the streets of Birmingham City, UK, F2D Clothing is a urban street fashion brand created by long time friends Daniel Gardiner, Gary Thompson and Marcus Isaac. Since 2008, the F2D Team have been bringing you limited edition alternative wear to the normal high street labels you see plastered all over everybody.

Already worn by Dizzie, J2K, Ghetts & Leo Gregory, F2D embodies the UK street lifestyle translated into raw material and will always strive to keep it fresh.

We got them to outline their concept: “F2D is neither street wear, high street, or high end, we are somewhere in between, We Are F2D!
Survive and Provide.

THE SURVIVE SERIES CONCEPT.

TO SURVIVE AND PROVIDE!! WE ALL SURVIVE AND PROVIDE IN SOME WAY SHAPE OR FORM, WHETHER ITS FOR OURSELVES OR OUR FAMILIES. WE WANTED TO FINISH THE YEAR AND GO INTO IN 2011 WITH THAT MOTTO, ‘SURVIVE AND PROVIDE’ FIRMLY ASSOCIATED WITH F2D. WE AS THE OWNERS OF F2D ALL SURVIVE AND PROVIDE DAILY FOR OURSELVES, OUR FAMILIES AND EACH OTHER. OUR NEW COLLECTION SHOWS HOW THE BRAND HAS MATURED AND SURVIVED THE LAST 2 YEARS TO GET TO WHERE IT IS TODAY. THE BRAND F2D PROVIDES FOR US AND OUR CUSTOMERS THROUGH OUR IDEAS AND DESIGNS. F2D WAS AN IDEA THAT EVOLVED TO WHAT IS IT TODAY AND HAS SURVIVED MANY ADVERSITIES SO THE NEW COLLECTION COULD ONLY BE CALLED ‘THE SURVIVE SERIES’!!”

SURVIVE AND PROVIDE – F2D.

Fashion Label Miu Miu Collaborating on Short Films

Italian Fashion Label Miu Miu have teamed up with film-makers to produce a series of short films for their Label Campaign.

The high fashion brand first emerged in 1992, from the house of Prada – headed by the incredible Miuccia PradaMiu Miu clothing is sleek, sexy and cosmopolitan chic – a flamboyant mix of bold colours, feminine, flowing designs and block colouring in satins, silks and cottons.

The short films prominently engage on the intimacy of being a woman – a strong reflection of the label’s approach to design and women’s fashion.

The first film, titled The Powder Room, is directed by Zoe Cassavettes and consists of a dreamy Claridges backdrop, sprinkled with the essence and aura of all things feminine and classy.

“I love the idea of the Powder Room,” she says. “There’s something special about glamourising yourself. It’s away from men, where you can check out other women before facing the world again.”

The first film has a stirling fashion cast, and expresses the class and beautiful aura of the Miu Miu Woman, perfectly.

Starring Audrey Marnay, Caroline de Maigret and Sophie Vlaming – parading some delectable pieces from Miu Miu‘s S/S 2011 Collection – the films scream glamour, femininity and refined, quintessential beauty.

Visit www.miumiu.com to watch the film for yourself!

Sonia Rykiel – Uprooting 70's Glamour!

Paris Fashion Week paid homage to one of the most sought after and vivacious lines in fashion. Sonia Rykiel is known for her carefree charm and chic ‘no mess’ attitude, and as one of la Mode’s most experienced and knowledgeable designers, her approach to fashion is quirky, independent and extremely fun.

This S/S Season is treading the roots of 70’s fashion glamour in a big way. Illustrations of bold palates are everywhere we go. Rykiel‘s collection voiced the welcoming of sophisticated 70’s runway glory, by capturing the effects of geometric, colour-refined fashion.

Inspiring designs and vivid colour were all in the range at her Paris catwalk show. Sharp designs, playful – embedding a chic, youthful vibe.

A mix of jersey prints and skinnies. An application of heavy cotton-layered trench cuts, cute slimline dresses, stripe-inspired georgettes, silks and satins on show, along with an array of  beautifully designed tassels – in company of outrageously divine accessories.

Top Hats, eccentrically, oversized mid way strap bows, block-colour tees and open-toe wedges. This was creative 70’s characterisation taken to the max.

Rykiel took to the skies with her illustration of handbags, clutches, casual totes and stunning bucket bags – mid length to long straps,  soft fold flaps, hip length falls, in luxurious leather. Colours were bright and striking – a multi array of tan, yellow, blue and black, finishing with the dainty decor of two tone tassels – in theme with the exuberance of tassels in her top hats collection.

Beautiful and chic. Definitely a bookmark for this season’s 70’s-inspired fashion trends.

Designs On Daisy {Fashion}

Peacocks, the UK’s hottest value fashion retailer, has announced its first design collaboration with style leader Daisy Lowe, who will launch her collection of retro-inspired swimwear, which she will also model, for summer 2011.

‘Daisy Lowe for Peacocks’ follows five sell out collections for the value fashion retailer, designed by her mother Pearl Lowe.  Daisy’s collection aims at offering customers on a budget, the chance to buy designer swimwear for £18 and less.

Her designs will launch in selected Peacocks’ stores and online in May 2011, available in sizes eight to 16, and in cup sizes 32B to 36DD.  The bikini tops and briefs will be sold separately to allow customers to mix and match.

For her debut collection, Daisy sought inspiration from the French Riviera in the 50s, celebrating the beautiful curves of Sophia Loren and the original pin-up queen, Bettie Page.  Her four-piece collection includes a selection of flirty bikinis, swimsuits and sexy shorts, designed to flatter women of all shapes and sizes.

Pearl Lowe will continue her spring/summer 2011 vintage inspired tea dress collection set to launch in April.

Daisy Lowe said: “It was important from the start that my designs were accessible so my friends could afford them, which is why we’ve kept the collection under £18.  I’ve sought inspiration from the things I love, family holidays in Europe, iconic 50’s pin-ups and classic vintage shapes.  My mum is my style icon and it was great growing up and having access to her closet.  I’m so pleased I now have my own collection to wear and share with my friends instead of nagging my mum for hers.”

Pearl Lowe said: “I’m so proud of Daisy’s collection. Whatever she puts her hand to she turns into a success and I can’t wait to see her designs come to life this summer.  Together we are proud to be bringing classy vintage fashion to the high street at affordable prices.”

Jane Hotz, Peacocks’ Womenswear Buying Director said: “We’re thrilled to be able to translate Daisy’s vintage designs for our customers.  Daisy is a trend setter, and it’s been an inspiration turning her creative ideas into a reality.  We hope customers enjoy wearing her designer swimwear at great value.”

Introducing Marwood: Men's Accessories – French Style

This year is playing extra friendly to the theme of Lace, whether it be embodied in clothing, accessories and jewellery. One brand that is making its integral mark in the fashion market is brand Marwood.

Tha label is due to launch in preparation for A/W 2011. This is great timing, working perfectly in sync with the popular movement of lace through S/S 2011 – notably for women, but Marwood are creating a new balance.

As mentioned in my A/W Accessories article, craft-enthused accessories are a must for any fashion lover this year. Marwood expresses a similar hand-made facet in their design – showcasing a range of Ties and Bow Ties, created from fine fabrics, such as Woven Silk and English Spun Lace.

Marwood take immense pride in their craftsmanship, taking their inspiration from those who have showcased their techniques in the industry, both previously and current.

The French brand draw on traditional looks, and a rich and distinguished heritage. Appealing to a wide range of people – from those uber fashion-conscious vintage lovers, to more traditional followers of defined cut menswear suits and garments.

The range is simply exquisite, comprising of checks and lace. The bow ties are of particular beauty. Delicately handcrafted, they can be combined with both casual, vintage day wear, to a more refined look for the evening. Their unique look can even be something of a collectors item.

Intelligently created and rich in its flavour of style – Marwood is definitely a brand in 2011 to look out for!

A Peak into A/W 2011 – Part Three – Accessories

So here we are, on the brink of S/S 2011 – engaging our enthusiasm on what’s hot for this season’s primary looks and trends. Fashion is forever changing and reinventing itself. After looking at this A/W’s main Looks and Trends, it’s time to take a little peak into the merging accessories.  Ladies, the aim of fashion is to stay one step ahead!

Hats – BIG this year, and let’s face it, the latter part of the year plays happy to cute knits and a warm palate of colours. From warm woollen in bright welcoming colours, to boyfriend peaker caps, it’s all in fashion. Checks and vintage marked pieces are all splendour, combined with gloves and woollen detailed scarves – it’s all in the mix.

The Eccentric and Bold Hat Statement: We’ve paid homage to last year’s flappy ear inspired hats – so individual and characterised, an illustration of how A/W accessories don’t need to be minimal in mirror of the weather! Russian inspired, these hats will be ever present this A/W. Turn down ears, in sync with vibrant multi colours, embedded with fur and button detail. Fun and chic.

The Chic Downtown Girl: The Cap Accessory – Boyar Mink Cream and dyed jet black winter caps are all dominant this year. Look to Oscar De La Renta‘s line for inspiration.  Feminine, cosmopolitan and eye-catching. Perfectly combined with monochrome scarves from Soft Angora.

P for Pom pom!: The Pom pom hat. Distinguished and adorable – for all women. Presented in a range of colours, the bolder, the better! A reminder of yesteryear trends – the pom pom hat was more than likely worn by most of us at some point, but this 2011 makes the stage for a large pom pom comeback!

Jewellery – Making a figurative fashion statement all year round, jewellery can be effortlessly accessorised from season to season. This A/W, look out for vintage-inspired rings and necklaces. A divine accessory to wear along with patterned, graphic autumn prints, tuxedo jackets and long knits. Think bohemian meets fall chic.

Tangled necklaces, heavily encrusted in a mix of dazzling reds, mustards and greens, in spirit of the Autumn season, as well as browns, silvers and reds for the winter.

Tassels – Remarkably popular through this S/S 2011, tassels will be making their mark this A/W, but unlike the fusion of tassels on handbags, this year will see tassels making a standpoint in jewellery. Delicately derived choker necklaces and bracelets. In addition, the featuring of tassels on ethnic gold and silver mused jewellery.

Knitted Headbands – I’m not talking slim line headbands. More thicker, striking coloured bands – perfectly accessorised with trench coats and printed scarves, again, perfect boho allure.

Knit Legwear – The chunkier, the better. Worn over your simple Osbornes’ or ankle boots, this accessory makes for a brighter statement to any footwear, and equally as comfortable without footwear.

Top handle Bags and Satchels. The trademark cosmopolitan look. Leather enthused, in a mirage of cream, black and mustard palates. For the more adventurous satchel lover, check out the line by Ed Hardy, for creative, illustrated inspiration.

The Skinny Belt – A favourite for most fashion followers, the skinny belt is a great accessory to have in your wardrobe. Versatile and easy to wear – from day to evening. Worn with Navy, Military jackets or longer collar fuelled coats, the skinny belt adds that simple edge to an outfit.

One of my personal favourites – Craft fair inspired bracelets and scarves. If you love vintage shopping, you will love this. Woollen flowered and patch-enthused scarves and bracelets. You can find these individually charactered pieces in vintage stores and markets. If you want to keep your collection exclusive this year – this is a must!

Mary Portas: Secret Shopper. {Frost interview}

Retail guru Mary Portas, the undisputed Queen of the British aisles, moves to Channel 4 this month to present a brand new series, Mary Portas: Secret Shopper.

In Secret Shopper, Mary Portas has changed sides. Rather than helping businesses to maximise profits, she’s now championing the shopper, and battling to get Britain’s biggest chains to put customers first.

Mary believes that Britain is cowering under a cloud of poor customer service and that we’ve never had it so bad. By using the stealth weapon of secret shopping, she exposes shoddy customer service and uses the evidence to give company bosses a wake-up call. And, with the help of her covert cameras, she’s planning to start a retail revolution.

The giants may be delivering bumper profits but they won’t be smiling for long – Mary and her gang of shoppers have caught some of Britain’s biggest brands with their trousers down. Together they have unearthed shoddy shop floors and minimal service from apathetic shop staff.

Having got to grips with the problems, Mary believes she’s got the answer to this malaise. Here, she explains what she’s hoping to achieve with her new series, why customers are being sold short in Britain today, and what we can do about it.

What’s your new series all about?

It’s me actually going on the side of the consumer. In the past, my shows have involved me going in to save failing retail businesses. This time, I’m looking at it from the customers’ point of view.

I just think we’ve lost the whole culture of service in this country. I think we’ve ended up with sales teams stacking shop floors as opposed to any type of service. I think it’s criminal. We’re probably one of the worst countries in the world for customer service now. You don’t realise how bad it is until you travel.

There’s now a whole generation – certainly my kids, who are teenagers – who don’t even expect good service. They don’t even expect to be greeted now when they go into a shop.

So I’m looking at that, and how we can improve that. And in some circumstances it’s very funny – it’s so bad it’s funny.

What sort of areas will you be going into?

First of all, fast fashion, where there’s just no service anymore. I go into shops like that undercover.

Then I’m also looking at places where you’re sold at – the hard sell – so places such as furniture showrooms. I’ve seen people being sold stuff that they don’t need. So we’re looking at all types of customer service.

Now, when you go to the supermarket, it’s just beep beep, ‘Have you got a clubcard?’, and that’s it. They don’t even tell you the price – you have to look at the machine.

It’s as if we’ve lost the ability to communicate or care. I hate it. It’s something that I’ve got so upset about. And as consumers we just accept it. So I’m going to go into businesses and ask them ‘Are you genuinely putting the customer first?’. You look at the cultures of these businesses, and you realise nobody on the shop floor is being properly trained or given time, and they’re the ones who are the interface with the customer.

Is it much better abroad, then?

Certainly in America it’s superb. But they are on commission, so there is the question, ‘Are they really selling me the right thing?’

But, I went into Bed, Bath and Beyond in America just to buy a cafetiere about three weeks ago, and the guy was just talking me through every type of cafetiere possible. And I said, ‘Well actually I only want it because my friend hasn’t got a cafetiere and I’m staying here for a week.’ And he said ‘Well then, it’s the cheap version that you want.’ He just gave me really brilliant service. I just can’t remember having that in the UK.

I’d love to put that into our retail. We’re meant to be a nation of shopkeepers, it’s the number one social pastime, yet it’s hell. Genuinely, it’s not fun.

Have you met any resistance from the retailers?

Yeah, but that’s what makes good TV! They go, ‘No, we look after the customer.’ And so you show them the undercover footage.

And then they blame the sales team, and they go, ‘I trained them!’, and then you discover the training is a notice on the back of the door that says ‘smile before you go on stage’.

That’s your training? And they’re paying the minimum wage, and they’ll get someone who doesn’t speak more than five words of English.

How did you decide who to shine the spotlight on?

We wrote down a list of the ones that we disliked. Then we did a poll of lots and lots of customers, and asked what their hates were. And then we began to realise it was everything.

It wasn’t just phone shops or electrical goods. People would go into jewellers and the staff wouldn’t know about the product they were selling. It just seemed like such a big issue. We could go anywhere and look at any business and in 90% of cases they wouldn’t be putting the customer at the centre of what they do.

Is it all retail that you’re dealing with?

Yes it is, because it’s very difficult, visually, to show me dealing with phone companies in India. And I felt most strongly about it in the retail sector, because that’s where my background is.

I know there are these call centres which are just heinous. But in the last 15 years, it’s been a period of very high consumer spend, where anybody could have made money. You didn’t have to be good. So this is coming at a time when the consumer has all the cards in their hand.

Often when you get economy dips, which we’ve got, something good comes out of it. I think we’re now becoming a little bit more considered and caring about how we shop.

Were there any places you visited where you were impressed by the standard of service?

Yes. There was an incredibly sophisticated sales operation in this furniture showroom. They had it down to a fine art.

But, even then, was it actually giving what was right for the customer? The more time I spent watching them the more I realised it was all about getting the sale. So, very sophisticated, but not about the customer.

Which companies in general do you think have got it right?

There’s hope, when you look at companies such as Apple. They weren’t retailers, and came on to the high street and delivered one of the best retail experiences there is today.

They put things such as the Genius Bar in, they gave free advice to people, they trained people, all the guys were geeks who knew their products, and it’s successful. And every one that they’ve opened has been managed that way.

And I think Pret a Manger is one of the best out there. The energy when you go in there is great. Gap do it really well – the sales team have an upbeat freshness and energy about them.

And John Lewis staff are extraordinarily good. They know their stuff, they’re pleasant and they’ll go out of their way for you.

Do you think even when we’re getting cheap prices, we should still expect good customer service?

Of course. Why wouldn’t you? The profit margins are much greater than on luxury goods. You should absolutely expect decent customer service wherever you’re shopping.

How do you persuade shopkeepers to invest in their staff and in good customer service? What’s in it for them?

I genuinely believe that consumers will see that you’ve put that extra effort in, and will come back.

I also think that we’re culturally shifting towards that – we’re questioning where we spend. We’ve got a much more considered consumer, and, because of the financial crisis, they’re looking at what true value is today.

I’m speaking to retailers and saying to them, ‘Let’s start to be part of this new shift.’ And some of the big, global brands are starting to do that.

So how do you go about ensuring that customer service improves?

I think it’s a cultural change from two sides. I think it’s about the top of the business genuinely, genuinely thinking about their consumer. And I think it’s a cultural change from the shopper going, ‘Do I really need this? Have I really been looked after? Has this been honest and trustworthy?’

I was filming in a fast fashion shop, and the state of the place was unbelievable. There were clothes on the floor, there were queues of 40 or more people – it was gobsmacking. I wouldn’t do that. I think standards have got steadily worse and worse.

Why is that?

If you look at the history of retailing, in the 50s it was all independent retailers. You went to your butcher, your baker, your local fashion shop, and you had small businesses that really needed to serve.

By the 70s, chains started emerging, and the minute you get into chains, trying to keep that service culture is very difficult. You had to grow, and open up other shops across the country, which meant you had to use very cheap labour.

Also, in other countries, there’s a certain amount of pride in the job – you go in and you work hard and climb the ladder in retail. Here, a shop assistant just sees themselves as a shop assistant.

What sort of changes did you implement in the course of the series?

Well, to give you one example, I changed the whole fitting-room experience. Shoppers want to be acknowledged, smiled at, they want to be served quickly and efficiently, but the biggest complaint shoppers have is the fitting rooms. The queues, the rooms, the smell. And the staff are bored. They just stand there saying ‘only four garments… only four garments.’

I worked in a fitting room for a day during the filming, and I almost lost the will to live. The customers hate it, the staff hate it, how can it be all right? So I looked at creating a new type of fitting room. What would inspire and motivate both the staff and the consumer?

Have you always been a complainer?

Yes, I suppose I have. Ever since I trained at Harrods. Wealthy people have no problem complaining if something isn’t up to scratch, and I learned from them.

I think, sometimes, less well-off people don’t think they have the right to complain, or they don’t have the self-confidence to do so, so they just end up accepting mediocrity or poor service.

You’ve been tackling problems in retail for years now on telly. Do you ever despair about the task – that things will never improve?

I look at the restaurant industry, which has been on our TVs for 15 years now. I’ve only been at this four years. I look at what’s happened in the restaurant industry and I think there’s been a huge shift, from the Bernie Inns to actually understanding what good food is about.

That’s all changed through awareness. It’ll probably be a few more years yet. But when it’s done brilliantly, retail is one of the most exciting, fun things to do. A day at the shops can be wonderful when it’s done right.

So I refuse to let the fat cats out there make serious amounts of money and not hear the voice of the consumer.

You’ve moved from the BBC to Channel 4. What was behind the move?

I loved the BBC, absolutely, but at Channel 4, I felt that commercially I was able to flex myself a bit more, and make a bigger change in a louder way. They’re a little bit more racy. It just feels like the right sort of environment to me.

And if you are tweeting along the hashtag is #secretshopper. Please join in and get involved. You can follow Mary on Twitter @queenofshops and on Facebook – www.facebook.com/C4secretshopper

A Peak into A/W Fashion 2011 – Part Two – Trends

We’ve taken a look at the core colours and richness which is due to explode this coming Autumn and Winter –  now it’s time to take peak at Trends.

First up, none other than Chic Fur – loyal to its spring governing in the fashion world, fur will be a big trend this year. I’m not just talking heavy fur jackets and coats – we’re talking capes too. In addition, it will be an essential accessory tool to add to more simpler, less extravagant formations and textures.

This year will see a more grown up look to women’s wear – the neutral tones and severity of black will play a significant part in portraying a subtle sharpness to women’s fashion.

Florals – Yes,  this Autumn will be making a statement with florals, from light pastels – figurative to romanticism – to deeper mulls, reds and purples. An occasion of mixing and matching with casual day wear to evening dresses.

The 70’s Look – Already making it’s statement for S/S 2011, the look for this A/W will be less hippy, and more chic. We are talking minimalist stripes teamed up with camel colour turtle necks and gently embroidered knits.

Back to the Future 90’s – Deep colours, needle-defying textures – symbolising the strength and boldness of a woman. Minimalistic meets futuristic. Though this is a featured trend that comes back and forth, this Autumn/Winter will see it strike back with force.

Lace – Yes, a niche trend to some, but bringing its versatility back for this S/S, the trend will continue its animating presence in A/W, too. Together with sheers and cut looks, lace will be the friendly option to your add-on closet.

Silks and Velvets – Silks being prominent when it comes to shirts and dresses – outerwear that would be worn more as an illustration for the evening. Velvet – enthused in jackets and capes – mustards, browns, chic camel and gorgeous ruby.

Tweed – In essence, tweed has been a female fashion must since the introduction to tweed-inspired suits and hip tucked-in belts by Chanel – reinvented by many fashion designers. This A/W is the season for tweed enthused suits and jackets – in a palette of warm browns, camel and creams.

Tweed also works in alignment to the uniform style. Returning this year, welcoming an array of blues, greys and mulls. Strikingly bold, and again, wearable in the day and an accompaniment to evening wear.

Knitwear – BIG this year! From the classic roller neck to the boyfriend’s cardigan – a flux of yarns and defining patterns and patchwork enthusiasm.