Saskia’s Flower Essences – Alternative Flower Power by Award Winning Author Dr Kathleen Thompson

 

As a doctor you may expect me to dismiss claims for the vibrational energy of plants.

Not so. I was privileged, when first qualified, to work for the late Dr Alec Forbes, a highly regarded NHS physician, excelling in conventional medicine. This extremely compassionate man was conscious that modern medicine, whilst improving so many lives, was not a ‘cure all’. Conditions persisted where conventional medicine was an imperfect solution. His concern drove him to explore numerous complementary medical approaches and he went on to play a key founding role in the Bristol Cancer Help Centre, now Penny Brohn UK.

Amongst the alternative treatments, which Dr Forbes used, side-by-side with conventional therapy, were Bach flower remedies – developed in the 1920s. Bach diluted selected flower essences with water and a little brandy and, dependent on the combination of essences, claimed to help many states of mind, including anxiety, despair and anger.

Thus I was interested to discover Saskia’s Flower Essences – which follow similar principles to Bach remedies, and yet are definitely different.

Saskia Marjoram (yes that’s really her name) has lived and worked with flowers all her life – having been a gardener, and later a florist to Prince Charles, so maybe it’s no surprise that she ‘feels’ the energy of flowers and knows how to use this to help others.

From the start, I was struck by the presentation of my sample essence, Breath Deep, Seek Peace. A hand-written card from Saskia herself explained the product. The beautiful apothecary-style bottle was hand-wrapped in tissue and there was an excellent accompanying guide, explaining the different flower essences.

I felt cared for, even before using the essence. I’ve tried Bach Remedies in the past, but what struck me about the Saskia Essence was the stronger taste – perhaps Saskia uses more flower essence? I’m not sure, but it was pleasing.

Was it psychological? I don’t know, but I felt a swell of hope, calm and happiness and this feeling persisted for some time. It’s main purpose is for sleeping, but the ‘winding down, letting go’ subtitle is relevant to many of us during this crazy Covid-2020, perhaps not just at bedtime.

Strength and Support (featured) offers help for dark thoughts and hopelessness. There are combinations designed for confidence, emotional relief and focus, for shock and – so important for us all, Sexy and Gorgeous – for self-love.

There are spray formulations too, and for those who require alcohol-free essences – the organic vodka component can be replaced with cider vinegar.

You can see the full range on Saskia’s website. A boxed set of 8 key combination essences (£64) is a fantastic gift for someone special (including yourself).

If you wish, you can choose your own combinations too, using Saskia’s helpful guide.

By Dr K Thompson, award-winning author of From Both Ends of the Stethoscope: Getting through breast cancer – by a doctor who knows

http://www.amazon.co.uk/dp/B01A7DM42Q http://www.amazon.com/dp/B01A7DM42Q

http://faitobooks.co.uk

Note: These articles express personal views. No warranty is made as to the accuracy or completeness of information given and you should always consult a doctor if you need medical advice.

Looking for jams like your mum, or the WI make – Gooseberry and Elderflower, the new release from Rosebud Preserves is a must: review by Annie Clarke

Rosebud Preserves has shared with Frost Magazine that   its NEW season Gooseberry & Elderflower jam is now available to buy  from fine food retailers and online at www.rosebudpreserves.co.uk.  Hooray!

Gooseberry & Elderflower Jam (£3.95/227g)

Gooseberries 66%, unrefined sugar, water, fresh elderflowers 2%. Prepared with 66g of fruit per 100g. Total sugar content 60g per 100g.

The perfect seasonal pairing of sharp summer gooseberries with the muscat scent of wild elderflower. Naturally set with unrefined sugar goes the blurb, and honestly, the jam lives up to all of this, and I have also tried  the strawberry jam. Lucky me… Scones for tea again this week. Perfection.

Using fresh, local or foraged ingredients is very important to Elspeth Biltoft, founder of the company.  For the Gooseberry & Elderflower Jam that means at the end of May/beginning of June you will find Elspeth foraging in the North Yorkshire countryside for fresh elderflowers with members of the Rosebud Preserves team.

Elspeth says: “Every year we check local hedges for abundant quantities of fresh creamy white flowers. They must be picked when the day is warm, dry and sunny. It is more a pleasure than a chore and we work as a very efficient team. When we return to the farm we chill the blossoms and when we’re ready, make a simple Muscat flavoured liquor with them to add to the gooseberries, to make the jam.”

Elspeth continues: “Gooseberry & Elderflower is perhaps the most special of our jams and has won more awards for us, over the years, than any other product. The ingredient list is deceptively simple – sharp Gooseberries, just enough unrefined sugar and generous quantities of freshly picked Elderflowers. The soft natural set retains a sweet/sharp fruity flavour, replete with the heady scent of Muscat.”

Now, if you are planning on foraging for elderflower yourself, it will have to be next year, but make a note of these tips that Elspeth has given us:

Whilst gathering take care not to damage the Elder bushes, they have fragile stems, or surrounding habitat by trampling over it.

Spread yourself around, picking a little here, then there, rather than stripping the  bush. After all, flowers develop into berries and provide food for birds.

Get permission to pick on private land.

And best to pick away from traffic fumes.

How did I not know that Rosebud Preserves has been making its jams, marmalades, chutneys and jellies at Masham, North Yorkshire, since 1989? Living a stones throw away in Thirsk I should have done. My excuse is that I only left London environs two years ago.

The company was started by Elspeth Biltoft and her founding principles, to source local produce whenever possible; to cook traditional recipes; and practice time honoured techniques, without the use of additives, preservatives or pectin; remain the same today.

 All prices quoted do not include postage and packing.

 

As well as selling direct, the products can also be bought from fine food retailers, such as Whole Foods Market, Neal’s Yard Dairy, Castle Howard Estate and are served with afternoon tea at Cowarth Park, Ascot, Berkshire.  The company also exports its products – since 1992 it has been exporting to the United States of America.

www.rosebudpreserves.co.uk.

Rosebud Farm, Healey, Masham, North Yorkshire, HG4 4LH

Annie Clarke is the author of the Home Front series pub. Arrow.   

 

ONLINE PLAY: Rose at www.hopemilltheatre.co.uk reviewed by Paul Vates

– News Flash: Due to a huge demand, the highly-acclaimed digital revival of Martin Sherman’s Rose, starring Maureen Lipman (Coronation Street) will be extending its run for two weeks, from now until Saturday 26th .  Initially billed as a three-day event, the production has seen an overwhelming response since its launch, lauding praise for Lipman’s ‘tour de force’ performance in this powerful one-woman drama-

This is what writing, acting and theatre is all about

Paul says: When there is a lot of one kind of artform proliferating, there is usually a moment when the best few rise to the surface. Rose is a case in point. We are surrounded by actors doing monologues, whether from theatres or studios or their homes. Most are, sadly, worthy but forgettable. Not Rose. Rose is unforgettable.

Maureen Lipman plays the eponymous lady in this full two-hour theatrical presentation, courtesy of the excellent Hope Mill Theatre in Manchester. We see shots of her talking to no one as the seats are empty, she is alone in the space. The poignancy hits home. As do her words – a sublime Martin Sherman script that pulls on the heartstrings as much as tickles the funny bone. And this is where Maureen Lipman shines.

The story and setting are simplistic – but deep in metaphor. Rose sits on a bench, talking to herself – or is it to you? – or is it to everyone? She recounts her life with a clarity that allows you to journey with her through some of the traumas of the twentieth-century. But don’t just assume it’s two hours of heartache – the one-liners and running gags are to die for!

The production is supporting three causes: Age UK, The Fed, and UK Jewish Film.

Available only for a few days online (now two weeks)  – this is one of those quality pieces not to be missed. This is what writing, acting and theatre is all about.

Photography Channel Eighty8

Poster Art Jay Brooks

Producers Ginger Quiff Media and Hope Mill Theatre

Writer Martin Sherman

Director Scott Le Crass

Music David Cullen

Running Time over 2 hours

Tickets www.hopemilltheatre.co.uk

Price £8 (plus booking fee)

Twitter @Gingerqmedia, @Hopemilltheatr1

Instagram @Gingerquiffmedia, @HopeMillTheatre

My Writing Process Angie Lake

author Angie LakeHow I Write 

  1. A bit about you.

After moving around chasing the rock n’ roll lifestyle, my partner and I decided to settle with our toddler on the Spanish Costa Blanca, which is where I grew up. He’s a musician and I’m a writer, so we knew that life was going to be challenging. We decided that we might as well live somewhere pretty as, chances are we’ll never be able to afford a holiday.

  1. What you have written, past and present.

I started out with a short stint doing reviews and interviews for a Heavy Metal magazine. Over the years I’ve written articles and worked on translations and subtitles for the music industry.

My Dad and I collaborated on two series of children’s books The Diaries of Robin’s Toys and The Diaries of Robin’s Travels, published by Sweet Cherry Publishing.

I then went on to write the middle-grade book series Danny Dingle’s Fantastic Finds, and its spin-off series Mina Mistry Investigates, also published by Sweet Cherry.

I’m currently working on the plot for another children’s series.

Aside from that I have some unpublished work including a trilogy of novels and a series of children’s books for adults (also comedy).

  1. What you are promoting now.

Sweet Cherry Publishing are launching Mina Mistry Investigates this September. It’s a series about a witty schoolgirl detective and her half-hearted attempt to fit in with the kids around her as she puts her energy into solving mysteries while maintaining her secret identity.

  1. A bit about your process of writing.

I went through a very draining phase of writing for up to 22 hours a day for two months on the trot, but once my hair grew back I decided to keep to a less lethal schedule.

I write 5 or 6 days a week, always in the mornings unless I’m up against a deadline.

I have notebooks where I jot down random ideas, then when I “go into production” with a pitch or a series I write everything on a project board to help me visualise the emerging universe.

I take time out to clear my head and come up with ideas: I run or hike most mornings before work.

  1. Do you plan or just write?

I think that if I didn’t plan everything with painful intricacy, my brain would disintegrate. I find that I’m more creative when I’m breaking rules; I impose my own strict rules on myself, then break them and feel awful about it. A typical work day should include an hour and a half of coming up with ideas, about an hour of planning and adapting plots and storylines and three to four hours of writing. There are also meetings, editing and other tasks. Usually my day will get hijacked by just one task though, and then I’ll panic.

  1. What about word count?

My current projects have a set word count, so I divide that into the time allowance I have for each project and then struggle to meet my own deadline.

  1. How do you do your structure?

Very rigidly. I’ll come up with characters and a concept for a series and I write as if I were working on episodes for a cartoon. I come up with a plot and a subplot for each episode, and then I divide that into eight scenes. I write a draft for each scene and then work towards the ending. I never drift; I always know how a story is going to end before I start writing it.

  1. What do you find hard about writing?

The financial uncertainty and having no one but myself to blame for it; that’s the problem with being your own employee and manager – what are the chances that you’re going to be good at both of those things?

  1. What do you love about writing?

That it comes more naturally to me than resurfacing roads or working in a call centre. Also that all the worlds and characters you create give you somewhere to escape to when you’re stuck resurfacing a road or working in a call centre.

  1. Advice for other writers.

In order to get anywhere you’ll have to take it seriously, but while you’re doing this you shouldn’t forget how ridiculous writers who take themselves seriously seem to the rest of the world. Embrace this and start collecting hats.

 

Mina Mistry Investigates: the Case of the Missing School Dinners will be published by Sweet Cherry Publishing on 10 September.

Joan Hessayon Award winner Melissa Oliver triumphs with debut novel

Joan Hessayon Award winner Melissa Oliver

triumphs with debut novel

The Rebel Heiress and the Knight

Author Melissa Oliver has triumphed with her debut novel The Rebel Heiress and the Knight, published by Mills and Boon Historical, for which she has been awarded The Romantic Novelists’ Association’s (RNA) prestigious Joan Hessayon Award for new writers. Melissa, from New Malden, Surrey, will also receive a cheque for £1,000.

The Joan Hessayon Award is generously sponsored by gardening expert Dr David Hessayon OBE, in honour of his late wife, Joan, who was a longstanding member of the RNA and a great supporter of its New Writers’ Scheme.

The judges for the award, which included RNA Chair Alison May, Vice Chair Imogen Howson, Rhoda Baxter, author of contemporary romance and Chair of Authors North, and Thorne Ryan, Commissioning Editor for Hodder and Stoughton, were unanimous in their decision to crown The Rebel Heiress and the Knight the winner. They praised the novel’s ‘very real characters’ and enjoyed how ‘the history was beautifully woven into the story’, calling it ‘an excellent example of its genre’ and ‘a very strong debut’.

The book was selected from a list of 21 contenders, all authors whose debut novels have been accepted for publication after passing through the Romantic Novelists’ Association New Writers’ Scheme. Each year 300 places are offered to unpublished writers in the romantic fiction genre. As part of the scheme, they can submit a complete manuscript for critique by one of the Association’s published authors as well as attend RNA events which offer opportunities to meet and network with publishers, agents and other published authors.

This year’s debuts show the wide range of stories encompassed by the romance genre, from the ever-popular romantic comedies, to fairy tale romance, romantic suspense, historical stories and paranormal thrills. From the house just down the street to the sun-soaked beaches of Italy and that different world that is the past, these books deal with themes we all recognise and hold close to our hearts.

Melissa Oliver wanted to write a medieval romance set against a backdrop of real historical events, and the bitter divisions between King John and the Barons in 1215 provided the perfect element of intrigue, adventure and excitement. There’s also a nod to the legend of Robin Hood, which some historians believe took inspiration from the real-life story of Fulk FitzWarin III.

In The Rebel Heiress and the Knight, widow Eleanor of Tallany Castle knows her people are broken by the taxes demanded by King John. So when she’s ordered to marry Hugh de Villiers, a knight loyal to the king, she’s furious—even if he is handsome. As gallant Hugh begins to heal the scars of Eleanor’s abusive first marriage, she’s even more determined to keep her secret: she is the outlaw the king wants to send to the gallows.

RNA Chair, Alison May, commented, ‘The Rebel Heiress and the Knight is a fantastic debut, combining action, intrigue and engaging emotion. In an incredibly strong year for the Joan Hessayon Award, with an unprecedented number of contenders, choosing a winner was a real challenge, but Melissa Oliver’s debut blew us away with the quality of the writing and the emotional depth of the romance depicted’.

The full list of contenders for the RNA’s 2020 Joan Hessayon Award:
Zoe Allison, Impervious, Totally Bound

Jan Baynham, Her Mother’s Secret, Ruby Fiction

Laura Bambrey, The Beginner’s Guide to Loneliness, Simon & Schuster

Victoria Garland, Finding Prince Charming, DC Thompson

Rosemary Goodacre, Until We Meet Again, Hera

Annette Hannah, Wedding Bells at the Signal Box Cafe, Orion Dash

Stephanie Harte, Risking It All, Aria

Stefania Hartley, Sun, Stars and Limoncello, Totally Bound

Kirsten Hesketh, Another Us, Canelo

Sharon Ibbotson, The Marked Lord, Choc Lit

Emma Jackson, A Mistletoe Miracle, Orion Dash

Lynn Johnson, The Girl from the Workhouse, Hera

Nina Kaye, The Gin Lover’s Guide to Dating, Orion Dash

Lucy Keeling, Make it up to you, Choc Lit

Ruth Kvarnström-Jones, Halleholm – Lovisas Choice, Printz Publishing

Mairibeth MacMillan, The Viking’s Cursed Bride, Tirgearr

Melissa Oliver, The Rebel Heiress and the Knight, Mills and Boon Historical

Maggie Richell-Davies, The Servant, Sharpe Books

Jacqueline Rohen, How to Marry Your Husband, Arrow

Kathleen Whyman, Wife Support System, Hera

Fiona Woodifield, The Jane Austen Dating Agency, Bloodhound Books

 

The New Writers’ Scheme has been run by the RNA since 1962 and is unique among professional writing associations. It aims to encourage fresh talent in the writing of romantic novels that reflect all aspects of love and life, contemporary or historical.

Manuscripts submitted under the scheme are from unpublished authors and are read by an experienced writer or editor who provides invaluable feedback. Any manuscript that is subsequently published as a debut novel is eligible for the Joan Hessayon Award. All eligible books are judged by a panel of experienced RNA members who are already published authors, and this year the final round judges were Rhoda Baxter, author of contemporary romance and Chair of Authors North, and Thorne Ryan, Commissioning Editor for Hodder and Stoughton.

 

The Weight of Small Things by Julie Lancaster: Review by Kate Hutchinson

 

Nine year old Frankie Appleton likes to count gates.

One day, she hopes to design the perfect gate – a gate to keep the bad things out.

Little does she know that the bad things have already got in.

Thus reads the back blurb on The Weight of Small Things. The art of writing this blurb really needs to be more widely lauded. Here we have the very essence of the book – a small child, possibly a little unusual, possibly a little obsessive, who is clearly in a dangerous situation. We have the pull on the heartstrings for the child and the intrigue of what the ‘bad things’ are. And what will happen?

When we first meet Frankie she is indeed counting gates though swish of windscreen wipers  in a friend’s car. Apart from her readerships of Designing Gates magazine, all seems normal until she gets home and finds a mug with the smell of whisky and wonders whether her mother is ‘entertaining’. But her mother is dead and the police think it is suicide. Frankie thinks it is murder and, from her new home in her Grandmother’s high rise flat, sets out to prove it.

In 1979, Peggy, Frankie’s mother, is a young woman who is determined to escape her past. But meeting Ed at a Bob Dylan concert leads to domesticity and then a death and personal destruction.

This is a first time book by author Julie Lancaster, who manages to ably pull us into the mind of a bright nine year old who’s already not-very-satisfactory life is broken up by an act of violence and her quest to solve a murder, and the disturbed head of a woman whose life falls apart. I felt there were slightly too many narrators, especially as Frankie is by far the most engaging character and the one you want to stay with, but overall an excellent debut.

Mirror Books

£8.99

IBSN 9781913406189

 

S’well Bottles – Making The World A Better Place by award winning author Dr Kathleen Thompson

 

Making the world a better place was Sarah Kauss’s aim when she started S’well in 2010, with a goal to rid the world of single-use plastic bottles.

So far she’s over 4 billion single-use plastic water bottles closer to that goal, so well done Sarah.

But it doesn’t stop there – S’well have committed $1.7 million to UNICEF and made a recent donation of $1 million worth of products to healthcare heroes.

So what’s so special about S’well Bottles? Well, like a normal thermos, they keep hot drinks hot, and cold drinks cold – but they do it so much better. Due to their triple-layered, vacuum-insulated construction, cold drinks stay cold for up to 24 hours and hot ones hot for up to 12 hours. They’re made from stainless steel with a copper wall layer, to prevent condensation and are light and sleek, and of course unbreakable.

There’s an enormous range of patterns and colours to reflect your personality or mood – and prevent anyone ‘accidently’ pinching yours. The wide neck is especially designed to be large enough for ice cubes and they come in three sizes – the 250ml small enough for your handbag; the 500ml normal gym water bottle and the 750ml one, which conveniently holds the contents of a full bottle of wine. So you can keep your sauvignon blanc chilled, and your amarone at room temperature – whatever your guilty secret (although please don’t use your gym bottle for a crafty tipple on the cross-trainer – stick to water whilst you’re working out).

But S’well have expanded to many other products too – using the same super technology. So you can keep your snacks hot, or cold; or use their different shaped bottles for carrying your commuter-coffee; there are beautiful bowls, to keep salads cool or soups hot, and their barware range has the most lovely wine chillers and gorgeous champagne flutes.

You can see the full range at the S’well website.

Hydration is so important and such attractive bottles all help to ensure we drink regularly. I absolutely love my satin hunting green bottle.

By Dr K Thompson, award-winning author of From Both Ends of the Stethoscope: Getting through breast cancer – by a doctor who knows

http://www.amazon.co.uk/dp/B01A7DM42Q http://www.amazon.com/dp/B01A7DM42Q

http://faitobooks.co.uk

Note: These articles express personal views. No warranty is made as to the accuracy or completeness of information given and you should always consult a doctor if you need medical advice.

Living with Alzheimers – His hand in mine by Chris Suich

his hand in mine by chris suich

I first remember Bob reaching for my hand when we worked together and we were the best of friends. We were stood together at the left hand side of the chairs in the Pier theatre. The lights had dipped and the show had just started. I don’t remember why it happened but I do remember thinking things would never be the same again. We had always got on well, laughed and joked around. He knew he wanted to marry me more or less instantly. It took me a little longer! In later life he always told me that and he remembers the moment he first clapped eyes on me. I was being interviewed for the job by someone else and he walked into the office to get something from a filing cabinet. But when he tentatively held my hand that evening , briefly, for just a few seconds I knew there was a new intimacy between us. A new connection. A connection that would last.

We have had a lifetime of holding hands.

Bob was always a gentleman. He was the type of man who opened car doors for me or carried my shopping or suitcases. We walked together in the countryside and in towns always holding hands!

I remember the long labour of our first baby and he stayed at the side of my bed holding my hand for hours trying his best to support and help me.

There is something reassuring and comforting when his hand is in mine. I miss it and so does he.

Latterly Bob suffered with severe anxiety and was prone to shaking episodes. I walked around the house with him holding his hand for hours until these shakes subdued. He wanted to hold my hand as he went to sleep and it helped him, soothed and comforted his fevered thoughts. I miss his hand in mine!

It is the saddest part of Bob being in care that we are not permitted to hold hands.

I have seen him in the flesh as it were, just 3 times in the garden. We are 6 months into this now.

The rules are 2 metres away, 30 minutes for once a week. It feels like we are criminals. Bob does not understand why I cannot touch him. He reaches for me. He tries to stand in his wheelchair. The care worker tries to tell him not to, as he might ‘tumble’. But he is valiantly trying to bear his weight and walk to me arms outstretched . Desperate for that contact. Me too. He tries several times and in the end he holds his hands like a handshake and kisses his own hands , the nearest he can get to kissing my hands. It is harrowing to watch. He sometimes says ‘it’s no good’ or he beckons me to him ‘come’ but I cannot comfort him. He sometimes tells me he loves me and my heart soars – he hasn’t forgotten me!

I have tried everything to persuade the powers that be to let me hold his hands. I have weekly covid 19 tests, all negative, I am willing to be wrapped in PPE , gloves, apron, and mask. I will sit out in the open where there is plenty of air circulating. I will do anything to give him this small comfort in his latter stages of Alzheimer’s. The July 2020 government guidance has changed. There is a realisation that Alzheimer and dementia patients need this type of contact. But it is a discretionary measure.

I know Covid 19 is here for a long time and we need to be safe. I don’t shop in supermarkets, I live on my own, I haven’t travelled very far. I have to keep myself safe as I have an 87 year old Mum to keep an eye on. I have taken advice and with the measures I am taking I would be mitigating any risk to give Covid 19 to Bob. or anyone else!

I wonder if I will ever hold his hands again. There must be so many who are suffering I have been told when he is dying I will be given that discretion. Am I supposed to be grateful for that?