MELISSA OLIVER ON WINNING THE JOAN HESSAYON AWARD FOR NEW WRITERS

When I sat down in front of my laptop on that sun-drenched September afternoon, to find out who the winner of the prestigious Romantic Novelists’ Association Joan Hessayon Award would be, I had no idea that by the end of the zoom presentation, the wonderful Katie Fforde would open the envelope and say my name.

It was quite a surreal moment and it was actually a blessing (for me) that the recording of the presentation didn’t include my initial utter disbelief. For a few seconds, after my name was announced, I felt that time had actually stood still as I blinked repeatedly, wondering whether there had been some sort of mistake. And then of course, I was to make a garbled speech and this time the speech in all its effusive glory was recorded. Here, not only do I forget to thank Dr Hessayon – who generously sponsors the award in memory of his late wife, Joan- a vehement champion of new writers but also my lovely editor, Charlotte Ellis at Harlequin, Mills and Boon. I had been convinced that I had thanked both only to realise my mistake on second viewing. Thankfully, I have since rectified that oversight.

The truth is that I was and still am so ridiculously happy to be the winner of this amazing award, especially in the RNA’s 60th anniversary year.

The New Writer’s Scheme (or NWS) is a unique scheme run by the RNA offering unpublished writers the chance to have their work critiqued anonymously by the RNA’s team of published authors. My own experience of getting detailed feedback of my work was both nerve-racking and stressful yet immensely valuable as well.

For writers to be able to pass through the scheme and achieve the Herculean feat of getting their books published, it’s such an amazing feeling of accomplishment. After all the years of hard work, determination and at times disappointment, it all becomes worth it and not only that but this book that you’ve written- your debut can then qualify for this award as well.

The nurture and support from the RNA and the New Writer’s Scheme helped me achieve that elusive dream of becoming a published author. From the chapters (shout out to the London Chapter), to the seminars, courses, talks, events- the fabulous summer conference (where I met my editor, at the one-to-one meeting last year), Winter Party and the industry award ceremonies- it is such an amazingly warm, welcoming professional body.

This year there was an unprecedented number of books (21) that went through the New Writer’s Scheme to publication with a huge variety of stories within the romantic fiction genre. From historical romance, heart-warming contemporaries, saga, festive romance, romance infused with a thriller element, a paranormal romance to romantic comedies and so much more. I’m still quite bewildered by how the judges managed to choose from such a dazzling list of books this year but the fact that my debut, The Rebel Heiress and the Knight was selected as the winner is an absolute honour for me and something I will always cherish forever.

Melissa x

Melissa Oliver is from south-west London where she writes historical romance novels. She lives with her lovely husband and daughters, who share her passion for decrepit, old castles, grand palaces and all things historical.
When she’s not writing she loves to travel for inspiration, paint, and visit museums & art galleries.

Check out Kirsten Hesketh’s review of The Rebel Heiress and the Knight in this month’s Sister Scribes Reading Round Up.

 

 

 

SISTER SCRIBES’ READING ROUND UP: SEPTEMBER

Kirsten

The first book I read this month, was the winner of the 2020 Joan Hessayon award, The Rebel Heiress And The Knight by Melissa Oliver (published by Mills and Boon). The award was open to any writer whose debut novel had been through the Romantic Novelists’ Association New Writers’ Scheme was published this year and I am immensely proud and honoured that Another Us was also a contender. Anyway, I thoroughly enjoyed the Rebel Heiress And The Knight. It is set in the reign of King John – a period of history I really love – and is just a rollocking good read with twists and turns aplenty. It is also a proper romance – the chemistry and tension between the main two characters is fabulous and I loved the fact that Hugh is kind and honourable from the start. A marvellous debut and a worthy winner of the Joan Hessayon award.

Another book I have enjoyed this month is If I Can’t Have You by Charlotte Levin (published by Mantle). This is a real page turner and exquisitely written and explores themes of obsession, heartbreak and unrequited love. I was expecting our protagonist, Constance, to be simply bonkers – and can’t love make us all thus?! – but she is also variously vulnerable, lovely and hilarious. This book really stayed with me and I highly recommend it.

And, finally, I am rather late to the party with Hamnet, written by Maggie O’Farrell (published by Tinder Press)  – but, just, WOW! Staggering beautiful and heartbreakingly poignant, this exploration of love and loss deserves every accolade and award …

Jane

I do love a dual timeline novel, and since writing one myself am even more in awe of writers who make them work. Clare Marchant’s stunning debut, The Secrets of Saffron Hall, is one such book. The level of research the author has undertaken shines almost as much as her gorgeous prose, and put together they make the book a thoroughly satisfying read.

I normally enjoy the historical strand of a story more, so wasn’t remotely surprised when I became more and more lost in Eleanor’s world at the cusp of the dissolution of the monasteries. That I read it on holiday while visiting ruined abbeys was undoubtedly a factor, but Tudor life in rural Norfolk was so richly drawn I just loved falling into it. I felt the chill winds sweeping across the fens, saw the saffron swaying gently in the dawn.

It took me longer to relate to twentieth century Amber although in the end I was rooting for her happy ending. The fact hers isn’t a traditional boy-meets-girl love story was brave for a debut and I loved it. Credit must also go to Aria for not dumbing this book down, as sadly seems to be so fashionable in romance publishing at the moment.

Kitty

Cornwall: Misfits, Curiosities and Legends
A Collection of Short Stories and other scribbles

This anthology combines all sorts of storytelling in the one book, with the spirit of Cornwall infusing each piece. It moves from moor to coast, from past to future and covers a multitude of genres including historical, fantasy, romance, magic realism and sci fi. Additionally, there is poetry and a script alongside the short stories and with such a wide variety of styles, I defy any reader not to be able to find a piece that resonates with them. Cornish history and mythology are bought to life, illustrated and built upon and I greatly enjoyed reading this anthology from a group of writers whose love of Cornwall shines through their work.

 

Joan Hessayon Award winner Melissa Oliver triumphs with debut novel

Joan Hessayon Award winner Melissa Oliver

triumphs with debut novel

The Rebel Heiress and the Knight

Author Melissa Oliver has triumphed with her debut novel The Rebel Heiress and the Knight, published by Mills and Boon Historical, for which she has been awarded The Romantic Novelists’ Association’s (RNA) prestigious Joan Hessayon Award for new writers. Melissa, from New Malden, Surrey, will also receive a cheque for £1,000.

The Joan Hessayon Award is generously sponsored by gardening expert Dr David Hessayon OBE, in honour of his late wife, Joan, who was a longstanding member of the RNA and a great supporter of its New Writers’ Scheme.

The judges for the award, which included RNA Chair Alison May, Vice Chair Imogen Howson, Rhoda Baxter, author of contemporary romance and Chair of Authors North, and Thorne Ryan, Commissioning Editor for Hodder and Stoughton, were unanimous in their decision to crown The Rebel Heiress and the Knight the winner. They praised the novel’s ‘very real characters’ and enjoyed how ‘the history was beautifully woven into the story’, calling it ‘an excellent example of its genre’ and ‘a very strong debut’.

The book was selected from a list of 21 contenders, all authors whose debut novels have been accepted for publication after passing through the Romantic Novelists’ Association New Writers’ Scheme. Each year 300 places are offered to unpublished writers in the romantic fiction genre. As part of the scheme, they can submit a complete manuscript for critique by one of the Association’s published authors as well as attend RNA events which offer opportunities to meet and network with publishers, agents and other published authors.

This year’s debuts show the wide range of stories encompassed by the romance genre, from the ever-popular romantic comedies, to fairy tale romance, romantic suspense, historical stories and paranormal thrills. From the house just down the street to the sun-soaked beaches of Italy and that different world that is the past, these books deal with themes we all recognise and hold close to our hearts.

Melissa Oliver wanted to write a medieval romance set against a backdrop of real historical events, and the bitter divisions between King John and the Barons in 1215 provided the perfect element of intrigue, adventure and excitement. There’s also a nod to the legend of Robin Hood, which some historians believe took inspiration from the real-life story of Fulk FitzWarin III.

In The Rebel Heiress and the Knight, widow Eleanor of Tallany Castle knows her people are broken by the taxes demanded by King John. So when she’s ordered to marry Hugh de Villiers, a knight loyal to the king, she’s furious—even if he is handsome. As gallant Hugh begins to heal the scars of Eleanor’s abusive first marriage, she’s even more determined to keep her secret: she is the outlaw the king wants to send to the gallows.

RNA Chair, Alison May, commented, ‘The Rebel Heiress and the Knight is a fantastic debut, combining action, intrigue and engaging emotion. In an incredibly strong year for the Joan Hessayon Award, with an unprecedented number of contenders, choosing a winner was a real challenge, but Melissa Oliver’s debut blew us away with the quality of the writing and the emotional depth of the romance depicted’.

The full list of contenders for the RNA’s 2020 Joan Hessayon Award:
Zoe Allison, Impervious, Totally Bound

Jan Baynham, Her Mother’s Secret, Ruby Fiction

Laura Bambrey, The Beginner’s Guide to Loneliness, Simon & Schuster

Victoria Garland, Finding Prince Charming, DC Thompson

Rosemary Goodacre, Until We Meet Again, Hera

Annette Hannah, Wedding Bells at the Signal Box Cafe, Orion Dash

Stephanie Harte, Risking It All, Aria

Stefania Hartley, Sun, Stars and Limoncello, Totally Bound

Kirsten Hesketh, Another Us, Canelo

Sharon Ibbotson, The Marked Lord, Choc Lit

Emma Jackson, A Mistletoe Miracle, Orion Dash

Lynn Johnson, The Girl from the Workhouse, Hera

Nina Kaye, The Gin Lover’s Guide to Dating, Orion Dash

Lucy Keeling, Make it up to you, Choc Lit

Ruth Kvarnström-Jones, Halleholm – Lovisas Choice, Printz Publishing

Mairibeth MacMillan, The Viking’s Cursed Bride, Tirgearr

Melissa Oliver, The Rebel Heiress and the Knight, Mills and Boon Historical

Maggie Richell-Davies, The Servant, Sharpe Books

Jacqueline Rohen, How to Marry Your Husband, Arrow

Kathleen Whyman, Wife Support System, Hera

Fiona Woodifield, The Jane Austen Dating Agency, Bloodhound Books

 

The New Writers’ Scheme has been run by the RNA since 1962 and is unique among professional writing associations. It aims to encourage fresh talent in the writing of romantic novels that reflect all aspects of love and life, contemporary or historical.

Manuscripts submitted under the scheme are from unpublished authors and are read by an experienced writer or editor who provides invaluable feedback. Any manuscript that is subsequently published as a debut novel is eligible for the Joan Hessayon Award. All eligible books are judged by a panel of experienced RNA members who are already published authors, and this year the final round judges were Rhoda Baxter, author of contemporary romance and Chair of Authors North, and Thorne Ryan, Commissioning Editor for Hodder and Stoughton.