SISTER SCRIBES GUEST: ANDREA MICHAEL ON WRITING FRIENDSHIP IN FICTION

At Sister Scribes we often talk about how important friendship is within the writing community. Andrea Michael is one of those friends, we have shared publishers and parties, we share an agent and a similar sense of humour. I adored her latest book, a novel about the love involved in friendship, it made a change to reading about romantic love and was insightful and honest. With it out in paperback this month, I’m buying myself a forever copy. I’m so happy to host her on Frost, talking about writing friendship in fiction. Kitty x

When I wrote romantic comedies, it was easy to see the importance of a best friend. You needed someone to talk some sense into your main character, encourage risk, push them towards their destiny. They needed to be a support system, offering an opportunity to rant and rave and cry. That’s what best friends are for.

Without friends, it’s hard to convince your reader to trust your character. Why don’t they have people in their life? Why don’t we get to see more of who they are? Are they a real person? Are they loveable?

But most of the time this best friend never gets to have their own adventure, they always exist in relation to the main character. They are the equal opposite, the voice of reason or rebellion, depending on what the main character needs. They didn’t exist on their own.

And that was where the idea for The Book of Us came from. We so often focus on the romantic relationships that change our lives, but what about the important friends who have made us who we are?

Loll and Cass are two friends who fell out years ago. They became intensely close at university, Loll’s anxiety and shyness made smoother by Cass’ outgoing and wild nature. They evened each other out, knew each other’s traumas, weaknesses and dreams. And they planned to spend their life having adventures together.

But things change and sometimes when you make a close friend at that age, you want to know who you could be without them. Either you’re in the shadow or you’re always the leader, and either can be exhausting. Sometimes you just need a chance to grow apart before you come back to see if you still fit.

Writing friendship could be boring – after all the moments that make our friendships are often gradual, quiet and uneventful. We rarely have a manic pixie dream friend plonk herself in our laps and declare herself our best friend.

But much like with a love story, it’s about how it unfolds, how it falls apart, and why it comes back together. Nostalgia only really works when we bring in all the things our readers relate to – a seemingly carefree younger life. Staying out late, getting in trouble, thinking things were complicated when now you realise they were just so simple.

It’s the complexities and problems that I find the most interesting – the secrets and sore points and things unsaid. And the natural rhythms and waves that can come back into play a decade later. A true friendship, even one that ends (through big fireworks or a slow trudge) has an impact on who we are today. And that’s where the magic is, for your audience and your reader.

We just have to hope readers find friendships as complicated and precious as romances, just as they are in real life. Because sometimes your soul mate is your best mate.

 

Andrea Michael writes books to explore complicated relationships. Having trained in using writing for therapy, she really believes in the magic of stories to change your life. Failing that, sparkling wine and obnoxious sing-a-longs also do the trick.

Follow her on Twitter: @almichael_

 

SISTER SCRIBES’ READING ROUND UP: MAY

Kitty

The Book of Us – Andrea Michael

Oh my goodness, this book. This book won my heart over, filled it with joy and then smashed it into itty-bitty pieces. A story of friendship, loyalty and love, it explores many issues, particularly how perception and truth can be very different things as well as how some bonds are so strong they can never be broken.

I found it to be written with an emotional insight, depth and honesty that lifted it apart. I cannot recommend it highly enough. Beautiful.

Cass

A Borrowed Past – Juliette Lawson

What would you do if you discovered your whole life was built on a lie? This is the question a teenage William Harper has to face up to on more than one occasion in this excellent, page-turning story.

William dreams of being an artist, something his strict father is strongly against, but when a shocking family secret is uncovered, William takes his chance, running away from home to start a new life… but even as the years pass, and he grows from boy to man, further challenging truths emerge, showing the past is never far behind him.

I do love to pick up a book, not really knowing what to expect beyond what the blurb has told me, and my enjoyment of this story was definitely enhanced by the settings (as much a heart and soul of the story as the characters) in the northeast of England.

Having lived near York for seven years, it was a delight to tread the well-known streets with William, and the settings of Seaton Carew and Scarborough were also fascinating backdrops to this historical saga.

The writing was beautifully evocative of the era and the story skilfully documented, painting the page with words much as William longed to spill the images in his mind onto paper with a brush.

Ms Lawson writes captivating descriptions, strong narrative and relatable and believable dialogue between her well-drawn characters. She has a wonderful ability to draw the reader inside the pages of the book, to feel as though they are living the moments alongside William, and I cannot wait to read more in the Seaton Carew saga series.

A Borrowed Past is a compelling, wholly enjoyable read and I highly recommend it.

Jane

Her Mother’s Secret – Jan Baynham

This impressive debut transported me to Greece. The ability to weave a setting from words without the descriptions overtaking the story is a real skill and this book shines because of it.

The characters are fascinating too. For me, the 1969 ones in particular, when Elin spends her father’s legacy to attend an art school on a Greek island. Each person is carefully drawn and none of them are wasted in what they bring to the plot. I was pulled into Elin’s story, the friendships she forms, the enemies she inadvertently makes and the love she finds; the shocking reason it doesn’t all end as she would have wished.

For a dual timeline (Elin in 1969 and her daughter Alexandra in 1991) the structure is unusual in that after a few opening chapters straight after Elin’s death the book tells first her story and then Alexandra’s. But I can see it needed to be that way for the story to unfold in the correct manner. And it was refreshing not to be hopping about in time too.

I would thoroughly recommend Her Mother’s Secret. It was published by Ruby Fiction last month as an ebook across all major formats.