WELSH WRITING WEDNESDAYS: JAN BAYNHAM ON CONTEMPORARY NOVELIST CAROL LOVEKIN

I first met author, Carol Lovekin at Tenby Book Fair in 2015. We’d been following each other on Twitter and it was so good to meet in person. It was just six months before her wonderful debut novel, Ghostbird, was published by Honno, the Welsh Women’s Press. A feminist writer based in west Wales, Carol writes contemporary fiction exploring family relationships and secrets, but for me it’s the fact that her writing is interwoven with myth, fairytale, ghosts, and mystery that makes her novels so special.

‘My stories touch on the Welsh Gothic & its most powerful motif: the ghost. They concern the nature of magic & how it threads through the fabric of our lives. I explore possibilities: the fine line between the everyday & the time-shifting world of enchantment. My books are also firmly rooted in reality. I write about family relationships: how people, women in particular, respond to loss & how they survive. I set my stories in Wales, where I’ve lived for several decades: a place whose legends & landscapes inform my writing.’

Carol’s own words sum up the very essence of her writing. When reading her novels, there is no doubt as to where they are set and she takes you into the innermost thoughts of her characters. I love the poetic nature of the prose and its figurative language that does not in any way detract from the plot and pace of the novels.

Carol’s next novel will be published by Honno in 2022. Entitled Only May, she describes it as her ‘lockdown novel’ when she said writing kept her sane. ‘With no distractions, I listened for the word birds, cracked on and wrote it.’ It’s written in the first person present and involves a girl who could tell when people lied to her. If, when they looked her directly in the eye and told lies, she knew.

‘I’m the girl who sees beyond the glint in your eye, around your over-confidence and through to the truth and I can hear the earth hum, the way the bees do. Ever since I was a tiny baby and they started talking to me, it’s seemed rude not to take notice.
Bees don’t lie.’

 

Published works:

Ghostbird (2016)

Described as ‘Charming, quirky, magical’ ~ Joanne Harris, the book was chosen as Waterstones Wales and Welsh Independent Bookshops ‘Book Of The Month’ for April 2016. It was longlisted for the Guardian ‘Not the Booker’ prize 2016 and nominated for the Guardian Readers’ Book of the Year 2016.

Snowsisters (2017)

Author, Louise Beech, said of this novel, ‘Lovekin’s words soar like the birds, who see everything’. It was selected by Books Council of Wales as their October 2017 Book of the Month.

Wild Spinning Girls (2020)

‘A timeless tale of grief and belonging… haunting and hopeful.’ ~ Mags Phelan Stones. This third novel was selected as Books Council of Wales Book Of The Month for March 2020 and was shortlisted for Literature Wales Book of the Year/ Rhys Davies Fiction Award 2021. This was a huge accolade for not only for Carol and her fellow Honno author, Judith Barrow who was also shortlisted alongside her but for Honno itself. Congratulations!

 

 

 

 

 

 

CARIADS’ CHOICE: MARCH BOOK REVIEWS

Carmel Harrington’s My Pear Shaped Life, reviewed by Kitty Wilson

I thoroughly enjoyed this story of Greta Gale, the highs and lows of trying to learn to value yourself. The author wrote empathetically about addiction, body issues and familial relationships. As a reader I was willing Greta on and particularly loved her travels across The States. We could all do with an Uncle like Ray. The author weaves the story of The Wizard of Oz throughout which is exceptionally deftly done, beautifully illustrating the light and the dark within us all.

 

Christina Courtenay’s Echoes of the Runes, reviewed by Kitty Wilson

I thoroughly enjoyed this novel, both narratives kept my attention and made me want to keep reading. It was fascinating reading the contemporary storyline and the archaeological detail. The romance kept me hooked and the little bit of jeopardy (no spoilers!) had me willing Mia and Haakon on.

However, it was Ceri and Haukr who captured my heart. I loved this storyline and could have read so much more about them. I rarely find a captive and captor romance convincing but Christina Courtenay writes these characters with such empathy it is impossible not to fall a little in love with them and their story. Am greatly looking forward to the next in the series.

 

Kate Johnson’s Death on the Aisle, reviewed by Evonne Wareham

This is the third book in the Molly Higgins amateur sleuth series from award winning author Kate Johnson, who confidently mixes romance with cosy crime. It can be read as a stand-alone but there are recurring characters and story lines so reading the series in order would be beneficial, and all are enjoyable. The first, Death Comes to Cornwall, was a recent nominee for the Jackie Collins Romantic Thriller of the Year Award. In this third book Kate takes some classic ingredients for romance – hunky hero, capable independent heroine, a Cornish fishing village and a cupcake café and mixes in a celebrity wedding, a film set, a virtual reality show, the wedding planner from hell and a couple of fairly gruesome murders. If you like romance with a hefty dash of crime and sleuthing, it’s an enjoyable read.

 

Carol Lovekin’s Ghostbird, reviewed by Jan Baynham

This is a magical tale that kept me spellbound until the end. I was able to marvel at the figurative language and poetic nature of the prose without it detracting from the pace of the story. The characters are very well drawn, displaying deep emotions, and I was particularly fond of Cadi. Secrets unravelled and the reader journeyed with all the characters to a satisfying conclusion. I loved the interaction between Cadi and the ghost. With its beautiful cover, Ghostbird is a book I thoroughly enjoyed, a book I kept returning to in my thoughts long after I’d finished reading it. Highly recommended.

 

Maisie Thomas’s Secrets of the Railway Girls, reviewed by Jane Cable

I loved the first Railways Girls saga, and the second book in the series did not disappoint. Set in World War Two in Manchester it vividly portrays the lives of women from vastly different backgrounds thrown together to help keep the country’s rail network running.

Although this book focuses on Dot, a working class forty-something grandmother, other stories are woven around hers so cleverly you just have to keep turning the pages. From the horrors of the Christmas blitz to cosy chats in the station tea room, all human nature is here and the writing is so wonderful it draws you in completely. I’m definitely having withdrawal symptoms having finished this one – luckily the next book is due out in April.