* WARNING! Does contain spoilers *

It has been exactly ten years since Sam Raimi released the first sequel to his 2002 hit, Spider-Man 2. I remember the movie being incredibly fun but also can see and feel the passion behind it. Now it is Marc Webb’s turn with his The Amazing Spider-Man series that we got our first glimpse in 2012 (which resulted to mixed reactions).

Andrew Garfield returns as Peter Parker/Spider-Man, continuing his duty help New York City being crime free. While also struggling to keep a promise from Gwen Stacy’s (Emma Stone) father to stay from harm’s way. It’s nice to see him doing more than catching thieves, like stopping a bunch of bullies and walking bullied kid back home. The chemistry between Garfield and Stone are cute and affectionate but all feel contrived to have Peter have another conflict on his plate. The scenes between Peter and Aunt May (Sally Field) are humorous to some level but, again, all feel superfluous (I mean, she seriously can’t tell there isn’t anything going on with Peter from having a dirty face and having the excuse “I was cleaning the chimney”, she catches that by saying “we don’t have a chimney” and he acts flabbergasted?) Star Trek and Transformers writers Alex Kurtzman and Roberto Orci were brought in to redraft the script, thus does comes across the movie having way too many cooks. The movie is unfocused with what it really should be and that’s giving a different take of the story but it is more interested on what it is setting up (i.e. the Sinister Six for the most part). More evidence the movie was unfocused was when they shot scenes with Shailene Woodley as Mary Jane Watson but cut them out as they felt it was overstuffed (definitely can tell when watching the final cut).

The villains in this movie is quite embarrassing, trying to give dramatic weight but it all comes flat. Max Dillon / Electro (Jamie Foxx) is basically another fan of the main protagonist but feels betrayed and becomes the villain (similar to Batman Forever and Iron Man 3). Paul Giamatti as Aleksei Sytsevich (though everyone will just remember him as The Rhino) is wasted as he just shouts his lines in a hammy Russian accent and only becomes his alter-ego in the last 5-10 minutes of the movies. Dane De Haan as Harry Osborn is a character that would’ve been beneficial if introduced in the previous movie but felt forced into the movie as if he was put in at the last second (like Venom in Spider-Man 3). Having both Peter and Harry talk about their backstory on their childhood memories all felt forced and empty. All these villains have one purpose; world building and setting up for Sony’s planned sequels and spin-offs. That may be all well and good but doesn’t give us time to care about the story and characters if they’re not fully developed enough. Also Martin Csokas as Dr. Ashley Kafka seemed he came out from auditioning as titular character in Dr. Strangelove but needed a moustache to twirl as he was comically villainous (both Giamatti and Csokas really do feel out of place from its grounded setting and tone).

The action sequences are well choreographed and probably the best Spider-Man swinging sequences since Spider-Man 2. The Green Goblin character in particular may have made Dane DeHaan look creepy but the design looked lazy and plain compared the look in the comic books. Electro was probably the most interesting looking villain in the series, which I give credit to the visual effects team at Sony Imageworks. Hans Zimmer scores another comic book blockbuster and it is relatively creative (the idea of using dubstep style music for Electro felt cringe-worthy but it fitted the character). Though one particular set-piece that had similar affect in Spider-Man 3 was Spider-Man and Green Goblin fight and felt it wasn’t given a lot of thought. The only reason this was included so we would have the famous Gwen Stacy death scene that Spider-Man/comic book fans are very familiar with. It comes off the filmmakers felt they were obligated to include this scene (same way audiences would expect Breaking the Bat scene in The Dark Knight Rises). It should’ve come across being shocking but it was predictable and makes this emotional scene fail on all aspects.

Overall; this movie is just a product so Sony can keep the rights to Spider-Man rather than revert it back to Marvel. The leads may be charismatic and production value is all there but the movie feels empty underneath its shiny surface (not since Iron Man 2).

2 out of 5