Lone Survivor – Film Review

lone_survivor_poster__spanNow I might be a man – actually scratch that. Now I might be an alpha male, no, scratch that again. I am an alpha male but call it what you will I have had my full of all those macho ‘Saving Private Ryan’ type flicks. The sort where everyone just dies in front of you and the director just relishes putting you in the thick heart of brutal battle. It is little wonder then that I was more than a little pessimistic about this film; let’s face it the title says it all.

However this Peter Berg film; director of blockbuster movie Battleship, in which the US Navy drove off an alien invasion opened with a much different kind of flavour than I was used to. Lone Survivor, opens by focussing on the inner endurance battles of these men as they go through training and the bonding they forge as a team, a brotherhood. In the opening montage we see them taught to handle pain, inhospitable conditions (sometimes naked), what’s more we see many people quit. It comes across as an insatiable drive to reconnect the audience with reality. It is this understanding and a mixture of top class acting and proficient story-telling that makes this film different to the run of the mill films we have seen.

It is little wonder actually, the film’s plot comes from the real life account of Marcus Luttrell, a former US Navy SEAL, and describes an operation in the mountains of Afghanistan in 2005, in which four American soldiers found themselves caught on the prongs of a moral dilemma.

Sent to assassinate a Taliban warlord, they unexpectedly encounter three goat herds; an elderly man, a young boy and a scowling teenager. They have three choices, each one with its own type of consequence. They can kill them, tie them up or let them go. After a lengthy discussion about the ethics and morals as well as what could happen to them they decide they are not animals and decide on the latter and that is where things go wrong.
The Taliban are as merciless as you would expect, and in as many ways as some may argue we are led to believe but what they don’t lack is in numbers and resources.

Where this film really succeeds is bringing the reality and the injustice of war to your eyes. The Marines, played by Mark Wahlberg, Taylor Kitsch, Emile Hirsch and Ben Foster carry the film well and although the film becomes very frantic it remains coherent in its set up; we know who the men are, who’s married, who has kids and what each man stands to lose. I thought it was very brave too that the soldiers were not portrayed as superheroes. In one scene, cornered by the enemy they decide to fling themselves down a cliff to escape and we see their bodies smashed and ground by both rocks and bullets. It was very unnerving to see such a common scene shown for the reality it is.

The film doesn’t let up even at the last chapter and although some scenes are clichéd, based on the reality it is founded upon is something you can forgive. There are some real touching scenes there too which are executed very well.

So, how does one rate this film, do you rate it on the entertainment, the quality of the action and acting? do you rate the reality or just the horror of it? I guess I will praise it for the account it portrays about the men and women who put themselves in the position where such an account could be wrote. As a film it is not exceptional and is far from stylish, but I don’t think it was meant to be. However, the story it tells is certainly worthy.

The Fighter {Film Review}

I’m going to be very honest with you. Before I watched the trailer for this film, I said to myself: “What could you possibly bring to us that we haven’t seen before?” It’s the same rags-to-riches, triumph-over-odds tale that we have seen countless times. Well, it turns out quite a bit, and who doesn’t love an inspiring story about a boxer?

Rocky was nominated for 10 Oscars, including two for Sylvester Stallone with Best Actor and Best Original Screenplay (left with three for Best Director, Best Picture and Best Film Editing). Then you have one of Martin Scorsese’s best work, Raging Bull, which was nominated for eight Oscars, including Best Director for Scorsese and Best Picture (won two with Best Actor for Robert De Niro and Best Film Editing). The reasons why these two films worked is because the actors and the film itself were authentic and felt real rather than a fairy tale.

In The Fighter, Mark Wahlberg plays our real life protagonist, Micky Ward, the younger brother to Dickie Eckland, played by Christian Bale.

Dickie used to be a boxing legend, until his career collapsed when he developed a crack addiction and now trains his brother. But Dickie is still the leading man, while Micky is overshadowed by his brother’s former success and  just a stepping stone for other fighters to beat the shit out of him. Conflicted by everyone telling him what to do, it is more of a fight to stand up for himself and even stand up his own two feet than it is to fight in the ring.

The performances from this film are really good. Wahlberg finally shows us how good an actor he can be after the awful performances from The Happening and Max Payne. Amy Adams continues to be exceptional and stands out amongst the crowd, but it’s Christian Bale who steals the spotlight in making his best performance of his career. He has reportedly lost weight to portray the drug addicted ex-boxer – something he has done before in The Machinist (and he again has to bring back the muscle to play Bruce Wayne/Batman for The Dark Knight Rises) which shows the talent he has and the respect for his work to fully immerse himself in the character.

You can see the expression in his eyes, and the energy that Bale’s Eckland always gets a kick out of the sport. Although it is heart-breaking when he thinks HBO are documenting his comeback, while in actual fact he’s a subject of a failed sportsman succumbed to drug addiction and further brings humiliation to the family.

The setting and the overall film looks authentic. You could feel the urban hard-working town of Lowell, Massachusetts. To the local bars and diners, down to the streets and neighbourhood, you feel it’s a community. Ever since the success of The Departed, Massachusetts (especially Boston) seems more popular with film locations. To be honest, I love MA and it brings back memories of staying in the States (granted I didn’t notice or see the bad side of it during that time). And it’s a nice change since most of these films would be set either in L.A. or New York.

Darren Aronofsky was originally signed on to direct the film, until he left to work on Black Swan. The Fighter and Aronofsky’s previous film, The Wrestler, have a similar feel – going for a rough look rather than to be soft and safe, especially with the fights needing to look and feel realistic.  It was reported that 1990’s era cameras were used for the fights. Either way, they’re very well choreographed, and even made me want to stand up and shout: “Come on, Mark! Kick his fucking ass!”

Verdict: A great film that really does make you root for Wahlberg. Stellar performances from Bale and Adams, and well deserved for their award recognition. Looks like we needed another inspiring boxer after all!

4/5