Tag Archives: sam mendes

Skyfall {Film Review}

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*WARNING! MAY CONTAIN SPOILERS!*

 

After the underwhelming reaction to Quantum of Solace in 2008, critics and audiences were worried for the James Bond series. It left us feeling cold and empty, much like the character of James Bond that was portrayed on-screen. So there was a lot of work needed to bring the franchise back on its own feet and convince audiences there’s enough room for Bond to keep going! With Sam Mendes hired as the director of the 23rd Bond film, people started raising their eyebrows and their curiosity peaked as more talent were hired to the project.

Now celebrating 50 years of Bond (longest running movie series in history), the main questions on our minds were; does this Bond film deliver a respectful tribute to the series (more so than Die Another Day celebrating 40th anniversary in 2002) and do the filmmakers make up for their mistakes from Quantum and bring back the Bond we’ve been waiting for? The answer to both of those questions is a solid YES! Bond IS back!

The film ignores the events that have happened in the previous two films and goes straight to a different film altogether. The story starts with Bond (Daniel Craig) in Istanbul on the hunt for a missing hard-drive that contains names of every agent in terrorist organisations around the world and is accompanied by Eve (Naomie Harris). Meanwhile, M (Judi Dench) overhears their progress but the mission goes horribly wrong as Eve accidentally shoots Bond as ordered by M and the assassin escapes with the hard-drive. Months later, M and MI6 get attacked from a mysterious terrorist that seems to have a grudge against her. Bond eventually returns to England and is recruited back on the field. He then follows a trail that leads him to Shanghai and to an anonymous island where he meets Silva (Javier Bardem).

The film has all the trademarks of what you expect from a James Bond film; the one liners, the beautiful Bond girls, the stunning locations and the egomaniac villain. Unlike the typical plot where the villain holds the world to ransom or plans to start a World War; Silva has a personal vendetta up his sleeve and makes his character more threatening (even his presence is felt before he shows up). Through-out the film, Bond is treated like an old relic in a 21st Century world. It’s a daring but interesting question Sam Mendes not just puts to the character of Bond but even asks the question as mentioned earlier; is Bond still relevant in today’s generation? To which M delivers a speech in a meeting that time is inevitable but the soul still goes strong. Basically referring to the franchise and something I admire that a blockbuster even asks that question.

Daniel Craig excels as Bond, delivering the witty wisecracks like he’s able to do it blindfolded. He has definitely moved on from being cold and calculative to a Bond that is likeable but still retaining the efficiency as a double-0 agent. Judi Dench really delivers a great performance as M, even bringing more meat to the character than she ever has been since her debut in GoldenEye. She feels the weight as her time is nearly up but also feeling responsible for her recent actions. Her scenes with Daniel Craig are one of the highlights, as they interact with each other as they’re mother and son they both never had. Both Naomie Harris and Bérénice Marlohe really do check the list on being a Bond girl; they are both absolutely stunning! Harris makes Eve a convincing character, showing being a field agent isn’t all that glamourised and there are consequences to her actions. Though the weakest part of the film are the Bond girls, they don’t have enough screen-time to feel beneficial or make an impact to the story (especially with Marlohe’s Sévérine). Ben Whishaw as ‘Q’ made an impressive performance, making his take on the character his own but still retaining what we love about ‘Q’ (requesting Bond return a gadget in pristine order). His first scene with Bond establishes the type of relationship they will have; a banter between the old and the new but no matter on their differences, they still go hand-in-hand. Though Javier Bardem as Silva steals the spot-light and delivers one of the most memorable Bond villains in the series’ history. He brings the same intensity as he performed the character of Anton Chigurh in No Country for Old Men but also making Silva very flamboyant which makes it very fun to watch and can tell Bardem is having a blast playing the role.

The film looks absolutely breathtaking and no surprise it is shot by Roger Deakins (previous credits include True Grit (2010), The Assassination of Jesse James by the Coward Robert Ford and The Shawshank Redemption). One of the many things that have been improved from Quantum is; the action sequences are wide and stationary so we can tell what is going on (further proving that you don’t need to make it hand-held and have kinetic editing to make your action scenes to be intense). One particular scene that made my mouth drop was when Bond follows the assassin he encountered earlier in Shanghai, leads up to a skyscraper and the entire floor is only lit from neon lights from opposite buildings. It really shows Deakins’ talent and I applaud Mendes on applying this amount of artistic license in a Bond film (and has my vote for Best Cinematography during the awards season). Thomas Newman replaces regular Bond composer David Arnold and delivers a classic Bond score but also feels very modern (using synthesizers when Bond arrives in Shanghai).

Overall; Sam Mendes delivers a Bond film we’ve been waiting for and actually feels like what a Bond film should! The entire cast and crew should be applauded to their work, bringing the top of their game and truly showing respect to the series. My personal favourite blockbuster of 2012 and one of the best Bond films ever made. Highly Recommended!

5 out of 5

Skyfall: The Best Bond Film Ever?

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The new Bond film, Skyfall, has had a wave of good publicity. It is now the highest-earning Bond film ever, making £32.7million in its first seven days in the UK, and that is even before it opened in America.

I thought Skyfall was one of the best Bond films I have ever seen. My other favourite being Casino Royale. Bond’s relationship with ‘M’ in the movie, played by Judi Dench, is wonderful and multi-layered. The scenes in London are shot beautifully, as are the ones in Scotland.

This side of Bond is more human. Sure Javier Bardem as the villian is camper than a row of tents, but a lot of the Bond villians have been quite outlandish, it only adds to the movie experience. If anything it is a nod to past Bond films. I have always liked Daniel Craig as an actor, he really is one of our best, and I think he makes a great Bond. This film is a more human side to Bond.

Skyfall is a much more modern take on the Bond franchise. It also goes much deeper than previous films, letting us know about Bond’s past. Skyfall is sleeker, more human and full of depth. Sure it is entertaining and full of action- it’s a Bond film- but Skyfall gives you even more: an action film with something to say. I think Sam Mendes has done a great job. One of the themes of Skyfall is the loss of youth. We see that Bond is not invincible. The feels like a changing of the guard.

I know some people have complained that Skyfall is sexist BUT complaining that a Bond film sexist is a little like going to a violent film and complaining that there is blood: it just makes you look silly. Ian Fleming’s book are hardly feminist textbooks. Just watch the film and enjoy. It is a fun ride.

Film industry names ‘Don’t Look Now’ as Best British Film

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Nicolas Roeg’s 1973 steamy gothic thriller tops Time Out’s 100 Best British Films

–A panel of film experts including Sam Mendes (Director of ‘American Beauty’), Wes Anderson (Director of ‘Fantastic Mr Fox’) and actress Sally Hawkins (‘Made in Dagenham’) have selected the 1970s steamy gothic thriller ‘Don’t Look Now’ as the Best British Film of all time, beating the likes of popular British movies such as Trainspotting and Four Weddings and a Funeral to the top spot.

The panel of 150 selected experts, which included directors, actors, heads of major cultural organisations and critics, was assembled by Time Out film editor Dave Calhoun. Each panellist nominated their 10 favourite British films which were then compiled to create a definitive list of Time Out’s 100 Best British Films.

Speaking about the selection as the Best British Film, ‘Don’t Look Now’’s director Nicolas Roeg commented ‘Well, it’s all very exciting indeed’. He continued ‘It’s almost forty years since I made the film now. It’s some time since I last saw it, but I see clips when I introduce it at festivals and it reminds me of that time and making it in Venice with Donald Sutherland and Julie Christie.’

Apart from the surprising ending of the film, one of the film’s most famous moments was the steamy love scene between Julie Christie and Donald Sutherland which Roeg believes helps today’s audiences connect with the film. Roeg told Time Out: ‘Sex, whether you like it or not, is the prime force of life. There is no other reason to be here. For me, sex is very rarely rude. It’s a fresh thing. I think people secretly connected to “Don’t Look Now”. Maybe that’s why, after all this time, people see the film more clearly. When it came out, audiences were less used to it. That scene would’ve been like someone bursting out of a cupboard and shouting “Boo!”.’

The top 10 from Time Out’s 100 Best British Films

Don’t Look Now (1973) – the terrifying Venice chiller starring Julie Christie
The Third Man (1949) – Graham Greene’s story stars Orson Welles in post-war Vienna
Distant Voices, Still Lives (1988) – moving Liverpool drama with the late Pete Postlethwaite
Kes (1969) – Ken Loach’s Northern Classic about a boy and his kestrel
The Red Shoes (1948) – a beautiful melodrama set in the world of ballet
A Matter of Life and Death (1946) – the greatest film of World War Two with David Niven
Performance (1970) – Mick Jagger and Anita Pallenberg rock and roll in 1960s Notting Hill
Kind Hearts and Coronets (1949) – Alec Guinness in one of his finest comic roles
If… (1968) – a brilliant satire about a British boarding school with Malcolm McDowell
Trainspotting (1996) – the classic adaptation of Irvine Welsh’s novel with Ewan Macgregor

The full Time Out’s 100 Best British Films, featuring the top 100 along with panellists’ individual selections, can be found online by visiting: www.timeout.com/bestbritishfilms.

On the significance of Time Out’s 100 Best British Films, Time Out’s film editor Dave Calhoun comments: ‘This is a once-in-a-decade poll and it throws new light on the films which inspire our current actors, directors and writers. In the same week that the Bafta winners are announced, and as the British film funding landscape remains in flux, now seems as good a time as ever to think about British cinema in the context of over 100 years. Add to that the aggressive flag-waving over ‘The King’s Speech’, and you could say that such soul-searching isn’t just a good idea, it’s essential.”

To celebrate the outstanding achievements of the British Film industry Time Out Live will be launching the Time Out’s Film Club with a series of exclusive screenings of films from the 100 Best British Films at the Cineworld Haymarket in London. Starting from March 22, these special screenings will feature introductions from the likes of actors Jonathan Pryce (‘Pirates of the Caribbean’), David Morrissey (‘Doctor Who’) and Sally Hawkins (‘Happy-Go-Lucky’). For further information and tickets, visit www.timeout.com/filmclub.