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Best Films of 2010. {Entertainment}

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Before I start with my list, I will be honest on something; this year was a relatively weak year for films. I’m not saying it was a disappointing or bad year; it just wasn’t as memorable in comparison with 2009 and 2008. Most of the good films (in my opinion) were far and between from each other. I will also mention that I have not yet seen some of the films that were released this year (Precious and Winter’s Bone as examples) and only going by films released in the UK. So Black Swan, The King’s Speech and True Grit are still yet to come (those in the USA, you’re lucky!). So without further delaying, here are my personal favourite films of 2010:

5) The Road: I immediately loved the book as soon I finished reading it. So when hearing director of The Proposition, John Hillcoat and Viggo Mortensen, Charlize Theron, Robert Duvall and Guy Pearce would star in Cormac McCarthy’s post-apocalyptic masterpiece; I couldn’t be anymore excited. The result was an astounding film and being truly faithful to the source material. Viggo Mortensen makes one of the best performances of his career. Having to be conflicted on looking after his son, and by telling him to carry the fire (humanity). The film looks beautiful, never have you felt emotion or seen a post-apocalyptic film look anything like this. It shows the world had a history, and now it doesn’t matter anymore (hence the characters are known as the Man, Boy, Woman etc.). It has a brutal honesty that most post-apocalyptic films lack, but it also has heart and it cares about the characters. It’s not interested to explain how it started or tries to bring in an action sequence or two to make it entertaining (if that’s what you’re looking for, then Roland Emmerich has no short supply of that with Independence Day, The Day After Tomorrow and 2012). This film is captivating, heartbreaking and brilliant.

4) Scott Pilgrim vs. The World: This film was bold and daring to be more than just a simple action flick within a teen movie. It mixes genres more than your mind can handle; it’s a gamer/movie geeks wet dream and it is done the best way possible. The film takes it to ambitious new heights. It is amazingly creative and shows the best of everyone’s talents. The performances from the cast are top-notch, and the music is very well done. This film features drama and comedy that it doesn’t treat us like idiots and actually gives the movie a brain. Edgar Wright cements himself as the King of Geek (although he already had that title since Spaced).

3) Toy Story 3: If you didn’t cry from watching this film, you have no soul! It’s a kid’s film, but also for grown-ups. This features one of the most heart-aching but soulful pieces of writing this year has to offer. It’s a movie that can be viewed by anyone at any age, and it is one of the best trilogies ever made! As the whole trilogy progresses, the true enemy of our protagonist is time itself. As we all have experiences on having to let go of our own toys when growing up. Tom Hanks and Tim Allen return to voice our favourite Pixar characters, and do fantastic jobs as they did the previous two films. Thank you Pixar, for cherishing our childhood but also giving us a timeless classic that will be passed on to future generations.

2) Inception: The best science fiction film of the year and among my top favourite sci-fi films (amongst with Blade Runner etc.). The concept of dreams has probably been explored before, but never has it been immensely intriguing and devilishly exciting. Christopher Nolan has crafted another blockbuster that isn’t shy to bring some intelligence (his Batman films proved to be more adult orientated than to adolescent kids). Leonardo DiCaprio delivers a powerful performance, riddled with guilt and regret (which features Edith Piaf’s “Non, je ne regrette rien” as a plot device) and gives depth to the character. This film features an amazing ensemble cast; listing from Ellen Page, Marion Cotillard, Joseph Gordon-Levitt, Tom Hardy, Ken Watanabe, Cillian Murphy, Michael Caine and even Tom Berenger (last time I saw him was in Born on the Fourth of July and Platoon). The visual effects and stunt-work should be given top credit as they looked seamless and Nolan delivered something we’ve never seen before.

1) The Social Network: When you have David Fincher directing and Aaron Sorkin being the screenwriter, you know they’re going to deliver something that’s going to be more than being ‘Facebook: The Movie’. This movie is a character study and a docu-drama, it is as exciting and interesting to watch as any action movie this year. Jesse Eisenberg delivers an electrifying performance as Mark Zuckerberg, who’s portrayed as being an ironic but yet tragic character. It’s understandable if some people may find it hard to sympathise with him, but how could you not get pulled in about a geek who made a phenomenon and made a stamp in 21st Century culture? The music by Trent Reznor and Atticus Ross has my vote for Best Original Score, as it is eerie and atmospheric with the use of string instruments and piano notes mixed with synths all part of Zuckerberg’s computer geek persona. This is drama at its best, and I certainly wasn’t expecting this film to succeed on being my number 1 movie of 2010.

By Owun Birkett

Scott Pilgrim vs. The World by Owun Birkett {Film review}

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Scott Pilgrim has a mix bag of genres. It’s a comic book movie, it’s an action movie, it’s a martial arts movie, it’s a comedy, it’s a romance, it’s a teen flick etc. But it surprisingly all blends well together! Being Edgar Wright’s first American film, he delivers all the goods and exceeds them.

The movie is based on a series of graphic novels by Bryan Lee O’Malley, about a Canadian slacker (Scott Pilgrim) who’s unemployed and plays in a band called Sex Bo-omb (Super Mario Bros. reference) but then falls in love with an American mystery girl (Ramona Flowers) who works for Amazon.ca. He later on finds out, unexpectedly, that Ramona has 7 evil ex’s and he must defeat them in order to go out with her. The idea sounds incredibly silly, but it works for the comic book material. As part of Wright’s trademark, this movie contains cultural references (in this case, 8-bit video games and video games in general). Though you don’t have to be a fan of video games to appreciate this film, it has enough to please anyone. It has a fluid pacing, giving us time to breathe after each fight with some intimate drama between Scott and Ramona. The fact that Wright compact 6 volumes into a 2 hour movie is incredible, never once where you got lost with the plot or the characters. That’s what I call an achievement, and therefore consider this as one of the best graphic novel adaptations ever made.

The casting is top-notch, not one thing do I have a complaint. Michael Cera kind of goes against his type-cast roles, he’s sentimental but he’s also an asshole at times. Though it’s a story of evolving and taking responsibility. Slowly bringing a resolution to the climax and thus brings a revelation to not only for Scott but everyone else. Mary Elizabeth Winstead is sweet and sympathetic, and makes the character interesting and have some back history (especially with her previous relationships). The seven evil ex’s, including Chris Evans and Brandon Routh, pretty much steal the show. You want to know more about them, but we’re given enough to what is already shown. They deliver comic timing perfectly, all credit to the acting/writing/direction. The rest of the cast all do really good jobs, newcomer Ellen Wong as Knives Chau really shines and did remarkably well.

The visual effects and action sequences are astounding, and extremely well done. This has so much vibe and energy, the fight choreography is very exciting to watch. Without becoming a repetition, every fight is different to each ex Scott goes against. As examples; Matthew Patel (Satya Bhabha) does in a style of a Bollywood dance-off at one point, and Todd Ingram (Brandon Routh) duels Scott in the style of Guitar Hero (through my eyes, at least). It’s a mix with real-life drama and fantasy action you’d expect in a video game.

I cannot help but compare to this film to Juno. It’s a teen movie, but it has more depth and intelligence than your average teen flick nowadays. Edgar Wright delivers drama that is touching, sweet but also funny. This is his most ambitious movie he’s made yet, and looking forward to what he’ll do next. Easily one of the best movies of 2010.

Side-note: The fact this is a box-office dud in the USA is shocking. What more do they want?