Horror Channel, FrightFest & Movie Mogul launch nationwide search for new filmmakers

Horror Channel, FrightFest & Movie Mogul team up to launch nationwide search for new filmmakers

 

Can you make a short film that can cut it in hell? Have you got some killer ideas?

 

FrightFest and Movie Mogul, in association with Horror Channel, are challenging aspiring filmmakers to make a short horror film – the best six of which will be shown on Horror Channel and at the 2013 Film4 FrightFest event. The overall winner will receive a prize fund of £6,666 and the opportunity to develop a horror short or feature idea under mentorship from Movie Mogul, for a possible 2014 production.

 

666 Short Cuts To Hell is no ordinary film competition though. Entrants will have to follow a series of ‘killer’ restraints such as a maximum of 6 lines of dialogue, a maximum of 6 cast of and crew members and a maximum budget of £666.

 

 

Chris Sharp, Chief Operating Officer for CBS Chello Zone Channels, commented: “Horror Channel has a rich history in supporting new film making talent through Directors’ Nights, new talent seasons, its FrightFest Short Film Showcases and Horror Club.  We’re looking for the next talent which we will support with on air exposure and undoubtedly feedback from our loyal viewers.  We know there are many keen filmmakers among our audience – this is their chance to get their work in the spotlight and get noticed by the UK film industry.”

 

John Shackleton, M.D of Movie Mogul said: “In the current technological HD/digital climate, it really is possible to make just about anything, and new entrant filmmaking is a level playing field. Now is the perfect time and opportunity to uncover new talent with big ideas, who just need that little nudge to really get going. Horror is a fantastic genre in which to cut teeth and sharpen skills because it is historically more of an ideas-driven genre, that doesn’t necessarily require big name stars to break through”.

 

Paul McEvoy, co-director of FrightFest added: “We want filmmakers of all kinds to take up the gauntlet and entertain horror audiences with some bold, fun and original ideas. An army of inspired filmmakers all equipped with the same limitations of genre, budget and duration, should really make for a very exciting competition!”

 

Entrants must submit their completed film by 6pm on the 6th June 2013.
Submission guidelines and terms and conditions can be found at www.shortcutstohell.com

 

The overall winner will be announced at FrightFest 2013 after the six films have been screened.  The full jury will be announced in due course, and will include: Horror Channel presenter Emily Booth, FrightFest director Paul McEvoy, Movie Mogul’s John Shackleton and filmmaker/Special Make-up Effects expert Paul Hyett.

 

TV: Sky 319 / Virgin 149 / Freesat 138

 www.horrorchannel.co.uk |

twitter.com/horror_channel

 

UK Film Industry Pioneers Sustainability Standard Developed by BSI

The British film industry, in conjunction with BSI, is taking the lead in the global entertainment market with the announcement at the Cannes Film Festival of a new British Standard that will improve the industry’s environmental, social and economic impact. For example, in London alone, screen production accounted for 125,000 tonnes of carbon emissions in 2009, 40% of which came from studios and 28% from TV and film production.

After seeing how the British Standard, BS 8901, has helped the events sector address sustainability issues and save money ahead of the 2012 London Olympic Games, the UK Film Council, whose funding responsibilities have now transferred to the BFI, asked The British Standards Institution (BSI) to work with it to develop a new industry standard for film.

The resulting standard, BS 8909, is a specification for ‘sustainability management’ in the film industry from production through to cinema exhibition and home entertainment that helps companies focus on how their activities impact the environment, the communities they work in and their wider economic influence.

Oscar winner Colin Firth, who is fully behind the new British Standard said, “As one of the founding partners of Eco Age, I’m delighted that Eco Age has project managed the trials of the new British Standard for sustainable filmmaking. BS 8909 is an exciting step forward – it gives the film industry a robust framework for managing our social and environmental impacts.”

Eco Age, Firth’s ethical retail organisation has played an integral role in the launch of the standard, having run three of the pilot schemes and offering support and guidance to the pioneering organisations who have adopted the standard – including Ealing Studios, Dogwoof, and the BFI.

BS 8909 can be applied across the film supply chain from planning to production, through to editing, distribution, screening and archiving. These extend beyond ‘going green’ and into areas such as the way filmmakers interact with communities where they film; for example, providing local employment opportunities or sourcing local products.

BSI’s Director of Standards Mike Low says: “The film industry has pockets of excellence around sustainability issues, however, the new British Standard BS 8909 provides a comprehensive framework for all parties involved in the development and launching of films to adopt. It encourages companies to address the environmental, social and economic impacts of their work – from the initial concept for the film right through the process, even down to any merchandising and advertising.”

Complying with the new standard shows that processes and protocols are in place so that a film company’s environmental impact is minimised and its social and wider economic benefits maximised. For example:

* Environmental: by reducing carbon emissions produced by wasteful travel arrangements; such as improved route planning, selecting vehicles with lower CO2 ratings, ensuring that more people travel together or adopting a more sustainable means of transport
* Social: by establishing clear guidelines for minimising the impact of the filming schedule on local communities; such as limiting hours of work, engaging early with communities about parking arrangements, noise, and catering, or by ensuring that child cast members are chaperoned are able to cope with the demands of a busy working environment. The entire supply chain can be considered too, which means, for example, that companies that produce a film’s associated merchandising will be able to adopt the standard too
* Economic: by helping communities benefit from film activities: for example, by hiring local people and compensating them properly or sourcing local props, extras and catering.

The introduction of BS 8909 is expected to be just the start of a process of assimilating sustainability management into film production. Whilst companies may be undertaking many activities that comply with the standard – such as recycling office supplies or running low-emitting vehicles, for example – they will need to examine their whole range of activities to achieve best practice. As the standard is adopted by the industry, the British Standards Institution expects to develop a certification scheme that could be offered through trade associations or supplier audits.

For further information on the standard please visit: www.bsigroup.com/bs8909