Category Archives: Books

JANE CABLE REVIEWS…

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Two research books, and two book club reads this time. My book of the month is Tracy Chevalier’s stunning story, The Last Runaway.

 

The Girl Who Left by Debra Gavranich

I read this book in the name of research, because I was fascinated by the opportunity to read a first hand account of the Second World War on the Croatian island of Korcula, and I wasn’t disappointed. Such gems in the English language are rare, and this family history is firmly rooted in the author’s mother’s memories, and well written.

As Marija’s story unfolds I found that I really cared about the outcome and her journey across the oceans as a proxy was fascinating. I must admit I only scanned the parts about her life in Australia, but my lack of interest was a personal thing and no reflection on the book.

 

The Last Runaway by Tracy Chevalier

Such a brilliant book, it took me straight to nineteenth century Ohio with all the harshness and iniquities of life there.

Honor Bright is a quaker from Dorset who accompanies her sister to America, where she is to be married. But the fates are cruel and the bride dies on the way, so Honor arrives in rural Ohio alone. The story revolves around her quest for friendship and happiness, but also her desire help escaped slaves in the Underground Railroad to Canada, which runs through the community where she lives.

Rich in description, strong in emotion, run through with tension, this is close to a perfect read. The characters became almost real to me and I was completely invested in Honor’s story and how her choices affected those around her. It was only the ending that left me feeling a tiny, tiny bit short-changed but I would still unreservedly recommend this very special novel.

 

Orlando by Virginia Woolf

If the author hadn’t explained in the foreword she’d started to write this as a bit of a joke, I don’t think I would have got it – and there were moments the author’s asides made me laugh out loud. I have to admit that I skimmed through much of it. but I did love the dreamlike elasticity of time, gender and sexuality and it was clearly a book ahead of its time.

Orlando is born a boy in the Elizabethan era and ages only a little and rather irregularly so in effect travels through time. But the real fascination for me was when he becomes a woman part way through the story and is therefore in a position to compare the two states.

If like a highly unusual read, rich in description and introspection, this is definitely worth a go.

 

The Sunrise by Victoria Hislop

I loved the premise of this book, set in the Cypriot resort of Famagusta, which was abandoned during the troubles in the 1970s which divided the island. However for me it didn’t completely deliver. For some reason I couldn’t buy into the love story between the nightclub manager and his boss, and although I appreciated the tensions which led to the arrival of the Turkish troops, for me it took far too long to happen.

What I did really love was the relationship between the neighbouring families of Greek Cypriots and Turkish Cypriots and how that developed. And as ever with Victoria Hislop, the sense of place was phenomenal and the historical research extensive. I just didn’t fall in love with it as much as some of her other books.

 

EVA GLYN’S HIDDEN CROATIA: EATING WITHIN DUBROVNIK’S WALLS

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First let me say that I am one lucky, lucky writer. Long have I dreamt of eating at Dubrovnik’s only Michelin starred restaurant, and on my last visit, I did it. It’s a very special place (with prices to match) but I had cause for celebration – it was publication day for The Collaborator’s Daughter, my novel set in the city.

I had visited Restaurant 360 before, but only through the pages of The Olive Grove. Where else would wealthy businessman Josip Beros take Damir to impress him?

‘The design of the place alone took Damir’s breath away, the cubed rattan furniture in turquoise and grey in the lower courtyard contrasting in both colour and style with the honeyed stone of the old fort into which it was built.’

It is, indeed a stunning location, and in the summer open air tables grace the tops of the walls giving stunning views of the harbour, but on a breezy evening right at the beginning of April I was pleased we would be eating inside.

Everything about Restaurant 360 is precise, except for the service which is as friendly as it is knowledgeable about the food and wine they serve. As well as a la carte choices, there are two tasting menus; Antalogica, which showcases the chef’s latest signature dishes, and Republika, a modern take on heritage dishes from the time of Dubrovnik’s Ragusa republic.

We were delighted when the sommelier was able to match a different Croatian wine with each course. Croatian wines are hugely underrated (and my husband knows a thing or two about wine, having worked in the industry) and we were able to enjoy a selection of the best with our meal. We were especially impressed with a Grk from Lumbarda on Korcula. All the more delicious to me because that’s where The Olive Grove is set.

All the food was wonderful, but it was with fish that Restaurant 360 excelled. We do sometimes treat ourselves to Michelin starred food, and some of the dishes bettered anything we have eaten. Anywhere. The absolute star of the show was what sounded an unlikely combination of smoked eel, foie gras, melon, and date cream. The man who thought that one up, and then delivered it, is some sort of genius.

A great deal of time goes into perfecting the dishes. Our waiter told us that the ‘fish soup’ accompanying the brodet (a very traditional Croatian dish) of grouper and clams had gone through almost forty iterations before it was deemed worthy of serving. And I would imagine it was the same with everything else; the sea bass with leek and langoustine was one of the most amazing things I have ever tasted. And the scallop tartar with kohlrabi and yuzu gel was as delightful as it was refreshing.

Great care was taken with my gluten free diet and I felt very safe all evening. The bread was delicious and plentiful, accompanied by a colourful array of butters, and where a dish could not be adapted, (as with one of the amuse bouche) the chef made something specially for me. Nothing was too much trouble for kitchen or staff, which made dining at 360 a wonderful experience.

I couldn’t resist taking a copy of The Olive Grove with me, and gave it to our fabulous sommelier when we left. He was delighted to hear it was set on Korcula, where he and his wife had honeymooned. It seemed such a small thank you for a night we will never forget.

Her Sweet Revenge by Sarah Bonner

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Her Sweet Revenge is another stunning thriller from Sarah Bonner. It’s ambitious, covering four years and numerous POVs but that makes me love it more. The relationship between the different characters (the mother-in-law and her daughter-in-law, the female friendship) is all done so well. You’re not quite sure who or what to believe until the very end. It made me feel so many emotions.
It’s a great read and I couldn’t wait to find out what happened. I finished it in 24 hours. Sarah Bonner is a formidable talent and this is another triumph,

Secrets and lies ruin lives

Two women receive the same anonymous note.
For one it’s a threat.
For the other it’s an invitation for revenge.

Helena is beautiful, successful and living in married bliss in Exeter. But she’s hiding a secret that could tear her perfect life apart. When the notes begin to arrive, she realises someone else must know. But what might her husband and his overbearing family do if they find out the truth?

Thea is reeling from her best friend Helena’s death. But when she starts digging into the circumstances, she receives a threatening note warning her to stop. She knows her friend’s death wasn’t an accident. This was murder. And she is determined to get revenge. And everyone knows, it’s almost always the husband . . .

Her Sweet Revenge is available here.

Spotlight | Author and Podcaster Georgina Scull

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I’m very excited to introduce a new series to Frost. Spotlight does just that, it finds people, or things, that deserve to have a light on them. Launching this is Georgina Scull who I’m a huge fan of. Her book, Regret’s of the Dying, is a wonderful, life-affirming book. Georgina is such a talented person, and also a thoroughly decent human being. Grab a copy of her book now. You won’t be disappointed.

Georgina Scull

Tell us a bit about you.

I’m originally from Central London, but live in Cambridge now. My family is small; English on my mum’s side and Romani Gypsy and Norwegian on my dad’s. I have one daughter and I’m happily separated.

You work in different mediums. Which one is your favourite?

That’s like asking someone who their favourite child is! Honestly, they’re all great. I work in podcasts, radio, and books, and am forging into film. Really the story dictates where it should be told. Sometimes you get an idea that you can hear and is more dialogue-based, so it’s natural home might be audio. It’s just different ways of storytelling and they’re all brilliant.

Have you always wanted to tell stories?

No. I’ve always loved stories, and always loved English at school, but to be honest it never occurred to me that someone might get paid to write, or that it might actually be a job you could choose, but I knew I wanted to do something creative. I started when I was 19 – and had no idea it would take me this long!

How do you come up with ideas?

I think I’m pretty lucky, because I always have more ideas than I can work on. Where do they come from? Just living, and listening to people, and connecting the dots. Lots of the time it might come from one central question you want to answer – with Regrets it was ‘if you only had one year to live, what would you do with it?’. Sometimes it’s an image you imagine or something you see in real life. And then it becomes – what if that couple who look like they’re in an embrace are actually arguing, and vice versa. I think it’s about finding a question or moment you want to explore; and I’d say that’s true of both fiction and non-fiction.

You started Regrets of the Dying as a podcast. How difficult was it turning the idea into a book?

It wasn’t hard, because most of the people that feature in the book weren’t on the podcast so it felt very new. The most difficult thing was finding people who wanted to talk, and being worried about upsetting them when we did sit down together. That, obviously, would never be my aim. Luckily, from what the interviewees told me afterwards, the experience seemed to be a cathartic one.

What’s your favourite thing about becoming a published author?

Probably receiving messages from readers, telling me that my book helped them. That, to me, is really amazing. I’m not sure if this’ll make any sense, but when the hardback came out last year I was 48. I’d been plugging away for so many years, mainly writing fiction, but really didn’t have much to show for it. I’d made a podcast series, and created a radio play which was well received, but really hadn’t achieved much for the amount of years I’d been working. I felt completely invisible. So to write a book that may have helped others was a very special thing, and something I am really proud of.

Tell us about your creative process.

When I start a new project I always buy a new pad, always A4 and always lined. I usually come up with the title very quickly and then do a bit of a one-two sentence blurb just to keep me focused on the main story and my reason for wanting to tell it. If I can’t come up with that blurb quickly, chances are the idea isn’t ready yet. Then, if it’s a podcast or a book, I’ll sketch out the cover art. This is purely for me: it helps to see it as a finished thing. Then I brainstorm the characters, the basic beats of the story and then make a schedule to write it. I then try and write most days but don’t really do set hours. It always takes me longer than I hope. Always. But if I try to do too much each day I end up doing nothing. I have a small office, but I tend to write in bed, or in cafes. And if I get stuck I go walking. It’s strange how a plot point or problem can seem impossible, then you go walking, listen to a podcast about a completely different subject, and by the time you sit down for a cup of tea that impossible thing seems weirdly obvious.

What is the highlight of your career so far?

Probably going on Woman’s Hour, mainly because I remember my mum listening to it on the radio when I was growing up.

What advice do you have for people who want to have a career like yours?

It’s important to be practical: to have another stream of income because making a liveable income from writing is incredibly hard; to not wait for some magic moment to write, and to crack on in the little pockets of time you do have; to have a clear idea of what you want to achieve; and to send your work out – if you’ve written something it serves no purpose sitting in a bottom drawer. You have to remember, like finding love, it’s a bit of a numbers game: not everyone will like/love your stuff, but you don’t need everyone to love it. You just need one or two people on your side that will open the gates wide enough for you to sneak in.

But I think probably the biggest thing I wish I’d learnt a lot sooner is to have a few people around you who believe in you. People who can cheerlead and help you keep the faith when you’re consumed with doubt and drowning in rejection (because it can feel like that sometimes, unfortunately). For years I was in a relationship with someone who wouldn’t read my work, wouldn’t listen to my podcasts, and really didn’t want me to talk about it at all. And in those moments of doubt, when I needed reassurance, all I had was myself. I now have that mutual support from my new partner and a small group of lovely friends and writers. I just wish I’d realised my need for it sooner because we all need support. Even those of us who are used to being the ‘strong one’.

What are you working on now?

I’m working on my next book, and have a couple of audio projects that are in the pipeline; one factual and one fiction. I’m a bit superstitious so I won’t say any more than that!

The paperback of Regret’s of the Dying is available on March 30th. Other formats are out now.

WRITERS ON THE ROAD: LIZZIE LAMB

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People often talk about Castles in Spain however the inspiration behind my novels comes from an entirely different source – castles in Scotland. We visit Scotland every year with our caravan and I spend part of the day writing on my MacBook and the rest researching/exploring castles, researching ideas for my next novel. My favourite castle is Castle Stalker on Loch Linnhe, the castle featured in Girl in the Castle, although I’ve renamed it Tearmannaire, meaning guardian or defender in Gaelic. We stumbled upon it almost by chance as we were driving from Oban to Ft William and it loomed at us out of the Scotch mist. It was like something out of a film set – grey, imposing and sitting squarely in the middle of the loch.

Catching a sign advertising a café, Castle Stalker View, we pulled in for a better look. There we discovered that the owner gives guided tours of the castle. Even better, he collects potential visitors from the shore and ferries them across to his home in his launch. That later used that in a scene from in Girl in the Castle where the heroine arrives on the shore,  shrouded in an autumn mist, and rings a bell for the ferryman to take her over to the castle.

The following year we discovered Bioran Dubh Caravan Site overlooking the castle and have stayed there in subsequent years. The thrill of seeing the castle every morning when we open the blinds never palls. We’re booked ourselves in there this summer on our way south after touring the highlands. A word of warning, there is no toilet block at the site, only water and electricity so your caravan needs to be pretty much self-contained if you fancy staying there.

Anyway, I’m getting ahead of myself. . .

The tour of the castle revealed details which I subsequently used in Girl in the Castle. How the RAF practices low level flying along the loch using the castle as a marker and dip their wings as they fly past. How Castle Stalker became Castle Argg in Monty Python and the Holy Grail, including the scene where John Cleese hurls abuse at King Arthur from the ramparts. I learned how canny landowners were reluctant to dine at the castle in the past because there was a good chance it would be their last meal; all very Game of Thrones. (I later used that detail in Dark Highland Skies my current novel).  I also learned about heiresses being dragged to the altar to secure their dowries, the groom who was murdered by a rival before the ceremony was over and the Jacobite gold allegedly hidden there after the 1715 uprising.

They’re still looking for that!

As a nice touch, I was able to give the owner current a signed copy of Girl in the Castle as my thanks for him sharing his iconic home with us. And, as an extra, you can dine on the pub on the shore which was a notorious haunt of Jacobites back in the day.

We’re really looking forward to our tour of Scotland this summer, who knows what gems we’ll uncover and how that will influence what I write next?

https://viewAuthor.at/LizzieLamb

 

WRITERS ON THE ROAD: ELAINE EVEREST

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Little did I l know that my first Saturday job at the age of fifteen and three months at the Dartford branch of Woolworths would lead me to write a series of historical sagas over fifty years later, or that the home I lived in for twenty years when first married would provide me with such a wealth of happy memories. Those memories still feature in my books today, in fact I’ve just filed my tenth book set in and around Woolies during the early 1950s.

I was born and brought up in Erith, Kent, growing up listening to my parents and family members talking about ‘the good old days’ even there were times when life wasn’t so good. The history of the small town on the south bank of the Thames has a rich history not only of its involvement during the two wars, but also of family life which fascinated this young child – and still does to this day. With my mother passing away at the age of forty I hung onto the stories she told me about growing up in the war and what happened to her family members. I would need to write many more books to cover all her memories and what I’ve discovered since she died. Even though I’ve moved away from the area I only have to close my eyes and I’m back there in the street where I had such happy memories and, in my mind, walk through the old Erith which was, in my childhood very much as it was during WW2.

As I explain to new writers, memories are fine, but writers must ensure stories we’ve grown up with fit in with the history of that time. Use archives and read, read, read as much as you can about your subject. Believe me if we get anything wrong our readers will soon correct us. One of the joys of being an author and setting my books in and around North-West Kent is being able to chat with local people and hearing their family stories and memories of the town and Woolworths; there is a large community of ex Woolies employees, and they love to share their stories.

When I wrote that stand-alone book – yes, The Woolworths Girls was originally commissioned as one book – I become so interested in the history of that well-known store and started to collect old copies of The New Bond, the Woolworths monthly staff magazine. I have copies from as far back as the 1930s and they hold a wealth of information about the different stores, staff celebrations, employment anniversaries as well as advertisements from those times; I lose hours reading through my stash!

Of course, local history and store information is important, but this author needs to know what is going on in the outside world away from the town and Woolworths, and importantly how it plays a part in my ‘girls’ lives. Hours spent at the local archive centre as well as having my nose in a non-fiction book means I glean information that may just appear in my stories.

Do I envy authors who set their stories in exotic locations? Of course, I do! However, the joy for me is knowing I only need to close my eyes and step outside the front door of number 13 Alexandra Road to see again my characters and hear their stories.

 

Elaine’s website: www.elaineeverest.com

 

 

 

 

CARIADS’ CHOICE BOOK REVIEWS, MARCH 2023

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Nicola Cornick’s The Winter Garden, reviewed by Morton S Gray

Ten stars! I loved this book. A perfect mix of past and present. I was in love with the present day hero Finn and wanted things to work out for Lucy. The historical side was told in an intriguing way and I enjoyed the ghostly elements of the story. Best historical/timeslip I have read in a long time. Bravo Nicola Cornick.

 

Lizzie Lamb’s Dark Highland Skies, reviewed by Jessie Cahalin

Dark Highland Skies is another triumph for Lizzie Lamb. Who doesn’t love a highland hero, strong heroine and a wee dram of secrets?

‘We all have demons to confront, secrets we’d rather not share. But that’s life, isn’t it?’

The characters are like good friends who really deserve a happy ending. The deeper you delve into the Halley and Tor’s past, the more you discover about what makes them tick. I wanted to know what was behind Halley’s ‘wall of aloofness’ and why a ‘bleakness appeared to descend’ on Tor. This is a heart-warming story of two lonely people finding each other.

Halley reaches for the stars and meets her destiny. A magical romance under the dark highland skies. As a reader I fell in love with the setting, and the ending was wonderful. If only I could have met charismatic Tam, Halley’s late uncle, who touched everyone’s life in the novel. I did not want to leave Lochaber!

Lizzie Lamb is queen of highland escapes. The uplifting stories are a perfect retreat from the troubled world.

 

Daisy Wood’s The Forgotten Bookshop in Paris, reviewed by Jane Cable

This is one of the books that makes me curse review sites that force you into giving stars. For me it isn’t quite five as I give those so very rarely, but it’s far better than the four I’m going to be forced to give.

This is such a skilfully told tale of resistance in wartime Paris with a main character, Jacques, you can root for and cry for, so wonderfully brave and flawed is he. A bookseller who is slow to join the underground movement fighting the Nazis, the plight of Jewish children in particular means he has no option but to help.

Meanwhile in the present day, American Juliette walks away from her unfaithful husband during a holiday in Paris, at first because she simply does not want to go home. She has family history to research but when she finds an empty, dusty bookshop she wonders if she can bring it to life again.

If you love Second World War dual timeline romances this is definitely one of the better ones I’ve read and I heartily recommend it.

 

An Italian Island Summer by Sue Moorcroft, reviewed by Morton S Gray

Get whisked away to Sicily to join Ursula Quinn, who wants to learn to paint ceramics after her life in England implodes. Add in suspicious Alfio Tringali, who returns home to fulfil family duty, helping his sister with her baby and his mother recovering from an operation run the family hotel. Ursula’s parents and family in Ireland are worried about her and her ex-husband is still possessive. There are links and complications between the families that Ursula knows nothing about and these threaten her happiness.

I soon became absorbed in this story with its twists and turns, surprises and revelations. Lovely to have characters from previous novel Under the Italian Sun make an appearance too. A classic Sue Moorcroft read that doesn’t disappoint.

 

 

EVA GLYN’S HIDDEN CROATIA: DUBROVNIK SYNAGOGUE AND JEWISH MUSEUM

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I would never have even realised Dubrovnik had a Jewish Museum if I hadn’t been researching the city’s Jewish community during the Second World War. As it happens, their story – and the museum itself – became an important part of The Collaborator’s Daughter.

I tracked the museum down online first. There are walking tours of the city with a Jewish focus that appear to be aimed specifically at the cruise passengers, and through this I discovered the heart of the Jewish community in the old town. The name of its location, Zudioska (Jewish) Street might have given it away if I’d thought about it.

As with many medieval trading cities the Jewish community in Dubrovnik were important and the synagogue is one of the oldest Sephardic ones in Europe. It is on the top floor of the rather anonymous building and is a beautiful and calming sacred space even today. The dark wooden seats are rich with age and the Wedgwood blue decorations on the ceiling reminiscent of the Mediterranean sky.

Even more interesting to me was the museum that takes up the floor below. It is tiny but showcases the community’s history so well, from the fabulously embroidered vestments and ornate fourteenth century torah scroll that represent the Jews’ proud history, to a second room with chilling artefacts from World War Two.

Compared to other parts of Europe, overall Dubrovnik’s Jews suffered less because initially at least they were under Italian control. While Croatia’s (and yes, it is correct to use that term for the period) home grown fascists persecuted the faith with even more vigour than the Germans, in this small enclave they were safe. For a while at least, and their numbers grew.

Then, in 1942 the Italians were told the clamp down. Curfews were imposed, yellow armbands issued. All the awful paraphernalia of ethnic hatred. Finally in the November the eighty or so members of the community were interned near the harbour at Gruz and on the island of Lopud. Eventually they were moved north to a larger camp at Rab, and during the chaos resulting from the Italian surrender the partisans took the area and a majority were saved. In all twenty-seven of the Dubrovnik Jews died, many more moved to Israel, and the community never recovered.

Although the synagogue is rarely used, helpful volunteers are available to show visitors around and to talk about the artefacts and history. The museum is open all day, every day, and is well worth half an hour of anyone’s time.