Victoria Fox on Temptation Island | Frost Interviews

Frost magazine has interview author Victoria Fox on her bonk-busting book “Temptation Island”. It is a very fun read and the review is here.

How did you become a writer?

Writing novels was always the dream but one I’d decided not to pursue until later. After university I got a job in publishing, joining as editorial assistant on a women’s fiction list and four years later working as an editor: this taught me a great deal about the business of how books are produced as well as an insight into the market. I realised I was waiting to find a truly exciting, shocking, racy bonkbuster like the ones I’d enjoyed as a teen, a proper brick of a book packed with sex and scandal, but none were quite hitting it for me, so I decided to have a go myself. ‘Write what you know’ is a great piece of advice for aspiring authors – as soon as I sat down to my debut Hollywood Sinners it just sort of all fell out. Curious as to whether I was on to something, I submitted a partial manuscript (about 30,000 words) anonymously to a literary agent
and happily she agreed to represent me. Shortly after I resigned from my job to complete the novel and three months later we had a deal.

Could you ever be anything else?

As a child I saw myself as one of three things: a vet, a gymnast or a writer. The first was out because I’m terrible at science (once I got 4% in a GCSE Chemistry test) and the second because I can’t do gymnastics. The last was the one that never went away. I’d be happy working as lots of things but don’t think I’d ever be cured of the writing bug. Certainly I’d be doing it as a hobby if I weren’t lucky enough to be making a living from it.




Did you base the characters on any real people?

Both Hollywood Sinners and Temptation Island feature sensational celebrity scandals, so I’d be in hot water if I said the characters were based on anyone in real life. Instead they’re inspired by what I see and read about in the papers and online, and often will be a mix of several intrigues that capture my attention. One of the great things about bonkbusters is that their characters can be truly outrageous, so I like to go all out with my players and make them as exciting and memorable as possible. If readers think they identify a real person then that’s great – I used to love trying to spot who was who in Jackie Collins’ novels: it’s part of the fun.

How do you come up with ideas for your books?




I’m afraid I read rather too many celebrity magazines. It’s a guilty pleasure. I love to see who’s dating whom, what so-and-so wore at whatever premiere, where the rich and famous have taken their super-yachts this summer . . . all that kind of stuff. Hollywood Sinners came from an idea I had about an A-list movie couple – it was a germ of a notion but enough to spin a story, and then I had all these power couples coming out of the woodwork with their individual stories and a novel was born. Temptation Island takes that scandal one step further, I suppose. This time I’ve focused on a very controversial theme, and am interested to know what people think!


What is your writing ritual like?

I have to be disciplined and stick to a routine. I’ll get up early because I’m most productive in the mornings, and work through till lunch when I’ll try to go to the gym (if I don’t do this I get really bad mid-afternoon brain slump). The rest of the day is sporadic; I’ll get distracted by emails and Facebook, but will usually produce a thousand more words before my boyfriend gets in from work. For me it’s important to try and keep to ‘normal’ work hours, so nine to five, Monday to Friday. I don’t want to be out of sync with my friends and try to keep my weekends free. However the lovely thing about working for yourself is that if it doesn’t pan out that way, and the creative tap isn’t one you can always turn on, you can make up the word count another time. It’s also wise to sustain a separate office area so you can close the door on work at the end of the day.



Do you think the recession makes people turn to novels like Temptation Island, and that need for escapism?

Bonkbusters should always provide escapism. They’re gateways into glittering worlds that we’d typically never be able to touch, arenas where everything goes and anything can happen. It stands to reason that during a recession readers reach for this kind of entertainment, but having said that in recent years it’s been crime novels – which offer a grimmer view of life – that have proved wildly popular. Perhaps the recent success of E L James’ Fifty Shades trilogy marks a turning of the tide, and a sign that the women’s market is switching to sex and fantasy for the same fix. I hope so, because bonkbusters have all the great things about erotic fiction and heaps more on top: the glam locations, the juicy storylines and the utterly transporting experience. Recession or not, I think they provide the perfect respite.


If you could go to an island like the characters, what would you take with you?

If I ended up on the one in the book, I’d take a cutthroat hack (or be one myself) so I could blow wide open the biggest Hollywood scandal in the history of the world! On a regular island, like if I were Tom Hanks in Castaway (!), I’d take a box of matches, an encyclopaedia and a pen and paper. That sounds boring, doesn’t it? Hmm. How much can I take? A fridge of chilled champagne would be good, and so would a hot guy who I’d set to work building me a raft without his clothes on.


How long did the book take to write?

Temptation Island took me four months to write and two to edit. If I’m strict about sitting down and writing every day I can normally produce around 15,000 words a week. The key is to keep pressing on and not to get sucked into re-reading what you’ve done – it’ll get changed on a later draft anyway. Once you’ve completed the book, even if you think it’s bad, you have something entire to work with and show other people. That’s when the editing process can begin and you start guiding the manuscript towards the best it can possibly be.

Do you think the bonkbuster is back?

It’s coming (ahem). The glory days were in the eighties and nineties – every girl remembers flicking through Jackie and Jilly at school and giggling over the naughty bits – but since then the genre seems to have gone off the boil. My mission is to bring it back! The vintage classics were magnificent, and today I think it’s about borrowing what was so great about those and combining it with a modern twist. Our present-day obsession with celebrity lends itself perfectly: bonkbusters should have sizzling secrets at their core so it’s all about peeling back the headlines and seeing what lies beneath. Recently I heard they’re remaking Dallas, which flags a return to these amazing multi-character sagas, and Shirley Conran’s superb bonkbuster, the definitive and fabulous Lace, is making a comeback this summer. It feels as if people are ready to embrace the genre again, and for me that isn’t a moment too soon.


What do you think of celebrities now? 



We’re obsessed, and that says more about us than it does them. On the one hand, we worship celebrities. Money and fame are seen as the quick passage to happiness, and anyone who’s achieved that gets a golden ticket to a higher plain – it’s a religion, and a fact of human nature to want what someone else has got. On the other, it’s about bringing these icons down, which is a miserable admission but true. We want to celebrate one day and criticise the next. Who’s had a breakdown? Who’s going through a divorce? Who’s had all that cosmetic surgery but still can’t get a man? Perhaps we like to gossip because it distracts us from our lives; perhaps it makes us feel better about ourselves. I’m all for celebrity when it’s earned, yet these days it’s the reality TV thing that spawns a host of wannabes who seem to be confused about what they want and can’t handle fame when it comes. Riches can reward anyone, but recognition for having achieved something is what we should be striving for.


Who is your favourite, and least favourite, celebrity?

Men I have a crush on are: Leonardo DiCaprio (he haunted my teenage years: that Romeo & Juliet pool scene), James Franco, Ryan Gosling, Chris Hemsworth and I’ve got a thing for Rafa Nadal. I’m also fascinated by untouchable megastars like Tom Cruise. Jack Nicholson is the boss; Robert De Niro close second. Actresses I love are Emma Stone, Amanda Seyfried, and Meryl Streep has bags of class. Also Chloë Sevigny is awesome. I guess my least favourite celeb would be any footballer who can’t keep it in his pants, and rides on the fact he earns an obscene amount of money yet still hasn’t learned to treat women properly.

What’s next for you?

I’m hard at work on my third novel, which is a glamorous, sexy revenge thriller set in the music industry. Watch this space!

You can buy Temptation Island here

Phillip Larkin: The Mower.

The Mower

The mower stalled, twice; kneeling, I found
A hedgehog jammed up against the blades,
Killed. It had been in the long grass.

I had seen it before, and even fed it, once.
Now I had mauled its unobtrusive world
Unmendably. Burial was no help:

Next morning I got up and it did not.
The first day after a death, the new absence
Is always the same; we should be careful

Of each other, we should be kind
While there is still time.

Esther Rantzen Highlights International Missing Children’s Day 2012

May 25th is International Missing Children’s Day. So where are the children and why have they gone? Esther Rantzen, founder of ChildLine opens the lid on a growing problem for the UK.

It is frightening, shocking and deeply disturbing that even in these enlightened days, even in this civilized country, thousands of children can become invisible. And their invisibility can put them into the gravest danger. We have seen cases that have made headlines recently as the evidence was revealed in court of children being plied with drugs and alcohol and then used as sex slaves. This has happened, not in the back streets of third world slums where these children were be living in rubbish dumps or starving. It happened to ordinary children living in our own towns and cities.. The new website for fresh thinking on parenting.

How is it that children like these suffer such a terrible fate? The cloak of invisibility that surrounds them seems to have been fashioned out of adult indifference. They ‘bunk off’ school and nobody notices. They run away from care and no one can restrain them. They sleep rough and nobody seems to take responsibility for them, or ask questions, or even search for them and find a safe refuge for them.

We sometimes hear from these children at ChildLine. One girl I know well ran away when she was eleven from her mother’s alcoholism and violence. She stayed on a bus until it was dark and she had run out of money, and then rang ChildLine, the children’s helpline. The first time she, and we were lucky, we found a bed for her in the only children’s refuge in London. The next day she was placed in foster care, but when that placement broke down, she ran away again and rang ChildLine once more.

This time we were not so lucky and were not able to locate a place for her, so she promised she would go home. In fact she slept in a local park overnight. I dread to think what could have happened to her. Happily she survived, rang ChildLine in the morning, and from then on was looked after. Although there were other crises in her life, each time she rang our helpline we were able to empower her and inspire her to move forward. Now she is married, with children of her own and has a thriving career working for a children’s charity. She is a wonderful success story, but how many others end up in our prisons, or addiction units, or dying in A & E with no one to mourn their passing?

It is estimated that 100,000 children run away from their homes, or from care each year in the UK – but nobody really knows the true figure. Railway Children is one of the most effective charities which supports children living on the streets, the children most of us pass by without a glance in their direction. According to Railway Children, two-thirds of runaways will be victims of violence on the streets and few are reported missing by their parents or carers in the first place. It’s not enough to suggest that the police should pick them up and return them home.

When a child runs away there can be a very good reason. And yet they may be too ashamed or fearful to tell the police what that reason is. And what happens if they do tell? One of the most appalling aspects of the recent case of teenage girls abused by gangs of predatory men is that when one did ask for help, and reported the abuse, she was not believed.

It is clear that we urgently need to open our eyes and ears. We need to see and hear the children before the moment when their desperation forces them onto the streets. Many of these children know what they are running from but have no idea what perils they are running towards.

I talked to a girl who was running away to Piccadilly but paused to ring ChildLine. She was in floods of tears so she could hardly find the words to explain what had driven her from home. Eventually she explained that she had just discovered her own adoption papers. Her parents had never revealed to her that she had been adopted. “I realise now that they could never have loved me,” she said. “They never told me the truth.” As I asked more questions she painted a picture of parents who deeply cared about her. I suggested to her idea that parents can make mistakes and that sometimes children need to forgive them. She said she had run away before and met a man who offered to let her work for him in Piccadilly, but another girl had warned her to go home. At the end of our conversation she said she would return home and talk to her mother about the adoption that they had never discussed before. I will never know if she went back. I pray that she did. Otherwise she might have ended up like so many of our invisible children, believing no one knew or cared how she lived or if she lived at all.

If you would like more information about these charities or want to get involved visit www.childline.org.uk or call 0800 1111. www.railwaychildren.org.uk or call 01270 757596.

This feature was written and commissioned for www.yano.co.uk

Hotel Unveils New Interactive Theatre Experience | Things To Do

Summer has finally hit London and if you are looking for something to do in London then the Hotel Undigo might have something for you.

Guests can be part of ‘The Hit’ immersive theatre at Hotel Indigo London Tower Hill

Hotel Indigo London Tower Hill is offering visitors the chance to become part of ‘The Hit’; an interactive theatre experience inspired by the hotel’s location in the heart of London’s financial district.

Available exclusively for three nights from 25 – 27 May, the audience will be swept up in the story as the drama unfolds with an escapade centred on the hotel’s historic past as a prestigious bank.

The action will take place throughout various areas of the hotel where guests will be immersed in an incredible live performance. Guests will become part of the drama as it unfolds around the story of an historic heist, greed, deception and a lover’s tale.

Characters will entice the audience through the art of emotional storytelling as they subtly reveal details of the hotel’s past. The 50 minute performances will be available to guests and members of the public via www.facebook.com/hotelindigoeurope.

Alex Apostolakos, General Manager of Hotel Indigo London Tower Hill said, “Our interactive theatre experience brings to life Hotel Indigo London Tower Hill’s location and financial past in a really inspiring way. Guests are going to have a story to tell long after they’ve left the hotel and our original bank vault provides the perfect setting for the dramatic ending to our story ‘The Hit’.”

Mike Greenup vice president marketing Europe, IHG, said, “Every Hotel Indigo draws inspiration from its local area to give guests an individual experience. The immersive theatre performances are a great way to bring to life Hotel Indigo London Tower Hill’s local story. Last month saw the new Hotel Indigo Edinburgh open in Scotland and we plan to open a total of 11 new hotels in Europe in the next three to five years.

Hotel Indigo London Tower Hill is situated in the heart of London’s historic Square Mile with the city’s financial district on its doorstep. Many of the capital’s banks are located nearby, with the Thames just a short walk away along with St Paul’s Cathedral and the iconic Gherkin building.

Hotel Indigo offers guests the best of both worlds; with all the charm of a boutique hotel coupled with the trust of a bigger brand.

Apply for tickets

London Artist Makes ‘Top 10’ In Harley-Davidson Art Competition

UK Artist From London Makes ‘Top 10’ In Harley-Davidson Art Of Custom Competition

Fans urged to vote for the UK’s shortlisted entry

Harley-Davidson®, the world’s most iconic motorcycle brand renowned for its rich heritage in customisation and self-expression, has announced that UK artist, Christopher Hollands’s ‘Graffiti Tank’ design has been officially shortlisted into the ‘Top 10’ of the brand’s Art of Custom competition, which has searched for inspirational new art to appear on bespoke Harley-Davidson fuel tanks.

The competition received over 2,000 entries from 16 countries including the UK, Spain, France, Italy and Germany. Each budding artist downloaded a template of the famous fuel tank and got to work bringing their interpretation of the Harley-Davidson spirit to life, just as the Harley-Davidson styling team have done for over one hundred years.

Competition finalist, Christopher Hollands said: “Art has always been a passion in my life, especially street art. Although I have no art qualifications, I am an avid fan of graffiti and tattoos. I come from a family of motorcyclists, so to connect my passion here with my artistic skills has brought me great happiness through the Art of Custom competition.”

The judging panel, made up of Harley-Davidson styling team members, Ray Drea, Frank Savage and the legendary Willie G Davidson, along with street artist ‘Lebo’, whose art graces the walls and galleries of Wynwood, Miami and Northern-Irish character artist Terry Bradley, had a tough job picking their top 10 favourite designs.

Terry Bradley said of the entries: “We’re over whelmed at the high standard of designs entered. It’s great to see so many people having the freedom to create and express themselves, and what better canvas than the iconic Harley-Davidson tank. The public have a hard job choosing the winner.”

The public now hold the power in deciding who will win ‘Art of Custom 2012’ and receive the prize of a lifetime; their bespoke design re-created on their very own mechanical masterpiece; a Harley-Davidson Sportster. The winner will also visit the home of Harley-Davidson in Milwaukee, Wisconsin with two runners up to see their tank art displayed at the famous Harley-Davidson Museum.

To vote for your favourite design, visit the Harley-Davidson Digital Tank Wall at www.harley-davidson.com/tankwall before the 1st June. The wall is an online version of the real-life wall housed in the Harley-Davidson Museum and also showcases some of the most iconic designs from the past century including the classic 1971 Willie G. Davidson designed ‘FX Super Glide’ and the 2008 ‘Cross Bones’ which formed the basis for the motorcycle ridden by Captain America in the 2011 Hollywood film.

The winner will be announced in June 2012.

Top Tips To Get an Art Gallery Internship


Getting into the art world can be hard. If you don’t know someone it can even seem impossible. Here are some top tips to get an internship at an art gallery.

Have a niche. Think about what you love the most and specialise in it.

Go to openings. Find out about art openings and socialize with the people there. Get business cards made and hand them out. Know what you are talking about. Art people are notoriously snobby but just win them over with your intelligence and personality.

Follow galleries on Twitter and like them on Facebook. We live in a world of social media. Everybody is contactable. After you have followed your chosen gallery on twitter @ reply to them (mention them or reply to one of their tweets) or retweet a few of their tweets. Flattery gets you everywhere. Making contacts with people and letting them know about you will pay dividends. It’s the squeaky wheel that gets the grease!

Write letters to people. People actually love helping other people and older people are always hungry to pass on their knowledge. People love mentoring. After you have made one connection they will pass you in to someone else, who will pass you on…you get the picture. Write a brief, concise letter explaining who you are and what you want on good stationary. Don’t get upset if no one responds, just take every ‘no’ as a step toward ‘yes’.

Have a list of galleries you are interested in. If you can’t get in straight away ask about their employee’s holidays or maternity leave. They will be impressed by your eagerness and think of you next time they need a temp.

Good luck!

Archers of Loaf to play London show | Music News

North Carolina indie rockers Archers of Loaf have announced a show at the ATP I’ll Be Your Mirror festival alongside the Afghan Whigs at the Alexandra Palace on 27th May. The band are in Europe for just two shows, also playing in Barcelona on 31st May.

The band features singer/guitarist Eric Bachmann, guitarist Eric Johnson, bassist Matt Gentling, and drummer Mark Price who formed in Chapel Hill, NC in 1991. Check out a selction of their videos below. SPIN Magazine deemed their sound “a tremendously optimistic time in underground music, that 15-minute period in the early 1990s when it looked like indie rock really might take over the world.”

 

[youtube http://www.youtube.com/watch?v=p8heCttqF3E&w=420&h=315]

 

[youtube http://www.youtube.com/watch?v=4ZkEob55qso&w=420&h=315]

 

[youtube http://www.youtube.com/watch?v=LTegGRqoh30&w=420&h=315]

 

[youtube http://www.youtube.com/watch?v=0QrDOGcZDow&w=420&h=315]

Top Art Fairs

If you love art you are probably going to want to go to as many exhibitions and art fairs as possible. The more art you see, the better your ‘eye’ will get and the more you will learn. There is so much art out there it’s hard to know where to begin.

If you really love art it’s worth taking a trip to London. October in London is art season. Art fair after art fair happens. I have visited Art London every year for the past four years, ditto with the Frieze Art Fair. Champagne, art, people watching. So much fun to be had. There is also the and that is just scratching the surface. You are spoilt for choice in London.

Frieze. Established in 2003. It takes place in London’s Regent Park every October. Frieze also has it’s own magazine There is also the Frieze in New York which will feature art from approximately 170 of the most exciting contemporary art galleries. It is massive. Almost impossible to do all in one day. Unless you make a day of it and have lunch there.

British Art Fair runs 12 – 16 September at the Royal College of Art, Kensington Gore, London. Champions Modern British art.

London Art Fair takes place 18-22 of January every year (all of the art fairs are every year, sometimes twice.)

Art London runs 6-10th of October. Art London is at the Royal Hospital in Chelsea. I thoroughly recommend it. It is a brilliant art fair. The experience starts before you even step into the marque and there is also free champagne on the first night.

The Affordable Art Fair travels all around the globe.

And two that are not in London:

Art Basel, Basel, Switzerland. Runs June 14th-17th

The Armory Show, New York

Founded in 2000. Runs March 8-11.