Beacons Festival announce final 30 | Music News

 

Yorkshire’s Beacon Festival have announced the final 30 acts to play this year’s festival. They are in no particular order:

Admiral Fallow / B>E>A>K> / Disclosure / Double Muscle / Filthy Dukes – Djs / Fun Adults / Goodnight Lenin / Hawk Eyes / Hey Sholay / Holograms / Imp / Japandroids / Juffage / Lanterns On The Lake / Luvjam / Magnetic North / Marcus Worgull / Nope / Pale Seas / Pins / Plank / Post War Glamour Girls / Runners / Soul Jazz Soundsystem / Stalking Horse / Sunless ’97 / That Fucking Tank / This Aint Vegas /Veronica Falls / Visions Of Trees / Wot Gorilla 

The bands will be joined by the following artists who have already been announced: 
Wild Beasts / Toots And The Maytals / Roots Manuva / Patrick Wolf / The Felice Brothers / Maya Jane Coles / Junior Boys / Ghostpoet / Factory Floor / Julio Bashmore / Jessie Ware / Pearson Sound / Andrew Weatherall Presents A Love From Outer Space / Cass Mccombs / Willy Mason / Errors / Cloud Nothings / Oneman / D/R/U/G/S / Peaking Lights / Xxxy / Kwes / Willis Earl Beal / Frankie & The Heartstrings / Outfit / Star Slinger / Jacuzzi Boys / Clock Opera / Lunice / Submotion Orchestra / Koreless / Bok Bok / 2:54 / Jam City / King Krule / Weird Dreams / Mazes / Still Corners / Stay+ / Stopmakingme / Gross Magic / Bos Angeles / Grass House / Arthur Beatrice / Hookworms / The Wave Pictures / Au Palais / Bleeding Knees Club / Souljazz Soundsystem / Tall Ships / Blacklisters

 

Early bird and second tier tickets are now sold out. Full price tickets are available from the festival website for £84.50.

External Links:

Beacons Festival official website

 

 


ILLLS unveil new EP | Music News

 

Oxford, Mississippi duo ILLLS have unveiled ‘Teeth’, a stadium-sized slice of playfully infectious, scuzzily refined garage-pop, serving as the first taster off their ‘Dark Paradise’ EP, released June 17th on The Sounds Of Sweet Nothing records.

Taking their cues from Jay Reatard and Jeremy Jay to The Cure and My Bloody Valentine, like any young band with a welcomed sense of naivety,ILLLS dived in headfirst to make the making of their debut EP. Part of the ever-growing creative hotbed that is the North Mississippi Cats Purring scene, counting diverse and forward-thinking musicians such as Dent May, Bass Drum Of Death and Dead Gaze among their ranks, ‘Dark Paradise’ is a confident debut brimming with vitality of a talented band in the making.

Have a listen below:

 

[soundcloud url=”http://api.soundcloud.com/tracks/42978050″ iframe=”true” /]

Ned Collette signs to Fire Records | Music News

 

Berlin-based, Australian songwriter Ned Collette has signed to Fire Records with his new album “2”, recorded with his band Wirewalker, due for release in August. Below you can watch the video for  “Long You Lie”, featuring guest vocals by Sascha Gersak and directed by Berlin-based filmmakers Lucy Dyson and Joseph Jensen.

Ned Collette moved to Berlin from his native Melbourne two years ago and is a well known and respected for his folk sound in his own country and in underground circles worldwide, having toured Europe previously with the likes of Joanna Newsom, Akron/Family, Bill Callahan and Nina Nastasia.

 

[youtube http://www.youtube.com/watch?v=pZUKhDqtd_s&w=560&h=315]

 

External Links:

Fire Records website

Ned Collette website

Clock Opera: new single + June live shows | Music News

 

Fresh from their headline UK tour, Clock Opera have unveiled a remix of latest single ‘Man Made’ off their debut album ‘Ways To Forget’, turned in by  BretonLABS. June promises to be a busy month for the band with them heading out on tour with Maximo Park in the UK as well as performing their first shows in Berlin, Cologne, Frankfurt and Barcelona.

Clock Opera June live dates:

Jun 02 – Dot To Dot Festival, Bristol, UK
Jun 03 – Dot To Dot Festival, Nottingham, UK
Jun 04 – Dot To Dot Festival, Manchester, UK
Jun 06 – Glee Club (w/ Maxïmo Park), Birmingham, UK [SOLD OUT]
Jun 07 – Sound Control (w/ Maxïmo Park), Manchester, UK [SOLD OUT]
Jun 08 – Heaven (w/ Maxïmo Park) London, UK [SOLD OUT]
Jun 16 – Razzmatazz, Barcelona, Spain
Jun 20 – Festsaal Kreuzberg, Berlin, Germany
Jun 22 – C / o Pop Festival Cologne, Germany
Jun 23 – LÜFTEN! Festival, Frankfurt, Germany
Jun 29 – Blissfields Festival, Winchester, UK
Jun 30 – Winterwell Festival, Cirencester, UK

 

External Links:

www.clockopera.com

Watch the original of ‘Man Made’ below:

[youtube http://www.youtube.com/watch?v=PaWj1mhx35Y&w=560&h=315]

New Animal Collective single | Music News

Animal Collective are back with a new 7inch single titled ‘Honeycomb / Gotham’ featuring two brand new songs. The ‘Honeycomb / Gotham’ digital bundle is available to download now and the physical 7inch is available to pre-order now on the Domino Store with instant MP3 gratification of both tracks.  Pre-order the single HERE. The 7inch will be available via Dom Mart on the 26th of June and will also be available in stores later this summer.

 

Go to www.myanimalhome.net to hear the new tracks.

Dead Rat Orchestra sign with Critical Heights | Music News

Fledgling London collective/promoter/label/blog/zine Critical Heights follow up acclaimed releases by Savaging Spires and Diva Dompé by announcing ambitious forthcoming LP/CD from Dead Rat Orchestra.
Dead Rat Orchestra have become the slow burning backwater of British music; perpetually hovering on the fringes of distinct scenes, yet never fully on-board, they remain their own mutable paradigm. Having toured with the likes of Godspeed You Black Emperor, Silver Mt Zion, Sandro Perri, Mark Almond and Baby Dee, the band have finally announced details of their official debut set for release in July. The Guga Hunters of Ness was originally scored for the BBC documentary of the same name that follows the journey of ten men from the community of Ness on the Isle of Lewis as they embark on a traditional hunt for gannets. Utilising their customarily unconventional instrumentation to create precarious and powerful abstract-folk, the trio of Daniel Merrill, Robin Alderton and Nathaniel Mann have come up with a powerful score, with compositions seeded in hours of study of Hebridean folk song.
Dead Rat Orchestra will be embarking on some live shows around the UK in June and July.
External Links:

Victoria Fox on Temptation Island | Frost Interviews

Frost magazine has interview author Victoria Fox on her bonk-busting book “Temptation Island”. It is a very fun read and the review is here.

How did you become a writer?

Writing novels was always the dream but one I’d decided not to pursue until later. After university I got a job in publishing, joining as editorial assistant on a women’s fiction list and four years later working as an editor: this taught me a great deal about the business of how books are produced as well as an insight into the market. I realised I was waiting to find a truly exciting, shocking, racy bonkbuster like the ones I’d enjoyed as a teen, a proper brick of a book packed with sex and scandal, but none were quite hitting it for me, so I decided to have a go myself. ‘Write what you know’ is a great piece of advice for aspiring authors – as soon as I sat down to my debut Hollywood Sinners it just sort of all fell out. Curious as to whether I was on to something, I submitted a partial manuscript (about 30,000 words) anonymously to a literary agent
and happily she agreed to represent me. Shortly after I resigned from my job to complete the novel and three months later we had a deal.

Could you ever be anything else?

As a child I saw myself as one of three things: a vet, a gymnast or a writer. The first was out because I’m terrible at science (once I got 4% in a GCSE Chemistry test) and the second because I can’t do gymnastics. The last was the one that never went away. I’d be happy working as lots of things but don’t think I’d ever be cured of the writing bug. Certainly I’d be doing it as a hobby if I weren’t lucky enough to be making a living from it.



Did you base the characters on any real people?

Both Hollywood Sinners and Temptation Island feature sensational celebrity scandals, so I’d be in hot water if I said the characters were based on anyone in real life. Instead they’re inspired by what I see and read about in the papers and online, and often will be a mix of several intrigues that capture my attention. One of the great things about bonkbusters is that their characters can be truly outrageous, so I like to go all out with my players and make them as exciting and memorable as possible. If readers think they identify a real person then that’s great – I used to love trying to spot who was who in Jackie Collins’ novels: it’s part of the fun.

How do you come up with ideas for your books?

I’m afraid I read rather too many celebrity magazines. It’s a guilty pleasure. I love to see who’s dating whom, what so-and-so wore at whatever premiere, where the rich and famous have taken their super-yachts this summer . . . all that kind of stuff. Hollywood Sinners came from an idea I had about an A-list movie couple – it was a germ of a notion but enough to spin a story, and then I had all these power couples coming out of the woodwork with their individual stories and a novel was born. Temptation Island takes that scandal one step further, I suppose. This time I’ve focused on a very controversial theme, and am interested to know what people think!


What is your writing ritual like?

I have to be disciplined and stick to a routine. I’ll get up early because I’m most productive in the mornings, and work through till lunch when I’ll try to go to the gym (if I don’t do this I get really bad mid-afternoon brain slump). The rest of the day is sporadic; I’ll get distracted by emails and Facebook, but will usually produce a thousand more words before my boyfriend gets in from work. For me it’s important to try and keep to ‘normal’ work hours, so nine to five, Monday to Friday. I don’t want to be out of sync with my friends and try to keep my weekends free. However the lovely thing about working for yourself is that if it doesn’t pan out that way, and the creative tap isn’t one you can always turn on, you can make up the word count another time. It’s also wise to sustain a separate office area so you can close the door on work at the end of the day.


Do you think the recession makes people turn to novels like Temptation Island, and that need for escapism?

Bonkbusters should always provide escapism. They’re gateways into glittering worlds that we’d typically never be able to touch, arenas where everything goes and anything can happen. It stands to reason that during a recession readers reach for this kind of entertainment, but having said that in recent years it’s been crime novels – which offer a grimmer view of life – that have proved wildly popular. Perhaps the recent success of E L James’ Fifty Shades trilogy marks a turning of the tide, and a sign that the women’s market is switching to sex and fantasy for the same fix. I hope so, because bonkbusters have all the great things about erotic fiction and heaps more on top: the glam locations, the juicy storylines and the utterly transporting experience. Recession or not, I think they provide the perfect respite.


If you could go to an island like the characters, what would you take with you?

If I ended up on the one in the book, I’d take a cutthroat hack (or be one myself) so I could blow wide open the biggest Hollywood scandal in the history of the world! On a regular island, like if I were Tom Hanks in Castaway (!), I’d take a box of matches, an encyclopaedia and a pen and paper. That sounds boring, doesn’t it? Hmm. How much can I take? A fridge of chilled champagne would be good, and so would a hot guy who I’d set to work building me a raft without his clothes on.


How long did the book take to write?

Temptation Island took me four months to write and two to edit. If I’m strict about sitting down and writing every day I can normally produce around 15,000 words a week. The key is to keep pressing on and not to get sucked into re-reading what you’ve done – it’ll get changed on a later draft anyway. Once you’ve completed the book, even if you think it’s bad, you have something entire to work with and show other people. That’s when the editing process can begin and you start guiding the manuscript towards the best it can possibly be.

Do you think the bonkbuster is back?

It’s coming (ahem). The glory days were in the eighties and nineties – every girl remembers flicking through Jackie and Jilly at school and giggling over the naughty bits – but since then the genre seems to have gone off the boil. My mission is to bring it back! The vintage classics were magnificent, and today I think it’s about borrowing what was so great about those and combining it with a modern twist. Our present-day obsession with celebrity lends itself perfectly: bonkbusters should have sizzling secrets at their core so it’s all about peeling back the headlines and seeing what lies beneath. Recently I heard they’re remaking Dallas, which flags a return to these amazing multi-character sagas, and Shirley Conran’s superb bonkbuster, the definitive and fabulous Lace, is making a comeback this summer. It feels as if people are ready to embrace the genre again, and for me that isn’t a moment too soon.


What do you think of celebrities now? 



We’re obsessed, and that says more about us than it does them. On the one hand, we worship celebrities. Money and fame are seen as the quick passage to happiness, and anyone who’s achieved that gets a golden ticket to a higher plain – it’s a religion, and a fact of human nature to want what someone else has got. On the other, it’s about bringing these icons down, which is a miserable admission but true. We want to celebrate one day and criticise the next. Who’s had a breakdown? Who’s going through a divorce? Who’s had all that cosmetic surgery but still can’t get a man? Perhaps we like to gossip because it distracts us from our lives; perhaps it makes us feel better about ourselves. I’m all for celebrity when it’s earned, yet these days it’s the reality TV thing that spawns a host of wannabes who seem to be confused about what they want and can’t handle fame when it comes. Riches can reward anyone, but recognition for having achieved something is what we should be striving for.


Who is your favourite, and least favourite, celebrity?

Men I have a crush on are: Leonardo DiCaprio (he haunted my teenage years: that Romeo & Juliet pool scene), James Franco, Ryan Gosling, Chris Hemsworth and I’ve got a thing for Rafa Nadal. I’m also fascinated by untouchable megastars like Tom Cruise. Jack Nicholson is the boss; Robert De Niro close second. Actresses I love are Emma Stone, Amanda Seyfried, and Meryl Streep has bags of class. Also Chloë Sevigny is awesome. I guess my least favourite celeb would be any footballer who can’t keep it in his pants, and rides on the fact he earns an obscene amount of money yet still hasn’t learned to treat women properly.

What’s next for you?

I’m hard at work on my third novel, which is a glamorous, sexy revenge thriller set in the music industry. Watch this space!

You can buy Temptation Island here

Phillip Larkin: The Mower.

The Mower

The mower stalled, twice; kneeling, I found
A hedgehog jammed up against the blades,
Killed. It had been in the long grass.

I had seen it before, and even fed it, once.
Now I had mauled its unobtrusive world
Unmendably. Burial was no help:

Next morning I got up and it did not.
The first day after a death, the new absence
Is always the same; we should be careful

Of each other, we should be kind
While there is still time.