REVIEW: Pinocchio, Chichester Festival Theatre

Photo credit: Manuel Harlan

 

 

 

 

 

 

That any live theatre has gone ahead this December is a Christmas miracle in itself. In Chichester’s annual Youth Theatre production, however, there is a double dose of wonder; against all the virus-related odds the show has not only gone on, but it’s an absolute belter.

Usually boasting a cast of almost one-hundred, in order to manage social distancing this year’s CFYT offering is presented by two smaller teams of twenty-three, with Team Fox and Team Cat splitting the performances. (On Press Night Team Fox were performing, but I am reliably informed that Team Cat are every bit as accomplished.) Directing a full-scale production to meet the pandemic’s stringent safety measures, on and off the stage, is an extraordinary feat of choreography, and one that all those involved in achieving must be congratulated.

Hope, redemption and realising that our differences can be strengths rather than weaknesses are themes that run through this abridged version of Carlo Collodi’s original tale, which has been superbly adapted by Anna Ledwich. Managing to be gloriously heart-warming without straying into sentimentality, Director Dale Rooks has infused Pinocchio with emotions and moments that truly resonate. One such instance is when Pinocchio and Geppetto ‘hug’. Standing apart, they wrap their arms around their own bodies, bringing a lump to the throat and an ache to the heart – oh to hug again!

On stage there’s not a single below par performance. Archie Elliot (Lewis Renninson) in the title role plays the headstrong little puppet with absolute conviction. Pinocchio may be made from wood but he has guts, heart and spirit, ensuring that we are rooting for him all the way. Alfie Ayling (Jack Campbell) as Geppetto is warm and wistful, playing the lonely carpenter with a maturity beyond his years.

There is excellent work too from Meg Bewley (Molly Berry) as the Fairy and Annalise Bradbury (Olivia Dickens) as Cricket, her exasperated sidekick. Marvellous cameo gems include Alex Webb (Noah Peirson) as a chatty French poodle – très magnifique!

The ensemble work is extraordinary. Matching talent with energy,  it is ultimately in the production’s togetherness that its success lies. A masterclass in how a completely cohesive company can create something magical, the story flows perfectly, the singing and dancing are stunning and the set, simple but oh-so clever, is breath taking.

The overall effect is wonderfully uplifting. Moreover, there is a sense of the fantastic; a promise of enchantment. And it delivers. With Christmas bells on.

Vicky Edwards

Living with Alzheimer’s – It’s Nearly Christmas, Bob by Chris Suich

 

‘ Hello, Bob, hello. It’s Chris, darling. Wake up, it’s Chris. I’ve come to see you. I ‘ve brought you presents; some cider, some chocolate Santa’s, videos of The Snowman, and some Disney films. ‘

‘It is 3rd December.’

‘It’s nearly Xmas, Bob’.  The first one without him at home, I think. I’ll be home, it’ll be just another day. I’m OK with it.

I haven’t seen Bob for a month. I have been very anxious.
It was the second Lockdown and his Care home was closed to even window visits. I tried to persuade them to let me keep coming – to have a window visit for 30 minutes weekly. It was my lifeline and Bob’s stimulation; to keep him going, to try to hold onto a fragment of me for his memory. I needed to see him. It helped me to be less anxious; to help me sleep, to keep the pain subsided,  that pervaded my chest. I pleaded that Covid could not jump through glass. The government guidance said window visits should still occur, but it didn’t matter. I wrote to the regional manager, even Matt Hancock. The great letter writer, that’s me  but mostly there was nothing, because the government guidance was just that – guidance.

Then the regional manager rang me to say that Covid was in the home and public health had advised them to be in lockdown. This was almost 2 weeks into the England lockdown. I asked him if it was in Bob’s building but he wasn’t specifically sure. That was Friday. On the Monday the nurse rang to say they were trying to swab Bob but he wasn’t having it. No, I thought, he wouldn’t take too kindly to having a stick pushed up his nose! By Thursday when the phone rang and I heard the words ‘duty to inform you ‘ I knew he’d got it. But the miracle was he had only mild symptoms. He has got over it. I think. 4 weeks without seeing him!

So now he is at the window. He is asleep in the Stirling chair lolling to one side. Coughing a little but mainly asleep. He is frail. His cheeks have that hollow look. I talk to him the whole time trying to stimulate some recognition. I say Joe sends a kiss and Eddie sends a kiss all the way from Australia. I tell him I love him and I talk about a load of nothing. He briefly opens his eyes and there is a brief recollection that I think he knows me. I stay the full 30 minutes under the big black umbrella because it is pouring rain and has been all day. My feet are cold and wet in my boots. I am stood in the garden looking into the window, bobbing up and down, trying to get to his eye level. The window is shut– he probably can’t hear me anyway, but I have to come.

I know in a month he has taken another dip but just seeing him peacefully sleeping gives me the contentment I need. It is very difficult. I asked about the rapid testing that the government said would be rolled out to care homes. The manager did not know about them. I said it’s been all over the news. I take a test. I get in PPE. The text comes back negative and I can see Bob. But no, there was no news on that in this care home. I am sure that this will not get to Lincolnshire anytime soon. Then there is the Covid outbreak in the home. Maybe that will make it even more difficult to get inside to see him at his room if he can’t get up. He was in bed for weeks whilst he was isolated and that comes with its own problems and risks. I just want to see him properly. To touch him. No touching since the 12 March. No hand holding, no hugs, no kisses.

I rang the GP – could she help me if he was end of life? Would I have more chance of seeing him properly, have a meaningful visit? I asked the care home when they considered end of life visiting. The last two days. The NHS nursing guidelines say it is  if a person is not expected to live a year. I now have a fight to be able to see Bob properly before the last two days.

The little tree is put up from the garden, we recycle it every year. It is decorated with all the baubles we collected over the last 40 years. Bob would want me to carry on the same and I am. Dr Joe is working nights including Christmas Eve and Eddie is still in Australia. I hope to see Bob, that would be lovely!

Love and Comfort with the Baby Carrier Move.

Both of my children spent much of the first years of their lives in a BabyBjörn. I cannot recommend BabyBjörn enough. They are the Rolls-Royce of baby carriers. The Baby Carrier Move is the latest carrier and it has the same high-end engineering as its predecessors.  It is made from an airy 3D mesh fabric that I love, it also dries quickly after washing. 

The Baby Carrier Move is stylish and easy to get off and on, it is also easy to manoeuvre. Another reason I love baby carriers is because I find it easy to breastfeed in them. I put a light breastfeeding scarf over the carrier. You can even do it while you are walking. Freedom for mama. Frost loves. 

BabyBjörn is promoting love and comfort with the ergonomic Baby Carrier Move, a carrier designed for simplicity in the home or out and about, for use from day one, all the way to 15 months. The superior back support and an ergonomic waist belt makes the Baby Carrier Move super comfortable for parents, and as with all BabyBjorn Baby Carriers, little ones love being carried, being close to their parent’s heart as they grow and can explore the world together.
Baby Bjorn, baby sling, Babybjorn, baby carrier,

The baby carrier’s thin and flexible 3D mesh fabric ensures that a newborn baby is sitting in a perfect position and the size of the baby carrier can be adjusted as the baby grows. The soft fabric hugs the baby’s back, legs and hips, and provides good support. For the first five months, the baby is carried facing inwards and then parents have the option of carrying their baby facing outwards. The baby carrier is fully adjustable.

Thirty million babies have been carried in a BabyBjörn Baby Carrier since the very first one – Close to Heart – was launched in 1973. The company, which was founded in 1961, continually develops and simplifies its baby carriers to be able to offer parents babywearing equipment that suits their family. It’s important that a baby carrier adapts easily to the baby’s size and the family’s lifestyle.

 “We have tested Baby Carrier Move with a large number of test families in their home environments and on long walks over a long period in order to make sure that it’s comfortable for both parents and babies.” says BabyBjörn’s Josefin Kleremo, project manager for Baby Carrier Move.

Baby Carrier Move is acknowledged as hip-healthy by the International Hip Dysplasia Institute (IHDI). https://bit.ly/2IH41b1

BabyBjorn, baby carrier, review, BabyBjorn, reviews

The baby carrier is made of an airy 3D mesh fabric that breathes well and dries quickly after washing. The fabric has been specially developed for BabyBjörn’s baby carriers and meets the requirements of OEKO-TEX 100 Class 1 for safe textiles for babies and toddlers.

Baby Carrier Move is available from www.babybjorn.co.uk in the colours Light Grey, Navy, Anthracite and Sage green. Recommended Retail Price:  £119.99

 

Free Virtual ‘weaning workshop’ how to stop your baby becoming a fussy eater

weaning, fussy eater, tips.

Charlotte Stirling-Reed (the nutritionist on Joe Wicks’ weaning book), a leading expert in Infant and toddler nutrition will be running a free webinar on ‘Getting Started with Solids/Veg Led Weaning’ on December 8th at 8pm.

Stokke are going virtual with the iconic Tripp Trapp® for an exclusive talk on how to get started with solids and vegetable led weaning, with STOKKE TRIPP TRAPP TOUR @ HOME. The session will cover the basics when it comes to introducing your little one to solid food and will start with some of the science around feeding infants – what does the research say about the very first foods – and then go on to talk about introducing your baby to allergens (something lots of parents are anxious about), as well as how to move on to “family foods” and more composite meals. When: Stokke Zoom 8th December at 8pm.

Few things are more important than nutrition when it comes to raising your children so I will definitely be tuning in.

Tripp Trapp® chair Baby Set Soft Mint, Beech Wood, with Classic Cushion Honeycomb Happy

The iconic Tripp Trapp® highchair was launched in 1972 and has since sold more than 12 million worldwide. It is Mumsnet approved and super stylish.

 

Living with Alzheimer’s – Bob has Covid by Chris Suich

chris-bob-suich-living-alzheimers

The phone rang loudly punctuating the silence in the house. My stomach lurched wondering if this was the phone call where I would have to jump in the car to get to Bob as quickly as I could. A solemn voice softly spoken, ‘Duty to inform . . . Bob has tested positive.’ How awful. So he’d got it anyway and I never got to comfort him because of this threat.
It has been 252 days since I hugged my husband Bob. I have never felt such a mix of emotions. I have been rendered utterly powerless.  I have tried everything I can to have some contact.

At the beginning of this nightmare I stood in the street shouting up to the first floor window whilst two carers walked with him towards it. Then we progressed to bringing him downstairs to the Reception area where he sat in the wheelchair looking out at me through a closed window. Then I moved him to a care home that didn’t charge nearly a thousand pounds extra third party top-up fee which, as a part-time teacher, I couldn’t afford.

It was July. There was now a chance to see him outside for thirty mins under a canopy but strictly 2 metres apart – and definitely no touching. But then the carer was OK to touch him without PPE – but not me. I asked why ? I was living on my own, avoiding shops, summer holidays (so off work) but my hands were not deemed safe to hold my husband’s hands. He stretched out for them. He’d shout ‘Chris, Chris,’ and try to stand up in his wheelchair to get to me. I had to watch  from 2 metres  away, getting more and more upset. I begged for another visit at the weekend. Thirty minutes once a week was not enough. I was granted another visit at the window on a Sunday.

I read everything I could about the government guidance and wondered why things were not changing. Our son, Joe, a Covid doctor felt if I saw Bob outside in PPE (and as a frontline worker I was permitted a test which was always negative), I could mitigate the risk.  That wasn’t accepted either.

Meanwhile, Bob’s health and well-being was impacted. He became very sleepy. I’d visit at 11.10 am but he was often still in bed asleep.  I changed the time to 2.10 pm but he often was sleepy then. He wasn’t responsive, barely knew what was happening, and couldn’t focus on me or follow a conversation. He looked clean and tidy but his personality had gone. Bob had disappeared he was a shell of himself.

I wrote letters, several citing new guidance, the breaking of laws such as the Equality Act or Human Rights Act – the right to a family life. My local MP wrote to the regional manager and I wrote to Helen Whately, Minister for Social Care. I wrote to author, Nicci Gerrard after reading her article in the Observer one Sunday evening. She invited me to join a closed group, John’s Campaign set up in her father’s name. The carers on there became a great source of information, comfort and support. I was phoned up by the BBC’s Alison Holt who was doing a piece on how this nightmare had affected me personally. My name had been put forward, would I do a story? Yes,  I certainly would, and I had some film to show my trauma when Bob would scratch the window or shout for me to come in. The article was shown on the main BBC news at 6pm and the 10 o’clock news. Bob would have been so proud of myself and our son, Joe.

Over the past few weeks there seems to be a sea change and up and down the country managers are trying to include visitors safely, in sanitised rooms, pods, using Perspex screens or even plastic overalls. But the way forward for visitors is fragmented; it is pretty much up to the care home . The new guidance is exactly that, guidance. I rang Public Health England asking if they had sent information regarding visiting protocols to Bob’s home. No, not at the moment, they should follow government guidance. So I wrote to the regional manager myself to ask that. It was then that I found out there was a Covid outbreak.
How did that happen? No visitors still. So all that time, when I wanted to see Bob and hold his hands in the summer –  when the R rate was low and I was told I was a risk, it didn’t matter anyway because he was destined to get it from within the home. I know it spreads like wild fire. PPE protocols must be rigorous.
It is now a waiting game. Can Bob get over this? I hope so but I am worried, he is fragile, has impaired health already and respiratory illness.
Joe knows this disease, he has been on Covid wards since this it started. It might start mild but it can turn very quickly.
I have been told I can see my husband at end of life. What a shame.  We have lost so much time and all in vain.

INTRODUCING NORFOLK ARTIST AND PRINTMAKER, SUE WELFARE

I‘m an artist, printmaker and writer living and working in West Norfolk. I’ve got no formal arts training and only began working full time as an artist in my very late 50’s after a career as a freelance writer.  I think one really helped the other – I’m used to being self-employed, self-starting and self-motivating, and I’ve always been very visual – when writing I could always see and hear what was happening to my characters, and I think that visual imagination has really helped me develop as an artist.

I live in a little market town in Norfolk and love the diverse nature of the Norfolk Countryside, its amazing unspoilt coast line and its wildlife – as some-one pointed out recently, I’m all about Birds, Boats and Beaches!

Before becoming a printmaker I tried lots of other arts and crafts. I’ve worked with mosaics, stained glass, wet felting, papercutting – all of that experience and experimentation was really worthwhile, helping to build up skills in composition, mark making, colour, handling tools, finding out about inks and blades and glue. And along the way I’ve also met some amazing people who have been prepared to show me, teach me and share their knowledge.

I now work primarily as a linocut printmaker, which for me is the perfect balance of art and craft. I love working out the composition and drawing the blocks, but then also love the carving and the technical challenge that comes with creating a print.

I also love, and have missed, going to fairs, workshops and exhibitions this year – I enjoy the village feel of events, and showing and explaining to people what I do –  while lockdown may have curtailed the trips and adventures I had planned it hasn’t stopped me enjoying the garden, walking the dogs or imagining trips to favourite places.

Those things have kept me going over the last few months and inspired lots of new work.

 

You can find me on Etsy:  www.etsy.com/uk/shop/SueWelfareArtist

 

 

 

 

Scooting back to school, a new way of life in COVID-19. Scootasoot Review

Every now and then someone comes along with a very clever parenting hack. Scootasoot is said clever parenting invention. An all-in-one reflective scooting suit for children. It is waterproof and looks fab. Cleverly, the hood fits over a helmet. It has ears though, so it still looks fun. I could not love, nor recommend these fab suits more. They keep kids safe and dry on their way home or to the park, what more could you want?
 Scootasoot, scooting, safe scooting, back to school  Scootasoot, scooting, safe scooting, back to schoolIt could be said that some parents may be in a panic about getting their kids to school safely without the use of public transport during the new school term, following the British government’s travel guidance. 

Ensuring children get to school on time with a bicycle, scooter or walking may place fear in parents who want to keep their children snug, visible and comfortable as they travel. An all-in-one Scootasoot for your child may aid in keeping them warm and safe this Autumn. 

 A colourfully reflective waterproof suit to make little ones more visible in the darker winter months to come. Scootasoot keeps kids dry when the rain season kicks in, don’t worry about them overheating due to its breathable material. 

Perfect for scootering or other forms of outdoor activities with a hood that works to fit a helmet, which is necessary due to the dangers of head injuries from slipping on wet roads. Ear and tail accessories in three animals are a better way for children to choose a fun option for their suit instead of just colours. 

This animal outdoor suit was made for children that like to explore and imagine. Due to travel restrictions, why don’t you make the most of exploring your environment with them? Let kids feel the fresh air and play to wake and excite them before they arrive at school. 

The fit is snug for teeny weeny hands and feet, so rest assured no uniform will be destroyed in the school run. The beauty of having a magnetic opening can calm anxieties on practicality. It’s on and off within seconds, chucked into your child’s bag at the school gates and weighs less than your purse and keys!

Getting a Scootasoot gives parents some peace of mind knowing their children will be warm and safe following The Department of Transport’s guidelines “Where travel is necessary, consider whether children could walk, scooter or cycle, accompanied by a responsible adult or carer.” 

 Whilst this can be a necessity, why not consider that it betters a child’s development by ensuring they get some exercise before the school day. Dr Danae Lund from Sanford Health says “Kids that spend more time outdoors are more likely to be inventive, explore and learn about the world around them. It improves their communication and reduces stress levels.” 

Not only are children becoming happier, they’re expanding their minds before they even get to the classroom. And to put it frankly “This is England, there is good reason why we are all obsessed with the weather- we never know what we are going to get!” Quoted from the creator of Scootasoot, Lotty reinforces the importance of being prepared this Autumn. If you’re travelling with your children, it’s better to be safe than sorry! 

To find out more visit https://www.scootasoot.co.uk/basket/ or check out their social media handles @Scootasoot 

Scootasoots are available online in the UK with Worldwide shipping, RRP £24.99 

 

INTRODUCING CORNISH CUBIST, SIMON SMITH

‘It is the desire to represent the world not as we see it, but the way it actually is’, is the driving force behind this Cornishman’s work. A native of Porthtowan on the wind swept Cornish granite coast, Simon Smith is essentially a modern day cubist. He’s a former Truro Schoolboy (the posh school) and a carries, amongst other qualifications, a degree in fine art – mentored by the great Welsh painter and printmaker David Carpanini.

After a successful career in business Simon essentially retired back home to Cornwall by buying and running a pub, and most importantly returning to his first love of art. “The iconic mining ruins of the heritage coast lend themselves perfectly to the painter,” he says, “with the endless sweeping sky and rolling ocean as the perfect partner”. His home and pub, in Porthtowan, are situated just a dozen miles up the coast from the iconic artist centre of St Ives and the hub of Cornish creativity.

 

But why cubism? “I love to draw and financially speaking I gain a steady little income from my pointillist drawings of local sea life and fauna but, as rewarding as they are to complete, they don’t push the limits. Cubism on the other hand gives me the opportunity to push my limits to the maximum and really work at representing the 4th dimension of time.” And time is clearly important to him in his work with one beautiful triptych showing the not only a cubist sea/cliff scape but also the changing seasons from Spring to Autumn.

So what next? “I’m exploring the classic Analytic Cubist phase of Braque and Picasso and love the limited palette. My musician friends are keen for portraits so watch this space….”

 

See more of Simon’s paintings at https://www.facebook.com/Porthtowanfinearts