MORTON S GRAY REVIEWS…

Into a Cornish Wind by Kate Ryder

A gentle, slow-burn romance which I was reading at a very hectic time of my life, so it helped to soothe my senses. A hero, Mac, with a painful past, a heroine, Kat, who doubts love and men, interwoven with an otherworldly insight and a strong sense of place. I do not always like present tense written books, but with Kate Ryder this enables the chapters to be absorbed effortlessly. I am now left with a desire for a sequel and the need for a holiday in Cornwall.

The Secret Keeper by Amanda James

I loved this story. As with Amanda James’ other recent titles, this has a touch of otherworldliness, a poignancy and lots of positivity and hope.

Rosa Fernley is keen to fulfil her grandmother, Jocelyn’s dying wish and that is what she sets out to do on her visit to Tintagel in Cornwall, but along the way she not only discovers more about the past, but also a lot about herself.

I had a fascination with Tintagel as a child and enjoyed revisiting the location of so many myths and legends. The story carried me along and was thought provoking and well written.

The Second Chance Holiday Club by Kate Galley

When I started this book, I wasn’t too sure about the age of the main characters, but this was soon dismissed as I got carried away with the story and the reveal about more detail of Evelyn, Joy and Cynthia’s lives. The revelations really make you think about your own life and in particular “seizing the day”. Sad, funny and uplifting. I really think we need a sequel to this one!

An Invitation to Seashell Bay: Part 1 by Bella Osborne

A classic Bella Osborne story with hot heroes, quirky heroines, misunderstandings, almost impossible strange situations and real life stuff. I finished Part One of An Invitation to Seashell Bay with a big outburst of laughter. Fun stuff. Can’t wait for Part Two.

The Collaborator’s Daughter by Eva Glyn

This book is one of my favourite reads this year! I related to the feelings and thoughts of Fran the main character so much that I could be her. Having visited Dubrovnik in my teens, I could easily imagine walking in the streets and well remember oranges and lemons growing on the trees and the bullet holes in the buildings. Fascinating, intriguing, well researched, poignant, heart-breaking and a great read. Another triumph from Eva Glyn – more please.

An Introduction to Needle Felting by Linda Calver

What a beautiful cover this book has with the delightful, felted animals on the front. It immediately makes you want to pick up the book and open it…

Needle felting involves tangling wool fleece using a needle to make 3D sculptures by adding layers of the wool. The process of working the wool initially feels strange, but it is surprising how quickly you can see a project taking shape and how easy it is to change the size and character of what you are trying to make.

I realised very quickly that I would need to practice to achieve the lovely animals in the book, as mine tended to come out a little lopsided with funny faces to begin with, but the craft is very addictive and I will persevere to achieve the standard I would like.

This book is a great introduction to felting and I think if you only work through the projects contained in its pages you will be more than happy, although probably by then, firmly addicted and wanting to make more.

 

Winners of 2023 CRIMEFEST Awards Announced and what a list it is

CRIMEFEST, one of Europe’s leading crime fiction conventions, has announced the winners of its annual awards. Now in their 16th year, the awards honour the best crime books released in the UK last year. So without more ado, here we go…

The winner of the highly anticipated Specsavers Debut Crime Novel Award, and £1,000 prize monies, is Stacy Willingham for A Flicker in the Dark published by HarperCollins.  A psychological serial killer thriller with a shocking twist, A Flicker in the Dark was an instant New York Times bestseller and Sunday Times Thriller of the Year and is set to be adapted into a major TV series.   Dame Mary Perkins, co-founder of Specsavers who sponsors the award, said: “We’re thrilled to support the debut author prize. As one of the judges, I thoroughly enjoyed reading all the shortlisted titles. Stacy Willingham’s debut, however, was a book I simply couldn’t put down until I had finished it.

The eDunnit Award for the best e-book goes to Sara Gran for The Book of the Most Precious Substance, published by Faber & Faber. The absorbing occult thriller combining intrigue, magic and antiquarian bookselling was praised as “deeply atmospheric” by The Guardian.

Winner of the H.R.F Keating Award for best biographical or critical book on crime fiction is The Life of Crime: Detecting the History of Mysteries and their Creators by Martin Edwards, published by Collins Crime Club. Edward’s opus on the genre, described by the New York Times as a “impressive feat,” recently won a 2023 Edgar Award.

The Last Laugh Award goes posthumously to Christopher Fowler for Bryant & May’s Peculiar London published by Doubleday. The author died aged 69 in March this year, having being diagnosed with cancer three years ago. His curious world of the nation’s oldest serving detectives, has been described as “deliriously eccentric” in the Financial Times, and “devilishly clever” by Val McDermid.

Best Crime Novel for Children, aged 8-12, goes to Sharna Jackson for The Good Turn published by Puffin. With themes of social activism, the spooky mystery from the former Waterstones Children’s Book Prize Category Winner revolves around an internet-loving girl determined to start her own scout troop.

Best Crime Novel for Young Adults, aged 12-16, is awarded to Holly Jackson for Five Survive published by Electric Monkey. A gripping cat-and-mouse thriller, it was The Guardian Best Children’s Book of 2022. 

The Thalia Proctor Memorial Award for Best Adapted TV Crime Drama goes to Slow Horses (seasons 1 & 2), based on the books by Mick Herron. Produced by See-Saw, shown on Apple TV+, the drama, which follows a dysfunctional and disgraced team of MI5 agents, stars Gary Oldman. The award is named in honour of Thalia, a CrimeFest team member and a much-loved figure in the world of crime fiction, and is decided by public vote.

Adrian Muller, Co-host of CRIMEFEST, said: “We are proud to be one of the few genre awards that celebrate e-books, humour, children, and Young Adult novels. Our inclusive awards reflect the values of our convention as accessible and open to all. These awards are a true celebration of the crime genre, which continues to entertain and enlighten so many readers of all ages. We would like to thank Specsavers for their on-going support in celebrating new talent.

Hosted in Bristol, CrimeFest is one of the biggest crime fiction events in Europe, and one of the most popular dates in the international crime fiction calendar, with circa 60 panel events and 150 authors over four days. Featured Guests at the convention this May are Mark Billingham and Elly Griffiths.  Leading British crime fiction reviewers and reviewers of fiction for children and young adults, alongside the members of the School Library Association (SLA) form the CrimeFest judging panels.

CrimeFest was created following the hugely successful one-off visit to Bristol in 2006 of the American Left Coast Crime convention. It was established in 2008. It follows the egalitarian format of most US conventions, making it open to fans, readers, and commercially published authors.

All category winners will receive a Bristol Blue Glass commemorative award.

 

Michael Rowan manages to combine three of his favourite hobbies thanks to a trip on The Piano Boat. https://www.thepianoboat.com/afternoon-tea-cruises

The sun shone on a group of 10 people who had collected on the canal towpath to wait for The Piano Boat to pull alongside.

Within minutes of the stated time, a stately narrowboat silently hoved into view. Its crew of two, the owners Masayuki Tayama and Rhiana Henderson, had dressed appropriately for an afternoon on the canal. We were welcomed aboard and as the sun glinted off the solar panels that powered the aptly named vessel ‘The Rachmaninov’, we set off, noiselessly, on our cruise through the Colne Valley Park

If like me you enjoy period drama, you will be aware of the music salons of former times, where a small group of people gather in wood panelled rooms to listen to someone seated at a piano performing for a select audience.

You may also be aware of other such scenes, where polite society sit at small tables nibbling on delicious cakes and sandwiches whilst sipping tea or perhaps a glass or two of champagne.  Reader, that was exactly what this afternoon had planned for us.

Seated at tables for two, we were offered a welcome drink of tea, coffee or Prosecco, and whilst I cannot comment on the quality of the tea or coffee, I can certainly report that the Prosecco was chilled to perfection. The tables were spaced enough to allow quiet conversation, but also to facilitate conversation with fellow passengers who quickly became, albeit temporary, friends. In the background, loud enough to be enjoyable but not so loud as to stifle conversation, we were treated to a recording of Masayuki playing his beloved Rachmaninov.

The Piano Boat moored up at the side of the canal and the Steinway piano was rolled into the middle of the boat, and then Masayuki changed into his concert suit and explained about the musical programme. Listening to beautiful classical music in a live concert is good, but listening to it when seated mere feet away, is a whole other experience.

Be in no doubt, what you are going to hear, if you decide to follow in our footsteps, is of the finest quality as Masayuki has sold out some seriously impressive concert venues.

Our own private piano recital by this top class musician was over all too quickly, but once the Steinway had been rolled back to its original position it was time for us to cast off to explore further into the Colne Valley Park.

Obviously, sitting listening to classical music in such a beautiful setting, is likely to build an appetite, but we were in safe hands as the classic afternoon tea tasted every bit as good as it looked. No wonder, as it had all been freshly made by Rhiana Henderson, who trained at Pru Leith’s Cookery School. Delicious finger sandwiches, sumptuous scones with cream and jam and delicately flavoured cakes demanded our attention. In the interest of this review, I sampled each and every item.

Rhiana visited each table offering more tea, coffee, and yes, even Prosecco, and then some of us moved to the deck to admire Masayuki steer The Piano Boat through the locks and feel the breeze on our faces.

Four hours later, we returned to our mooring to disembark.

A magical Sunday afternoon had flown by and feeling a little full, and a little merry we made our way back to reality.

This would make the perfect gift for the person who has everything, or is difficult to buy for. My wife and I, however, we will need no excuse to take to the river again to hear such playing and tasting the ultimate afternoon tea.

£130.00 per person cruising, piano recital and afternoon tea.

https://www.thepianoboat.com/afternoon-tea-cruises

 

WRITERS ON THE ROAD: CAROLINE JAMES

Meet Venus. My writing retreat on wheels.

“Come and write in me!” Venus whispered when I reluctantly went to view her. I’d never had any desire to be a caravaner. It suggested too much Hi-de-Hi! But from the day I met Venus last summer, it was love at first sight.

She’s a big twin-axle unit and, combined with the car, as long as an articulated lorry. Spacious with bedroom, bathroom, kitchen-diner and lounge.

Our first few forays into caravanning were in the UK as we took in the delights of Wales and Northumberland, with only minor mishaps with awnings and wrong turnings. I could write in the peace of the countryside or overlooking a beach. Venus has few demands. There’s minimum cleaning and washing and no gardening – no distractions to stop me from writing.

Now we felt prepared for an overseas adventure. Unlike a motorhome, travelling with a large caravan needs plenty of planning. Would we get stuck in the Eurotunnel? Would our ‘BipandGo’ get us through tolls in each country automatically? Would the pitches be big enough for Venus? The list of checks was long. But most significantly, would all the travelling distract from my writing?

Leaving in mid-December to head south through France, the adventure began, and I was too distracted to write as the days progressed. We enjoyed many stop-offs along the way, including Christmas shopping in Lyon and being frozen to the bone in Beziers during the coldest temperatures for years. But once over the border to Spain, the weather warmed up, and we eventually settled for several weeks on the coast, south of Alicante. Now Venus became our Spanish home, and she adapted beautifully. The awning was up, the canopy open, and wine poured. With a novel to finish and perfect, the peace and tranquillity of my writing environment was a writer’s dream, and the words flowed. Distractions from our European neighbours were pleasant. Bonjour! Guten Morgen! They called out and encouraged me to write.

Travelling around Spain sparked many plot ideas. I know that I will have future characters enjoying the mud baths at Lo Pagan on the Costa Blanca and visiting the eclectic rastro market in Calpe or taking in the rich history of Alicante. With so many festivals to enjoy too, I made prolific notes as I planned the outline of a novel.

Heading home, we took a different route. Driving across Spain via Madrid, I saw how beautiful and rich the country is as we encountered miles of orange groves and vineyards. Every town and village seemed to have a castle built precariously high on a hill, or a medieval church tucked around a corner. Approaching the Pyrenees, bathed in glorious sunshine, the view was magnificent, and I didn’t give the drive a second thought.

But now, I know how to write about fear.

Suddenly, the temperature dropped to sub-zero, and driving snow became a blinding blizzard as darkness fell. Venus is a heavy vehicle, and as we drove along the top of mountains with nowhere to shelter and a hundred miles to go, I thought I was going to die. Look out for a scene in a future novel when the terrified characters disappear into a wintery Spanish night – the story will write itself!

Our next trip will avoid the mountains in winter.

Happy travels everyone!

With love,

Caroline

 

Out now – THE CRUISE

 

Puff Pant the Columbia Community Association is powering towards the light which is flickering ever brighter at the end of the tunnel

Great news came early last week: hip hip hooray –  the dancers from Aimee Green’s dance group had a fantastically successful day in Glasgow: winner, runner-up and 3 finalists. Marion told Frost Magazine that they are the CCA’s pride and joy.


Multiply were well into the menus during the week, creating wonderful aromas with  sweet potato and coconut curry. Several must have had a  scrumptious, nutritional meal that evening.

                               
Above you can see the results of the Cultural Creations group, who made Japanese knot bags, Frost Magazine thinks these are snazzy, and Marion is totally in awe.

Marion, Margaret adds, is looking pretty snazzy herself, with her newly ‘done’ nails, which practically match her keyboard, not to mention Bob’s Red Shoes. What a twosome. Whatever will they get up to next? Between us, I have to tell you that Marion reminded me, extremely sternly, that: ‘These nails do not do dishes.‘ No point in telling us, Marion. Direct your instructions to Bob.

It seems to have been a manic week with one thing and another for Marion, what with COVID Spring jabs, Dudley at the groomers, meetings, bookings, making hampers.  Not to mention submitting the order for the Friday coffee morning: pies, quiches, sausage rolls, cakes, scones with cream and plenty of nibbles. Marion explained ‘We all look forward to our Friday laugh -a- long.’ Having been to a couple, I can quite understand.

Richard

Richard, the CCA’s alluring surveyor, along with Simon, the Council’s Building Officer called in to have a look at the refurb progress. Simon collated a list of items still to be addressed and sent it to the appropriate personnel to deal with. The light at the end of the tunnel is flickering, and the team’s morale is high.  They now have dates for various contractors to do specific jobs but they know things can change so the team is philosophical and take it as it comes. ‘We have plenty to keep us busy no matter what happens elsewhere,‘ is the rallying cry. ‘Positivity is the name of the game and that’s what keeps us going. The Brady bunch are made of stern stuff,’ says Marion. Frost Magazine says, ‘Thank heavens for the community spirit which roars within the team, and the community. Bravo everyone.’ 

Andy popped in to collect the toiletries so kindly donated for the Seafarers, and the Forever Young ladies were in for Bingo and delicious homemade cake. A favourite time for Marion, and guess who else gets spoilt rotten, yep, it’s him with the red shoes, a special slice always seems to come his way.

The Food Hamper was won by one of the CCA’s lovely ladies, Evelyn, a worthy winner, who has promised to bring the basket back to be replenished.

So, that’s the week put to to bed, but in case we relax (!) still more happening over the weekend: the Councillors’ monthly meeting, dancing, Wargamers and last but not least the fabulous Redeemed Christian Church of Christ.

Before this catch up ends, Marion wanted to remind everyone to wish Danni good luck in the finals this week end at the “National Childrens Activities Awards” for most loved Activities Leader in the North. ‘No matter what the outcome, Danni will always be our winner.’ says Marion, a thought supported by everyone, including Frost Magazine.

Information: Columbia Community Association  Columbia uk Community Forum

Memories of Brady Square

MY BACK PAGES An Undeniably Personal History of Publishing: 1972-2022 by Richard Charkin with Tom Campbell – does it work?

Imagine, if you will, sitting in a pub with a couple of blokes, a bottle of wine or two being shared between you, time is not an issue and out tumble the fragments of memory. You know the sort: ‘Hell’s bells, do you remember the time…?’ ‘Well, what about that bloke, what’s his name, the one who …?’ ‘Oh, come on, monster he might have been, but he changed things…’ ‘Yes, but  was it for the better…?’

On you all go, laughing, listening, butting in. Pub talk, friends at play, names dropped, an Insiders’ Club.

Well, this Insiders’ Club is called  MY BACK PAGES and it is into the last fifty years of publishing that we  enter, and become fascinated as we follow Charkin’s career path and sharp eye on things as they were.  By heavens, he was over everything like a rash navigating the publishing world as it changed profoundly from a Gentleman’s Club into a corporate entity, with a pretty tough bottom line and on, into the digital age.

We meet Maxwell, indeed we do. Oh, and what about Madona, perhaps the first example of the hugely successful Celebrity publishing? What about the bad behaviour in the roaring 80s…? Oh yes, as a new writer I came in towards the end of that, but Lord above it was fun for a mother of four, totally out of my depth and smelling faintly of fish fingers.  Hey, what about Harry Potter? Yep, you’ll find it in the Insiders’ Club of MY BACK PAGES. Then there’s Macmillan India: an Imperial Legacy. Then there’s … Enough, I’m just scratching the surface, you need to read it.

So, back to the original question: does it work? Undoubtedly. I loved it and clearly so does the Frost Magazine team, as it has disappeared. I had thought its subject matter might be a bit stuffy and initially approached it from the right flank without making eye contact. How absurd when it’s Charkin’s personal eye view of the social, technological, commercial and geographical developments of the publishing industry. The man’s a force of nature, a character,  someone who has made a significant contribution to the profession over the last fifty years, and knows his onions.

So grab a coffee, or a glass of wine, sit down and join the Insiders’ Club whether you be a reader, librarian, publishers, literary agent… Well you get the picture, just get in there,  and enjoy – hugely.

MY BACK PAGES by Richard Charkin with Tom Campbell. Published by Marble Hill London. Available here

 

PUBLICATION DAY SPECIAL: THE SECRET SHORE BY LIZ FENWICK

I’ll say up front that for me, this is Liz Fenwick’s best book yet. It is just so very rich in everything; the sense of the era, the superbly described settings, the characters that refuse to leave your side.

The Secret Shore is also Liz’s first fully historical novel and her research is impeccable. Not only that, it is used so sparingly in both tiny period details and sweeping events, it whisks you back the Second World War in an entirely credible and unsentimental fashion that never gets in the way of the story.

The entire narrative is carried by the main character, Merry, an Oxford geography lecturer recruited to help the war effort. Merry is an expert in maps and they stretch into every corner of her world; her vital work, her hobbies, and even her personal life. If there is something she cannot map she is deeply uncomfortable. Liz uses the metaphor well and it never seems overdone.

War, however, throws up the unforeseen; the unmappable, the unfathomable, the tragic, the moments of laughter and intense joy. But it is also a time of transit, impermanence, the last time of all that career-minded Merry would want to listen to her heart.

Set mainly around Liz’s beloved Helford River, this book is a treat not to be missed.

When Liz told me in passing she had read forty books in the name of research, I had to ask more about how she set about that gargantuan task:

If I had known beforehand that it would require me to read forty books and multiple academic papers in order to write The Secret Shore, would I have done it? Yes. This story was one I had to write because I love the Helford River so much. The story of the secret flotillas in WW2 is part of the history of the river and I have wanted to write about them for ages. But I struggled to find a way until the character of Meredith Tremayne, a cartographer, came to me.

The starting point for my research was the book The Secret Flotillas by Brooks Richards. In the course of writing The Secret Shore, I reread his book three times just to keep straight the different operations running the routes from Devon and Cornwall to Brittany. After learning of the teams’ immense bravery, I made the decision to use the names of the real people in my novel and this led to more books to research… from general history, to biography, to memoirs, and finally to obscure titles to find the small details. Some I had also read previously while researching for The Returning Tide, such as the personal memoir of the woman who managed the Ferryboat Inn during the war.

In all this fascinating background work the key thing for me was to digest the information and then to step away. It’s far too easy to want to squeeze in all the riveting facts, but that would have dragged the story down. By the end of my research, I may have done the equivalent of a Geography A level, but more akin to the study of geography as taught in the 1930s.

For The Secret Shore I stuck to my tried and tested method of doing my research in chunks. To begin with, only enough to write the first draft, then as the story develops I commence the deep dive for the right information. I can if I’m not careful become easily led astray down the many rabbit holes of research. Through the ensuing drafts I keep seeing the need for further information and will keep reading more to add subtle layers, without overloading it, hopefully bringing the story alive for my readers.

Now the big question is where to put all the books?

 

 

 

EVA GLYN’S HIDDEN CROATIA: THE MUSEUM OF BROKEN RELATIONSHIPS

“A museum about you, about us, about the ways we love and lose”

We stumbled upon it one warm September afternoon in Zagreb’s Upper Town, a sign so intriguing we crossed the road to take a closer look. A museum? For broken relationships? One where the artefacts are contributed not by historians or professional artists, by those involved; the heartbroken, the newly released, the despairing and the ever hopeful.

Zagreb may be the museum’s permanent home but it also has a virtual presence and outreach exhibitions. And anyone can contribute, either by sending their item to the museum or one of the exhibitions, or by filing their story online. Indeed you can upload a story that no-one else will see; it can remain your personal testimony until you are ready to share it, or timelocked until a date of your choosing.

The idea behind donating is this: “Recently ended a relationship? Wish to unburden the emotional load by erasing everything that reminds you of that painful experience? Don’t – one day you may regret it. Instead, send your item to our museum and take part in the creation of a collective emotional history!”

Photo credit: Museum of Broken Relationships/Sanja Bistiric

And which of us has not been there? The decision to part with (or not part with) a possession so intrinsically wrapped into a relationship that is broken beyond repair is one of the toughest. We have lost the person (for better or for worse). Would it be cathartic or even more heart wrenching to lose that birthday card, that pair of boots, that book, that kitten… Please don’t sent the museum the kitten – a photograph will do very nicely.

So what sort of things does the museum receive? The answer is anything and everything and the collection is growing so fast that only around a tenth of it is ever displayed. But it is all carefully curated and kept, seeing the light of day for themed exhibitions and when new space becomes free. Online contributions, in the form of pictures and stories, are published to the museum’s website within a few days.

The Museum of Broken Relationships began in 2006 as creative art project conceived by Olinka Vištica and Dražen Grubišić. Even now the fundamental idea behind it is to pull creativity, rather than destruction, from grief by giving something to the museum. The idea is a sound one. I remember many years ago hearing a rabbi on the radio say that if you make a mistake, rather than fret about it you should wrap it up in a beautiful parcel and make a gift of it to your god. Unlikely as it sounds, it worked for me.

Photo credit: Museum of Broken Relationships/Sanja Bistricic

If you visit the museum or one of its exhibitions you could be confronted by anything so do so with an open mind. Everything is displayed anonymously, with the dates and place the break up happened. A drawing, a doll, a dildo… a piece of belly button lint. Everything has a place here and a story. But one of my absolute favourites is a toaster. The toaster of vindication it’s called, the label pithy and brief: “That’ll show you. How are you going to toast anything now?”

To visit, contribute, browse, or support the museum by buying something quirky or hilarious from its shop, check out its website at https://brokenships.com/