Super Luxury at the London Motor Show

IMG_0114When I got to the London Motor Show, I started rummaging around in my pockets. No, I couldn’t afford the £600,000 for the Speedback GT by David Brown or the £250,000 for the Noble supercar. I realised that I would have to go back home in exactly the same way as I’d arrived: by public transport.

The London Motor Show is a great opportunity to see some wonderful cars. It’s a relatively small event – not like the major shows at Geneva and Frankfurt where the display halls are filled with hundreds upon hundreds of cars and where all the major manufacturers are out in force.

IMG_0119The London show probably has only 150 cars, but it’s cheap to visit (£10) and it has some exciting new offerings and plenty of people desperate to talk to motoring aficionados (or petrol-heads as they’re often known) and discuss specifications, engine sizes and prices. If you like cars, it’s a good place to be.

There were relatively few small family cars – the show seems to be more about recreational driving and the luxury end of the market. However there were some nice offerings. Ford was unveiling its new luxury 4 wheel drive car – The Edge (top left). And MG, -now making cars in Shanghai, unveiled the new GS – another luxury 4 wheel drive. Both of these – aimed unashamedly at the luxury urban driver – attracted a lot of attention. Ford and MG have yet to set a price for these cars.

IMG_0117A couple of attractive smaller cars, were turning heads at the event. The Alfa Romeo Spyder (above) is a light sports car that in its various incarnations has been in production for around 50 years. The new Spyder C4 has a carbon fibre body and a top speed of 160mph. The top of the range model has a price tag of almost £70,000. It’s ideal for people who’ve just been through a messy divorce, sold the family house and want to recapture their youth.

Rather more interesting is the Fiat Abarth 695 (above right), which looks like an ordinary Fiat 500, except that its souped-up engine can go at 143mph and it has a price tag of £33,000. It’s a stylish piece of engineering.

The show has very little by way of catering facilities: you can’t get much more than a coffee. But it is in Battersea Park, which is very beautiful, has a great view of the river and is just a short walk from the Kings Road in Chelsea, which has no shortage of great places to eat. When I visited, the organisers believed that the show would be completely sold out, so do check before you go.

The Affordable Art Fair Returns To Battersea

katemossKate Moss, Watercolours on paper, 53x38cm by Cate Parr

£1,950 at SD Gallery

The Affordable Art Fair returns to the Battersea Evolution building in Battersea Park from 7 – 10 March, and they are giving people a chance to Sleep Now, Buy Later…

– Art lovers given chance to sleep on decision before purchase –

In a consumer shopping first, one lucky visitor to the Affordable Art Fair this month will be given the opportunity to ‘sleep with’ their prospective art purchase in order to make a fresh and considered decision after a good night’s rest.

Fair organisers hope to put more first time buyers at ease with the one off concept which will be trialled with a single lucky winner at the Battersea Park event. The idea came as a result of research* which found that nearly half (47 per cent) of people found it helpful to sleep on a decision when making a purchase for the home.

Over half of Brits (51 per cent) admitted to taking up to 24 hours to make a decision when buying a piece of art.

The public can enter to win the chance to ‘sleep before they buy’ by tweeting the hashtag #sleeponit by no later than midday on Wednesday 6 March.

The lucky winner will be notified on Thursday 7 March and invited to attend the fair on the day of their choosing, select their prospective piece of art to sleep with for the night to allow them some time to relax and consider their chosen work.

To announce the initiative, the Affordable Art Fair has created an original image, inspired by a famous installation shown at the Tate, to demonstrate what the winner will experience.

Nicky Wheeler, Fair Director of the Affordable Art Fair Battersea said “We’ve had so many comments from visitors over the years who have found a piece of art they like but are reluctant to make such an important decision on the spot. Often customers fall in love with a piece at first sight but sometimes thinking time can help in making the right decision – one person will be given this chance at the Affordable Art Fair next week.”

The Affordable Art Fair is the UK’s friendliest and most welcoming art fair, well-loved for its informal and un-stuffy atmosphere. With over 100 galleries exhibiting art priced from £40 – £4,000, the fair runs at the Battersea Evolution building in Battersea Park from 7 – 10 March.

Londoners Life 9 by Phil Ryan

Of all the London phenomenon I’ve chronicled recently, there is one that has been gathering pace. It’s called Business Change.

I’m suddenly more aware of the breathtaking and surprising speed that familiar haunts, restaurants and bars seem to be going out of business, closing down and then getting replaced by a new business. I only note it down now after a recent few trips into town that left me sad at the disappearance of quite a few of my regular haunts and drop in places. Cafes, book shops, restaurants and music equipment places all suddenly biting the dust. You head to an old familiar café hoping to get egg and chips and suddenly it’s a trendy new Japanese hairdressers decorated in black and silver with bright cartoon characters on the windows offering wakami face tugging and Nintendo hair stress with kodo roots and sea turtle mud. All very disconcerting.

I know it’s a recession year unfolding, but it’s very London in the way that there seems to have suddenly been a speedy pick up in the opening and closing rates of so many once great places. It’s as if the capital is sensing blood in the water. The old and sick are culled (sadly often by the chain groups) and the whole place seems to be getting blander and less original by comparison.

We all know that London constantly changes – just look at the sprawling developments in regeneration areas. Even bits of the new Stratford are starting to look quite pleasant. Actually, scratch that. It’s still a dump, but now with an inappropriate huge shopping centre and bits of Olympic nonsense being stuck around the place.But it’s funny how a couple of converted factories or hospitals reborn as apartments seems to immediately change the tone in an area – even if it’s only very surface to start with. Hackney and Battersea has enclaves and pockets of said new conversions but are both still struggling. So-called luxury developments can only achieve so much. The muggers just seem better read – now quoting Monica Ali and The Secret as they rob your wallet.

But the onward rush of change and the trend to new designer living has a lot to answer for. One of my prime examples is Paddington Basin. Now changed – from an admittedly smelly canal side dump – but changed to a monolithic mixed office and apartment, antiseptic, dystopian, concrete wasteland -replete with confusing enormous steel statues and various bits of naff looking public ‘heritage’ art.

As you enter, you find great grey pebble-dashed wind tunnels threading through various soulless glass and steel monoliths that abound the place, all giving it the charming air of a car park designed by Philip Starck, The Mad Hatter and Mr Angry. And the entire place is complete with faux cobbles and café canal side living (ie chain outlets sticking tables outside). Sadly, the whole place has slightly less atmosphere than Jupiter. You can see baffled canal side walkers leave little leafy and cute Little Venice and then turn up in what appears to be an architect’s giant scale model of dullness and concrete. “It’s all neat and clean and functional,” they tell me. But then so are abattoirs,  which it sort of gives the half air of being modelled on – only without the welcome death at the end after spending any time there. But that’s London. Changeville.

And if you needed more proof of changes, look no further than the past few year’s restaurant trends. Scores of Thai, Vietnamese, Mongol Grills and Pan Asian buffet places appearing and disappearing within a two-year period. Now it’s the Lebanese wave I’m noticing. They’re popping up everywhere. Nice, but generally overpriced. And often with the hookah pipes outside, gently wafting aromatic smoke down the street. And snapping at their heels, those very cool-looking Japanese places. All Zen and noodles with raw everything (just saving on the gas bill I’m guessing. Personally, I like my food cooked).

But don’t panic. There are still places that show no sign of seemingly changing one iota. South Kensington and its environs is a case in point. I had the dubious pleasure of being taken to a basement restaurant down that way last week. The prices? Unfeasibly high. The place? Packed to the rafters with an orderly line patiently waiting by the till area when we arrived. The noise levels? Slightly above that of runway one at Heathrow. And the food? Italian pizzas mainly – but disguised as high fashion cuisine. And then that bizarre welcome. Table for six? Yes, of course, but you’ll have to leave at 10.00 sharp (it was 8.00). The people with me seemed unsurprised. Didn’t they mind?, I asked. “No,” they chorused. “It’s a London thing.”