Tag Archives: Ben Kingsley

Iron Man 3 {Film Review}

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This movie couldn’t have any more weight on its shoulders. Not only would it start of blockbuster season of 2013 but will have to follow from The Avengers. That’s a huge task to tackle but Marvel hired Shane Black, writer/director of action films such as Lethal Weapon, The Last Boy Scout and his directorial debut Kiss Kiss Bang Bang. Black seems more of a natural filmmaker than Jon Favreau (if you have seen Bang Bang, you will know that Black and Downey Jr. are a match made perfect). This film is essentially what you’d expect from an Iron Man movie and that entirely depends whether you see it as a good thing or bad thing.

 

Robert Downey Jr. continues to bring such charisma to Tony Stark, he really does make this movie work in terms on rooting for the protagonist. Stark is dealing with a personal issue; since his near death experience in The Avengers, he’s been having post traumatic stress (reference to our feelings after 9/11, even Stark says “hasn’t been the same since New York”). It’s an interesting factor that weighs on Tony Stark’s shoulders, almost identical to his alcoholism in the comics (which I thought it would lead up to it). Though the tone and the way they treat Tony’s PTS is very bi-polar; they bring it up like this will affect him and bring him down, but it then it gets treated as a comedy later in the film and doesn’t really get resolved or goes nowhere. Gwenyth Paltrow finally gets to do something useful as Pepper Potts, she’s essentially the sensible one out of the cast (whether you see that as a positive as a female character or a joy kill for Tony Stark). The rest of the characters are serviceable, Don Cheadle is basically Tony Stark’s Murtaugh (which Shane Black writes brilliantly with Stark and Rhodes) but Rebecca Hall’s character feels more of a plot device than a supporting character. There is not much I can say before ruining the surprise twist but if you have seen the film, you know what I’m talking about. I won’t say much about it but I will say I did not see it coming and I thought it was an interesting twist that was refreshing (though I won’t be surprised that a lot comic book/Iron Man fans will feel the character has been treated in a disrespectful way).

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The film does contain great set-pieces, especially with the mid-air rescue with Iron Man and Air Force One crew. The final climactic battle scene with the Iron Man suits is really fun to watch and really interesting to see the different type of Iron Man suits Stark had created. Though it’s almost interesting to see what Pacific Rim will be able to deliver in terms of men in iron suits. I was very impressed how much Marvel Studios allowed to have Tony out of his suit for the majority of the running time (same as I was impressed with The Dark Knight Rises on having Bruce Wayne not wear the Bat-suit a lot). It actually showed Tony still being the genius he is on being able to do what he does best without the suit (as Obediah Stane said in Iron Man to scientist having trouble replicating one of Tony Stark’s creations; “TONY STARK WAS ABLE TO BUILD THIS IN A CAVE WITH A BOX OF SCRAPS!”).

 

Although the film doesn’t really soar to the skies as it really just goes on autopilot for the most part. The villains in the Iron Man movies haven’t really been memorable and the villain’s motive in this movie is just being power hungry. Granted Tony Stark finally is given a worthy adversary that isn’t another man in an iron suit (a huge disappointment in Iron Man 2 and a waste of Mickey Rourke’s talent). It doesn’t detract the quality of the movie but there are plenty of other comic book movies that you can compare and they don’t add anything new or interesting to separate itself from the others. Another thing that makes the movie fall apart (almost) is Tony Stark’s thinking has gone backwards after The Avengers; he decides to respond to The Mandarin’s video threats by threatening him and also giving out his home address. Though he is still surprised when The Mandarin does respond by sending attack helicopters to destroy his home and doesn’t have any back-up plan (something you’d think Tony would have been prepared for, as Jarvis mentioned that he has been awake for 72 hours).

 

Overall; a fun sequel to Iron Man and a good start to 2013 blockbuster season. Light-years better than Iron Man 2 but still think Joss Whedon did a better job on writing Tony Stark/Iron Man in The Avengers. Robert Downey Jr. does what he does best and the rest of the cast are having fun with their roles. Shane Black does deliver wit but also the spectacle. It’s a shame it’s just a decent blockbuster than a great one. Your turn Man of Steel!

 

3 out of 5

 

p.s. Stay after the closing credits (but you already knew that, right?)

 

Hugo {Film Review}

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Martin Scorsese doesn’t shy away on his love and passion for film history and filmmaking itself. He makes subtle homages to silent era films through-out his films (especially the shot of Joe Pesci shooting a gun at the camera in the end of GoodFellas is referencing to The Great Train Robbery (1903). So viewing this film, it doesn’t come as a surprise why Scorsese wanted to make this film. It is based on a children’s book The Invention of Hugo Cabret by Brian Selznick.

It tells of an orphan named Hugo Cabret (Asa Butterfield) who lives in a train station in Paris in 1930s, he encounters George Méliès (Ben Kingsley) at a toy shop. Whilst living in the train station, Hugo is busy fixing an automaton. A mechanical man that was found by his father (Jude Law), determined to get it fixed since his father died from a fire at the museum where he worked. Constantly avoiding the station’s inspector (Sacha Baron Cohen), he also meets George’s goddaughter, Isabelle (Chloë Grace Moretz). Hugo notices a heart shaped key on Isabelle’s necklace, being a vital piece of the puzzle on fixing the automaton.

The story is a fantastical adventure and it is as exciting and magical as Pixar would make it if this was an animated film. The production design by Dante Ferreti (previous credits; Interview With The Vampire, Gangs of New York and The Aviator) continues to make some wonderful sets, especially the clock tower that Hugo often visits from time to time. It all feels authentic but also keeping with the fantasy story. Robert Richardson’s cinematography is gorgeous, making the setting of Paris as bright and glorious (which helps with the 3D). The writing from John Logan (Gladiator, The Aviator and Sweeney Todd: The Demon Barber of Fleet Street) is very well written, brilliant direction from Scorsese on starting the film with little to no dialogue. There was no need of an opening narration, a case and point on the meaning ‘show don’t tell’. The leading child actor, Butterfield, does hold the film on his own and makes a convincing and likable hero (“we’ll get into trouble” says Isabelle as Hugo pick locks a door “that’s how you know it’s an adventure!”) Moretz has already established from Kick-Ass how talented of an actress she already is and does the English accent spot-on! Sacha Baron Cohen (well-known as Ali G, Borat and Bruno in The Ali G Show) plays the Inspector as a comical villain and does comedy very well as he doesn’t play the character with any French stereotypical traits. His only purpose to uphold the law and capture any orphans in the station (being just as heartless as any mechanical object) but slowly showing feelings for the Lisette (Emily Mortimer)Ben Kingsley as the famous George Méliès makes one of his best performances. You feel for his sadness, that time can be a gift but also a curse. A magician on-stage and behind the camera, where he tells a young boy that this is where dreams get made! Believing there is no such thing as a happy ending. Though Hugo, as he fixes his automaton, attempts to fix George’s life. Which the film asks a question; what is our purpose in life? What happens when we’re made redundant? That’s a question Hugo constantly wants to find out and believing the automaton is the key to the memory of his father.

The thing that amazes me from this film is Scorsese’s eye on historical accuracy, not just from the setting or costumes but of film history itself. Featuring classic silent films; L’arrivée d’un train en gare de La Ciotat/The Arrival of a Train at La Ciotat Station and La Sortie des usines Lumière à Lyon/Workers Leaving The Lumière Factory in Lyon by Lumière brothers (who invented the cinematograph). Seeing a reconstruction of George Méliès’ films being made honestly brought a tear to my eye, it really is a film lover’s dream. This, without a doubt, will be used as a case-study for Film Studies courses in the future.

Overall; a phenomenal piece of filmmaking! Scorsese really does delve into the fantasy of the story but also celebrating film itself. As George Méliès says at the end of the film; “let us all dream!” You have certainly delivered a wonderful dream, Mr. Scorsese!

5 out of 5!