Avengers: Age of Ultron {Film Review}

One of the most anticipated movies of the summer has finally hit cinemas and anticipation would be an understatement. After the release of both Captain America: The Winter Soldier and Guardians of the Galaxy last year, both fans and general audiences were expecting this 11th entry in Marvel Cinematic Universe to top everything off.

After the events of The Winter Soldier, The Avengers (consists of Steve Rogers/Captain America (Chris Evans), Tony Stark/Iron Man (Robert Downey Jr.), Thor (Chris Hemsworth), Bruce Banner/Hulk (Mark Ruffalo), Natasha Romanoff/Black Widow (Scarlett Johansson) and Clint Barton/Hawkeye (Jeremy Renner)) pursue the last HYDRA commander, Baron Wolfgang von Strucker (Thomas Kretschmann). However, they also come across Strucker’s experiments with the twins, Pietro Maximoff/Quicksilver (Aaron Taylor-Johnson) and Wanda Maximoff/Scarlet Witch (Elizabeth Olsen) (changed from being mutants and Magneto’s children to experiments, due to 20th Century Fox owning rights to X-Men). Stark starts thinking about retiring from being Iron Man and starts creating, along with Banner, a new set of A.I. drones to tackle future threats (even extraterrestrial). Thus Ultron (James Spader) is born but doesn’t pan out as expected. Like a new child, he quickly takes action by having one primary goal; human extinction.

avengers_age_of_ultron_ver11_xlgThe movie doesn’t waste any time setting things up (if you haven’t been following the events from previous movies, good luck) and we’re straight into our first big action set-piece. It may feel a little rushed at times but it all flows seamlessly together. The whole MCU is already established at this point, though the few scenes where it takes a break from the action is one of the highlights. The entire cast fits into their characters like a glove, fully adjusting to their roles that we’ve been following since 2008. It completely shows their camaraderie as working in a team, as what made The Avengers such a treat to watch. Their witty banter and emotional connection are probably one of the most compelling moments in this movie (especially a running gag with Rogers and the team). We’re even given more back-story to Barton and Romanoff, which fleshed out their characters in a huge way than before. Both Maximoff twins are a welcome addition, giving Avengers an extra challenge to tackle. Wanda uses her hypnosis to bring out the team’s fears, thus adding a human layer to their characterisation.There are a few additional characters put into the mix (Andy Serkis as Ulysses Klaue to name one of many and antagonist for future Black Panther film) and may feel a little much to take all in but you tend to go along with the ride. Though it’s James Spader who steals the spot-light and he’s the most charismatic and intimidating villain since Loki. His introduction is undeniably gripping and quite spine-chilling with his speech towards the Avengers. He observes the world with childlike perception, slowly growing incredibly intellectual but also persistent on bringing total destruction on a global scale.

Writer/director Joss Whedon may excel on delivering wisecracks here and there but doesn’t fall short of the spectacle and there’s plenty of that on display! The creative fight combos between the heroes (mainly from Captain America and Thor) shows their ability to work as a team. The Hulkbuster vs Hulk scene was incredibly entertaining to watch, yet follows Man of Steel’s complete utter city destruction (may not be on the same scale but comes close). The design of Ultron is pretty much a Terminator pumped with steroids but given a face similar to Michael Bay’s Transformers movies. Given a lot to deliver expressions from the face with Spader also providing motion-capture performance. Although Quicksilver was the scene-stealer from X-Men: Days of Future Past, this portrayal of Quicksilver is just as creative and does convey his intense speed through-out the movie. Brian Tyler and Danny Elfman’s score gets you pumped for rooting our heroes but also delivering the right emotional notes during such scenes with our characters.

Overall; one of the best entries in the series. It somewhat surpasses the sequel on expanding the MCU series but also fleshing out our protagonist’s and making it worth investing from beginning to end. Joss Whedon makes his last outing with Marvel a bang and has given us a fantastic villain with Ultron. Next up, Ant-Man.

5 out of 5

p.s. Stay for a mid-credits scene, though you probably were ready to do that anyways.

Iron Man 3 {Film Review}

This movie couldn’t have any more weight on its shoulders. Not only would it start of blockbuster season of 2013 but will have to follow from The Avengers. That’s a huge task to tackle but Marvel hired Shane Black, writer/director of action films such as Lethal Weapon, The Last Boy Scout and his directorial debut Kiss Kiss Bang Bang. Black seems more of a natural filmmaker than Jon Favreau (if you have seen Bang Bang, you will know that Black and Downey Jr. are a match made perfect). This film is essentially what you’d expect from an Iron Man movie and that entirely depends whether you see it as a good thing or bad thing.

 

Robert Downey Jr. continues to bring such charisma to Tony Stark, he really does make this movie work in terms on rooting for the protagonist. Stark is dealing with a personal issue; since his near death experience in The Avengers, he’s been having post traumatic stress (reference to our feelings after 9/11, even Stark says “hasn’t been the same since New York”). It’s an interesting factor that weighs on Tony Stark’s shoulders, almost identical to his alcoholism in the comics (which I thought it would lead up to it). Though the tone and the way they treat Tony’s PTS is very bi-polar; they bring it up like this will affect him and bring him down, but it then it gets treated as a comedy later in the film and doesn’t really get resolved or goes nowhere. Gwenyth Paltrow finally gets to do something useful as Pepper Potts, she’s essentially the sensible one out of the cast (whether you see that as a positive as a female character or a joy kill for Tony Stark). The rest of the characters are serviceable, Don Cheadle is basically Tony Stark’s Murtaugh (which Shane Black writes brilliantly with Stark and Rhodes) but Rebecca Hall’s character feels more of a plot device than a supporting character. There is not much I can say before ruining the surprise twist but if you have seen the film, you know what I’m talking about. I won’t say much about it but I will say I did not see it coming and I thought it was an interesting twist that was refreshing (though I won’t be surprised that a lot comic book/Iron Man fans will feel the character has been treated in a disrespectful way).

iron_man_three_ver11_xlg

 

The film does contain great set-pieces, especially with the mid-air rescue with Iron Man and Air Force One crew. The final climactic battle scene with the Iron Man suits is really fun to watch and really interesting to see the different type of Iron Man suits Stark had created. Though it’s almost interesting to see what Pacific Rim will be able to deliver in terms of men in iron suits. I was very impressed how much Marvel Studios allowed to have Tony out of his suit for the majority of the running time (same as I was impressed with The Dark Knight Rises on having Bruce Wayne not wear the Bat-suit a lot). It actually showed Tony still being the genius he is on being able to do what he does best without the suit (as Obediah Stane said in Iron Man to scientist having trouble replicating one of Tony Stark’s creations; “TONY STARK WAS ABLE TO BUILD THIS IN A CAVE WITH A BOX OF SCRAPS!”).

 

Although the film doesn’t really soar to the skies as it really just goes on autopilot for the most part. The villains in the Iron Man movies haven’t really been memorable and the villain’s motive in this movie is just being power hungry. Granted Tony Stark finally is given a worthy adversary that isn’t another man in an iron suit (a huge disappointment in Iron Man 2 and a waste of Mickey Rourke’s talent). It doesn’t detract the quality of the movie but there are plenty of other comic book movies that you can compare and they don’t add anything new or interesting to separate itself from the others. Another thing that makes the movie fall apart (almost) is Tony Stark’s thinking has gone backwards after The Avengers; he decides to respond to The Mandarin’s video threats by threatening him and also giving out his home address. Though he is still surprised when The Mandarin does respond by sending attack helicopters to destroy his home and doesn’t have any back-up plan (something you’d think Tony would have been prepared for, as Jarvis mentioned that he has been awake for 72 hours).

 

Overall; a fun sequel to Iron Man and a good start to 2013 blockbuster season. Light-years better than Iron Man 2 but still think Joss Whedon did a better job on writing Tony Stark/Iron Man in The Avengers. Robert Downey Jr. does what he does best and the rest of the cast are having fun with their roles. Shane Black does deliver wit but also the spectacle. It’s a shame it’s just a decent blockbuster than a great one. Your turn Man of Steel!

 

3 out of 5

 

p.s. Stay after the closing credits (but you already knew that, right?)

 

Captain America – The First Avenger – Movie Review

With every single month over the summer bringing with it a new superhero movie, none could argue that despite the good, the bad and the downright ugly; this year has almost been a vintage as far as comic book heroes are concerned. Only 2012 with its sequels and reboots could possibly offer more.

This month’s new release brings none other than the incredible Captain America to the big screen and this latest offering whilst perhaps not as well-known as that as Spiderman, Iron Man or even Thor is still well-loved and has its fans. I think that few, if any, would admit to seeing the trailers for this and failed to be excited. After all, Captain America is still the all American hero and with a line up featuring none other than Chris Evans (Fantastic 4, The Losers), Tommy Lee Jones (Men In Black, Fugitive) and Hugo Weaving (V for Vendetta, The Matrix) on paper at least Captain America has all the foundations in place for a huge blockbuster and a hero reinvented.

For those not up to date with the comic book material Captain America is really Steve Rogers and, much like Spiderman his is a story about true heroism, true bravery and the whole underdog overcoming insurmountable odds to emerge victorious.

After a short beginning set in present day where a crashed vehicle is discovered in the arctic a flashback reveals our protagonist as one hell of a skinny man, a diminutive asthmatic who has lost both his parents in the war and who dreams of enlisting in the Army and serving his country in World War II, but his physical ailments and pocket-sized frame keep him from being accepted. He is repeatedly beaten up for standing up for himself. His best friend Bucky Barnes (played excellently by Sebastian Stan) is all he has left, but Bucky has landed his place in the army and through their comradery you can tell he sees himself as Roger’s big brother.

A chance meeting leads Steve to meet Dr. Erskine (Stanley Tucci); a scientist who has developed an incredible serum that physically enhances the subject and what’s more believes that the best solider is one with the humblest heart and determined mind. He is captivated by Roger’s dogged, raw persistence to join the army and he gives him a chance.

Colonel Phillips (Tommy Lee Jones) is the only obstacle standing in his way as he is in charge of the Doctor’s secret government programme their aim is to manufacture super-soldiers for the war, and he thinks Rogers does not have what it takes. However Steve shows his worth and in no time at all he is bulked-up, super-powerful and not to mention one hell of a buff prototype. I mean that in a man-to-man way of course, and may it go on record that I am not in any way jealous.

Of course, now he is no longer invisible to women and every hero needs a love interest. Here we have the surprisingly tough let lingering military agent Peggy Carter (played really nicely by Hayley Atwell) at his side to help him believe in himself. Of course to every hero there are villains, and here we have a secret faction of the Nazi’s called HYDRA led by the tyrannical Johann Schmidt (Hugo Weaving putting his seriously evil Mr Anderson looks to the test as Red Skull).

Schmidt has located an energy source powerful enough to change the war and the world, and his plans are a whole lot worse than whatever Hitler had in mind. Of course, Captain America is the only one who has the strength and heart to take him on and so the story begins.

Captain America is one of those films which stand out as being excellent yet deep down you just know they could have done so much more with it. I think of Iron man 2, I think of Green Lantern, I think of Spiderman 3, I think of great opportunities; little glimmers in movie history where if the directors and screenplay writers were honest with themselves would say “Damn, if only we had done this better.” This is not to say this movie is bad; far from it. In my opinion Captain America stands as probably the second best film this summer – right next to X-Men – First Class, it’s just you get the feeling that they rushed it. Maybe they were trying to get it out before the Avengers, maybe they were just looking for a way to tie it all up, maybe they were just so caught up in it all that they didn’t give it as much heart as they could have done.

There are many excellent touches. Staged in the 40’s era there are resounding set pieces; the gorgeous black and white, yet in colour approach. The fact that lessons were learnt from Green Lantern in the way that CGI has improved so much that unlike Hal Jordan Chris Evans head is attached firmly this time to his skinny ‘body double’ frame and it looks good, so much so that it is almost a shock when he bulks up. Talking of which, Chris Evans should be applauded as he does carry the role well and his acting quickly dismissed any doubts in my mind along with any memories of the Green Lantern. There are some huge explosions and incredible sequences to make you go wow. I loved the sequence on the train and there is another fantastic one where he is on a motorbike. There are even some sad moments too and look out for Tony Starks dad making an appearance, all I can say is ‘like father like son’. There is no denying that the Marvel mythology all ties together.

However, in contrast the film is heavily sanitised, and along with it any real ‘bad boy’ moments. Hugo Weaving struggles with a lack of material or direction to work with and it shows; I don’t think towards the end even the Red Skull knows what he is doing. There is a lot of time just after the mid-way point which is just stretched out and feels like padding. Finally, whilst the movie is a marvel of CGI and action the 3D effects are disappointing I could only count around ten 3D effects used in the entire two and a half hour film. So the question is what was the point? You might as well see it in 2D and save yourself some money for more popcorn – at 2.5 hours you will need it.

 

My Verdict:

Taken all of the good and bad into account Captain America is still a fantastic movie to go and see. It might not go down in history as the best superhero movie ever, and stand as no more than a prequel to The Avengers but it is still worth watching and is still a great treat for kids and grown up kids alike.

8 / 10

A word to the wise – stay till the end of the credits – you won’t regret it!

Chris Evans – 'Brutal' Pecs Appeal For ‘Captain America’

The actor had to bulk up to take on the role of the titular superhero in ‘Captain America: The First Avenger’ and although Chris usually loves exercise, the punishing regime was tough on his body and especially his pectoral muscles.

He said: “I don’t think my body is supposed to be as big as it got for Captain America. There was a strain on some joints. After a month and a half of training I found my right shoulder would click and my left pec would hurt. It was an ever-evolving workout, in which we always found ways to work around the parts of me that were sore. There are certain things that hurt more than others. But that seems to be pretty universal. Every guy I know has some sort of freak injury in their body.

“I’m a big fan of working out on my own. I put my headphones on and I’m pretty good at self- motivating. At the end of the day, I enjoy it. Once I’m there and once I get going, I tend to love it, and I feel good. If I don’t work out for a couple of days I feel lousy.”

Although he was happy with the results, Chris won’t be rushing to bulk up quite so much again, admitting the daily workouts were “brutal”.

He explained to Men’s Health magazine: ““It was gruelling, it was brutal and I’d find any excuse possible not to go. But I had to do it. I wasn’t trying to lose or tone – I was just looking to gain. The rule of thumb was: if you’re not eating, go get something.”

The full interview appears in the August issue of Men’s Health magazine, on sale Monday July 4.

Thor {Film Review}

Thor was going to be the most difficult to adapt out of all the Marvel heroes. Yes it is based on Norse mythology, but this is straight from the Marvel creation by Stan Lee and Jack Kirby in 1962. This could’ve come off as being unintentionally hilarious but luckily a sophisticated filmmaker came on-board and made it all (somehow) work!

The story is about Thor (Chris Hemsworth) who’s the son of Odin (Anthony Hopkins), who simply defies his father’s orders by breaking a truce between the Asgardians and the Frost Giants. Through his arrogance and war-mongering, Odin takes Thor’s godly powers away and exiles him to Earth. He lands in New Mexico, where scientist Jane Foster (Natalie Portman), accompanied by mentor Dr. Erik Selvig (Stellan Skarsgard) and assistant Darcy Lewis (Kat Dennings), encounters with Thor (through an unnatural storm). Through-out Thor’s banishment, he is humiliated the way they treat him and doesn’t believe he is the god of thunder. Meanwhile, Loki (Tom Hiddleston) plots a scheme to keep Thor banished and take over the throne of Asgard. Thor tries to retrieve his hammer, Mjolnir, but with no success (Odin cast a spell only the worthy can wield it).

Chris Hemsworth as the titular hero really does stand his two feet. You may recognise him as Kirk’s father, George Kirk, in J.J. Abrams’ Star Trek. He makes the character strong, charismatic and out-right likable from the very start. Back in the 80s, muscle-bound men were usually cast as mighty heroes (although as Movie Bob has mentioned in his review of The Expendables, action movies got better with professional actors learning how to fight than just cast someone who looks good in a tank-top) but Hemsworth really does buff up for the role and dons the costume well. Anthony Hopkins redeems himself from being in some poor choice of films (The Wolfman and The Rite), retaining his authoritative presence and stature. His Odin is more a shouting leader but not nearly as annoyingly obnoxious than Leonidis in 300. Tom Hiddleston as Loki is superb, a villain who’s sympathetic and quite complex. The reveal makes you understand his frustration, and causes interesting family drama. Natalie Portman is sweet and affecting as Jane Foster, although he character isn’t anymore than being Thor’s love interest but you believe she’d be falling off her heels with a charming person as Thor. The biggest controversy is Idris Elba as Heimdall, simply because the character he plays is originally caucasian but Elba is a very talented actor (see The Wire for proof) and even a short role in this film, he makes a huge presence. Unfortunately not everyone has been given a great deal of screen-time, a common case in films based on comic books (only Christopher Nolan’s Batman films; Batman Begins and The Dark Knight, were able to give everyone an equal amount). Renne Russo, who hasn’t been in anything for the past six years, stars as Thor’s mother, Frigga (yes, it’s a bit silly) but she barely gets any screen-time that you’re wondering if it has been left on the cutting room floor.

The design of Asgard really impressed me, creating this fantasy world that its only limit can be from someone’s imagination. The world is magical and full of wonder, I absolutely love any type of mythology and Kenneth Branagh has done a wonderful job on creating Asgard on an epic scale (as it should be!). The costumes could’ve brought down the whole film, as looking at people in costumes of any kind could make people sniggering but it all works! Thor’s costume mostly resembles both the classic and modern design of Thor in the comics. You can see why Branagh was hired to the project, bringing that theatrical sophistication into the story and look itself. The story is very basic, but doesn’t fall short on spectacle, humour and light-hearted fun! The only complaint I’d make is Thor’s banishment is quite brief, and doesn’t feel he’s learnt a whole great deal or, if he did, it certainly didn’t show it. Again, something I’d like to see if they release an extended cut of the film (only time will tell).

Overall; a great start of the blockbuster season of 2011, both Marvel and Branagh should be applauded on adapting Thor well on-screen. Both Chris Hemsworth and Tom Hiddleston will become instant stars, and will looking forward to see them both in The Avengers. Next up, The First Avenger: Captain America!

4 out of 5 stars!

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