5 Books That Changed Me: CJ Daugherty

 CJ Daugherty The Secret History, by Donna Tartt

This fast-paced but dreamy novel set at a private university in the New England mountains, starts with a murder and tells the story of how it happened in reverse, as a group of elegant young friends obsessed with Greek mythology take everything too far, and close friendships fall to pieces. In her most restrained and elegant book, Tartt performs a magic trick by inventing fascinating characters who are capable of cold-blooded murder, and then making you like them. You know from the start they are killers, and yet you still want to be their friend. I re-read this book regularly.

The Likeness, by Tana French

This Irish crime novel by Tana French is one of my all-time favorite books. I’ve read it multiple times. It follows a female detective as she investigates a murder victim who looks exactly like her. Using their alikeness as a weapon, she takes over the dead woman’s life – moving in with her friends into a house in the countryside outside Dublin. She begins investigating them from within but then, slowly becomes seduced by them, and the rambling mansion where they live. Unfortunately, this is a very dangerous decision. Because one of them is a killer.

The Night Circus, by Erin Morgenstern

This is an elegant, wandering, multi-strand tale of a mysterious circus that travels in secrecy and arrives without warning. Nobody knows when or where it will appear, or how long it will stay. The tents are filled with magical, mysterious displays. People are obsessed with it, and for good reason. It could be dangerous or simply wonderful — even after reading the book it’s hard to know which. Either way it doesn’t matter. It’s so beautifully written, I long to wake up one morning, as dawn washes the dark from the sky, to find the circus has appeared in my town. 

Station 11, by Emily St John Mandel

I bought this book after everyone I trust in the world told me it was amazing, and they were ALL right. It starts in a pandemic apocalypse (sound familiar?) and then jumps forward in time to follow a group of survivors who are exploring the remains of America in a roving band of Shakespearean actors, travelling from settlement to settlement performing plays for people who can barely remember a time before life was like this. It’s both scary and thoughtful, and ultimately filled with hope. Maybe just skim the first chapter while we’re all locked in our houses, but the rest will lift you.

Circe, by Madeline Miller

This feminist reinterpretation of The Odyssey told from the perspective of the banished witch, Circe, is the most beautiful, heartbreaking, glorious look at the Greek myths in all of time. Circe’s story is bittersweet. She’s young and voiceless, expected to be nothing but beautiful and compliant. Because she isn’t either of those things, she’s punished by being banished to an island to live completely alone. There, in isolation, she finds herself. The tale is told with wonderful compassion. It’s funny and dry, and terribly poignant in places. I cried 3 times listening to the audiobook. Honestly, it’s so gorgeously written I don’t know why I bother.

 

Number 10 by CJ Daugherty is out now, £9.99 from Moonflower Books available on Amazon here.

 

My Writing Process CJ Daugherty

I’m a former journalist and ex-Whitehall civil servant. I was raised in Texas, but have lived in Britain most of my adult life. 

I’m the author of the boarding-school thriller series, Night School, and the US-based crime series, The Echo Killing, set in the southern town of Savannah. 

My new novel, Number 10, follows the 16-year-old daughter of the new prime minister as she rebels against the constraints of living in Number 10 Downing Street, and the intense security that surrounds her. When she stumbles across a Russia-led plot to kill her mother and replace her with a puppet prime minister, she’s determined to stop it. But will anyone believe her? 

 A bit about your process of writing. 

I discovered long ago that trying to write in the morning was pointless for me. I use mornings for admin and other work, and I usually settle down to write at about 3pm. I turn off the internet and the phone, and I write for four hours straight, stopping at around seven. If the writing’s going well, I often pick it up again after dinner and write until midnight. 

 CJ Daugherty

Do you plan or just write?

I plan a moderate amount. My first step is always a one-page synopsis, which I share with my agent. If she likes it, I expand it to two pages, and then to eight. My theory is, if I can’t get eight pages out of the plot, I don’t have a big enough of an idea for the book. Once I do have that much material, I sit down to write chapter one. 

What about word count?

Word count for me is a tale of three halves, basically. In the first 10 chapters of the book, I’m happy if I reach 500 words a day. From chapter 10 to chapter 20, I expect 1200 words a day. After chapter 20, if I don’t reach 2,000 words a day, it’s a bad day.

 How do you do your structure?

My structure is freeform, but I shoot for a W-shape to every plot. Start on a high. Then develop character and explore the plot. Build to a mid-book crescendo. Then dip the pace a little as the characters investigate the main incident and I thread in b-plot and c-plot. End on a high. One of my books (A Beautiful Corpse) ends with the main character deploying a baseball bat against a murderer. Nothing like a fight scene to get the story moving.

 What do you find hard about writing?

It’s very hard for me to be patient with the amount of time it takes to conceive of and create each book. Even once I’ve got the idea and it’s begun to take shape, there’s still months of thought and planning that has to happen before I can build flesh and blood around the basic bones of that first idea. Taking the time to methodically go over and over the same content requires real effort.

 What do you love about writing? 

The magic of it. The moment when I can hear my characters’ voices in my head. The way I can see the locations in the book in vivid, three-dimensional form, as if I’ve been inside their houses. Stood on those porches. Walked through their woods. I spent so much time inventing the inside of Number 10 Downing Street for my latest book, I felt as if I’d lived there myself. It’s an extraordinary illusion, and it comes from taking the time to build those places in your mind, and on the page.

 Advice for other writers. 

To get through the start of a book it helps to know what the ending will be. When you begin planning, think it through all the way. Once you have a beginning and an ending, then you can spend time on the rest of the journey. I think most writers give up when writing because they get stuck, and I think they get stuck because they don’t know exactly where they’re going. Find your ending, and the rest may fall into place.

 Number 10 by CJ Daugherty is out now, £9.99 from Moonflower Books available on Amazon here.