Tag Archives: clint eastwood

Sonic Editions: Impossibly Cool Photography

Posted on by

Sonic Editions produces limited edition, rare, photographic prints of iconic figures throughout time. It’s everyone from Audrey Hepburn through to Jay-Z. There’s some great shots of the likes of Michael Jackson, Sophia Loren, Michael Caine, Al Pacino and Clint Eastwood

The Sonic Editions team has visited the Getty archives in LA and went through 2,000,000 images or so to pull out some totally unseen images.

These specific images are limited to fifty of each and they start from £69. Each image is numbered so that they know what number they own, as well as containing details about the photographer and when it was shot.

Thunderstorms in Hawaii

Posted on by

When the storm comes you have to decide are you going to stand up to it or run for cover…

Hollywood photographer Tyler Shields and Dina Eastwood have been fighting publicly on their reality show on E!, during what was meant to be a holiday in Hawaii at Clint Eastwood’s retreat. Tyler was a champion skater in his youth, touring with the legend Tony Hawk, and so he took what could have been stormy weather inside the household, and turned it into acrobatic inspiration in the great outdoors in the shoot above.

Some of the filming of the above daredevil moves (Tyler is the man doing the backflip into the ocean) and beach side romance below will feature on E!

Things got intense in Hawaii it certainly was no vacation!

J. Edgar {Film Review}

Posted on by

There have been many portrayals of J. Edgar Hoover over the past few years in both TV and film. The last time I saw someone playing Hoover was Billy Crudup in Michael Mann’s Public Enemies in 2009. Now Clint Eastwood has decided to take a personal approach to the story (which resulted on the FBI claiming Eastwood making a bad representation of the man), with the help of Dustin Lance Black (from his Oscar-Winning screenplay and the heavily acclaimed, Milk) and Leonardo DiCaprio. You’d think on paper that these three particular individuals would produce something fascinating but it unfortunately doesn’t exceed on not being more than a moderately interesting biopic.

In case you don’t know what the story is from the movie’s title, it focus’s on the life of J. Edgar Hoover (DiCaprio). First seeing him in the 1960s when he was in his late 60s, he tells about how he came to work for the department of justice and worked his way up on being director of the FBI. Also encountering with Helen Gandy (Namoi Watts) and Hoover’s protege, Clyde Tolson (Armie Hammer). It later focus’s on Hoover’s and Tolson’s personal relationship, first starting on being close friends to having something more.

The performances in this film is a bit mixed, but edging towards positive. DiCaprio reminds us why he’s the best at what he does and doesn’t show any signs of faltering. Hoover is presented to us on being authoritative but also conflicted on his social life. There’s various scenes where he spends time with his mother, played by Dame Judi Dench. Dench plays the character very well and shows where Hoover gets the commanding persona from. Though as much I love Dench (who doesn’t?), her accent is a bit hard to decipher (whether she’s from a different country or was trying but failing on putting an American accent). Naomi Watts kind of plays Hoover’s guardian angel type character, stands by Hoover no matter what situation he’s in and there’s not much else to her character. Hammer, from his brilliant performance as the Winklevoss twins from The Social Network, brings dramatic weight and nearly out-weighs DiCaprio. He’s someone that admires Hoover’s dedication and motivation but becomes conflicted when his feelings are not returned in the same way.

Dustin Lance Black’s script is very well written but the story structure felt a bit of a mess. Which is a huge shame because it could’ve been better on starting from the very beginning rather than going back and forth from the past to the present. Something of a misstep from Eastwood, as he’s done some great films in the past (Unforgiven, Mystic River and Changeling). Where the latter film was gripping on wanting to know if Christine Collins’ (played by Angelina Jolie) son will ever be found. Whilst in this movie, it was interesting to see J. Edgar on establishing the finer details on conducting proof and evidence from a crime to nail on a suspect but there wasn’t much to learn from him as a person. A scene involving with Hoover and Tolson in a hotel room was probably the most interesting scene from its entirety but outside of it there’s nothing much else. Something that writer Lance Black got right in Milk (where you could see the struggle from Harvey Milk at work and socially) and wished he could’ve worked more on Hoover’s personal story than essentially establishing the FBI.

Overall; a shame all this talent was put behind it and the result was just average. The performances is what keeps this movie going (especially from DiCaprio, that might earn him a nomination) but there’s nothing that makes it memorable compared to Eastwood’s previous work.

3 out of 5

Ones to watch: Hannah Rothschild. {Film}

Posted on by

Hannah Rothschild is exceptionally talented. With a skill at getting to subjects that other people wouldn’t, No doubt helped by her famous last name. Though it’s relevant – her documentary on Peter Mandelson, Mandelson:The Real PM? , was no doubt helped by the fact that her brother, Nat, is good friends with Mandelson – like other directors with famous last names, Sofia Coppola etc, Rothschild makes the most of the proverbial foot in the door. She let’s her talent shine through. Her documentary, The Jazz Baroness, is a triumph. It’s a documentary of contrast in race, class, wealth, and of music and love. Pannonica Rothschild was her great aunt.

Pannonica de Koenigswarter fell in love with the geniuses of jazz. She was born in 1913 into the British branch of the immensely wealthy Rothschild family, brought up in a mansion called Waddesdon, and died in 1988 in a small house in Weehawken, New Jersey, surrounded by 306 cats. Her life changed when she heard Thelonious Monk’s “‘Round Midnight.” She became friend and champion to some of the greatest jazz musicians of the twentieth century. Twenty songs were named after her, Her love of jazz took over her entire life, it seems she gave up everything to be near it.

Another documentary was on renowned socialite, bon viveur and ridiculously well connected Nicky Haslam. Titled ‘Hi Society: The wonderful world of Nicky Haslam. In Mandelson: The Real PM? she follows Peter Mandelson around in the run up to the election, at one point Mandelson is heard soothing Gordon Brown, at that time still Prime Minister. Rothschild comes across as fearless, she doesn’t seem to be scared of Mandelson, to ask the hard questions, despite his connection and friendship with her family.

In The Jazz Baroness Rothschild gets interviews with Clint Eastwood, who let’s her use footage from ‘Straight No Chaser.’ which her great aunt featured in, As well as the dowager Duchess of Devonshire, Thelonious Monk’s son, her father Jacob Rothschild and her great-aunt Miriam. The documentary is not just about Rothschild’s great-aunt Pannonica , it’s also about her trying to find a place in her famous family. She confesses about pressures ‘real or imagined’ and she chooses to become an artist. Luckily for her, it seems, she has found her place after all. As she says;

“Real glamour isn’t about Bentleys or fur coats or silver dishes; it’s about being able to walk down Fifty-second Street and hear in one night so many great musicians play tunes dedicated to you.”

I look forward to Hannah Rothschild’s next project.

Hannah Rothschild’s website.