Tag Archives: michael caine

Interstellar {Film Review}

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*WARNING! MAY CONTAIN SPOILERS*

Christopher Nolan films aren’t just films; they’re events. Although he completed his Batman trilogy with The Dark Knight Rises, Interstellar has been treated like it is the next great blockbuster (as much in the same league we’re anticipating the next DC/Marvel movie). Even continuing his trend to deliver trailers and TV spots that reveal little details about the plot.
The movie revolves around Cooper (Matthew McConaughey) who was once a pilot, now farmer in a Dust Bowl type future. The Earth is running out of food, even down to the last food resource; corn. He is also a widowed father of two children (as with the majority of Christopher Nolan’s films, main protagonist’s wife/love interest either has died or won’t last very long) but yet still has a craving for exploration (even learning that teachers at his children’s schools have new editions of books saying the moon landings were fake). He eventually comes across his old mentor, Prof. Brand (Michael Caine) and his daughter Amelia Brand (Anne Hathaway). They reveal the Earth is dying, so they have been building a space shuttle and needs Cooper to be the pilot. Their mission; to go through a wormhole that will lead to a different galaxy and find a habitable planet.

 

The movie is probably the most ambitious movie Christopher Nolan has made in his career. He continues to deliver a science fiction movie with challenging ideas and concepts about space travel (as he did with the concepts of dreams in Inception). Though this was originally intended to be directed by Steven Spielberg (based on a script by Chris Nolan’s brother, Jonathan Nolan) and this movie clearly shows Spielberg’s trademark about family (especially focusing on a father character like Jaws and Munich). Nolan has been known to focus more on the ideas than the characters interstellar_ver5_xlgthemselves, and you can clearly see that struggle to try balance the two. Though it does work for the most part and it’s all down to McConaughey being cast as the lead. He has certainly been having a huge career change and this film is no exception. If Mud, Dallas Buyers Club and True Detective proved anything, it is that he can be just as involving as he is likeable in his rom-com days. His craving to venture to the unknown is pretty much anyone’s curiosity and makes his motivation to help his family (and the human race) somewhat relatable. Even McConaughey delivers an incredibly emotional performance in one particular scene as he’s watching video messages of his children growing older. If Gravity showed that working in space is no fun and games, Interstellar shows us that space travel is not all that fun as Star Trek likes to make us believe (or wants us to). Especially dealing with relativity; every hour they spend, 7 years have passed on Earth (similar to The Forever War). The stand-out performance has to be character of Murph, played brilliantly by Mackenzie Foy and Jessica Chastain. She is the emotional core of the movie and drives the narrative forward.

 

The visual effects in this movie is absolutely mind-blowing. The use of both miniatures and CGI both seamlessly mix together. Nolan has been known to do everything real as possible and uses that effect in great use here. Pushing the envelope to make the cinematic experience as immersive the medium can deliver. Even creating inventive and charismatic robots as TARS and CASE (more friendly version of HAL 9000, if you will). The beautiful and stark cinematography by Hoyte van Hoytema (Let the Right One In, Tinker Tailor Solider Spy and Her) brings the alien but familiar planets to life. Though using different contrast of colours, using grey and blue for space travel scenes and using browns with scenes set on Earth. Hans Zimmer’s score rings back to 2001: A Space Odyssey (a movie Nolan has said he used as the biggest influence, as well as Star Wars and Alien on the production design), extending the huge scope of the movie and also creating genuine tension.

 

If there were one or two nitpicks to have with this movie, it has to do with the pacing. At times, the 3 hour long duration wasn’t noticeable. Though dealing with two story-lines at once felt a bit jumbled at times, yet Nolan was able to accomplish this with three to four scenarios at once seamlessly in Inception. Also, some of the character motivations seem a bit unfocused or rather force fed to us. Nolan’s dialogue, while very well written, seems to be a bit too analytical about its themes and ideas. The scientific theories is all very interesting but could’ve been condensed down. Some of the characters were also hard to be involved with and mainly because they were underwritten (like character of Tom, who gets overshadowed by Murph). Also, the ending will most likely split opinions. Without giving too much away; it basically leaves you to interpretation and suggestion (just like Memento and Inception). How you will feel about that is entirely up to you.

 

Overall; Inception is still the best Christopher Nolan sci-fi movie but this still stands as an exceptional film of the genre. It does reach to great heights and delivers the spectacle. The cast deliver great performances, especially from Foy and Chastain. It just doesn’t quite reach its grasp.

 

4 out of 5

The Dark Knight Rises Review

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I don’t mind saying that I struggled putting this film review together; there are so many people who have already seen The Dark Knight Rises – a film which is now being called the ‘motion picture epic of the summer’ that almost very little remains to be said. As such I was left with a dilemma; do I re-trod old ground of other reviewers, do I try to fill the gaps left by the countless other reviews without giving the plot away or do I try to find a fresh perspective to describe this incredible movie?

The Dark Knight Rises is the final chapter in Christopher Nolan’s epic Batman trilogy; a set of films disparate to any other superhero movies previously seen. Looking at the Avengers and Iron Man films of recent generation it is easy to forget that comic book films formerly prided themselves on suiting their primary audience (which were children) opting for jokey style film making and humour. Caped Crusader (and Bond) films especially were synonymous for focussing on the gadgets rather than on the characterisation. However thank heavens for Mr Nolan, (himself a fan of the Batman comics) because fortunately for us he hadn’t gone through the whole Peter Pan thing – he actually grew up, and as such brought the film bang up to date in a massive, grimy and brutally honest way. Over the past two movies (and equally in this movie) you have villains that actually scare you (The Joker portrayed  by Heath Ledger was actually psychotic) and when we talk about crime syndicates we actually see about the dark and dismal pits of crime corruption where you can trust no one. Written by David S. Goyer, Jonathan Nolan and Bob Kane what we have here in The Dark Knight Rises an incredible master class in film making, fantastic acting from all performers and an astonishing end to perhaps the best film of the summer.

It has been eight years since Batman vanished into the night, turning, in that instant, from hero to fugitive. Taking the blame for the death of D.A. Harvey Dent (Aaron Eckhart), the Dark Knight became a fugitive sacrificing everything so that a law which Dent wanted to pass would go through. For a time the lie worked; officers fought with vigour and criminal activity in Gotham City was crushed under the anti-crime Dent Act. However the arrival of Bane, a masked terrorist with incredible strength and will power and who threatens to crush Gotham city brings Batman out of retirement for one last battle. Oh yes and the arrival of a sexy cat burglar too. The stage is set.

Watching this film I was trying to remember the last time I saw so much emotion in a superhero film. Christian Bale easily carries his part as both billionaire philanthropist Bruce Wayne and as the Dark Knight. Gosh that man has got so much talent. You can tell he gave the role everything, from the visceral fight scenes to the moment to moment realities with his butler Alfred (played impeccably well by Michael Caine) you just can’t help but believe him and in his cause. When Batman does show up – it is incredibly exciting. Equally well played is Tom Hardy as the super-villain, aptly called Bane; a slab of muscle and brutal killing power, every appearance on screen just makes you think something bad is going to happen. Anne Hathaway plays the part of slinky, sexy cat burglar Cat woman. She carries her role well and for the most part is easy on the eye and provides some much needed breaks between the bloody and dark tone of the rest of the film.

And what a dark tone it is – a vision of near apocalyptic catastrophe that quickly swishes through the near 3 hour running time with action, explosions, suspense and twists and turns in spades.  Joseph Gordon-Levitt gives a terrific performance as the young, idealistic police officer, Detective Blake, and there are some excellent role reprisals from Morgan Freeman and even Liam Neeson.

It is sad to think that this is the ‘reportedly’ last Batman movie under Christopher Nolan’s direction. I don’t believe his movies will be forgotten for quite some time. Bearing in mind the amount of money this film has already made at the box office – it is doubtful that we have seen the last of the Caped Crusader one can only hope that the future iterations will be as good as this.

If you havent seen the final instalment in the Batman Trilogy make it your aim to do so – it is a fantastic film.

Verdict

9.5/10

The Dark Knight Rises {Film Review}

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*WARNING! MAY CONTAIN SPOILERS!*

 

Since 2005, Christopher Nolan rebooted the Caped Crusader as we all thought he was long gone with Batman Begins. No one had expectations when the director of Memento was on-board but he delivered one of the biggest surprises and created a film that many other comic book hero films will try to imitate. Then he raised the expectations even higher with the announcement of a sequel and he delivered The Dark Knight in 2008. Continuing to bring maturity and intellectual story-telling but also made an impact to many filmmakers. Now Batman has risen from the darkness and finally has a new challenge, not only from new villains but also Christopher Nolan announcing it will be the conclusion to The Dark Knight Trilogy. Many argue there hasn’t yet been a great comic book hero trilogy and the third in the series always tends to not live up to its predecessors (X-Men, Spider-Man etc.) I can safely say this isn’t that case and will say early that this is the best comic book hero trilogy to date!

 

The story is set eight years after the events of The Dark Knight, Bruce Wayne hanging up his mantle as Batman and keeping away from the spot-light since. Until the terrorist known as Bane enters the stage and plans to bring destruction and chaos to Gotham City. Meanwhile, Bruce interacts with Selina Kyle (aka Catwoman, though never referenced by that name), a cat-burglar but an anti-hero who only helps her own (survival of the fittest). Bruce sees this as an opportunity to go back as the dark knight and come face-to-face with Bane but things go worse than expected (A LOT worse!).

There’s only so much I can reveal the story but it is better to experience it on the big screen. Wally Pfister’s cinematography and Nathan Crowely’s production design really amps the scale, you feel the anarchy Bane delivers from the many set-pieces this film delivers (if you thought the hallway fight scene in Inception was mind-blowing, Nolan really tops that from the opening sequence which could mistake it as a Bond opening). Hans Zimmer’s music is a more bombastic score, further bringing the thundering emotion of Bane’s menacing speeches and actions. Everything about the production in this film is top-notch, do you expect anything less with a Christopher Nolan film? I will say the film is bold and daring to go to places most filmmakers would not even think twice on going, all credit goes to not only Chris Nolan but co-writers David S. Goyer and Jonathan Nolan. Though people will find obvious references to Occupy Wall Street, especially Bane’s motivation on punishing the wealthy and supporting the people (even releasing the prisoners of Gotham to have the city to their own will). The story really does come to full-circle, whatever happened in Begins or Knight comes to full affect in Rises. With all the gloom and doom in this film, Nolan doesn’t forget to bring some humour into this film as he had done from his previous films. The story’s events comes from these three Batman comic book story arcs; The Dark Knight Returns, Knightfall and No Man’s Land.

 

Christian Bale really does shine as he delves deeper to his emotional struggles in this movie, you can feel the suffering and pain he has to go through. Which makes his journey to rise from the ground and come out soaring! Like his father says to him in Batman Begins “why do we fall, Bruce? So that we can learn to pick ourselves up!”, a line that runs through his motivation to save the city and its citizens. Tom Hardy brings a brute menace to Bane and finally brings justice to the character that was ruined in Batman & Robin. He may have the muscles and brawn to show but it’s his tactical thinking that makes him even more threatening. He may lack the sinister edge of Heath Ledger’s Joker but that doesn’t detract the type of villainy he delivers. You honestly worry about Batman, as Bane just brushes off everything Batman throws at him from fists to various techs from his utility belt. Anne Hathaway is terrific as Selina Kyle / Catwoman, she has her own code which is she looks for her own self and doesn’t get involved with anyone else. Though the chemistry between Bruce and Selina is quite electric, both exchanging quips and sassy comebacks but it evolves to something more intimate. Seeing the both of them work together is probably my favourite scenes from the whole film and I honestly think (controversy incoming) Hathaway does portray Catwoman more faithfully than Michelle Pfeiffer did in Batman Returns. The rest of the supporting cast continue to bring the best of their characters; Michael Caine makes an emotionally strong performance as Alfred, fearing the loss of Bruce and not wanting to go through the pain again as he lost Bruce’s parents (a powerful scene where Alfred confesses to Bruce that he wished he never came back). Gary Oldman continues to be the best Jim Gordon, growing to stand being a strong character and is actually exciting he can take care of himself despite his age. Morgan Freeman is the ever charming Lucius Fox, he too continues to grow such a strong supporting character.

 

Is it perfect? No but neither was The Avengers and I enjoyed the hell out of it. The surprise twists won’t surprise most comic book fans but I also blame the media on releasing a few images online that really should have been left offline. Bruce’s reason on exiling himself from the world for such a long time because of the death of Rachel Dawes is a bit hard to swallow but is a minor nit-pick that doesn’t affect the overall film. Zimmer’s score is great to listen to and gets your adrenaline going but it is a bit too thundering at places (and sometimes partially hard to listen when characters are talking). I think many people (including the YouTube community) will start to make fun of Bane’s voice, though I never had a problem understanding him from trailers and didn’t have a problem understanding him in the film. The ending may split opinions, as some may find it being something really bold and broad but then leads to something completely different. Also a reference towards the character of John Blake felt a bit forced and didn’t work in my opinion.

 

As much I really do enjoy this Batman series immensely, I am glad Christopher Nolan has finished with the series and will be moving forward to make more films in the same vein as Memento or Inception where his strengths as a story-teller really does show! Though for now, he’ll be producing Zack Snyder’s Man of Steel in 2013 with Henry Cavill as Kal-El / Clark Kent / Superman.

 

Overall; this film is fantastic, a satisfying conclusion to The Dark Knight Trilogy. Despite the minor faults this movie has, it still delivers an epic blockbuster not only just from the scale but also in emotion. Thank you Mr. Nolan, you made an honourable farewell to one of the greatest iconic heroes of our time.

 

4 out of 5

Sonic Editions: Impossibly Cool Photography

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Sonic Editions produces limited edition, rare, photographic prints of iconic figures throughout time. It’s everyone from Audrey Hepburn through to Jay-Z. There’s some great shots of the likes of Michael Jackson, Sophia Loren, Michael Caine, Al Pacino and Clint Eastwood

The Sonic Editions team has visited the Getty archives in LA and went through 2,000,000 images or so to pull out some totally unseen images.

These specific images are limited to fifty of each and they start from £69. Each image is numbered so that they know what number they own, as well as containing details about the photographer and when it was shot.

Michael Caine shared jokes with Queen

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Sir Michael Caine once shared a joke-telling session with Britain’s Queen Elizabeth.

The 78-year-old actor portrays a 1966 Aston Martin in forthcoming movie ‘Cars 2’, which also features a vehicle in the likeness of the queen, and he thinks the monarch would love it because she has such a good sense of humour.

He said: “I think she’d react very well. She’s good fun.

“I sat next to her at a dinner once, and she suddenly turned to me and said, ‘Do you know any jokes?’ And I said, ‘Yes, but not many I could tell you, Your Majesty.’

“I said, ‘You tell me one while I think of one to tell you.’ ”

However, the veteran actor – who has appeared in more than 150 movies throughout his career -can’t remember the humorous retort she told him in response.

He added in an interview with the Daily Telegraph newspaper: “I can’t remember the joke she told me, but it was very funny. The Queen has an incredible sense of humour, a tremendous sense of fun.”