SUNDAY SCENE: EVA GLYN ON HER FAVOURITE SCENE FROM AN ISLAND OF SECRETS

It’s every writer’s dream, isn’t it? To sit in the exotic location where you’ve set your book and actually write the scene. From exactly the same place as your character; to see what they see, hear what they hear, smell what they smell. Well, one morning when I was on the Croatian island of Vis researching An Island of Secrets, I made it happen when early one morning I picked up my notebook and strolled down to the harbour…

 

Although a few cafés were open at this hour Leo had chosen one in front of a broad flight of steps in a corner of the harbour, its tables tucked back into a narrow space between a pizzeria and a bakery. Not the one where she usually bought her bread, but today that might change too. Or it might not. If she was to stay in Komiža then something damn well had to – she’d been here a month and she couldn’t go on as she was.

Cigarette smoke drifted around her and music was playing from a radio further down the quay. A few local people were about and the crew of one of the holiday yachts moored on the mole had settled at a table somewhere behind her, but generally there was an air of peace about the place and she felt herself relax. A scrawny black and white cat with the swagger of a prize-fighter strolled past, but the tiny tabby cleaning itself under one of the chairs seemed unimpressed.

There were two reasons she had chosen this place to have her coffee. The first was that she could see The Fishermen’s House from here, and the second that yesterday she had found a photo from 1944 in the online archive of a museum in Split and she was pretty sure she recognised where it had been taken.

She pulled out her phone and looked again. Yes, that was definitely the narrow building where the tobacco shop now was, and the distinctive carved lintels above the windows of the property directly to her right were in the picture too. The palm trees were in the correct places, although in the photo they were barely taller than the men and now they towered more than four storeys high.

She had scanned the faces of the commandos in vain for anyone who looked vaguely like Grandad. But although she had been disappointed, she knew he might recognise some of the men and the thought made her tingle with excitement; she had already emailed the photo to Auntie Mo so she could show it to him. It was progress of a sort and there was pitifully little else to say. How the hell did you find out about some random woman who lived sixty years ago in a foreign land? Especially when you weren’t entirely sure who that woman was.

 

Leo is in Komiza to try to find out what happened to the woman her grandfather, Guy Barclay, had to leave behind when his commando unit pulled out in 1944. When Guy first arrived on Vis, the only part of Yugoslavia not occupied by the Germans, his mission had seemed straight forward, but then he stumbled across a brutal execution on a remote hillside that changed everything.

These executions – of female partisan fighters who had fraternised with their male colleagues – really happened, and at the time their British allies were powerless to do anything about it. But it made me wonder, what if one of them had tried? I had my hero and I had my story.

 

Find out more about my books set in Croatia at evaglynauthor.com

 

 

 

 

 

EVA GLYN ON THE INSPIRATION BEHIND THE OLIVE GROVE

Sometimes an idea for a book creeps into your heart and stays there. That was how The Olive Grove started for me, with a story told by our tour guide when we were on holiday in Croatia.

We were on a small-boat cruise that began in Dubrovnik and after visiting the main islands off the Dalmatian coast and some interesting places on the mainland, ended up in Trogir. And when we were on board travelling there were talks we could listen to and to make our experience complete we wanted to lap up every one.

The war in Yugoslavia was perhaps not a particularly enticing topic when the alternative was to sit on deck, watching the glistening sea ripple alongside the boat while soaking up some sun, but I remembered hearing about the war on the news at the time and was keen to know more. And then, somewhere between the dates, whys and wherefores, our guide Darko began to tell an incredible story. His own.

I suppose I had assumed Darko was Croatian, but he is in fact Bosnian and grew up in Mostar, one of the towns that was to be worst hit by the fighting. His father was a soldier in the Yugoslav army, but when everything fractured and splintered he followed his ethnicity and joined the Croatian side, having to leave his Serbian wife (and Serbia was now the enemy) at home with their sons.

I will never forget the silence in the room at the horror of what we were told. No electricity, no water, bombs raining down, queuing for food at the community organisation – life as we would all recognise it wiped out over the course of a few days in a war that would last for years. Darko’s life moved underground to the shelters, because they were the only safe place. And he was one of the lucky ones, because living in the army housing meant the shelters were purpose-built, deep and strong.

There were moments to awful to contemplate. Darko’s mother actually disappeared, as many people did during ethnic cleansing, but he was one of the few lucky ones because she actually came back. But there were moments of light too; finding a food parcel dropped by the UN and hoping it was one with chocolate inside.

These incidents and more form the kernel of The Olive Grove, but viewed through the prism of time by my proud Croatian character Damir. Orphaned during the war he was brought up by his aunt on the beautiful island of Korcula (which we visited during our trip); brought up to forget everything about his life before he came to the island. But when she dies, the past creeps back to find him.

While Darko wears his wartime past with relative ease (which is often the case when everyone around the child is having the same experiences, when the awfulness becomes a sort of normal), fictional Damir no longer can. And help comes from a surprising quarter. A middle aged English woman called Antonia who feels she has messed up her life so badly she takes a job on the island to take stock and to heal.

And that’s what The Olive Grove is really about. It’s about healing and friendship. Like Darko’s childhood memories there is sunshine and shade. And unlike them there is the most incredibly beautiful setting.

With Darko’s help over countless Zoom meetings during lockdown I have been able to create authentic Croatian characters and culture, so as well as the initial inspiration, there are many other reasons why The Olive Grove could not have been written without him. And what’s even better, we have become friends across the miles too.

Unknown pleasures

Unknown Festival site

Croatia didn’t have the best of it in the 20th century. Occupied by pretty much everyone with a standing army and a superiority complex (Austro-Hungary, then Germany and Italy, a bit more by Hungary and finally by Yugoslav communists) its post-communism civil war only ended in 1995. Since then it’s managed rather better, becoming the world’s 18th most popular tourist destination, the 28th member of the European union, and (if my acquaintance is anything to go by), the number one destination for unstoppable lads looking to get tanked up and forget they work in finance.

But more important than all that: it is now the country the brains behind Field Day and Hideout have chosen to bless with the inaugural extravaganza of sun, sea and pumping dance music that will be new festival Unknown.

The biggest luminaries of the genre will be there, from disclosure, to Julio Bashmore, to SBTRKT, to the horrors, to my own personal favourites Clean Bandit.

The picturesque town of Rovinj, an unsuspecting coastal jewel of less than 15,000 people is set to be overrun by European party types from the 10th to the 14th of September.

Now, festival previews invariably tend to refer to those pitching up as “revellers”, something which I for some reason find rather irritating. So… attendees will have the choice of either camping out under the stars, in what is expected to be 25 degree weather or they may, like me, stay in an air conditioned apartment complete with bathroom, kitchen, terrace and beautiful people.

The music will be split across 4 stages: the main; the pool; the forest; and mad ferret’s mirror world (think lasers, vortexes and illuminated trees). Given the line-up these should all be pretty spectacular, but what I’m really looking forward to are the 18 or so boat parties. these will feature some of the world’s biggest djs playing intimate sets to 200 lucky… people present in blazing sunshine on the Adriatic Sea. Gonna be a shit time. Most of these are sold out now, but if you’re willing to try your luck there are usually a few struggling souls (for whom the idea of 3 hours on water has become about as appealing as a gooseberry and acid smoothie) who are looking to sell their tickets.

If all the sea, sun and sand gets a bit much, the forest stage, open from 4pm till 6am, promises an ethereal, sun-filtering backdrop to some delightfully deep house. Think Cyril Hahn, Jamie xx and Henrik Schwarz.

Incidentally, if you fancy getting a bit closer to nature (that is, stripping to your wristwatch and going for a hazardous walk in the woods) then you might be interested to know that there’s nowhere better than Croatia – it is world famous for its naturist resorts and about apparently about 15% of the country’s 10 million visitors pack little more than sun cream and a suspicious looking raincoat (n.b. unknown is not a naturist festival).

Otherwise, we recommend short shorts, blinding neon vests and patent leather jazz shoes. Or flip flops.

We hope to see you there. If you see someone wearing patent leather jazz shoes it will probably be me. Come say hi.

You can buy tickets for unknown at http://www.unknowncroatia.com/#tickets17