Tag Archives: debut authors

PUBLICATION DAY SPECIAL: UNDER A GILDED SKY BY IMOGEN MARTIN

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Where do I start with this wonderful novel? With the sense of place and time, I guess, because it was so very brilliant. It’s set in rural Missouri in the 1870s and reminded me greatly of the childhood books I adored by Laura Ingalls Wilder.

The story opens when, much to her older sister Ginny’s horror, teenager Mary-Lou brings home an injured drifter. The sisters pretend their father is still alive, just sick upstairs, to keep themselves safe while Lex heals, but running the farm is a struggle in financial terms, although they cope on every practical level.

Then Lex leaves, and it isn’t giving too much away to say that a sweeping love story ensues. Beautifully done, but not overdone, embedded in both the social mores of the time and the freedoms of homestead life. The characterisation – and I mean all the characterisation, right done to the couple Ginny meets on a train – is wonderful, and I genuinely struggled to put this book down.

A strong contender for one of my books of the year and I just had to ask Imogen how she had placed her reader in the American Midwest in the 1870s, when she lives in twenty-first century Wales:

Credit: Faye Chamberlain

The story for Under a Gilded Sky had been in my mind for a long time. The first and most important thing was how my protagonists, Ginny and Lex, would get to know each other and fall in love. I hope their characters drive the story. Once I had written the first draft, I zoned in on the exact time and place. The novel is set in the Midwest and Boston, and begins in 1874, 9 years after the Civil War.  Although I have travelled in the States, I needed to do deep research. Luckily, the internet is a treasure trove of maps, photographs, academic papers, newspaper articles.

I’m a visual person and I needed to see my characters in their settings. Ginny’s homestead is the classic layout in the Midwest: what’s known as the I-House, with two rooms, a passage between, and the kitchen at the back. Not many remain, but Jessie James’ family home in Missouri survives because of his notoriety, so that was a great visual cue.

I wanted the size and price of Ginny’s farm to be accurate so I poured over the beautiful copperplate writing of page after page of the 1880 Agricultural Census for Missouri. I used William Strassburg’s farm in Pulaski County as a guide.

The episode in the Missouri Governor’s Mansion (my heroine has a rich cousin who is determined to find a rich suitor for her) uses the exact layout and décor of the real Mansion, using the rich details on their website.

The moments of research I most loved was when I found a nugget that would enhance the story. For example, I read on a history website about the devastating grasshopper plague of 1874 and 1875 which afflicted western Missouri and created financial strains. An academic from University of Missouri wrote a paper about the Missouri Banking Fraud of 1861, so I threaded this into Ginny’s aunt’s story.

I tried to capture train journeys of that time. Charles Dickens wrote letters about travelling on a train in Massachusetts and, although earlier than my setting, I used snippets such as his description of orange peel and nuts on the floor.  My best research moment was when, after hours of Googling, I discovered the exact timetable for Ginny’s journey from St Louis to Boston. She leaves at 7.20am, because that is the accurate time from 1875.

Looking back on my notes now, I see a huge level of detail. My hope is that this has made the story feel authentic, without the reader thinking they are walking through a museum.

 

 

SISTER SCRIBES: OVER AND OUT FROM KIRSTEN HESKETH

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My last ever Sister Scribes post – and what a blast it has been!

And, my, what a lot has happened in the two years since the five of us named ourselves the Sister Scribes and banded together as friends and fellow writers. We’ve written before about how we went to stay at a wonderful house – Darcy’s Abode! – in Bath and spent a few fabulous days writing, sightseeing, eating and getting to know each other better. Back then, getting published was just a twinkle in my eye –  a twinkle that I feared might be extinguished at any moment – and how in awe I was of my fellow Scribes with their launches and their multiple deals. Would it ever happen for me too?

Fast forward two short years – and so much has changed. My debut, Another Us, was published by Canelo this year. It came out in in ebook in May and I had the loveliest of Zoom launches, complete with dying my hair red to match the cover and to raise money for Mind. And then, in August, it came out in paperback. I originally had a digital only deal with Canelo and the fact they had enough faith in me and my book to then invest in a paperback in this most difficult of years really was the icing on the cake. Thank you so much, Canelo, you really have been fabulous to work with. As has my wonderful agent, Felicity Trew.

And, basically, it’s been brilliant ever since. Another Us (very briefly) had bestseller flags in the UK, Canada and Australia, which was totally beyond my wildest dreams. It’s been featured in Woman and Home, Women’s Weekly, Woman (there’s a theme here!) More, Pick Me Up, Waitrose magazine … the list goes on. It was longlisted for The Guardian’s Not The Booker Prize and was a contender for the RNA’s Joan Hessayon award. But best of all have been the dozens of messages I’ve received from readers all around the world telling me how much Another Us has touched, informed, amused or plain old entertained them. I think that has been the very best bit of all. That and getting to know a whole host of other debuts – including my lovely Sister Scribes – because no one understands quite what it’s like to have your debut come out in a global pandemic than someone who is going through exactly the same thing ….

And now it’s time to look forward. I have been lucky enough to secure a two-book deal with Hodder and Stoughton for a series set in London in WW1. The Post Office Girls follows the experiences of three girls who join the Army Post Office – in a huge, wooden, building which was been hastily thrown up in Regent’s Park to cope with the sheer volume of mail being sent to the various fronts. My grandfather – who himself served in WW1 – worked for the post office in London his whole life – and the first book is dedicated to him. It will be published in May next year and the second book – A Post Office Christmas – follows the November afterwards. I wrote the first 50,000 words of that during Nano (success – hurrah!) and am now feeling deliciously Christmassy – if absolutely exhausted!

So, all that remains to be said is a huge Merry Christmas to each and every one of you. Thank you for following our adventures over the past couple of years and best wishes for a safe and happy 2021.

Over and out x