Tag Archives: Life & Style

Ill Funk Ensemble “The Duality” | Music Profiles

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Band: The Ill Funk Ensemble
Location: Albany, NY
Styles: Hip-hop/R&B/Soul
Similar to: The Roots, Talib Kweli, Soulive, Common
CD: The Duality

Accolades: Ill Funk has performed live with Grammy-winner Mr. Cheeks of the Lost Boyz, opened for Naughty by Nature, Shontelle and Young MC and placed forth in a national competition to perform at Royal Family Affair with Soulive in 2011. They have also had a placement on the show “Road Trip Nation” and honorable mention in the John Lennon song-writing competition.

Members/Instruments:
Jermaine Wells – Lead Vocals/Freestyle
BJ FitzGerald – Guitar/Lead Vocals
Dennie Brooks – Drums
Joe Stoner – Keyboards/Backing Vocals
Duane Etienne – Bass/Backing Vocals

Walking on sticky floors, stepping on to a stage that’s too small for their swagger, let alone their equipment, setting up under dim lights and dropping a sound check on an unsuspecting audience. Eyes look up, jaws drop and the phones come out, inevitably texting their friends to come check out this band, this Ill Funk.

That scene has played out weekly for the Albany-based band, The Ill Funk Ensemble, since 2006 to great results. Described by reviewers as “a kind of 21st century mash-up of Kool & the Gang and the Isley Brothers” and “all hot sand and asphalt”, Ill Funk takes hip-hop and R&B in a different, yet oddly familiar direction. Perhaps it’s the blend of old and new school vibes, the warm smile of Jermaine Wells, the lead singer, or the obvious fun the band has whether they’re recording or performing live; whatever it is, the band has made the most of its position by performing all over the Northeast, selling nearly 1,000 hard copies of their debut album, Catching Wreck, having more than 1,300 combined likes on their Facebook pages and over 15,000 views on their YouTube channel. They’ve even been blessed to perform live with Grammy-winner Mr. Cheeks of the Lost Boyz, Naughty by Nature and Young MC and placed forth in a national competition to perform at Royal Family Affair with Soulive in 2011. They have also had a placement on the show “Road Trip Nation” and honorable mention in the John Lennon song-writing competition.

Slick, smart, engaging and legit, The Ill Funk Ensemble is humble in its origins, ambitious in its goals and will be releasing their second album in Summer of 2012.

Tracklisting:
1. She’s Fearless
2. Afraid of Heights
3. Amazing
4. Bringin’ the Heat (using a cleared sample of Quincy Jones’ theme from Sanford and Son)
5. Hot, Crazy Good Love
6. Interlude One
7. Different Day (feat. Michael Gaydusek)
8. Find a Way (feat. Steven Atkinson)
9. She’s Fearless (Reprise)
10. Interlude Two
11. My Gosh
12. The Duality

Websites: www.illfunk.com, www.facebook.com/illfunk, http://illfunk.bandcamp.com/, www.reverbnation.com/theillfunkensemble, www.youtube.com/illfunk09, twitter.com/#!/illfunk

 

Sex Toys For Older People and Disabled

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Desire and Pleasure, the online sex toy website from charity FPA’, is launching a revolutionary inclusive selection of sex toys.

The range was created after research found that older people and the disabled are poorly catered for when it comes to sex toys, products and information on how to use them.

Selected For You aims to provide ergonomically designed products that are easy to grip, can be controlled remotely and are easier to use by those with limited mobility, dexterity issues or suffer from fatigue.

The products have been selected by experts and sex toy reviewers to ensure that the most suitable products have been chosen. Their feedback has been compiled and today the range goes on sale.

Terry Hawkins, Business Development Manager at FPA says: “Our research shows that there is demand from older and disabled people, but it is not often clear which products are most appropriate for them or how they should be used.  We are aiming to solve this conundrum. Selected For You will eventually become the world’s most inclusive range.

“One of the most neglected audiences  has been older people. We are finding that a lot of older people are either still sexually active or back on the dating circuit again. Many older people are still very physically and mentally active and don’t need special products.  Rather than specially designed products, what they need is information on how to use the products, what they are and how to do so safely.”

FPA welcome feedback from customers who visit the site about our product range and the information we provide. By listening to their comments FPA  is continually finding out more about how we can help sectors of the marketplace who have up until now been unable to find products to suit their individual needs.

The website www.desireandpleasure.co.uk was launched by FPA in September as a social enterprise to help fund the sexual health charity which runs telephone helplines, and campaigns on major issues.

Find haute couture from the finest French wardrobes

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UK SHOPPERS FLOCK TO vestiaire collective TO FIND haute couture from the finest French wardrobes

 

Vestiaire Collective, the pre-owned, luxury, fashion website today celebrates its first six months in the UK by announcing quadruple digit growth in UK members and record sales to UK consumers. The cult French fashion site has grown its base of users in the UK by 1200% since adding English and sterling to the site in March 2012. The site now boasts over 1.2million members and 12.2 million monthly visits globally.

 

The attraction of previously owned designer labels from the finest French wardrobes has attracted British label hunters who are now spending an average of £300 per shop as they rush to snap up the latest from French luxury brands.  Some of the treasures grabbed by UK shoppers in the past six months include a Yves Saint Laurent bag for £1,000, a Shamballa jewels item for £1500 and a men’s IWC watch for £1,100.

 

Across the channel, the fashionable French are clearing out the designer items at a rate of 25,000 items per month. In fact initial statistics for October reveal a 20% increase in items submitted for sale since the UK came online in March. It’s not only the fashionable woman on the street clearing her wardrobe, Vestiaire Collective is also home to French and British celebrities who are actively using the site to empty their wardrobes for the upcoming season.

 

Some of the French ‘bargains’ available today include a Valentino python and sable bag for £4876, about half the original price for the sought after bag. The sale list also includes more than 720 Isabelle Marant shoes, handbags, coats and dresses for up to 70% off. Unlike other pre—owned and vintage fashion sites, Vestiaire Collective checks every item for authenticity, so British shoppers know that what they are buying is absolutely genuine.

 

“We are seeing a wave of interest and excitement about the contents of French wardrobes from our British community,” says Vestiaire Collective’s UK MD Shannon Edwards. “On average British women are spending 30% more than their French counterparts and whilst we are shopping, the French are selling. We have seen more than 400 brands added to the site which are being snapped up here by women who are used to buying vintage and love that classic French style.”

 

Vestiaire Collective was founded by French internet entrepreneur, Sébastien Fabre who alongside five co-founders has developed the business by integrating a strong social community with ecommerce. The site gives consumers a platform to share, discuss and review fashion trends, labels, brands and items, yet closely monitors the buying and selling of goods to ensure that each piece is authentic, in excellent condition and is beautifully presented and delivered to the end consumer. The site manages all financial transactions to ensure that the seller has absolute peace of mind with items that often have a very high ticket value.

 

Bibendum Bordeaux Tasting

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Bibendum Bordeaux Tasting

 

London Film Museum, Covent Garden – 12 November, 6PM – 8.30PM

 

 

Bibendum, 2012’s European Wine Merchant of the Year, is hosting its Bordeaux 2010 Tasting at the London Film Museum on Monday 12 November. The annual event, which has become the biggest date in the calendar for Britain’s wine enthusiasts, offers an exclusive opportunity to taste the finest wines from the world’s most celebrated vineyards – for just £40.

 

Guests at the event, jointly staged by Bibendum and Union des Grand Crus de Bordeaux, will be given the chance to sample more than 150 wines of the 2010 Bordeaux vintage, which is currently dominating the fine wine and investment markets. The event is the UK’s biggest celebration of Bordeaux and is an unmissable opportunity for anyone with an interest in wine – not just the experts – to experience a masterclass in “the king of reds”.

 

The Union des Grand Crus de Bordeaux is the association that represents the majority of top Bordeaux chateaux. Participants at the Bibendum Bordeaux Tasting will include famousnames such as Leoville Barton, Pichon-Baron, Lynch-Bages, Haut-Bailly, Grand Puy Lacoste, and La Conseillante.

 

The chateaux owners and their winemakers will be available at the event to discuss the wines with guests and explain exactly what makes Bordeaux the most famous wine region in the world. Many of the wines will be available to purchase on the night.

 

Tickets cost £40 and are available from Bibendum Wine Ltd: www.bibendumfinewine.com / 0207 449 4120 / sales@bibendum-wine.co.uk.

Ninetails Release New EP ‘Slept and Did Not Sleep’

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“A propulsive display of robust slickness” – 8/10 This is Fake DIY

 

“A satisfying, organised chaos” – VICE

 

“New cats Ninetails specialise in precision guitar-pop” – NME

 

After a spring which saw them tipped by Vice, NME, Clash and This is Fake DIY, Ninetails return with ‘Slept and Did Not Sleep’, the much anticipated follow up to their ‘Ghost Ride the Whip’ EP. Combining hyperrealistic pop with sleek maximalist production, the Liverpool four piece explore euphoria, lamentation and lucidity on this song cycle melodrama. Throughout, moody minimalism and loop-based composition provide an Eno-like back drop for vocals inspired by sunshine pop, r’n’b and dramatic choral harmony.

 

Earlier in the year Ninetails were included in NME’s scene report of their home city and a performance at Sound City in May prompted Clash Magazine to tag them as an “Up Coming Hype Band” whilst Vice highlighted them in their ‘Ones to Watch’ list. Prior to these accolades, they’d shared stages with Alt-J, Errors and Tall Ships. The band have also been included in Simon Raymonde’s list of favourites in 2012.

 

The band will release ‘Slept and Did Not Sleep’ through Superstar Destroyer Records on the 26th of November as a pay-what-you-feel download. A visually cohesive CD package and very limited number of ‘uniquely chopped and screwed’ cassette tapes of the EP will also be available. Two videos will accompany the release, as well as an EP launch in Liverpool and the band’s first London Show on the 29th of November at the Bull and Gate in Kentish Town.

 

Undoubtedly, this is an exciting time for Ninetails who have already made plans to release again early into the new year.

 

First Québec Cinema Showcase for London

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Following the international success of Québécois films including Monsieur Lazhar (Philippe Falardeau), Incendies (Denis Villeneuve) and Café de Flore (Jean-Marc Vallée), a showcase of new cinema from Québec will take place for the first time in London at the Institut Français, South Kensington (2-4 November).

Québec Cinema Showcase is part of the 50th anniversary celebrations marking the opening of the Québec Government Office in London. The programme of five feature-length films and four shorts will present some of Québec’s finest and most recent cinematic offerings, including the latest work from award-winning director, 23-year-old Xavier Dolan, Laurence Anyways.

Québec Cinema Showcase will open with the UK premiere of Ken Scott’s massive box office hit comedy Starbuck (2 November).  Veteran comedy actor Patrick Huard plays David Wozniak, a 40-something delivery man whose life is out of control. But things are worse than he thinks. In his twenties, David was a prolific sperm donor to help pay the bills but the past comes back to haunt him when nearly 150 of his more than 500 offspring, now young adults, collectively take court action for their right to know the identity of their father. The film has been so successful – Canada’s biggest domestic hit in 2011 taking $3.5 million at the box office – that Scott has been asked to direct the US remake starring Vince Vaughn for Steven Spielberg’s DreamWorks Studios. Starbuck is on general release in the UK from November 23.

Laurence Anyways (3 November) is the latest offering from Cannes award-winning director Xavier Dolan, (I Killed My Mother, Heartbeats). Dolan’s success continued in 2012 at the Cannes Film Festival when Laurence Anyways’ female lead, Suzanne Clément, won best actress in the festival’s “Un certain regard” category and the film was awarded the Queer Palm. Laurence Anyways also won the award for Best Canadian Feature Film at Toronto International Film Festival 2012. Dolan made his Cannes debut with I Killed My Mother, a film he made in his teens, resulting in an eight-minute standing ovation and three awards in the Directors’ Fortnight section in 2009. Spanning a decade, Laurence Anyways tells the story of a couple who are passionately in love. But when Laurence (Melvil Poupard) announces to girlfriend Fred (Suzanne Clément) on his 30th birthday that he wants to live as a woman, the consequences are tumultuous – and unexpected.  Laurence Anyways screened at the BFI London Film Festival on 11 and 12 October and is on general release in UK cinemas from 30 November.

“The Québec Government Office in London takes pride in witnessing Québec cinema’s current popularity worldwide. We are delighted to welcome the first edition of the Québec Cinema Showcase as part of our 50-year anniversary celebrations marking the opening of our London office,” says Pierre Boulanger, Agent-General of the Québec office in London.

Other films in the programme include Karakara from Claude Gagnon (3 November), a Canadian/Japanese co-production which follows Pierre (Gabriel Arcand), a retired professor in his early sixties who goes on a short, unsettling trip around Okinawa in Japan with Junko (Youki Kudoh), a 40-year-old runaway wife. Bestiary (Bestiaire) from Denis Côté (4 November) is an intriguing documentary which reflects on human fascination with animals.  Behind Closed Doors (Catimini) from Nathalie Saint-Pierre (4 November), the final film in the Québec Cinema Showcase, is a touching story about a reunion between four girls living under the care of the child protection services.

Across the weekend there will be director Q&As: Claude Gagnon, on Saturday, 3 November after the screening of Karakara and Nathalie Saint-Pierre on Sunday, 4 November after Behind Closed Doors.

Cinema from Québec is currently enjoying the international spotlight with two films – Incendies and Monsieur Lazhar – shortlisted for best foreign language Oscars in the past two years, as well as a BAFTA nomination for Incendies. Québécois director, Jean-Marc Vallée’s Café de Flore starring Vanessa Paradis, has also garnered critical acclaim. Earlier this month (October) at the Raindance Film Festival – Europe’s leading independent film festival – a number of films were screened in a special Québec Strand and Laurentie by directors Mathieu Denis and Simon Lavoie scooped Best International Feature.

François Macerola, President and CEO of SODEC, Québec’s development agency for cultural enterprises added: “For many years, the international market’s interest in Québec cinema and its filmmakers has grown considerably.  New audiences and new possibilities have allowed films from Québec, and our filmmakers’ vision to cross borders, thanks to events such as the Québec Cinema Showcase in London.”

 

Tickets for Québec Cinema Showcase are £10 (conc £8) and are available from the Institut Français website (https://www.institut-francais.org.uk/book)

Québec Cinema Showcase is an extension of the marketplace event Cinema du Québec a Paris which is celebrating its 16th year (6-11 November). Québec Cinema Showcase is also part of the 20th French Film Festival UK, which will present a selection of the best shorts from Québec in Glasgow and Edinburgh . (http://frenchfilmfestival.org.uk/FFF2012/wp/)

 

Québec Cinema Showcase has been organised by the Québec Government Office in London, with the support of SODEC and the Ministry of Culture and Communications, in collaboration with the Institut Français in London and the French Film Festival UK.

The Québec Government Office in London’s cultural services implements market development initiatives for artists and cultural industries from Québec.

For more information:
www.quebec.org.uk
www.sodec.gouv.qc.ca
www.mcc.gouv.qc.ca
www.institut-francais.org.uk
www.frenchfilmfestival.org.uk

 

Starbuck 
Dir: Ken Scott 2011 – 109 mins
Friday 2 November, 8.15pm

The biggest Canadian box office hit in 2011, Ken Scott’s comedy Starbuck follows a likeable middle-aged loser as he wrestles with regret and responsibility. Hapless deliveryman David Wozniak (Patrick Huard) gets parking tickets at every stop along his route, has thugs on his tail for massive overdue loans, and his girlfriend tells him she’s pregnant just before dumping him. These are the least of David’s concerns, however, when he returns home to find a lawyer in his kitchen. The past comes back to haunt him in the form of a class-action lawsuit launched by 142 of the 533 children who resulted from sperm donations he deposited over 20 years ago.

Starbuck will be preceded by Demoni, a short directed by Theodore Ushev.

 

Karakara  
Dir: Claude Gagnon 2012 – 101 mins
Saturday 3 November, 5pm

Gabriel Arcand plays Pierre, a retired professor in his early sixties who has decided to renounce sex and achieve spiritual peace until Junko (Youki Kudoh), a  40-year-old Japanese housewife arrives on his doorstep seeking refuge from her abusive husband. They end up making a short, unsettling trip around Okinawa, Japan, together. Though the confused intellectual would rather not get involved with this unlikely and unexpected lover, he decides to follow his destiny, wherever it may take him.

Karakara will be preceded by Anata O Korosu, a short directed by Phillipe David Gagné and Jean-Marc E. Roy

Laurence Anyways 
Dir: Xavier Dolan 2012 – 159 mins
Saturday 3 November, 7.30pm

The third Cannes award-winning film by 23-year-old writer-director Xavier Dolan (Heartbeats, I Killed My Mother), Laurence Anyways follows the story of Laurence and Fred, his girlfriend – a couple passionately in love who attempt to sustain their relationship and fight the prejudices of their family, friends and society when Laurence turns 30 and can no longer deny his desire to be a woman.  Winning two awards at Cannes including Best Actress in the festival’s “Un certain regard” category for Suzanne Clément and the Queer Palm and, as well as the award for Best Canadian Feature Film at Toronto International Film Festival 2012.he film had its UK premiere at this year’s BFI London Film Festival on 11 and 12 October.

Bestiaire ( Bestiary)

Dir: Denis Côté 2012 – 72 mins
Sunday 4 November, 4.15pm

The documentary explores the fascination humans have for animals, combining footage from a drawing class, a taxidermist’s workshop and a Québec safari park. The poet, essayist and naturalist Diane Ackerman has reflected on animal parks as venues for the discovery of interspecies shared identity, but also as places where humans focus “on the lives of other creatures to dispel the usual mind theatres that plague us.” Those notions are challenged as often as they are reinforced in Denis Côté’s soberly beautiful Bestiaire, but exact conclusions are left for the viewer to form.

Bestiaire will be preceded by Tout va Mieux (Everything is alright) a short directed by Robin Aubert.

Catimini (Behind Closed Doors)  
Dir: Nathalie Saint-Pierre 2012 – 112 mins
Sunday 4 November, 6.30pm

Four girls are living under the care of child protection services: Cathy, six-years-old, arrives in a new foster family, the Bilodeaus; 12-year-old Keyla is transferred into a group home for teenage girls; Mégane, a rebellious 16-year-old, ends up in a detention centre in late winter; on her 18th birthday, Manu leaves her youth centre and moves into her first apartment. In the hope of reconnecting with the few people that have meant something to her, Manu attends a reception honouring the Bilodeaus, one of her former foster families. She bumps into Keyla and Cathy, and ends up hanging out with Mégane. It proves to be a reunion that no-one will forget anytime soon. Behind Closed Doors won the Valois d’or prize at the fifth festival of francophone cinema in Angoulême.

Behind Closed Doors will be preceded by Ina Litovski, a short directed by Anaïs Barbeau-Lavalette and Andre Turpin.

 

BUNAKEN – WHERE WATER IS AIR by JONATHAN BROWN

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In Bunaken, water is air – literally and metaphorically. Literally, as the word for water in Indonesian is
Air. Metaphorically, because this is one of the world’s greatest diving sites. They live and breath water.
It is their life – their food source, play ground, and office. In the warm waters in this protected Marine
Park, there are more species of fish than in the entire Caribbean sea.

So, what was I doing there? I’m scared of deep water.

The sea deep. Very deep. Teenage-Emo-kid deep. You know how high mountains are? Well, the sea is
deeper. When people say they are scared of heights, that’s fine, understandable. You could trip and fall
after all. But deep water – that’s kid’s stuff. You grow out of it like you grow out of socialism. You realise
that Jaws was just a film.

But let me paint you a picture. Imagine you’re on, say, the edge of a tall building – the world’s tallest.
Like Tom Cruise in Mission: Impossible. Perched precariously, the wind and sense of vertigo let you know
that you’re high. You can see the edge of the building dropping straight down.

Now imagine that 30metres below are clouds. And the clouds are all around you. A 30m zone where
you can see. Add to this picture flocks of birds, flying around. But they’re not scared of you – they come
close, explore, nibble. Then, you see something else, just in the clouds – flying snakes, flying spiders,
and, maybe, why not, an 18ft flying tiger. All swirling around you, above your head, almost out of view –
ominous shadows. Everywhere. For miles around you. Species in the sky that have yet to be discovered.
Aliens, essentially.

This is how I feel about deep water. Floating in space surrounded by nothing – emptiness filled with
dangerous animals.

So why then am I on a plane heading to this small island? Because my girlfriend suggested it? Yes, a bit.
To overcome my fears? Maybe. Because I haven’t really thought this through? More than likely.

Snorkeling

To warm up we decide that some light snorkeling would be a good idea. How this is different from diving
I do not know. I was, literally, in deep water. Some of my fears are allayed by the dive masters. Bunaken,
he boldly claims, is perfect for snorkeling. The reef, and thus fish, is just five metres below the surface.
And visibility is remarkably high. Perfect.

So, after two hours hunting for dolphins (two spotted though I’m informed there are hundreds of them
around the islands), we picked a spot and readied ourselves for some serious snorkeling action.

Now, another reasons that Bunaken is so good for diving and snorkeling is that, although the reef is
shallow and close to the coast, it has a ‘wall’. Not a barrier stopping me being swept out to sea as I
hoped but a sheer drop to, in some parts, 1,500metres. This is the kind of drop Wile E Coyote would

hover over comically for a few seconds,feet still running, before dropping to his death (what,he survives
– but how?)

I’m told that the currents of cold water from the deep, and warm water on the surface, are perfect for
fishes. We cautiously (well, I was cautious, the rest of the boat were excited – and a bit disappointed
by the lack of dolphins) approached our drop off point. I looked down over the edge of the boat. It was
dark – the kind that swallows you up.

The boat slowed to one engine -still we hovered over the dark abyss. I turned back to the boat – brave
face only skin deep. This was it – there was no going back. Not in a boat full of people who’d brought
their own snorkeling gear. So, I turned back to see my final resting place, and there it was – a Huge
Shark! Not really- it was the reef, just there below the surface.

It looked mere feet away -touching distance and in sparkling HD. I could see everything and, combined
with the unbearable heat in the boat, this stunning view seemed to draw me in. My legs were over the
edge of the boat and I was getting prepared to leap in. I’d be first in as well. Well, maybe but not quite.
My bravado failed me for a moment allowing my girlfriend to overtake me and jump in. But I followed
soon after.

And, moments later my head was below the surface. It was like swimming with an aquarium strapped to
my face. Every colour, shape, size and species of fish was there. But snorkeling was just a small step. The
Frito Misto starter to my Tuna Steak main.

The Dive

Organizsd by the Bunaken Beach Resort , I was to go on a Discovering Scuba dive, which teaches you the
basics (clearing your mask, how to go up and down, a few hand signals), and has a dive master drag you
around the reefs. There was no secret tricks on how to beat a shark in hand to fin combat but, after my
snorkeling success, I felt confident.

But, this wasn’t snorkeling. I wouldn’t be floating happily on the surface, boat in sight. We were going
over the top, off the cliff and into the abyss.

The funny thing is, it didn’t scare me and I can’t explain why (sorry for anyone looking for answers).
Just as I found it hard to explain why I was (and still am) scared of deep water (see rambling opening
paragraphs), it’s just as hard to explain why I didn’t panic. Even stranger is that, if I think about deep
chasms of water now, I’ll still get that tightness and panic in my chest. I think it’s like a big old house in
the middle of nowhere. When you imagine it dark, creaky and full of ghosts it’s scary. But when you see
it during the day, you can’t remember why you were scared.

And so, I was able to enjoy my first ever dive. More than enjoy, I feel Bunaken has spoiled me for future
dives, as it was one of the most beautiful sights that not only I, but they aforementioned experienced
divers, had seen. Thousands of fish seemed to fall from above like multi-coloured snowflakes. Huge sea
turtles floated along without a care for my awe and, fortunately not seen by me, a white tipped reef
shark did not suddenly turn and devour the divers, but ignored than, probably realising that we weren’t
worth the hastle.

But it wasn’t just fish – there were coral, anemones, sea slugs, sea cucumbers, sea scorpions, lion fish,
parrot fish (people need to come up with some better ways of naming aquatic life forms other than
the ‘land animal plus sea/fish technique). The Marine Park has around seven times more genera of coral
than Hawaii, and has more than 70% of all the known fish species of the Indo-Western Pacific. That’s a
lot of fish.

Bunaken opened a whole new world for me, and while I’ve not been back diving yet (for reasons of cost
and the fact the snorkeling in Bunaken is as good as diving), I can now go into any trendy East London
pub and join in with chats about ‘diving with sea turtles off the coast of Indonesia.’ I’m now one of those
people. And for that, I apologise.

By JONATHAN BROWN

Theatre Collection Presents Pinky Cagebirds

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If you are looking for a top night out at the theatre go and see the latest play from the Theatre Collection.
After David Campton

“There is nothing either good or bad, But thinking makes it so”.
William Shakespeare

Set in a bird-cage, each of the birds is totally absorbed in her own particular characteristics. But then the Mistress introduces the Wild One who tempts them to fly for freedom.

Directed by Victor Sobchak

October 30 – November 11

Tuesday – Saturday 7:30pm
Sunday 5pm

Tickets: £12/10

Booking:

www.theatrecollection.net

Phone: 07966597190

 

Theatre Collection

51 Camden Park Road

London NW1 9BH

www.theatrecollection.net



THEATRE COLLECTION was founded in 2009 by Victor Sobchak (Artistic Director) and Shaban Arifi (Producer,Director and Actor)

TC is the sequel of the highly acclaimed ‘ART-VIC’(Anglo-Russian Theatre) and ‘Act Provocateur Int.’ With a history spanning for 15 years.

During this period our companies have produced over 100 productions which gained great interest and awards from both audiences and Press all over the world.

We have performed at 11 Edinburgh Fringe Festivals and in various National and International festivals in USA, Africa, Europe and Russia.

TC will continue to justify its name presenting to the audience a collection of very different styles: from medieval farce to experimental theatre, from classic to modern International drama and new writing.