SISTER SCRIBES: KIRSTEN HESKETH ON NANOWRIMO TAKE TWO

I’m writing this on 30th October. It’s nearly a very important date … and one that has been eyeballing me from the calendar for weeks. No, not Halloween – with both children at uni (sob!), there seems little point in ‘celebrating’, (although we have been invited to Zoom into the wedding of the daughter of American friends in our finest Halloween regalia tomorrow!) Not even Firework Night which I do enjoy and which was An Important Social Occasion growing up (and I once got off with Paul Richardson from the swimming club at the Beaconsfield Firework Display in 1977) ….

No. November 1st marks the beginning of #NaNoWriMo …. and I can’t wait!

For the uninitiated, #NaNoWriMo stands for National Novel Writing Month and the challenge is to try and writing 50,000 words (the best part of a novel – or, at least, the first draft) during the month of November. Bonkers, but fun!!!

I’ve attempted – and completed – NaNo once before in 2017. I loved it – and I think it suits me and my writing very well. I have a terrible habit of ignoring the old adage ‘don’t get it right, get it written’ and I can spend hours – days – polishing and repolishing the same old passages or chapter – passages or chapters that never actually make it into the final cut!! What a monumental waste of time and effort that is! So, for me, there’s something very liberating about ‘having’ to write 1,667 words a day, come hell or high water (and there’s been a lot of that, lately, hasn’t there?!) No time to angst over the perfect word, the perfect phrase, the perfect cadence. All that can come later. Now is just the time to get the bare bones of the story down, to ‘tell it to myself’, to commit it to paper. Onwards, always onwards – no looking back – after all, you ‘can’t edit an empty page’! And, for me, all that striving forward makes me a better (maybe) – certainly a braver – writer. With little time to ‘vet’ what I am writing, now is the time to take risks, to go with the flow and to see where it takes me. After all, I can sort it all out later …

NaNoWriMo Mark Two is a different beast for me, though. When I attempted it three years ago, getting an agent – let alone a publishing deal – was just a twinkle in my eye. Now I am lucky enough to have my debut novel ‘out there’ as a proper book, thanks to Canelo. I also have a deal with Hodder & Stoughton for a saga series set in London in World War One. The first book in the series is done and dusted (and out next April) and I am due to start work on the second. To begin with, I dithered. Should I bash out a first draft during NaNo or make a start on the ghostly rom-com I’m dying to write? In the end, I wrote a couple of pages of the second saga book, fell in love with it – and now I want to keep going. So I’m good to go!

Five-page plan agreed with my editor – tick!

Online group of writing buddies – tick! If last time is anything to go by, I will really need them from days 17 to 20 and I’m ready to support them in any way I can too.

Are you doing Nano?

If so, good luck – and see you on the other side!

 

 

 

 

BUSINESS OF BOOKS: FIRST, LAST, EVERYTHING – SAGA WRITER SUSANNA BAVIN

What was the first piece of writing advice you were given?

This wasn’t exactly writing advice as such. It dates back to when I was at grammar school and it was a regular feature of feedback on essays. I had a wonderful English teacher called Mrs Trueman, who taught me for five out of my seven secondary school years. From her I learned the importance of what she called elegant paragraph links – the natural flow of writing. To this day, if I am struggling to move along from one idea to the next, I can hear her voice in my head, insisting on, “Elegant paragraph links, girls.” It has also had an impact on me as a reader. I always notice a jerky transition between ideas. I hope my own writing is pretty seamless in that respect. If it is, it is thanks to Mrs Trueman!

 

What is the most recent piece of writing advice you gave or received?

Don’t get it right – get it written. I have joined in with the annual madness of NaNoWriMo several times and the advice there is all to do with getting the story down on paper – or on-screen – and worrying about perfecting it at a later date. I know there are plenty of writers who simply can’t do this. They have to get each section right before they can move on to the next; and there have been times when, instead of ploughing on, I have felt impelled to go back and change something in the WIP, because my brain refuses to carry on until I have done that tweak. But if you are able to produce a “dirty draft,” it makes a great starting point for the editing. I know plenty of writers hate the editing process, but I love it and find it rewarding.

 

What piece of advice would you most like to pass on?

I have offered this advice to a few writers and they have all told me it is a good idea, so I am happy to share it with you here: don’t stop writing today unless you know how you are going to start writing tomorrow. For me, being able to get going immediately is important, especially now that I am writing to deadlines. I recently gave up my day job, but when I was doing it alongside my writing, being able to switch into writing mode and get writing straight away was essential. I’m sure there are plenty of writers whose response to this advice will be to say that it wouldn’t work for them, because they want to be able to leave their writing when it is difficult, trusting that their subconscious will work on it and untangle the tricky bits. For me, following this rule means that, when I hit a problem and the writing becomes difficult, I always keep at it until I have got past the hard bit and things are flowing freely again… so that when I stop, I know how I’ll start again next time.

 

Susanna Bavin has worked as a librarian, a teacher, a carer and a cook. She lives in beautiful North Wales, but her writing is inspired by her Mancunian roots. Her sagas, The Deserter’s Daughter and A Respectable Woman, are published by Allison & Busby.

THE BUSINESS OF BOOKS: IGNORING NOVEMBER – Jane Cable considers NaNoWriMo

I have to admit to being a NaNoWriMo sceptic. Even their slogan – the world needs your novel – raises a wry smile. Does it? Really? Given the size of the ‘to be read’ piles of just about everyone I know, it probably doesn’t.

But this year – the scheme’s 19th – I couldn’t ignore it. Writers I respect are taking part so was I missing something? The goal is to write a 50,000 word novel in 30 days with help, support and motivation from the calculators and community on the NaNoWriMo website.

A better slogan for the programme – and one which has come up more than once in conversations with authors taking part – would be ‘don’t get it right, get it written.’ Now that, I can relate to. As RNA New Writers’ Scheme member and veteran of NaNos since 2014 Jan Baynham says: “In 2014 my attempts to write my first novel were taking an age. When all the publicity for NaNo came around, I thought I’d give it a go and set myself a goal of getting up a couple of hours earlier than normal and to try and write every day. Having NaNo buddies was a wonderful support. Seeing the tally of words written each day was another huge motivator. Apart from checking through what I’d written each day, I left serious editing until after NaNo was over. In 2014, I exceeded the 50,000 word goal by a couple of thousand. Did I make that editing stage harder by just writing non-stop for the whole of November? I don’t know but NaNo was one way for me to complete the initial draft of my first ever novel.”

Fellow RNA NWS member Kirsten Hesketh agrees and is making good progress with her first NaNo: “21 days and 34k words and still going strong. I made about every mistake going with my first book, faffing around, editing as I wrote and spending hours polishing passages that didn’t made it into the final cut. So Nano has been very helpful for getting the bones of my second novel on paper. I particularly like three things about Nano (1) committing to writing each day rather than trying to fit it around everything else and thereby not doing it at all; (2) not vetting as all as I write which I think has made me a braver writer (3) the camaraderie, support and shared purpose.”

The camaraderie point is an important one and typical of the writers I know it’s peer motivation rather than peer pressure. Susanna Bavin, author of The Deserter’s Daughter, a saga published by Allison & Busby, has particularly valued this: “What I have specially enjoyed and appreciated is the companionship of a group of online friends. In the November Nano, you can message your buddies through Nano one at a time, so we all got together via Twitter to share one another’s angst.”

The more I look at NaNo, the more I can see that for some writers support and a target over a limited period of time plays a big part in making it happen. However in 2016 less than 10% of those taking part reached the target. Does that necessarily matter? I leave the last word to Choc Lit author Laura E James: “When I discovered the updates that Nano provide, I smiled. After a couple of days of managing 500 words, as opposed to the 1660 plus required to hit the total, Nano informed me I would finish in January. What did I take from that? The fact I would actually finish. I celebrated. I high-fived my daughter. I’d reached a point where I was in danger of never again completing a project, but to see the statistics in black and white helped restore my faith.”

My thanks go to Jan, Kirsten, Susanna and Laura for sharing their thoughts with me.

janbaynham.blogspot.co.uk
www.susannabavin.co.uk
www.lauraejames.co.uk