Niall Edworthy: My Writing Process

Niall Edworthy

I have been writing in one capacity or another since I finished studying thirty years ago. I worked as a reporter for broadsheet newspapers and international news agencies Reuters and AFP in the 1990s. In 1996 I was commissioned to write the Official History of the England football team. The following year I was invited to ghostwrite a travelogue for actor David Jason. Soon after I gave up journalism and focussed on books. I live in the Downs above Chichester, commuting down 14 steps to my, ahem, fancy office (converted shed, no sun after 11). When I’m not writing, I tend to be reading although I’m suffering a little reader’s block right now, unable to settle on a title and bouncing back and forth between half a dozen on my Kindle. I pursue all the boring middle-aged activities, sometimes with passion, more often with relief after a day at the computer. I cycle a lot up in the hills, and I have grown to love gardening and cooking – semi-mindless activities that allow my brain to drain after writing. If the Test cricket’s on, I have to chain myself to the desk and resist the temptation.

What you have written, past and present.

I have written over 40 books, roughly half of them ghosted for well-known public figures or ‘ordinary’ people who have had extraordinary experiences. I have written memoirs, military history, sport, humour and natural history.

What you are promoting now. 

My first novel, Otto Eckhart’s Ordeal. It is hard to slot into a genre but if you were in a bookshop (remember them?), you’d probably find it in Historical Fiction. Set in 1937 and based on a true premise, it tells the story of an aimless, young historian dispatched by the Nazis to go fetch the Holy Grail for the glory of Germany. It is a coming-of-age, adventure story with a dash of romance and, dealing with some grim characters at a grim period of history, I have tried to write it with dark humour.

A bit about your process of writing. 

I’m reasonably methodical. Once all the research is done and the story laid out loosely but with direction, I go at it every day if I can. I need momentum and I need to be deeply immersed in the world I am describing or creating. It’s no good grabbing an hour here or there. I need a good long stretch for each session. I start early, between 7 and 8, and tend to work through to a late lunch. If I have written a good amount I often feel drained and don’t go back to my computer. If it’s been a frustrating effort and I haven’t got much down, panic propels me back to my keyboard.

Do you plan or just write?

I am a planner, but the plan changes a little every day. I think it’s important not to plot too hard, and to keep all options open. I read a good description recently that sums up my approach: Starting a book, you are at John O’Groats heading for Land’s End but not entirely sure of the route you are going to take.

What about word count?

Big difference between fiction and non-fiction. If all the research is at my fingertips, I average about 1,500 words a day for non-fiction, but can push to 2,500. With fiction, I’m delighted if I have 1,000 words in the bank at the end of a session.

How do you do your structure?

As clearly as possible. Structure is everything in building a story. You are reminded of the challenges facing the architects and engineers of skyscrapers – if they are an inch out at the bottom, it won’t be long before the building starts to lean and they have to demolish it and start again. In fiction, structure is more flexible because the characters will soon start to take you to places and scenarios you hadn’t foreseen.

What do you find hard about writing?

Where to start? Lack of company – not being able to wander over to the water-cooler for a good moan from time to time. Anxiety about money – it’s not the path to fabulous wealth. Fretting about the next project while I’m deep in the current one. The time it takes to set up new projects, writing proposals, pushing them on publishers, knowing all the effort may come to nothing. (The writing itself is the easiest and most enjoyable part of the process.) The occasional jerk on Amazon, who writes an ignorant, cowardly and malicious review. Why bother torpedoing someone’s huge effort to produce a book? It’s not personal.

What do you love about writing? 

Again, where to start? I like the independence. I like not having to commute, to set my own agenda. I’m writing this in my shorts and slippers with very un-combed hair wondering where I might cycle this afternoon in the glorious autumn sunshine. On the actual writing, it’s a great feeling when you know in your bones you have written a passage that will stand the reader’s scrutiny. A cricketer who has played the perfect cover drive will recognise the feeling.

 

Advice for other writers. 

Know what you want to say before you write. Short sentences. Be bold. Find your voice. Get up early. Trial & error is the only way to learn – most writing is more effort than inspiration. If you have a setback, dust yourself down and keep going. Have a second source of income. Read as much as you can to immerse yourself in words and expand your range of reference.