Niall Edworthy: My Writing Process

Niall Edworthy

I have been writing in one capacity or another since I finished studying thirty years ago. I worked as a reporter for broadsheet newspapers and international news agencies Reuters and AFP in the 1990s. In 1996 I was commissioned to write the Official History of the England football team. The following year I was invited to ghostwrite a travelogue for actor David Jason. Soon after I gave up journalism and focussed on books. I live in the Downs above Chichester, commuting down 14 steps to my, ahem, fancy office (converted shed, no sun after 11). When I’m not writing, I tend to be reading although I’m suffering a little reader’s block right now, unable to settle on a title and bouncing back and forth between half a dozen on my Kindle. I pursue all the boring middle-aged activities, sometimes with passion, more often with relief after a day at the computer. I cycle a lot up in the hills, and I have grown to love gardening and cooking – semi-mindless activities that allow my brain to drain after writing. If the Test cricket’s on, I have to chain myself to the desk and resist the temptation.

What you have written, past and present.

I have written over 40 books, roughly half of them ghosted for well-known public figures or ‘ordinary’ people who have had extraordinary experiences. I have written memoirs, military history, sport, humour and natural history.

What you are promoting now. 

My first novel, Otto Eckhart’s Ordeal. It is hard to slot into a genre but if you were in a bookshop (remember them?), you’d probably find it in Historical Fiction. Set in 1937 and based on a true premise, it tells the story of an aimless, young historian dispatched by the Nazis to go fetch the Holy Grail for the glory of Germany. It is a coming-of-age, adventure story with a dash of romance and, dealing with some grim characters at a grim period of history, I have tried to write it with dark humour.

A bit about your process of writing. 

I’m reasonably methodical. Once all the research is done and the story laid out loosely but with direction, I go at it every day if I can. I need momentum and I need to be deeply immersed in the world I am describing or creating. It’s no good grabbing an hour here or there. I need a good long stretch for each session. I start early, between 7 and 8, and tend to work through to a late lunch. If I have written a good amount I often feel drained and don’t go back to my computer. If it’s been a frustrating effort and I haven’t got much down, panic propels me back to my keyboard.

Do you plan or just write?

I am a planner, but the plan changes a little every day. I think it’s important not to plot too hard, and to keep all options open. I read a good description recently that sums up my approach: Starting a book, you are at John O’Groats heading for Land’s End but not entirely sure of the route you are going to take.

What about word count?

Big difference between fiction and non-fiction. If all the research is at my fingertips, I average about 1,500 words a day for non-fiction, but can push to 2,500. With fiction, I’m delighted if I have 1,000 words in the bank at the end of a session.

How do you do your structure?

As clearly as possible. Structure is everything in building a story. You are reminded of the challenges facing the architects and engineers of skyscrapers – if they are an inch out at the bottom, it won’t be long before the building starts to lean and they have to demolish it and start again. In fiction, structure is more flexible because the characters will soon start to take you to places and scenarios you hadn’t foreseen.

What do you find hard about writing?

Where to start? Lack of company – not being able to wander over to the water-cooler for a good moan from time to time. Anxiety about money – it’s not the path to fabulous wealth. Fretting about the next project while I’m deep in the current one. The time it takes to set up new projects, writing proposals, pushing them on publishers, knowing all the effort may come to nothing. (The writing itself is the easiest and most enjoyable part of the process.) The occasional jerk on Amazon, who writes an ignorant, cowardly and malicious review. Why bother torpedoing someone’s huge effort to produce a book? It’s not personal.

What do you love about writing? 

Again, where to start? I like the independence. I like not having to commute, to set my own agenda. I’m writing this in my shorts and slippers with very un-combed hair wondering where I might cycle this afternoon in the glorious autumn sunshine. On the actual writing, it’s a great feeling when you know in your bones you have written a passage that will stand the reader’s scrutiny. A cricketer who has played the perfect cover drive will recognise the feeling.

 

Advice for other writers. 

Know what you want to say before you write. Short sentences. Be bold. Find your voice. Get up early. Trial & error is the only way to learn – most writing is more effort than inspiration. If you have a setback, dust yourself down and keep going. Have a second source of income. Read as much as you can to immerse yourself in words and expand your range of reference.

 

Write From The Start: The Beginner’s Guide to Writing Professional Non-Fiction

Write From The Start: The Beginner’s Guide to Writing Professional Non-Fiction by Caroline Foster

Becoming a writer is hard. To go from beginner to professional means you will need all of the help you can get. This book has a wealth of advice on becoming successful in non-fiction writing. Practical and thorough, it has plenty of advice to help you become a non-fiction writer. Recommended for anyone who wants to write professional non-fiction from a woman who knows her stuff.

 

Do you want to become a writer? Would you like to earn money from writing? Do you know where to begin?

Help is at hand with Write From The Start – a practical must-read resource for newcomers to the world of non-fiction writing. It is a vast genre that encompasses books, newspaper and magazine articles, press releases, business copy, the web, blogging, and much more besides.

Jam-packed with great advice, the book is aimed at novice writers, hobbyist writers, or those considering a full-time writing career, and offers a comprehensive guide to help you plan, prepare, and professionally submit your non-fiction work. It is designed to get you up-and-running fast.

Write From The Start will teach you how to explore topic areas methodically, tailor content for different audiences, and create compelling copy. It will teach you which writing styles work best for specific publications, how to improve your chances of securing both commissioned and uncommissioned work, how to build a portfolio that gets results, and how to take that book idea all the way to publication.

Comprised of 16 chapters, there is information on conducting effective research, book submissions, writing for business, copyright and plagiarism pitfalls, formatting, professional support networks, contracts and agreements, the value of humour, ghostwriting, and much more…

By the end of this book – full of practical advice and proven results – you will be well on your path to writing success!

> Discover how to write not just good copy but great copy
> Learn the submission techniques that will increase your chances of publication
> Develop ways to earn money by writing about your skills, experiences, and hobbies
> Understand how to write for magazines, the web, businesses, and books
> Master freelance content writing for sites such as Textbroker
> Explore traditional publishing, self-publishing, and eBook options for books you write
> With additional contributions and guidance from other writing industry experts


Publisher Insists Author Writes Her Own Press Release

When author Caroline Foster’s first book, Write From The Start: The Beginner’s Guide to Writing Professional Non-fiction was published by Bennion Kearny, she was somewhat surprised when they asked her to write her own press release.

Bennion Kearny, a publisher of specialist non-fiction titles, explained their logic, ‘Caroline’s book is a comprehensive guide to writing non-fiction; its content contains everything novice and improving writers want to know about writing in this genre, including how to write your press releases and market your book. It seemed an obvious notion – given Caroline’s knowledge and experience in this field – that she would want to write her PR.’

In response, Caroline said, ‘To be fair, I know Bennion Kearny have a team of first class marketing professionals who will do their best to market not just my book but those of my fellow authors on their lists. I understand their reasons for asking to me write my own press release and given the content of my book is about writing, I probably would have been slightly miffed if they hadn’t!’

Write From The Start: The Beginner’s Guide to Writing Professional Non-fiction is a practical must-read guide for newcomers and aspiring writers to the world of non-fiction. Not only does it cover writing, marketing, and publishing books including memoirs, autobiographies, and titles on specialist topics, its chapter list includes writing for magazines, for online markets, and for businesses. Readers will also learn ‘how’ to write and submit great copy that will attract editors and publishers.

 

About Caroline Foster. Caroline Foster is a writer with more than 20 years of experience writing for national and regional publications on a variety of topics. She is also one of the founding partners of a successful Copywriting, PR and Digital Marketing company based in East Anglia.

 

Write From The Start: The Beginner’s Guide to Writing Professional Non-Fiction is available here.  

 

The Business of Books

the-business-of-books-interviewswithjanecableThroughout 2017 I’ll be alternating my own blog posts with interviews with other authors and book business insiders. I have a background in business myself, having trained as a chartered accountant and run my own company for the last sixteen years and when I embarked on my career as an author it was comforting to know how the commercial world works.

One of the biggest lessons I’ve learnt in my business life is never to ask anyone to do anything you wouldn’t do yourself. So in that spirit I’m going to kick off the series by answering the questions I’m going to be asking other authors.

How much of your working life does the business of books take up?

Up until now I’ve planned my working life so that a day a week is devoted to writing and the rest to the accountancy business I run with my husband. In practice I rarely take a whole day off so I’d say the split of my week as a whole is more like 25:75.

In 2017 all that will change as we’re going to move to Cornwall so that I can write more or less full time. Enough of our accountancy business can be done online or in distinct jobs which can completed with visits back to Hampshire when we’ll catch up with friends as well. We felt it was a bit of a risk but we have good relationships with our clients and most have been really supportive.

Now we just have to sell our house!

What’s your business model to earn a living from writing?

Unlike most authors, at the moment my only income stream from writing is book sales.

Being an accountant I set up my writing in a separate limited company from the start. The company owns the copyright to all my work and is owned by our accountancy business because I knew I would make losses initially so it was a more tax efficient structure.

2016 will be the first year the company makes a profit and I’m really proud it’s come so soon. This is purely from sales of The Cheesemaker’s House and The Faerie Tree – mainly ebooks and mainly from Amazon, although paperback sales from local outlets and events have also played a part.

At the moment I plan to re-invest any profit I make in marketing in the hope that the accountancy business can continue to generate enough money for us both to live off.

the-business-of-booksjanecable

What do you write and what do you consider to be your major successes?

I write romantic novels with a twist of suspense. Undoubtedly the things which have made the most difference to my writing career were winning prizes. Way back in 2011 an early draft of The Cheesemaker’s House was a finalist when the Alan Titchmarsh Show won a competition sponsored by Harper Collins to find a new novelist. It gave me the confidence to press ahead and publish the book independently when I couldn’t find an agent or a publisher for it and it’s still my biggest commercial success, ending 2016 in the top 100 romantic ghost stories in the Kindle UK chart.

But it was the second competition the book actually won – the Words for the Wounded Independent Novel Award in 2015 – which moved my career on a stage when as a direct result I was signed by my agent, Felicity Trew. Within a year I had my first publishing contract with Endeavour Press.

Tell me about your latest project

My Endeavour ebook, Another You, was published just before Christmas. As Frost readers who regularly follow my blogs will know, the timing was something of a surprise and my latest project is getting together some serious marketing.

But the new writing cannot stand still and I am on the verge of completing an initial draft of what I hope will be my next novel, a romantic mystery set under the endless skies of Lincolnshire.

Jane Cable
www.janecable.com
@JaneCable