Tag Archives: Publishing

London Book Fair 2024 – Day 1 Round Up

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The largest Spring gathering of the international publishing industry assembled at Olympia today, as The London Book Fair kicked off its first day. Thousands of exhibitors and visitors from the UK and around the world gathered to do business, share expertise, network, and attend sessions covering topics including platforming marginalised voices, sustainability, tips for writers, social media, and new global trends.

Gareth Rapley, Director of The London Book Fair,said: “What an amazing opening day of LBF! It’s been brilliant seeing global publishing all under one roof and the excitement in the room has been so great to see. the buzz has been incredible. From our International Author of the Day, Taylor Jenkins Reid, to the Selfie Awards and incredible talks from authors including Gavin Esler, Lemn Sissay, Kit de Waal, and Joe Haddow, it’s been an incredible first day. We can’t wait to welcome everyone back across the next two days.”

Clockwise from Top Left to Bottom Right: Gavin Esler, Lemn Sissay, Kit de Waal and Joe Haddow on Author HQ, A busy Olympia for The London Book Fair 2024, Taylor Jenkins Reid, International Author of the Day, Jonathan Karp of Simon and Schuster in conversation with Porter Anderson

Highlights from Day One of the Fair:

There was a Welcome Address from BBC and Sky Arts journalist Geeta Pendse which was followed by Esther Fung, Social Media and Marketing Coordinator at Pangobook, and Lea Crumpton, Content Creator and Bookseller, discussing the growing influence of BookTok and Bookstagram, and how these spaces are revolutionising reading habits.

Jonathan Karp, President and Chief Executive Officer at Simon & Schuster, and Porter Anderson, Editor-in-Chief at Publishing Perspectives, held the opening keynote address, which explores S&S’s outlook on the evolving world of content and the innovative directions they envision for the future.

Jasmine Richards, Founder of Storymix, Vicky Palmer, Creative and Marketing Director, Hodder & Stoughton, Ken Wilson-Max, Publisher at Kumusha Books and HarperCollins Children’s Books, and Hannah McMillian, Director at Midas, delved into their expert advice on how to prepare for the publication of your next book, with

Lisa Sharkey, Senior Vice President Executive Director of Creative Development at HarperCollins Publishers, Ain Chiara Bensenouci, Publishing Consultant, Jojo Schlattner, Senior Social Media Manager and Ashley Baugh, Associate Director at Midas, shared how authors can use social media to boost their brand and promote their books.

International Author of the Day, Taylor Jenkins Reid, New York Times and Sunday Times Bestselling author of Mailbu Rising and The Seven Husbands of Evelyn Hugo, joined Leonel Teti, Editorial Director at Urano World on the Main Stage to discuss her career and inspiration behind the strong women featured in her popular quartet. Guests at The Fair were excited to hear that Reid’s new project will involve “a good love story.”

Jaclyn Swope, Senior Account Manager at Nielsen BookData, provided an insightful talk of the local and global factors driving varied book markets in 2023, through the combined data of Nielsen BookScan and GfK. The talk revealed that there were over 1bn book purchases in 2023, the top three countries for book sales were France (325m), UK (199m), and Italy (105m)t, and Colleen Hoover remains on all top five bestseller lists across EU and outside.

During the How I Write panel, authors Gavin Esler, Lemn Sissay, Kit de Waal, and Joe Haddow, shared a glimpse into their writing life, and offered insight into how they wrote their best-known books and poetry, find creative inspiration in the everyday, value feedback from the people around them, and how important it is to uphold the human voice in all writing.

Alexander Buchler, Director at Literature Across Frontiers, Dr Richard Davies, Publishing Director at Parthian, Bianca Bellova, Author, and Shelia O’Reilly, Board Member at European & International Booksellers Federation celebrated the European Union Prize for Literature and its evolution and impact on translation across European literacy scenes over the year.

Sir Chris Bryant, Shadow Creative Industries and Digital Minister visited The Fair, adding: “It was a pleasure to visit The London Book Fair and to see the UK’s publishing industry in action. The sector is a huge driver of economic growth in the UK and we are proudly the largest exporter of books in the world. We need to address publishers’ concerns so the industry can thrive and continue to contribute to the wider success of the UK’s Creative Industries.”

The 2024 BookBrunch Selfie Awards winners were also announced with Julia Boggio, taking home Best Adult Fiction for Shooters, Jill Michelle Smith and Jennifer Watson taking Best Children’s Book for Extraordinary Extinct Prehistoric Minibeasts: A First Guide to Fossils, and J F Penn winning Best Memoir/Autobiography for Pilgrimage: Lessons Learned from Solo Walking.

ROMANTIC FICTION MATTERS

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To launch Frost magazine’s support for #RespectRomFic, Sara-Jade Virtue, Brand Development Director, Fiction, for Simon & Schuster UK explains why the campaign is important and reveals her favourite romance books.

There is NOTHING I enjoy as much as a Big Love Story. Preferably on the page rather than on a screen, whether the love is of the romantic, familial or friendship kind, I adore j’adore and have done all my adult life.

Which is why I feel so passionate (no pun intended) about the #RespectRomFic movement I’m leading, and why it’s so important to me. For far too long the contribution to the literary landscape of the books written by the authors writing in the Romance & Saga space has been at best ignored, at worst dismissed. And yet these are the books that dig into the very heart (every pun intended) of the human condition, love. Love is what makes the world go round and these ten novels from my all time favourite dessert island reads list, show love in all its glorious forms – escapist, romantic, heart-warming, heart-breaking, laugh out loud funny, moving, poignant and painful.

Lily and the Octopus (Steven Rowley) – a heart-breaking, charming and unforgettable novel about life, love and long walks.

These Days of Ours (Juliet Ashton) – a gloriously irresistible romance about what happens when the person you love can’t be yours.

Letters to the Lost (Iona Grey) – a poignant, absorbing and tender story of love and loss.

Together (Julie Cohen) – a bold, breath-taking and compelling love story that manages to be as complex as it is compelling.

Rescue Me (Sarra Manning) – heartfelt, funny and wonderfully uplifting, this is total joy from start to finish.

The Last Letter From Your Lover (Jojo Moyes) – passion, loss and romance, and arguably in my Top 3 Favourite Novels Of All Time.

Seven Days in June (Tia Williams) – an extraordinary novel that manages to be both utterly hilarious and completely heart-breaking.

The Photographer of the Lost (Caroline Scott) – a vivid story of forbidden love and longing, this took my breath away.

When We Were Young (Richard Roper) – incredibly moving, hilariously funny, utterly heart-breaking.

The Man I Think I Know (Mike Gayle) – redemption, love, trust and second chances. Incredibly moving, funny and clever.

The stats back up the importance of romantic fiction too – here are some figures taken from publishing industry bible, The Bookseller, with the numbers provided by Nielson.

In 2022 Romance & Sagas had its second best year ever at £53m, only bettered by the Fifty Shades bonanza of 2012 (£68.3m).

This is way up from the more normal value of £25m, which is still seriously significant in terms of the market as a whole.

These figures exclude love stories coded as General & Literary Fiction, for example Taylor Jenkins Reid’s The Seven Husbands of Evelyn Hugo (£2m), Marian Keyes’ Again Rachel (almost £1m), Elena Armas’ The Spanish Love Deception (£851k) and Beth O’Leary’s The Road Trip (£459k).

The Sunday Times bestseller list has no category for romance, yet in 2022 the top twenty contained no fewer than six books that could be regarded as romantic fiction; four by Colleen Hoover, including the top selling novel of all, It Ends with Us, The Seven Husbands of Evelyn Hugo, and The Paper Palace by Miranda Cowley.

 

 

 

How I Got Published by Jane Lambert

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Isn’t it strange how sometimes you have to hit rock bottom to make a change for the better?

When I discovered that my husband had been having an affair my world fell apart. I could feel myself being dragged down a black hole, but instead of therapy, I turned to writing and began the first draft of a story I had been carrying around in my head for years.

It’s a romantic comedy, inspired by my rollercoaster journey from globe-trotting cabin crew to struggling actress.

It was my escape from all the sadness and drama of my divorce, giving me something positive and fun to focus on.

I self-published ‘Learning To Fly’ through Amazon, and I’ll never forget the feeling of holding my book in my hand. I felt like a cloud had lifted and that I was on a new and better path. The book got some great reviews and I was invited to speak about my writing journey at Blackwell’s Writers at the Edinburgh Fringe and on BBC Radio London.

I sent a copy to HQ HarperCollins, and much to my amazement, they offered me a contract!

I was asked to make some major changes to the story and they re-designed the cover, changing the title to ‘The Start of Something Wonderful.’  

I narrated the audio version for HarperCollins Audio and am now working on adapting it into a 6-part comedy drama for TV.

I’m also writing my second novel, ‘Marriage, Mafia & Mozzarella’, which was inspired by my rollercoaster marriage to my Italian ex-husband. So you see, life can have a funny way of working out, can’t it?

♥

 

The World’s Smallest Publisher Fair Is Coming to London This June

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The Uncorrected Independent Publishers’ Fair

Peckham Pelican | Saturday 11 June, 11am-6pm | Free admission

Tangerine Press is delighted to announce the return of The Uncorrected Independent Publishers’ Fair (TUIPF), the world’s smallest publisher fair, showcasing a selected number of independent presses from across the UK. The fifth Uncorrected Independent Publishers’ Fair will take place on 11 June 2022 at Peckham Pelican, as part of the Camberwell Arts Festival.

Featuring seven of the most exciting and innovative indie publishers operating in the UK, the line-up features the following presses: flipped eye publishing (powerful poetry, fiction and prose in affordable volumes), Les Fugitives(contemporary literary fiction & non-fiction translated from the French), Prototype (fiction, poetry and interdisciplinary projects), Repeater Books (radical books for a wide readership), Rough Trade Books (sister to the pioneering independent record label), Strange Attractor (celebrating unpopular culture) and Tangerine Press.

 

Taking place at the café and art space the Peckham Pelican – an open, friendly bar serving good quality beers, ciders, wine, coffee and food available all day – TUIPF is free to attend and open to all. This unique literary feast caters for all genres and needs: prose, poetry, fiction and photography books will all be on sale, with special event prices on paperbacks, hardback limited editions, artist books, broadsides, screen-prints and letterpress gems.

 

 

 

In addition to book sales and general merriment, TUIPF is proud to present a line-up of indie entertainment: live readings by authors published by the seven indie publishers will start from 2pm, including Erica Van Horn (Les Fugitives), Astrid Alben (Prototype) and Arianna Reiche (Tangerine Press). From 4pm, the special guest Unexplained Podcast, the popular story-based podcast in which host and creator Richard MacLean Smith explores a different unexplained mystery each week, will perform a live reading of their episode “Hexham Heads”, examining strange events in 1970s Northumberland. From 4.30pm, there will be an acoustic set by the alternative indie UK-based band Lilies in by Brain.

 

Michael Curran, Founder of Tangerine Press, said: “It’s wonderful to be back at the Peckham Pelican with The Uncorrected Independent Publishers’ Fair for the first time since 2019. We have seven of the best indie presses in the country all under one roof in relaxed surroundings. It isn’t a stuffy hall! You can order a beer, chill out and listen the readings from authors and poets representing each of the publishers. Then perhaps sit up and be drawn into a rare live performance of the Unexplained podcast. Finally round it off with an acoustic set by promising indie newcomers Lilies in my Brain. All the while you can browse at your leisure through the stunning selection of books on sale, at special event prices. And it’s a free event!”

 

Find out more about The Uncorrected Independent Publishers’ Fair here, and for the latest updates follow #TUIPF22 and @TangerinePress

 

 

Event details:

 

The Uncorrected Independent Publishers’ Fair

 

Date:               Saturday 11 June, 11am – 6pm

Venue:             Peckham Pelican, 92 Peckham Rd SE15

Tickets:           Free

Social:             #TUIPF  |  TW: @TangerinePress  |  IG: @Tangerine_Press

Website:         https://thetangerinepress.com/TUIPF/

 

How I Got Published By Alec Marsh

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Alec Marsh, writer, authorWhen I was 21 I started to write a novel. It wasn’t very good. I was working as a reporter for a local paper in Cornwall and my book… was about a reporter working for a local paper in Cornwall. 

Soon I moved to London to work for the Daily Telegraph and started writing a second novel. It was about a young journalist working for a newspaper in London. 

It wasn’t very good either. 

I met a top agent at a function and asked him if he’d see it. 

‘What’s it about?’ he asked.

After several seconds of flannelling he cut in: ‘If you can’t tell me in under 11 seconds then I’m not interested.’ 

I’d been introduced to the idea of the elevator pitch. If you can’t encapsulate your idea in a nutshell, you’ve had it.

I kept writing and the rejection slips (paper in those days) kept piling up.

Then one day a friend suggested I try my hand at historical fiction. ‘You’re obsessed about the past,’ he said. And it was true.

About a year later I read The Da Vinci Code, and was hooked. 

And I thought, “I can do that.”

So I started thinking about a historical mystery that could sit at the heart of a story, and some characters that would have sticking power.

That was around 2004. Before I knew it, I had started writing what would become my first novel, Rule Britannia. And I knew I was onto something, I could feel it in my fingertips. My characters – a historian and mountaineer Ernest Drabble and his pal, a journalist named Harris – were alive. And so was the story.

With a half-written book, I started polishing and went looking for an agent. Again the rejection slips piled up (still paper).

Then one day in 2008 an email landed at about 6pm on Saturday evening from an agent. Do you have any more, he asked?

I didn’t sleep that night. Soon I’d emailed the next three chapters, then we had a meeting. After that, I had an agent and went off to finish the book – armed with the self-confidence to finish it properly, to believe in myself and the benefits of his insights.

The agent then took it to market. But it was 2009 and e-readers, Amazon and the global financial crisis was hitting hard, and – for whatever reason – my book didn’t sell. After a dozen very polite rejections from major publishers, my agent suggested I try writing a different book. Which I did. 

For five years I wrote a book set in the First World War, but Drabble and Harris were still in the back of my mind, calling to me from the binary prison of a hard drive. 

By 2015 the First World War book was finished – but so was my relationship with my agent who finally spelled it out to me when he told me this was not a book that he could sell to his clients. We were finished.

Exhausted and disappointed, I stopped knocking on doors that wouldn’t open and focused instead on my day job. Every now and then someone would ask about Drabble and Harris; I would change the subject.

Then my son Herbie was born in 2016, and his arrival rekindled my ambition. So in the small hours, I dug out Rule Britannia and reread it, shook my head at parts that hadn’t aged well, and I polished it. And I pitched it again.

After a string of rejections (emails now), I went direct to publishers, finding an independent in Cardiff, named Accent Press. 

When the owner telephoned me and told me she’d take it – and she’d want two more books after – I was standing in a corridor at work. I didn’t punch the air, but a tear might have come to my eye. It had taken 20 years and I had endured numerous disappointments but it had finally happened. Drabble and Harris would get to their readers, and I was going to have a novel out. So what’s my advice for would-be authors. Don’t give up. And as Martin Amis once told me when I asked him for advice at book-signing: keep writing. After all, what else are you going to do?

Alec Marsh is author of the Drabble & Harris novels, published by Headline Accent. The latest book, ‘Ghosts of the West’ is published in original paperback and ebook on 9 September

 

How I Got Published Jenny O’Brien

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There are many roads to publication. But as a forty-year-old with three kids of three and under, including twins and a busy job as a nurse, none of them were for me – or so I thought. Then a character popped into my mind. An earworm that wouldn’t go away. A little boy called Dai Monday. It took me a year to find the courage to pick up a pen. With no time to write at home and a busy day job, I took to carrying a notebook around in my scrub top. This notebook got filled during my 15 minute coffee breaks. Within 6 weeks I had a very poor, first draft of my first book.

Jenny O'Brien , author, writer, how I got published ,

Fast forward five years. I was still writing but with no thought of publishing until peer pressure and a bullying incident at school led me to self-publish Boy Brainy. Six more years quickly followed in tandem with a box full of rejection letters. I’m not sure how many rejections—too many to count but not so many as to blunt my determination to succeed.

It took twelve years to find a home for my writing. Twelve years when my writing improved, but also the quality of my query letters. Never underestimate the importance of a well-crafted query letter!

But, in the end, the years didn’t count for much. It was a few quirks of fate that pushed me over the finishing line. A change in genre from children’s books to romance and finally crime fiction. BookBub accepting me for a book promotion the first time I applied. One last push to secure a publisher and, finally, engineering the date of the BookBub promotion to coincide with my query letter arriving at HQ Digital, an imprint of Harper Collins.

I said at the start that there are many roads to publication. While I wouldn’t recommend mine to anyone, there are lessons to be learnt. If you are struggling to find the time to write, change how you view time. Chunk it into 15-minute sessions instead of hours. Those few minutes add up. It might mean writing in transit but that’s easily catered for with a notebook or even a mobile phone. To rephrase a well-known saying. There is always a way, but first you must find the will. My BookBub deal was a fluke, but what followed wasn’t. There’s nothing wrong with nudging luck along with a little gentle manoeuvring.

Good luck!

Jenny O’Brien is an Irish writer of the Detective Gaby Darin series published by HQ Digital.

How I got published Dougie Brimson

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Back in 1995, I had an idea for a book about the culture of football and after working on it for a while with my younger brother, started to think about how we could get it published.
Dougie BrimsonNever having written anything before, and not knowing any other authors, I walked into W.H Smiths, picked up a football book and wrote to the publisher who happened to be Hodder-Headline.

After a week or so, they wrote back and asked for a sample of our work and so we sent them 3000 words and waited. They came back and asked for some more and so we sent them another 3000.

This went on a few times and in the end, I said to them ‘either you want this or you don’t. If you don’t, then let us know and we’ll try someone else.’
Dougie Brimson
Within a few days, they’d made us an offer to publish which included a nice advance. It was only about a year later that we realised that it didn’t work like that for everyone.

The book was called Everywhere We Go. It was published in early 1996 and was a massive success. So much so that it kick started a career which has resulted in a further 16 books, sales of over 1,500,000 worldwide and being lead writer on three award winning feature films with more on the way.
Ironically, despite all that success, I’ve never been able to find an agent to take me on so have ended up doing it all myself.
www.dougiebrimson.com

Ahead of Her Time By Judy Piatkus Book Review.

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It is hard to think about now but female entrepreneurs used to be thin on the ground. Sure we are lucky to have Jo Malone, Anya Hindmarch, Natalie Massenet, Kelly Hoppen and Karen Brady, but before all of them came Judy Piatkus. A single mother-of-three who built a publishing empire with one hand behind her back. Well, almost.

Now Judy has written a book Ahead of Her Time; How a One-Woman Startup Became a Global Publishing Brand and it is the new bible to help other entrepreneurs and people who are interested in business. The book gives a fascinating insight for those who are interested in publishing. Judy did all of this while while taking care of her three children, one of whom is disabled.

I found this book so inspiring that it has made me drag out an old business plan I had and start work on a logo for that, and a new one for Frost. Piatkus books was built at a time when women were discriminated against. We still are, but it has got better.

I implore anyone who is interested in building a business, publishing, or even just loves a story about how someone built something amazing, despite the odds against them, to read this book. It really is brilliant. I will be handing copies out to my female friends. Judy Piatkus truly was ahead of her time.

Ahead of Her Time; How a One-Woman Startup Became a Global Publishing Brand  by Judy Piatkus is an incredibly inspiring book. 

Judy Piatkus did not come from a monied background and began her career as a secretary after failing to achieve a university place. By the time she founded Piatkus Books from her spare bedroom, she was married with a disabled small daughter and pregnant with her second child. Gradually she learned how to be both a publisher and a managing director and to combine that with her family life as she had become a single mother of three. A lot of mistakes were made but she also got a lot of things right. The company prospered, thanks to the risks Judy took in tackling new subjects in the marketplace and also her approach to running the company, which focused on transparency, honesty and trust and was rewarded by the loyalty of the staff, many of whom worked alongside Judy for upwards of twenty years.

In 1979, Judy Piatkus founded what would become a global publishing brand— Piatkus Books — from her spare bedroom.

A single mother, with a child with learning disabilities, at a time when being a self-made woman entrepreneur was rare, Judy defied expectations, influencing, shaping, and giving rise to a new industry of personal growth and development publishing.

 

Long before the bestseller charts were packed with mind/body/spirit, business, and relationship books, Judy created a platform for new, as yet unknown, voices and leading authorities and experts in their fields, including Jon Kabat-Zinn, Mary Berry, David Allen and Brian L. Weiss.

 

‘Ahead of her time’ goes behind-the-scenes and reveals the inner workings of book publishing. Judy details how her combination of financial risk taking, transparent approach in business, and courage to tackle new subjects in the marketplace rather than follow trends, led PiatkusBooks to become a leading global independent publisher.

 

Judy’s memoir is also a fascinating insight into building a company and brand identity and what enables a team and a business to succeed.

 

Judy details her learning experience as an entrepreneur — the triumphs and the pitfalls, what worked and what didn’t, how to reinvent through lean times, learning to be both a publisher and a managing director, and how it felt to overcame obstacles in order to build the career she wanted from the ground up, as a truly self-made woman.

 

‘Ahead of her time’ is published by Watkins Publishing, £14.99, and is available here and from all good bookstores.