Sundance London Film Festival 2012 Highlights

Sundance London Film Festival 2012 Highlights

 

This year Sundance came to London with resounding success. Frost went along and has picked out some highlights.

Extranjero by Daniel Lumb & Crinan Campbell. This won the first ever Sundance London short film award, and rightly so. Well worth a watch.

The Return (Kthimi)

An amazing short film set in Kosovo. Everyone thought he died during the war but a man returns from being a prisoner of war and his wife, who he hasn’t seen in four years along with their son, has to tell him that she kept her rapists baby. Powerful and haunting.

Don’t Hug Me I’m Scared.

Weird but kind of wonderful.

Tooty’s Wedding

This short film is hilarious. Especially when the lead actress tells her husband “Yesterday a man said my breasts were a 7, which is actually quite high”.

Under African Skies by Joel Berlinger

Highly acclaimed at the festival. Paul Simon’s historic Graceland album sold millions of copies and united cultures, yet divided world opinion on the boundaries of art, politics, and commerce. On the occasion of the twenty-fifth anniversary of Graceland’s release, Simon returns to South Africa for a reunion concert that unearths the turbulent birth of the album. Despite its huge success as a popular fusion of American and African musical styles, Graceland spawned intense political crossfire. Simon was accused of breaking the United Nations’ cultural boycott of South Africa, which was designed to end apartheid.

 

I really liked this film. Very well-made and interesting story.


The Queen of Versailles
The Queen of Versailles premiered in the U.S. Documentary Competition at the 2012 Sundance Film Festival and received the U.S. Directing Award for Documentary. Sundance Institute  provided creative support for the film at the 2011 Creative Producing Summit.

 

A very good documentary. Worth watching.


 

Did you go to Sundance London? What did you think?

 

Maps & Atlases – Beware and Be Grateful | Music Review

I must confess that before being given this to review, I didn’t know of Maps & Atlases. Having listened to their new album “Beware and Be Grateful” I’m still not sure I know them. Getting to grips with them is a tough grind but wonderful, nonetheless.

The band formed in 2004 at art school in Chicago and in that time they’ve grooved their way from being a pure math rock/post rock band to making beautiful pop music but based on the old math-rock principles of signature time changes. We’ll call it Math-pop.

The record begins with “Old And Gray”, a six minute affair that doesn’t exactly blow the doors off of the house that is “Beware and Be Grateful”, but tiptoes gently in and makes a nice cup of tea. It’s clever. It knows it doesn’t need to be route one. It will sit waiting for you in the living room, until you come to and will assassinate you there and then. It’s pop Jim, but not as we know it!

“Fever” moves towards more straightforward pop music and “Winter” is very much in the same vein. Both songs have a million things going on behind the music in the way of vocals and music. It’s all incredibly well arranged – a beautiful layering of the music and backed up by soft electronic beats. On “Remote and Dark Years” Dave Davison’s lush baritone vocal has more than a tilt towards Paul Simon and the song has a lot in common with his African moments.

Throughout the record you can hear morsels of the influences behind the record – all sorts. From Vampire Weekend to Paul Simon to Secret Machines to Joeyfat but built around those math-rock principles. It’s a stunning mix but it’s a mix that needs to be played in the order it was made – no skipping, no shuffle etc. I don’t they Maps & Atlases have quite realised that the internet has rendered the album superfluous but their ignorance is our gain – a finer collection of songs you’ll struggle to find all year.

 

“Beware and Be Grateful” is released 17th April 2012. They tour the UK from 16th – 20th April.