Actresses Deserve Much More Than Being ‘The Girl’ And a Naked One At That

film characters - anna paquinIn my other life as an actress I have noticed a worrying trend. Well, I say ‘trend’ but actually it has been going on for years: female parts in films were the character has no name and is called ‘The girl’. The girl is usually the only female part in the film and will also have at least one nude scene. Just because it is not humiliating enough to be offered a script where all of the men have names and you don’t, you also have to get your tits out. Nameless and objectified: actresses deserve better than this. WOMEN KIND deserves better than this.

It is hard to describe just how depressing it is to work in an industry where women are reduced constantly to the sum of their parts and not even named. the worrying thing is that this is a common practice. Upon complaining about this on my Facebook, prominent film maker and casting director Rory O’Donnell said: “This is incredibly common. I made fun of it when I wrote The Landlady and gave all the female characters first, last and nicknames and called the only male character ‘The Boyfriend’….but he did get a name during shooting.” If only there were more people like Rory. 

But what is to be done? Well we need more female filmmakers for a start. Here are some highlights from an amazing survey done by Stephen Follows on his must-read blog.

 

  • Between 2009-13, women made up 26.2% of crew members on British films.
  • This compares favourably with top US films over the same period (22.2%)
  • Of all the departments, the Transportation department is the most male, with only 7.7% women.
  • The only departments to have a majority of women are Make-up, Casting, Costume and Production.
  • Visual Effects is the largest department on most major movies and yet only has 16.5% women.
  • 6.4% of composers on UK films were women.
  • 14% of UK films had a female director, compared with 3% of top US films.
  • The percentage of women on British films has barely changed in the past five years.

 

Read more about his survey here. It was in all of the papers so Stephen is truly doing his part for equality.  I often get asked why I don’t leave the industry. The truth is I did take a little break. Of course if my agent had called during that period I would have not said no, but it was a quiet period and I took the moment to reflect on my chosen path. One of them anyway. I often think that if I did not have this magazine and did not make my own projects I might go slightly mad. Luckily I do and I can fight instead. I made Prose & Cons which had a strong female cast and I am making more films with my filmmaking partner Steve McAleavy. The way forward is not to quit the industry, not to let these men give our breasts the starring role while our actual talent is just a nameless supporting character: the key is to raise awareness and FIGHT. Get men to join the battle and equal the playing field. Women deserve more and we won’t stop until we get it. The fightback starts here.

 

Catherine Balavage is a writer, film director, actress and the owner and editor of this magazine. She is also a published author and wrote the book How To Be a Successful Actor: Becoming an Actorpreneur which has received rave reviews and is a must for actors everywhere.

 

 

19th Raindance Film Festival Highlights

After Fall, Winter is a sexy love story about a French dominatrix who falls in love with a New York writer in Paris. It is directed by Eric Schaeffer and has the talented Rebecca Jameson in a smaller role. Well worth a watch.

Some of my favourite films that I saw at the Raindance Film Festival were short films.

Death of A Pop Star was an impressive short about A personal physician and the characters in the home of an ailing celebrity. 

Dying Everyday was a wonderful slice of life short from Spain, a short that managed to entertain the audience despite the fact not much happened.

Gin & Dry is a booze heist film set in an old people’s home at Christmas, Oscar Plewes short is funny and entertaining.

Ketchup was a very good film with a tragic ending.

Russell Harbaugh’s Rolling on The Floor Laughing is a high end short film about two grown sons who return home for their widowed mother’s birthday, only to find themselves competing with her new boyfriend for her attention. A well made film that’s worth watching.

Jeremy Craig’s Terrebonne is a visually stunning film. The lead actress is Jessica Heap is a beautiful actress destined to be a movie star.

The Potential Wives of Norman Mao and Exit were also good short films.

I went to the UK Premiere of Bonsai, directed by Cristian Jimenez. The film is from Chile and I thought it was brilliant. Cristian couldn’t be there but filmed an introduction for the film. It tells the story of young writer, Julio, who turns to the romance he had 8 years earlier with the beautiful Emilia when both were studying literature in Valdivia when he gets dropped from writing for a famous author because his asking price is too high. We’re told from the beginning that Emilia dies and Julio remains alone, but don’t let that put you off. It is a wonderful, sensual film. Catch it if you can.

After Bonsai was the closing night gala after party, I bump into Rory O’Donnell and I met some other talented people. I didn’t get home to 2am, can’t wait until next year.