Author Archives: Catherine Balavage

Pigeon Park Self-Titled | Music Profiles

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Band: Pigeon Park
Location: Vancouver, B.C
Styles: Rock, Groove, Funk, Blues
Similar to: The Black Crowes, The Parlor Mob, The Trews, Led Zeppelin, The Red Hot Chili Peppers
CD: Pigeon Park

Accolades:
-Played at the 420 festival(2010-2012), played Cannabis day in Vancouver(2011 and 2012), played at Golden Spike Days Festival (2012)
-chosen as a top 20 finalist for 99.3 FOX seeds 2012 out of 500 bands, FOX seeds is a contest that has sprung the careers of artists like Bryan Adams, Bif Naked, Matthew Good Band etc.
-Toured nationally twice (2011, 2012)

Members/Instruments: Nick Weber – Vocals, Kevin Okabe – Guitars, Logan Pacholok – Guitars and Vocals, Artur Leppert – Bass, Hunter Elliott – Drums

Pigeon Park is a blues and funk-infused rock band from Vancouver, British Columbia. Crafting a signature sound with inspiration flowing from a variety of influences, they continue to grow with the seasons. Pigeon Park was formed in 2008 by founding members Nick Weber (Vocals) Kevin Okabe (Guitars) Logan Pacholok (Guitars and Vocals) Artur Leppert (Bass) and Hunter Elliott (Drums). Together the five of them began a musical journey embarking on two Cross Canada tours and recording two albums.

The band released their debut record ?The Sun? in 2010, and with the strength of this album managed to secure distribution in Sweden, Montreal, and Greece.

2012 saw the band touring nationally, playing popular BC festivals and being chosen as a finalist for 99.3 FOX seeds 2012, expanding their fan base across Canada. Upon returning from tour, they stepped into the studio and released their new EP “Lovelight” August 31st. The EP and music video for the title-track have been buzzed about in publications such as WHOA Magazine, The Province, the Music Mag, Follow the Signal and Mojophenia, who said of the album “Pigeon Park manage to illuminate the majority of guitar based genres in one superb release.”

Videos:
Lovelight Music Video:
http://www.youtube.com/watch?v=cfq_kepYmAk

LIVE @ The Vancouver Art Gallery:
http://www.youtube.com/watch?v=SepUNE4_1FE

On Tour in Quebec:
http://www.youtube.com/watch?v=ZqoVLi_nako

Live:
http://www.youtube.com/watch?v=-MW09n06MSE

Websites:
http://www.facebook.com/pigeonpark
http://pigeonparkband.bandcamp.com/
https://twitter.com/pigeonpark
http://soundcloud.com/pigeon-park

Track listing:
1.Lovelight
2.Figures
3.Only Us Fools
4.Hopeless
5.Statues of Feathers
6.Its Not That Likely

 

Ill Funk Ensemble “The Duality” | Music Profiles

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Band: The Ill Funk Ensemble
Location: Albany, NY
Styles: Hip-hop/R&B/Soul
Similar to: The Roots, Talib Kweli, Soulive, Common
CD: The Duality

Accolades: Ill Funk has performed live with Grammy-winner Mr. Cheeks of the Lost Boyz, opened for Naughty by Nature, Shontelle and Young MC and placed forth in a national competition to perform at Royal Family Affair with Soulive in 2011. They have also had a placement on the show “Road Trip Nation” and honorable mention in the John Lennon song-writing competition.

Members/Instruments:
Jermaine Wells – Lead Vocals/Freestyle
BJ FitzGerald – Guitar/Lead Vocals
Dennie Brooks – Drums
Joe Stoner – Keyboards/Backing Vocals
Duane Etienne – Bass/Backing Vocals

Walking on sticky floors, stepping on to a stage that’s too small for their swagger, let alone their equipment, setting up under dim lights and dropping a sound check on an unsuspecting audience. Eyes look up, jaws drop and the phones come out, inevitably texting their friends to come check out this band, this Ill Funk.

That scene has played out weekly for the Albany-based band, The Ill Funk Ensemble, since 2006 to great results. Described by reviewers as “a kind of 21st century mash-up of Kool & the Gang and the Isley Brothers” and “all hot sand and asphalt”, Ill Funk takes hip-hop and R&B in a different, yet oddly familiar direction. Perhaps it’s the blend of old and new school vibes, the warm smile of Jermaine Wells, the lead singer, or the obvious fun the band has whether they’re recording or performing live; whatever it is, the band has made the most of its position by performing all over the Northeast, selling nearly 1,000 hard copies of their debut album, Catching Wreck, having more than 1,300 combined likes on their Facebook pages and over 15,000 views on their YouTube channel. They’ve even been blessed to perform live with Grammy-winner Mr. Cheeks of the Lost Boyz, Naughty by Nature and Young MC and placed forth in a national competition to perform at Royal Family Affair with Soulive in 2011. They have also had a placement on the show “Road Trip Nation” and honorable mention in the John Lennon song-writing competition.

Slick, smart, engaging and legit, The Ill Funk Ensemble is humble in its origins, ambitious in its goals and will be releasing their second album in Summer of 2012.

Tracklisting:
1. She’s Fearless
2. Afraid of Heights
3. Amazing
4. Bringin’ the Heat (using a cleared sample of Quincy Jones’ theme from Sanford and Son)
5. Hot, Crazy Good Love
6. Interlude One
7. Different Day (feat. Michael Gaydusek)
8. Find a Way (feat. Steven Atkinson)
9. She’s Fearless (Reprise)
10. Interlude Two
11. My Gosh
12. The Duality

Websites: www.illfunk.com, www.facebook.com/illfunk, http://illfunk.bandcamp.com/, www.reverbnation.com/theillfunkensemble, www.youtube.com/illfunk09, twitter.com/#!/illfunk

 

Cata9tales A Chameleon’s Dream | Music Profiles

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Band: Cata9tales
Location: Virginia
Styles: Hypecore, Alternative Hip-Hop, Electronica, Funk, Alternative
Similar to: Beastie Boys, Beck, Radiohead, Eminem, Red Hot Chili Peppers
CD: A Chameleon’s Dream

Accolades:
Featured performer at the Mid-Atlantic Music Conference, Charlotte, NC 2012
Ranked #1 regionally on Reverbnation
Toured extensively throughout Southeast region
Top artist/story on officiallypluggedin.com
Music featured in theatrical wrestling documentary “The Booker”
Recently signed to Monarchy Records first artist signed to label

Members/Instruments: Berkley Priest (vocals),  Kreator (beats)
*the live band incorporates more musicians (guitar, bass, drums, keys), but the only official members are Berkley Priest and Kreator.  They are responsible for writing and recording all of the material.

Production: Recorded and Produced by Cata9tales, Mastered by Jason Carter at Wavelength Studios, Portland, OR

Cata9tales could only exist right now, in this moment, at this pinnacle of pop culture; where the lines blur, the mold breaks, and the rules crumble into dust.  Keeping one foot in hip-hop while dancing all over the musical map, Cata9tales have crafted a truly fresh sound. The band have developed an intensely loyal following, having toured extensively throughout the Southeast and ranking #1 on Reverbnation regionally.

Cata9tales is the brainchild of frontman Berkley Priest, an enigmatic performer with a strong style and flow that defies categorization. Less a rapper than a rocker who rhymes, Priest draws influence from David Bowie, Iggy Pop, and David Lee Roth. A veteran of the rock and psychedelic scenes, Cata9tales is the first time that Priest has ventured into hip-hop territory. Lyrically, Priest employs colorful turns of phrase and vocal inflections that make him entirely unique within a saturated scene. His performances border on the possessed, tapping into an energy that only a performer that has spent years in the rock trenches can.

Kreator (Kenny Perkins) is a musical journeyman who can play nearly any instrument and has an ear for composition and song structure that makes him an anomaly in the hip hop world. Refusing to settle or take short cuts, it is Kreator’s perfectionism and ear for turning the absurd into musical gold that gives Cata9tales its soul and punch.

Something happens when these two musicians, uniquely talented in their own right, get together to form Cata9tales. The live band finds the duo working with  drummer Ben Pinkston and guitarist Jeremy Luedtke, as well as a rotating cast of characters that guarantees that no two shows will ever be the same.  Priest leads the charge with his whirling dervish performances, including additional percussion and samples. Kreator (who formerly DJ’ed the proceedings) now plays bass live while triggering samples with his feet and stepping over to scratch on the turntables.

Their first release, the old-school influenced, cathartic “Kick the Bad Love” announced their arrival. Their follow-up EP “A Chameleon’s Dream,” released just 6 months later, shows a band that was unwilling to be pigeonholed, as the flows, song structure and sonic experimentalism reached new levels. Since then the band has signed to Monarchy Records and are hard at work in the studio recording what will be their “official” debut, “Hello Maybe Everything.”

The beats and lyrics weave in and out, taking sharp left turns, coloring madly outside of the lines. From the mid-Atlantic something wicked ? and wonderful ? this way comes.

Tracklisting:    1. Kaboombox
2. Open Letter to Generation Adderall
3. Keep the Diamond, I?m Rhyming Now
4. What a Day (Shooting Stars)
5. The Gang?s All Here (Interlude)
6. Ghettotron
7. Ultralife
8. Phoenix Weather
9. Stronger Than Me (Amy’s Song)
10. A Chameleon?s Dream

Websites:
www.cata9tales.com
www.twitter.com/cata9tales
www.facebook.com/cata9tales
www.youtube.com/cata9tales
www.bandcamp.com/cata9tales

Find haute couture from the finest French wardrobes

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UK SHOPPERS FLOCK TO vestiaire collective TO FIND haute couture from the finest French wardrobes

 

Vestiaire Collective, the pre-owned, luxury, fashion website today celebrates its first six months in the UK by announcing quadruple digit growth in UK members and record sales to UK consumers. The cult French fashion site has grown its base of users in the UK by 1200% since adding English and sterling to the site in March 2012. The site now boasts over 1.2million members and 12.2 million monthly visits globally.

 

The attraction of previously owned designer labels from the finest French wardrobes has attracted British label hunters who are now spending an average of £300 per shop as they rush to snap up the latest from French luxury brands.  Some of the treasures grabbed by UK shoppers in the past six months include a Yves Saint Laurent bag for £1,000, a Shamballa jewels item for £1500 and a men’s IWC watch for £1,100.

 

Across the channel, the fashionable French are clearing out the designer items at a rate of 25,000 items per month. In fact initial statistics for October reveal a 20% increase in items submitted for sale since the UK came online in March. It’s not only the fashionable woman on the street clearing her wardrobe, Vestiaire Collective is also home to French and British celebrities who are actively using the site to empty their wardrobes for the upcoming season.

 

Some of the French ‘bargains’ available today include a Valentino python and sable bag for £4876, about half the original price for the sought after bag. The sale list also includes more than 720 Isabelle Marant shoes, handbags, coats and dresses for up to 70% off. Unlike other pre—owned and vintage fashion sites, Vestiaire Collective checks every item for authenticity, so British shoppers know that what they are buying is absolutely genuine.

 

“We are seeing a wave of interest and excitement about the contents of French wardrobes from our British community,” says Vestiaire Collective’s UK MD Shannon Edwards. “On average British women are spending 30% more than their French counterparts and whilst we are shopping, the French are selling. We have seen more than 400 brands added to the site which are being snapped up here by women who are used to buying vintage and love that classic French style.”

 

Vestiaire Collective was founded by French internet entrepreneur, Sébastien Fabre who alongside five co-founders has developed the business by integrating a strong social community with ecommerce. The site gives consumers a platform to share, discuss and review fashion trends, labels, brands and items, yet closely monitors the buying and selling of goods to ensure that each piece is authentic, in excellent condition and is beautifully presented and delivered to the end consumer. The site manages all financial transactions to ensure that the seller has absolute peace of mind with items that often have a very high ticket value.

 

Bibendum Bordeaux Tasting

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Bibendum Bordeaux Tasting

 

London Film Museum, Covent Garden – 12 November, 6PM – 8.30PM

 

 

Bibendum, 2012’s European Wine Merchant of the Year, is hosting its Bordeaux 2010 Tasting at the London Film Museum on Monday 12 November. The annual event, which has become the biggest date in the calendar for Britain’s wine enthusiasts, offers an exclusive opportunity to taste the finest wines from the world’s most celebrated vineyards – for just £40.

 

Guests at the event, jointly staged by Bibendum and Union des Grand Crus de Bordeaux, will be given the chance to sample more than 150 wines of the 2010 Bordeaux vintage, which is currently dominating the fine wine and investment markets. The event is the UK’s biggest celebration of Bordeaux and is an unmissable opportunity for anyone with an interest in wine – not just the experts – to experience a masterclass in “the king of reds”.

 

The Union des Grand Crus de Bordeaux is the association that represents the majority of top Bordeaux chateaux. Participants at the Bibendum Bordeaux Tasting will include famousnames such as Leoville Barton, Pichon-Baron, Lynch-Bages, Haut-Bailly, Grand Puy Lacoste, and La Conseillante.

 

The chateaux owners and their winemakers will be available at the event to discuss the wines with guests and explain exactly what makes Bordeaux the most famous wine region in the world. Many of the wines will be available to purchase on the night.

 

Tickets cost £40 and are available from Bibendum Wine Ltd: www.bibendumfinewine.com / 0207 449 4120 / sales@bibendum-wine.co.uk.

58th London Evening Standard Theatre Awards, in association with Burberry

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Cate Blanchett, Anne-Marie Duff, Rupert Everett, Adrian Lester, Eddie Redmayne, Joely Richardson, Michael Sheen, Sheridan Smith and David Suchet are among the stage stars tipped

 

 

The London Evening Standard today unveils the longlist for its 2012 Theatre Awards, presented for the first time this year in association with Burberry.

 

·       In a remarkable year for Nicholas Hytner’s National Theatre, it leads the longlist with 22 entries; followed by the Royal Court with 13.

 

·       With four nods, the most longlistedplay this year is The Curious Incident of the Dog in the Night-time, Simon Stephens’ adaptation of Mark Haddon’s novel about a boy with Asperger’s.

 

·       Olympic Closing Ceremony set designer Es Devlin is longlisted in the Design category for The Master and the Margarita, at the Complicite at the Barbican.

 

·       Eddie Redmayne, Simon Paisley Day and Michael Sheen battle it out for Best Actor with their leading Shakespeare roles in Richard II, Taming of the Shrew and Hamlet.

 

·       It is a good year for women, with inaugural productions from new female artistic directors recognised and a host of stellar performances in strong female roles.

 

·       This year a new award has been announced with the Burberry Award for Emerging Director. The award celebrates a young director who is set to be a star of tomorrow’s London stage.

From Hollywood A-listers to Britain’s most celebrated playwrights, the longlist for the 2012 London Evening Standard Theatre Awards, in association with Burberry, puts an array of big names – and rising stars – in the running for a statuette. All are recognised for contributing to a stellar year in the capital’s theatres.

This year’s winners will be revealed at an evening dinner and Awards ceremony, presented by One Man, Two Guvnors star James Corden at the Savoy Hotel on Sunday 25th November 2012.

The event is co-hosted by London Evening Standard Owner Evgeny Lebedev, Burberry Chief Creative Officer Christopher Bailey and American Vogue Editor-in-Chief Anna Wintour.

 

The longlist reflects a heavy-weight year for women, with the Natasha Richardson Award for Best Actress category featuring some of the biggest female roles for the stage. Three Ibsen plays provided meaty roles for: Sheridan Smith, thrilling as the capricious Hedda in Hedda Gabler; Hattie Morahan, moving as the trapped housewife Nora in A Doll’s House; and Joely Richardson, luminous as Ellida in Lady from the Sea. In this role, Richardson follows her mother Vanessa Redgrave’s 1979 portrayal and the 2009 performance of her late sister, Natasha, in whose memory this award is given.

 

Cate Blanchett’s sellout performance as Lotte in the translation of German play Big and Small is also recognised, along with Imelda Staunton’s Mrs Lovett in the hit West End production of Sweeney Todd.

 

It is a good year for women behind the scenes too, with two new artistic directors hitting the mark with their inaugural productions. New Donmar chief Josie Rourke is up for Best Director for her exciting staging of The Recruiting Officer. At the Tricycle, Indhu Rubasingham’s opening production, new play Red Velvet, wins a longlist place for its first-time author, Lolita Chakrabarti, in The Charles Wintour Award for Most Promising Playwright category. Red Velvet also offers Adrian Lesterthe chance to pick up the award for Best Actor, as real-life 19th century black actor Ira Aldridge, who was hounded off the London stage.

 

Also featuring on the longlist is Es Devlin, the Olympic Closing Ceremony set designer whose work for Master and the Margarita puts her in the Best Design category.

 

Battling it out with Lester and others for Best Actor are Eddie Redmayne, Simon Paisley Day and Michael Sheen – all for their leading roles in Shakespeare productions, with Redmayne playing Richard II at the Donmar Warehouse, Paisley Day playing Petruchio in Taming of the Shrew and Sheen in the Young Vic’s production of Hamlet.

 

The most longlisted play this year is The Curious Incident of the Dog in the Night-time, Simon Stephens’ adaptation of Mark Haddon’s novel about a boy with Asperger’s. The National Theatre production, in the Cottesloe space, is mentioned in four categories:  Best Director, Best Play, Best Actor and Best Design.

 

Two musical productions that originated at the Chichester Theatre and transferred to the West End are rivals for the Ned Sherrin Award for Best Musical: Sweeney Todd and Singin’ in the Rain. The consistently strong fringe venue Southwark Playhouse also fields two shows in this category: Floyd Collins (directed by Derek Bond) and Mack & Mabel (directed by Thom Southerland).  Swallows and Amazons, which features the music and lyrics from Divine Comedy’s Neil Hannon, is also in the running.

 

The National Theatre leads the longlist, with 22 entries across its three stages. Next, the Royal Court, home of new writing, has 13.

 

This year’s awards has eight categories: with Best Play, Best Director, Best Actor, Best Design, Natasha Richardson Award for Best Actress, Ned Sherrin Award for Best Musical, Milton Shulman Award for Outstanding Newcomer and Charles Wintour Award for Most PromisingPlaywright – an award named in memory of the former Editor of the Evening Standard and Anna Wintour’s father.

 

In addition to eight longlisted awards, which are decided by a panel of theatre critics and London Evening Standard’s editor, Sarah Sands, five other special awards will be presented on the night. These are the Burberry Award for Emerging Director (new for this year), the Lebedev Special Award, the Editor’s Award, Beyond Theatre and the Moscow Art Theatre’s Golden Seagull.

 

The shortlist will be announced in the London Evening Standard on 12 November.

 

The London Evening Standard Theatre Awards 2012 in association with Burberry.

 

BEST PLAY

 

Choir Boy  by Tarell Alvin McCraney,  (Royal Court Upstairs)

 

Constellations by Nick Payne (Royal Court Upstairs)

 

The Curious Incident of the Dog in the Night-Time by Simon Stephens (National’s Cottesloe)

 

Jumpy by April De Angelis (Royal Court Downstairs)

 

The Last of the Duchess by Nicholas Wright (Hampstead)

 

Love and Information by Caryl Churchill  (Royal Court Downstairs)

 

Love Love Love by Mike Bartlett (Royal Court Downstairs)

 

Reasons to Be Pretty by Neil LaBute (Almeida)

 

South Downs by David Hare (Chichester Minerva)

 

This House by James Graham (National’s Cottesloe)

 

The Witness  by Vivienne Franzmann (Royal Court Upstairs)

 

 

BEST DIRECTOR

 

Benedict Andrews for Three Sisters (Young Vic)

 

Lucy Bailey for Uncle Vanya (The Print Room)

 

Tom Cairns for Scenes from an Execution (National’s Lyttelton)

 

Carrie Cracknell for A Doll’s House (Young Vic)

 

Marianne Elliott for The Curious Incident of the Dog in the Night-time (National’s Cottesloe)

 

Polly Findlay for Antigone (National’s Lyttelton)

 

Sean Foley for The Ladykillers (Gielgud)

 

Jeremy Herrin for This House (National’s Cottesloe)

 

Nicholas Hytner for Timon of Athens (National’s Olivier)

 

Jonathan Kent for Sweeney Todd (Chichester Festival and Adelphi)

 

James Macdonald for Love and Information (Royal Court Downstairs)

 

Roger Michell for Farewell to the Theatre (Hampstead)

 

Lindsay Posner for Noises Off  (Old Vic)

 

Ian Rickson for Hamlet (Young Vic)

 

Josie Rourke for The Recruiting Officer (DonmarWarehouse)

 

Lyndsey Turner for Philadelphia, Here I Come! (Donmar Warehouse)

 

 

BEST ACTOR

 

Simon Russell Beale, Collaborators (National’s Cottesloe)

 

Charles Edwards, The King’s Speech (Wyndham’s) and This House  (National’s Cottesloe)

 

Rupert Everett, The Judas Kiss (Hampstead)

 

Laurence Fox, Our Boys (Duchess)

 

David Haig, The Madness of George III (Theatre Royal Bath and Apollo)

 

Douglas Hodge, Inadmissible Evidence (Donmar Warehouse)

 

Alex Jennings, Collaborators (National’s Cottesloe)

 

Rory Kinnear, The Last of the Haussmans (National’s Lyttelton)

 

Adrian Lester, Red Velvet (Tricycle Theatre)

 

Simon Paisley Day,  The Taming of  the Shrew (Shakespeare’s Globe)

 

Eddie Redmayne, Richard II (Donmar Warehouse)

 

Adrian Scarborough, Hedda Gabler (Old Vic)

 

Michael Sheen, Hamlet (Young Vic)

 

Scott Shepherd, Gatz (Elevator Repair Service at Noel Coward)

 

David Suchet, Long Day’s Journey Into Night (Apollo)

 

Luke Treadaway, The Curious Incident of the Dog in the Night-time, (National Theatre’s Cottesloe)

 

 

NATASHA RICHARDSON AWARD FOR BEST ACTRESS

 

Eileen Atkins, All That Fall (Jermyn Street)

 

Pippa Bennett Warner, The Witness (Royal Court Upstairs)

 

Eve Best, The Duchess of Malfi (Old Vic)

 

Cate Blanchett, Big and Small (Sydney Theatre Company for Barbican)

 

Anna Chancellor, The Last of the Duchess (Hampstead)

 

Anne-Marie Duff, Berenice (Donmar Warehouse)

 

Mariah Gale, Three Sisters (Young Vic)

 

Tamsin Greig, Jumpy (Royal Court Downstairs andDuke of York’s)

 

Sally Hawkins, Constellations (Royal Court Upstairs)

 

Martina Laird, Moon on a Rainbow Shawl (National’sCottesloe)

 

Helen McCrory, The Last of the Haussmans (National’s Lyttelton)

 

Laurie Metcalf, Long Day’s Journey Into Night (Apollo)

 

Hattie Morahan, A Doll’s House (Young Vic)

 

Joely Richardson, The Lady from the Sea (Kingston’s Rose Theatre)

 

Sheridan Smith, Hedda Gabler (Old Vic)

 

Imelda Staunton, Sweeney Todd (Chichester and Adelphi)

 


NED SHERRIN AWARD FOR BEST MUSICAL

 

Floyd Collins (Southwark Playhouse)

Directed by Derek Bond

 

Mack & Mabel (Southwark Playhouse)

Directed by Thom Southerland

 

Singin’ In the Rain (Chichester Festival and Palace Theatre)

Directed by Jonathan Church

 

Swallows and Amazons (presented by the National Theatre in association with The Children’s Touring Partnership at the Vaudeville Theatre)

Music and lyrics by Neil Hannon

Script by Helen Edmundson

Directed by Tom Morris

 

Sweeney Todd (Chichester Festival and Adelphi)

Directed by Jonathan Kent

 

Top Hat (Aldwych)

Directed by Matthew White

Adaptation for Stage: Howard Jacques and Matthew White

 

 

BEST DESIGN

 

Hildegard Bechtler, Top Hat ( Aldwych)

 

Miriam Buether, Wild Swans (A Young Vic/American Repertory Theatre/Actors Touring Company co-production)

 

Bunny Christie, The Curious Incident of the Dog in the Night-time (National’s Cottesloe)

 

Kevin Depinet, Detroit (National’s Cottesloe)

 

Es Devlin, The Master and Margarita (Complicite at Barbican)

 

Soutra Gilmour, Inadmissible Evidence (Donmar Warehouse ) and Antigone (National’s Olivier)

 

Richard Kent, Richard II (Donmar Warehouse)

 

Ian MacNeil, A Doll’s House (Young Vic)

 

Peter McKintosh, Noises Off (Old Vic)

 

Vicki Mortimer, The Last of the Haussmans (National’s Lyttelton)

 

Lucy Osborne, The Recruiting Officer (Donmar Warehouse)

 

Michael Taylor, The Ladykillers (Gielgud)

 

Jamie Vartan, Misterman (National’s Lyttelton)

 

 

 

CHARLES WINTOUR AWARD FOR MOST PROMISING PLAYWRIGHT

 

Stephen Beresford, The Last of the Haussmans (National’s Lyttelton)

 

Lolita Chakrabarti, Red Velvet (Tricycle)

 

Ishy Din, Snookered (Bush)

 

Vickie Donoghue, Mudlarks (Bush)

 

Nancy Harris, Our New Girl (Bush)

 

John Hodge, Collaborators (National’s Cottesloe)

 

Luke Norris, Goodbye to All That (Royal Court Upstairs)

 

Nicholas Pierpan, You Can Still Make a Killing (Southwark Playhouse)

 

Tim Price, Salt, Root and Roe (Trafalgar Studios)

 

Hayley Squires, Vera Vera Vera (Royal Court Upstairs andTheatre Local Peckham)

 

Tom Wells, The Kitchen Sink (Bush)

 

 

THE MILTON SHULMAN AWARD FOR OUTSTANDING NEWCOMER

 

Jonathan Bailey, South Downs (Chichester Minerva and Harold Pinter)

 

Denise Gough, Our New Girl (Bush) and Desire Under the Elms (Lyric Hammersmith)

 

David Fynn, She Stoops to Conquer (National’s Olivier)

 

Cush Jumbo, She Stoops to Conquer (National’s Olivier)

 

Abby Rakic-Platt, Vera Vera Vera (Royal Court Upstairs and Theatre Local Peckham)

 

Matthew Tennyson, Making Noise Quietly (Donmar Warehouse)

 

Joshua Williams, Shivered (Southwark Playhouse)and  Love and Information (Royal Court Upstairs)

 

Emi Wokoma, Soul Sister (Hackney Empire and Savoy)

 

First Québec Cinema Showcase for London

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Following the international success of Québécois films including Monsieur Lazhar (Philippe Falardeau), Incendies (Denis Villeneuve) and Café de Flore (Jean-Marc Vallée), a showcase of new cinema from Québec will take place for the first time in London at the Institut Français, South Kensington (2-4 November).

Québec Cinema Showcase is part of the 50th anniversary celebrations marking the opening of the Québec Government Office in London. The programme of five feature-length films and four shorts will present some of Québec’s finest and most recent cinematic offerings, including the latest work from award-winning director, 23-year-old Xavier Dolan, Laurence Anyways.

Québec Cinema Showcase will open with the UK premiere of Ken Scott’s massive box office hit comedy Starbuck (2 November).  Veteran comedy actor Patrick Huard plays David Wozniak, a 40-something delivery man whose life is out of control. But things are worse than he thinks. In his twenties, David was a prolific sperm donor to help pay the bills but the past comes back to haunt him when nearly 150 of his more than 500 offspring, now young adults, collectively take court action for their right to know the identity of their father. The film has been so successful – Canada’s biggest domestic hit in 2011 taking $3.5 million at the box office – that Scott has been asked to direct the US remake starring Vince Vaughn for Steven Spielberg’s DreamWorks Studios. Starbuck is on general release in the UK from November 23.

Laurence Anyways (3 November) is the latest offering from Cannes award-winning director Xavier Dolan, (I Killed My Mother, Heartbeats). Dolan’s success continued in 2012 at the Cannes Film Festival when Laurence Anyways’ female lead, Suzanne Clément, won best actress in the festival’s “Un certain regard” category and the film was awarded the Queer Palm. Laurence Anyways also won the award for Best Canadian Feature Film at Toronto International Film Festival 2012. Dolan made his Cannes debut with I Killed My Mother, a film he made in his teens, resulting in an eight-minute standing ovation and three awards in the Directors’ Fortnight section in 2009. Spanning a decade, Laurence Anyways tells the story of a couple who are passionately in love. But when Laurence (Melvil Poupard) announces to girlfriend Fred (Suzanne Clément) on his 30th birthday that he wants to live as a woman, the consequences are tumultuous – and unexpected.  Laurence Anyways screened at the BFI London Film Festival on 11 and 12 October and is on general release in UK cinemas from 30 November.

“The Québec Government Office in London takes pride in witnessing Québec cinema’s current popularity worldwide. We are delighted to welcome the first edition of the Québec Cinema Showcase as part of our 50-year anniversary celebrations marking the opening of our London office,” says Pierre Boulanger, Agent-General of the Québec office in London.

Other films in the programme include Karakara from Claude Gagnon (3 November), a Canadian/Japanese co-production which follows Pierre (Gabriel Arcand), a retired professor in his early sixties who goes on a short, unsettling trip around Okinawa in Japan with Junko (Youki Kudoh), a 40-year-old runaway wife. Bestiary (Bestiaire) from Denis Côté (4 November) is an intriguing documentary which reflects on human fascination with animals.  Behind Closed Doors (Catimini) from Nathalie Saint-Pierre (4 November), the final film in the Québec Cinema Showcase, is a touching story about a reunion between four girls living under the care of the child protection services.

Across the weekend there will be director Q&As: Claude Gagnon, on Saturday, 3 November after the screening of Karakara and Nathalie Saint-Pierre on Sunday, 4 November after Behind Closed Doors.

Cinema from Québec is currently enjoying the international spotlight with two films – Incendies and Monsieur Lazhar – shortlisted for best foreign language Oscars in the past two years, as well as a BAFTA nomination for Incendies. Québécois director, Jean-Marc Vallée’s Café de Flore starring Vanessa Paradis, has also garnered critical acclaim. Earlier this month (October) at the Raindance Film Festival – Europe’s leading independent film festival – a number of films were screened in a special Québec Strand and Laurentie by directors Mathieu Denis and Simon Lavoie scooped Best International Feature.

François Macerola, President and CEO of SODEC, Québec’s development agency for cultural enterprises added: “For many years, the international market’s interest in Québec cinema and its filmmakers has grown considerably.  New audiences and new possibilities have allowed films from Québec, and our filmmakers’ vision to cross borders, thanks to events such as the Québec Cinema Showcase in London.”

 

Tickets for Québec Cinema Showcase are £10 (conc £8) and are available from the Institut Français website (https://www.institut-francais.org.uk/book)

Québec Cinema Showcase is an extension of the marketplace event Cinema du Québec a Paris which is celebrating its 16th year (6-11 November). Québec Cinema Showcase is also part of the 20th French Film Festival UK, which will present a selection of the best shorts from Québec in Glasgow and Edinburgh . (http://frenchfilmfestival.org.uk/FFF2012/wp/)

 

Québec Cinema Showcase has been organised by the Québec Government Office in London, with the support of SODEC and the Ministry of Culture and Communications, in collaboration with the Institut Français in London and the French Film Festival UK.

The Québec Government Office in London’s cultural services implements market development initiatives for artists and cultural industries from Québec.

For more information:
www.quebec.org.uk
www.sodec.gouv.qc.ca
www.mcc.gouv.qc.ca
www.institut-francais.org.uk
www.frenchfilmfestival.org.uk

 

Starbuck 
Dir: Ken Scott 2011 – 109 mins
Friday 2 November, 8.15pm

The biggest Canadian box office hit in 2011, Ken Scott’s comedy Starbuck follows a likeable middle-aged loser as he wrestles with regret and responsibility. Hapless deliveryman David Wozniak (Patrick Huard) gets parking tickets at every stop along his route, has thugs on his tail for massive overdue loans, and his girlfriend tells him she’s pregnant just before dumping him. These are the least of David’s concerns, however, when he returns home to find a lawyer in his kitchen. The past comes back to haunt him in the form of a class-action lawsuit launched by 142 of the 533 children who resulted from sperm donations he deposited over 20 years ago.

Starbuck will be preceded by Demoni, a short directed by Theodore Ushev.

 

Karakara  
Dir: Claude Gagnon 2012 – 101 mins
Saturday 3 November, 5pm

Gabriel Arcand plays Pierre, a retired professor in his early sixties who has decided to renounce sex and achieve spiritual peace until Junko (Youki Kudoh), a  40-year-old Japanese housewife arrives on his doorstep seeking refuge from her abusive husband. They end up making a short, unsettling trip around Okinawa, Japan, together. Though the confused intellectual would rather not get involved with this unlikely and unexpected lover, he decides to follow his destiny, wherever it may take him.

Karakara will be preceded by Anata O Korosu, a short directed by Phillipe David Gagné and Jean-Marc E. Roy

Laurence Anyways 
Dir: Xavier Dolan 2012 – 159 mins
Saturday 3 November, 7.30pm

The third Cannes award-winning film by 23-year-old writer-director Xavier Dolan (Heartbeats, I Killed My Mother), Laurence Anyways follows the story of Laurence and Fred, his girlfriend – a couple passionately in love who attempt to sustain their relationship and fight the prejudices of their family, friends and society when Laurence turns 30 and can no longer deny his desire to be a woman.  Winning two awards at Cannes including Best Actress in the festival’s “Un certain regard” category for Suzanne Clément and the Queer Palm and, as well as the award for Best Canadian Feature Film at Toronto International Film Festival 2012.he film had its UK premiere at this year’s BFI London Film Festival on 11 and 12 October.

Bestiaire ( Bestiary)

Dir: Denis Côté 2012 – 72 mins
Sunday 4 November, 4.15pm

The documentary explores the fascination humans have for animals, combining footage from a drawing class, a taxidermist’s workshop and a Québec safari park. The poet, essayist and naturalist Diane Ackerman has reflected on animal parks as venues for the discovery of interspecies shared identity, but also as places where humans focus “on the lives of other creatures to dispel the usual mind theatres that plague us.” Those notions are challenged as often as they are reinforced in Denis Côté’s soberly beautiful Bestiaire, but exact conclusions are left for the viewer to form.

Bestiaire will be preceded by Tout va Mieux (Everything is alright) a short directed by Robin Aubert.

Catimini (Behind Closed Doors)  
Dir: Nathalie Saint-Pierre 2012 – 112 mins
Sunday 4 November, 6.30pm

Four girls are living under the care of child protection services: Cathy, six-years-old, arrives in a new foster family, the Bilodeaus; 12-year-old Keyla is transferred into a group home for teenage girls; Mégane, a rebellious 16-year-old, ends up in a detention centre in late winter; on her 18th birthday, Manu leaves her youth centre and moves into her first apartment. In the hope of reconnecting with the few people that have meant something to her, Manu attends a reception honouring the Bilodeaus, one of her former foster families. She bumps into Keyla and Cathy, and ends up hanging out with Mégane. It proves to be a reunion that no-one will forget anytime soon. Behind Closed Doors won the Valois d’or prize at the fifth festival of francophone cinema in Angoulême.

Behind Closed Doors will be preceded by Ina Litovski, a short directed by Anaïs Barbeau-Lavalette and Andre Turpin.

 

Montezuma’s Christmas Chocolate

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Montezuma’s Christmas chocolate range just tastes like heaven. The little chocolate balls are amazing. Montezuma Orange & Geranium Christmas Chocolate Balls are as original and delicious as I have come to expect Montezuma’s chocolate to be.

Montezuma’s advent calender has organic milk and white chocolate for every day in the run up to Christmas. I was sadly lacking the willpower to keep it for that long and I have ate all mine. It is possible that you will love someone enough to give them some of this chocolate for Christmas – I have a few family members in mind-  but the willpower to hand it over may be lacking.

Full marks. Chocolate heaven.

Montezuma’s Christmas Mini me Bars