Tag Archives: evening standard

Zoe Saldana: Being a Working Mother is The “Biggest Battle”

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Zoe_Saldana_at_82nd_Academy_Awards_(cropped)Avatar actress Zoe Saldana has said that juggling her career while raising her twins is her “biggest battle”, because her requests for childcare is seen as a perk. Zoe and husband Marco Perego welcomed their twins, Bowie and Cy, 19-months ago.

“It should not be considered a perk, I’m not asking for a masseuse on set. I’m asking you to pay for my children to have proper care so that I can give your film the proper care it needs too.” She told the Evening Standard. The 38-year-old actress also said that she wants to “contribute to a greater good” by only doing films that further gender and racial equality. She also said she would not do any jobs which are “objectifying or gratuitous”.

“Studios are the ones that are not green-lighting black projects, they’re the ones sending internal emails and laughing, And bullying women and bullying people of colour. I am speaking up and I am stepping down as well. Sometimes by saying no (to some roles), you’re helping – you’re contributing to a greater good. Women have been compelled to be quiet for too long. We have to shed light on things that are obviously unfair, uneven, unequal – things that should be illegal.”

She said about her role in blockbusters: “In a world where there’s so much turmoil, maybe what our children need is to believe in superheroes,”

 

58th London Evening Standard Theatre Awards, in association with Burberry

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Cate Blanchett, Anne-Marie Duff, Rupert Everett, Adrian Lester, Eddie Redmayne, Joely Richardson, Michael Sheen, Sheridan Smith and David Suchet are among the stage stars tipped

 

 

The London Evening Standard today unveils the longlist for its 2012 Theatre Awards, presented for the first time this year in association with Burberry.

 

·       In a remarkable year for Nicholas Hytner’s National Theatre, it leads the longlist with 22 entries; followed by the Royal Court with 13.

 

·       With four nods, the most longlistedplay this year is The Curious Incident of the Dog in the Night-time, Simon Stephens’ adaptation of Mark Haddon’s novel about a boy with Asperger’s.

 

·       Olympic Closing Ceremony set designer Es Devlin is longlisted in the Design category for The Master and the Margarita, at the Complicite at the Barbican.

 

·       Eddie Redmayne, Simon Paisley Day and Michael Sheen battle it out for Best Actor with their leading Shakespeare roles in Richard II, Taming of the Shrew and Hamlet.

 

·       It is a good year for women, with inaugural productions from new female artistic directors recognised and a host of stellar performances in strong female roles.

 

·       This year a new award has been announced with the Burberry Award for Emerging Director. The award celebrates a young director who is set to be a star of tomorrow’s London stage.

From Hollywood A-listers to Britain’s most celebrated playwrights, the longlist for the 2012 London Evening Standard Theatre Awards, in association with Burberry, puts an array of big names – and rising stars – in the running for a statuette. All are recognised for contributing to a stellar year in the capital’s theatres.

This year’s winners will be revealed at an evening dinner and Awards ceremony, presented by One Man, Two Guvnors star James Corden at the Savoy Hotel on Sunday 25th November 2012.

The event is co-hosted by London Evening Standard Owner Evgeny Lebedev, Burberry Chief Creative Officer Christopher Bailey and American Vogue Editor-in-Chief Anna Wintour.

 

The longlist reflects a heavy-weight year for women, with the Natasha Richardson Award for Best Actress category featuring some of the biggest female roles for the stage. Three Ibsen plays provided meaty roles for: Sheridan Smith, thrilling as the capricious Hedda in Hedda Gabler; Hattie Morahan, moving as the trapped housewife Nora in A Doll’s House; and Joely Richardson, luminous as Ellida in Lady from the Sea. In this role, Richardson follows her mother Vanessa Redgrave’s 1979 portrayal and the 2009 performance of her late sister, Natasha, in whose memory this award is given.

 

Cate Blanchett’s sellout performance as Lotte in the translation of German play Big and Small is also recognised, along with Imelda Staunton’s Mrs Lovett in the hit West End production of Sweeney Todd.

 

It is a good year for women behind the scenes too, with two new artistic directors hitting the mark with their inaugural productions. New Donmar chief Josie Rourke is up for Best Director for her exciting staging of The Recruiting Officer. At the Tricycle, Indhu Rubasingham’s opening production, new play Red Velvet, wins a longlist place for its first-time author, Lolita Chakrabarti, in The Charles Wintour Award for Most Promising Playwright category. Red Velvet also offers Adrian Lesterthe chance to pick up the award for Best Actor, as real-life 19th century black actor Ira Aldridge, who was hounded off the London stage.

 

Also featuring on the longlist is Es Devlin, the Olympic Closing Ceremony set designer whose work for Master and the Margarita puts her in the Best Design category.

 

Battling it out with Lester and others for Best Actor are Eddie Redmayne, Simon Paisley Day and Michael Sheen – all for their leading roles in Shakespeare productions, with Redmayne playing Richard II at the Donmar Warehouse, Paisley Day playing Petruchio in Taming of the Shrew and Sheen in the Young Vic’s production of Hamlet.

 

The most longlisted play this year is The Curious Incident of the Dog in the Night-time, Simon Stephens’ adaptation of Mark Haddon’s novel about a boy with Asperger’s. The National Theatre production, in the Cottesloe space, is mentioned in four categories:  Best Director, Best Play, Best Actor and Best Design.

 

Two musical productions that originated at the Chichester Theatre and transferred to the West End are rivals for the Ned Sherrin Award for Best Musical: Sweeney Todd and Singin’ in the Rain. The consistently strong fringe venue Southwark Playhouse also fields two shows in this category: Floyd Collins (directed by Derek Bond) and Mack & Mabel (directed by Thom Southerland).  Swallows and Amazons, which features the music and lyrics from Divine Comedy’s Neil Hannon, is also in the running.

 

The National Theatre leads the longlist, with 22 entries across its three stages. Next, the Royal Court, home of new writing, has 13.

 

This year’s awards has eight categories: with Best Play, Best Director, Best Actor, Best Design, Natasha Richardson Award for Best Actress, Ned Sherrin Award for Best Musical, Milton Shulman Award for Outstanding Newcomer and Charles Wintour Award for Most PromisingPlaywright – an award named in memory of the former Editor of the Evening Standard and Anna Wintour’s father.

 

In addition to eight longlisted awards, which are decided by a panel of theatre critics and London Evening Standard’s editor, Sarah Sands, five other special awards will be presented on the night. These are the Burberry Award for Emerging Director (new for this year), the Lebedev Special Award, the Editor’s Award, Beyond Theatre and the Moscow Art Theatre’s Golden Seagull.

 

The shortlist will be announced in the London Evening Standard on 12 November.

 

The London Evening Standard Theatre Awards 2012 in association with Burberry.

 

BEST PLAY

 

Choir Boy  by Tarell Alvin McCraney,  (Royal Court Upstairs)

 

Constellations by Nick Payne (Royal Court Upstairs)

 

The Curious Incident of the Dog in the Night-Time by Simon Stephens (National’s Cottesloe)

 

Jumpy by April De Angelis (Royal Court Downstairs)

 

The Last of the Duchess by Nicholas Wright (Hampstead)

 

Love and Information by Caryl Churchill  (Royal Court Downstairs)

 

Love Love Love by Mike Bartlett (Royal Court Downstairs)

 

Reasons to Be Pretty by Neil LaBute (Almeida)

 

South Downs by David Hare (Chichester Minerva)

 

This House by James Graham (National’s Cottesloe)

 

The Witness  by Vivienne Franzmann (Royal Court Upstairs)

 

 

BEST DIRECTOR

 

Benedict Andrews for Three Sisters (Young Vic)

 

Lucy Bailey for Uncle Vanya (The Print Room)

 

Tom Cairns for Scenes from an Execution (National’s Lyttelton)

 

Carrie Cracknell for A Doll’s House (Young Vic)

 

Marianne Elliott for The Curious Incident of the Dog in the Night-time (National’s Cottesloe)

 

Polly Findlay for Antigone (National’s Lyttelton)

 

Sean Foley for The Ladykillers (Gielgud)

 

Jeremy Herrin for This House (National’s Cottesloe)

 

Nicholas Hytner for Timon of Athens (National’s Olivier)

 

Jonathan Kent for Sweeney Todd (Chichester Festival and Adelphi)

 

James Macdonald for Love and Information (Royal Court Downstairs)

 

Roger Michell for Farewell to the Theatre (Hampstead)

 

Lindsay Posner for Noises Off  (Old Vic)

 

Ian Rickson for Hamlet (Young Vic)

 

Josie Rourke for The Recruiting Officer (DonmarWarehouse)

 

Lyndsey Turner for Philadelphia, Here I Come! (Donmar Warehouse)

 

 

BEST ACTOR

 

Simon Russell Beale, Collaborators (National’s Cottesloe)

 

Charles Edwards, The King’s Speech (Wyndham’s) and This House  (National’s Cottesloe)

 

Rupert Everett, The Judas Kiss (Hampstead)

 

Laurence Fox, Our Boys (Duchess)

 

David Haig, The Madness of George III (Theatre Royal Bath and Apollo)

 

Douglas Hodge, Inadmissible Evidence (Donmar Warehouse)

 

Alex Jennings, Collaborators (National’s Cottesloe)

 

Rory Kinnear, The Last of the Haussmans (National’s Lyttelton)

 

Adrian Lester, Red Velvet (Tricycle Theatre)

 

Simon Paisley Day,  The Taming of  the Shrew (Shakespeare’s Globe)

 

Eddie Redmayne, Richard II (Donmar Warehouse)

 

Adrian Scarborough, Hedda Gabler (Old Vic)

 

Michael Sheen, Hamlet (Young Vic)

 

Scott Shepherd, Gatz (Elevator Repair Service at Noel Coward)

 

David Suchet, Long Day’s Journey Into Night (Apollo)

 

Luke Treadaway, The Curious Incident of the Dog in the Night-time, (National Theatre’s Cottesloe)

 

 

NATASHA RICHARDSON AWARD FOR BEST ACTRESS

 

Eileen Atkins, All That Fall (Jermyn Street)

 

Pippa Bennett Warner, The Witness (Royal Court Upstairs)

 

Eve Best, The Duchess of Malfi (Old Vic)

 

Cate Blanchett, Big and Small (Sydney Theatre Company for Barbican)

 

Anna Chancellor, The Last of the Duchess (Hampstead)

 

Anne-Marie Duff, Berenice (Donmar Warehouse)

 

Mariah Gale, Three Sisters (Young Vic)

 

Tamsin Greig, Jumpy (Royal Court Downstairs andDuke of York’s)

 

Sally Hawkins, Constellations (Royal Court Upstairs)

 

Martina Laird, Moon on a Rainbow Shawl (National’sCottesloe)

 

Helen McCrory, The Last of the Haussmans (National’s Lyttelton)

 

Laurie Metcalf, Long Day’s Journey Into Night (Apollo)

 

Hattie Morahan, A Doll’s House (Young Vic)

 

Joely Richardson, The Lady from the Sea (Kingston’s Rose Theatre)

 

Sheridan Smith, Hedda Gabler (Old Vic)

 

Imelda Staunton, Sweeney Todd (Chichester and Adelphi)

 


NED SHERRIN AWARD FOR BEST MUSICAL

 

Floyd Collins (Southwark Playhouse)

Directed by Derek Bond

 

Mack & Mabel (Southwark Playhouse)

Directed by Thom Southerland

 

Singin’ In the Rain (Chichester Festival and Palace Theatre)

Directed by Jonathan Church

 

Swallows and Amazons (presented by the National Theatre in association with The Children’s Touring Partnership at the Vaudeville Theatre)

Music and lyrics by Neil Hannon

Script by Helen Edmundson

Directed by Tom Morris

 

Sweeney Todd (Chichester Festival and Adelphi)

Directed by Jonathan Kent

 

Top Hat (Aldwych)

Directed by Matthew White

Adaptation for Stage: Howard Jacques and Matthew White

 

 

BEST DESIGN

 

Hildegard Bechtler, Top Hat ( Aldwych)

 

Miriam Buether, Wild Swans (A Young Vic/American Repertory Theatre/Actors Touring Company co-production)

 

Bunny Christie, The Curious Incident of the Dog in the Night-time (National’s Cottesloe)

 

Kevin Depinet, Detroit (National’s Cottesloe)

 

Es Devlin, The Master and Margarita (Complicite at Barbican)

 

Soutra Gilmour, Inadmissible Evidence (Donmar Warehouse ) and Antigone (National’s Olivier)

 

Richard Kent, Richard II (Donmar Warehouse)

 

Ian MacNeil, A Doll’s House (Young Vic)

 

Peter McKintosh, Noises Off (Old Vic)

 

Vicki Mortimer, The Last of the Haussmans (National’s Lyttelton)

 

Lucy Osborne, The Recruiting Officer (Donmar Warehouse)

 

Michael Taylor, The Ladykillers (Gielgud)

 

Jamie Vartan, Misterman (National’s Lyttelton)

 

 

 

CHARLES WINTOUR AWARD FOR MOST PROMISING PLAYWRIGHT

 

Stephen Beresford, The Last of the Haussmans (National’s Lyttelton)

 

Lolita Chakrabarti, Red Velvet (Tricycle)

 

Ishy Din, Snookered (Bush)

 

Vickie Donoghue, Mudlarks (Bush)

 

Nancy Harris, Our New Girl (Bush)

 

John Hodge, Collaborators (National’s Cottesloe)

 

Luke Norris, Goodbye to All That (Royal Court Upstairs)

 

Nicholas Pierpan, You Can Still Make a Killing (Southwark Playhouse)

 

Tim Price, Salt, Root and Roe (Trafalgar Studios)

 

Hayley Squires, Vera Vera Vera (Royal Court Upstairs andTheatre Local Peckham)

 

Tom Wells, The Kitchen Sink (Bush)

 

 

THE MILTON SHULMAN AWARD FOR OUTSTANDING NEWCOMER

 

Jonathan Bailey, South Downs (Chichester Minerva and Harold Pinter)

 

Denise Gough, Our New Girl (Bush) and Desire Under the Elms (Lyric Hammersmith)

 

David Fynn, She Stoops to Conquer (National’s Olivier)

 

Cush Jumbo, She Stoops to Conquer (National’s Olivier)

 

Abby Rakic-Platt, Vera Vera Vera (Royal Court Upstairs and Theatre Local Peckham)

 

Matthew Tennyson, Making Noise Quietly (Donmar Warehouse)

 

Joshua Williams, Shivered (Southwark Playhouse)and  Love and Information (Royal Court Upstairs)

 

Emi Wokoma, Soul Sister (Hackney Empire and Savoy)

 

Caggie Dunlop On Spencer, Music and The Kardashians.

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Caggie Dunlop and Catherine Balavage

I met Caggie Dunlop at the W Hotel for a VIP screening of the short film she is starring in for Impulse’s new fragrance ‘Loving Words’, which smells amazing and you can read about here. I had a brilliant, fun chat with Caggie. She is the kind of girl who you feel would make a brilliant friend: lovely, smart and talented. After the interview has finished Caggie says that our interview was the best of the evening. Shucks: thanks Caggie.

Catherine Balavage: You must be very proud of the film.

Caggie Dunlop: Yeah, I am really proud of it. I actually only saw it for the first time this evening just before everyone arrived so I was a bit nervous, but I really loved it. I thought it was great. I think it is a lovely story

Quite French

Very French. Well that’s the theme and my styling is very Brigitte Bardot. I think that really lends well to it.

What is your favourite film?

True Romance.

What are you wearing? You look Stunning.

Virgos Lounge. They are an online store which is kind of vintage inspired. They do really pretty little dresses. And this is from my clothing line. [points to necklace].

You are really branching out into different areas: you have a sex column for the Evening Standard, you have the clothing line, and the acting.

And music.

Yes, that is how we first saw you wasn’t it?

Yeah, I have a lot going on, but I am not doing the Evening Standard anymore. It was very fun doing it but I am not doing it anymore.

It was very Carrie Bradshaw

Yeah, and it was great and it was fun playing that role but I really think music is where I want to go.

What would you choose between singing and acting?

Everyone asks me this. It is like saying ‘choose between your mum and your dad’, but in terms of career I don’t know, but if you said to me: ‘you could never sing again’ I would have to choose that over acting because I love singing. It just makes me happy to sing on my own. It came about quite randomly. When I sang on the show that was the first time I had ever sang in public. I have had to decide what I really want to do.

How was the acting experience?

I went to drama school and I studied acting so for me it was kind of what I wanted to do, and then when Made in Chelsea came along I got side-tracked from the acting because that was what was available to me at that point in time. The acting world is quite a tricky one. You really have to work it out. I had a great opportunity on Made in Chelsea. The acting is definitely something I want to go back to.

What does your Tattoo mean?

Sanatana Jiva. It means the never-ending and the never beginning spirit, and this [points to tattoo, specifically to the ‘J’ bit] this was for a boy who I’m not seeing anymore! [No!] It’s fine, I’m not bothered. It’s a nice tattoo.

Are you seeing anyone now?

No. I am very very spinster single

Aw, you are too young to be a spinster.

I’m happy being single.

You have so much going on with your career….

Yeah, it’s kind of like I need to focus on that at the moment and I don’t have time to focus on a relationship unless I find someone who has a complete understanding about what I am doing.

What is your clothing line called?
ISWAI. [Spells it out] I.S.W.A.I.

How did you come up with the name?

It’s an acronym for ‘It Started With an Idea’. The idea of it is about starting something new and organic with new talent, so young designers who are at school or university are designing the clothes. They get involved and hen they design an idea that I give them.

It that your motto in life?

I think so, yeah. It’s a very good one. It’s a more business thing. Though maybe not in an ethical situation.

You were the first one to leave Made in Chelsea

Yes I was

You were the biggest star and the main focus. Do you think it was a good idea to leave?

Leaving? A lot of people would argue that ‘why would you leave something when you were the central character and it was at its height of popularity and you just walk away from it with no explanation’. For me I stopped believing in what the show was about. It was a very good opportunity but I always wanted to do different things. I am very grateful for what it gave me and what I gained from it. Now I can go and become my own person.

It really has an effect on your own life and that’s not necessarily a good thing.

A lot of people are leaving now. Hugo’s leaving.

Yeah, Hugo’s leaving. I don’t know how much longer it will last but I wasn’t enjoying it and my heart wasn’t in it anymore and if something doesn’t feel right you have to go with your gut.

Would you do anymore reality TV like Spencer is doing with The Bachelor?

I would never do anything like that show. I’m not saying there is anything wrong with Spencer doing it. We are very different people, but I actually value my privacy. That could be considered a ridiculous thing to say coming from a reality TV show. I would never close any doors but it’s not in my plan. If it was something more documentary, like my music, something like that.

Who is your favourite film director and if you could work with any director who would it be?

Woody Allen or Tarantino. I think that would be a pretty crazy experience.

Did you enjoy making the film?

Yeah, I enjoyed making the film. We had to do it in a day, and it was a full on day. It was raining really badly but morale was up.

Do you have any plans to go the Hollywood Route?

I haven’t been to LA yet. So I can’t really say whether I would end up there. Watch this space. Maybe in a few years time.

Do you think doing Made in Chelsea helped you learn how to be in front of a camera?

Yes, I mean I studied method acting so it was all about being private in public. With Made in Chelsea you are having very private moments with five cameras on you. It is more staggered than people imagine. If you know anything about filming you know that you can’t create those scenes just by us walking into a bar and following us. It is all quite organised. In that sense it was helpful but then reality TV doesn’t really help in acting. It’s probably more acceptable in America.

Do you watch any reality TV like Keeping Up With The Kardashians?

I do, I love the Kardashians. I am so excited. Has the new season started now?

I think so. I saw a poster.

I do love that and I like the American ones. I don’t really like the English ones.

What do you think of Kim dating Kanye West? Are they a good couple?

I think they are. It’s nice that they were friends for ages. They are the ultimate power couple.

They are.

I’m surprised but they seem really into each other.

What’s next for you?

I am realising an EP hopefully in September. So I am developing that at the moment, which is really exciting, because for once I am in the public eye for something that I am putting out. The music is taking centre stage at the moment, but I would love to do some short films on the side and slowly developing that on the side.

Grabbing it with both hands.

Exactly, you only have one life.

What are your musical influences?

Ah, I listen to a lot of Matt Corby, who is this Australian singer who is very singer/songwriter: guitar and vocals, but also there is something quite challenging about his music, it’s really quite beautiful. I also love Jessie Ware. I have been listening to her a lot.

Do you still spend a lot of time in Chelsea?

Yeah. I was in Sloane Square today. I do spend a lot of time there, but because of what I am doing I am kind of all over. If I am gigging [ I could be in] Manchester or Shoreditch. I do love Chelsea.

Who is your favourite actor and actress?

Michael Fassbender in terms of actual ability. I think he is amazing. In terms of who I fancy: Ryan Gosling, but he is also a very good actor. He is a bit more mainstream. An actress…who was the girl who was in The Girl With The Dragon Tattoo.

Noomi Rapace

Yeah, her. I watched that for the first time the other day and I was blown away by it.
She’s brilliant.

She is fantastic. She was in Prometheus too.

No! She’s not! I was watching an interview with her and she was talking about how Ridley Scott picked her, and she said something about the Girl with the Dragon Tattoo. I was thinking ‘why has he picked this random women? ‘

She’s brilliant.

Yeah, She’s fantastic.

Are you going to do anymore writing?

Not in that nature. I would like to write a poetry book which is half poetry, half what is was like growing up. I’ve written poetry since I could write so I have volumes of poetry. Poetry is such an under-rated thing.

How do you keep fit?

I am quite bad. I go through phases of being hard-core. There is a place on the Fulham Road that I have joined called Lomax. I go there and they kick your ass, but in a good way.

What beauty products do you like.
Loving Word by Impulse, Elizabeth Arden Eight Hour Cream.

Is Xenophobia Ever Okay?

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On Friday (15/07/2012) I was reading the Evening Standard, I always read the Evening Standard. It’s London’s paper. I also read Sebastian Shakespeare’s column. He seemed smart and witty but what I read on Friday shocked me, not only because of its ignorance but also because of its xenophobia. It was pretty close, if not on the button, of inciting racial (xenophobic, whatever you want to call it) hatred. This is what Sebastian said in his column:

Now we have to cough up to send Scots to Oxford

This may turn out to be the last straw for the Barnett formula. Oxford University is offering up to £22,000 to Scottish students to encourage more applications. Given that Scots pay no fees at Scottish universities, they are unlikely to apply to an English university where fees are £9,000 a year, so the logic goes — hence the need for a subsidy to lure them south.

Excuse me, but why can’t Oxford spend its money subsidising impoverished English students rather than impecunious Scots, who already benefit from a free education? The Scots rely on a huge subsidy from the English taxpayer (the gap in public spending between Scotland and England has risen to a record £1,600 per person a year), which goes toward financing their education system. Now we’re being asked to cough up all over again so they can educate their offspring south of the border. And there was I thinking the whole point of our subsidy was to keep the Scots in Scotland.

I have highlighted the comment ‘keep the Scots in Scotland.’. This is particularly offensive. If you replace the word ‘Scots’ with anything else (Jew, African, etc) you realise just how wrong it is on every level. How the hell did that get past the Evening Standard’s editors?

I am Scottish although I also have English, Lithuanian and Italian blood. I grew up in Scotland and I also paid for my own college education. So did my friends. I didn’t go to University but if I had wanted to I would not have been able to afford to do so.

You have to ask yourself if Scotland really is a socialist paradise why there are so many poor people there who cannot afford to educate themselves out of their situation.

It is also one thing to go to University, but a complete other to go to Oxford.

As for Oxford University: congratulations. What a wonderful and stunning thing to do. I feel they believe in a truly United Kingdom and don’t judge people just because they were born North of the border. Let’s hope other people follow their example.