A Look from the Left at the muddle in the middle. By Richard Wright

Week 1: Change – so simple yet I don’t understand it

I speak to you as an observer of the left wing of British Politics. I am the voice of the loony left of Britain as certain elements of this fine publication would call it. And I sit in anticipation of what will happen to The Labour Party. The grand design to sweep Labour back into office? Change. Labour. A new generation for change. This is indeed a very lucrative if dangerous road to go for The Labour Party.

Recent political shenanigans in American politics should warn the Labour Party of such danger. Barack Obama swept his underdog Presidential campaign all the way to the white house taking Nancy Pelosi and the Democrats with him on a platform of change. Now, in the 2010 mid terms elections to both house and senate; the Republicans are on a mighty surge with a manifesto of, you guessed it, change. Labour be warned: preaching change sometimes gives people such a taste for change that when it’s not instant they look for it again. Much like a coffee hit first thing in the morning. And sometimes once you’ve had that first hit of caffeine it’s simply not enough and you need another one. It’s not the greatest analogy in the world but I haven’t had enough tea today. And I don’t want to have to think of a new one. That’s a potential Slogan for Ed Miliband to think about “Labour – it’ll do”. Maybe not.

The cynic in me says “change? You’re barely out of office surely you’d be changing what the previous Labour government was responsible for?” Well to put a convoluted and fence sitting answer to that – yes and no. As with all political theory it’s not really that simple. Take for example this little issue called simply “no it was your fault”. Well that’s what I call it anyway. As any good Labour supporter knows, and if you watch Allan Johnson speak in parliament are still constantly reminded, any failing of the previous administration was really a result of the previous administration to that which is ultimately all the fault of Thatcher. Basically to put it in political caveman talk – Labour made good thing but bad thing was that lot before us. Not me. Nope. We did good thing. Bad thing not us. Bad thing them. Anyway getting away from the translated rhetoric of the finest political minds this country has to offer we are left with this question – what I just said, right, that’s correct surely? Well…yes and no. Again it’s really not as simple as that. I wish I had better answers to these questions but I’m a socialist – answers aren’t my job okay, questions are.

Now, saying that Labour might have needed rebranding after the disaster that was Gordon Brown is probably about as big an understatement as saying the movie Avatar made a nice few quid. They needed re-branding. Oh how they needed re-branding. They needed dynamic leadership, a new energy, a new approach and…..oh dear. What we got was a new leader who looks like the work experience boy from a Wallace and Gromit movie and a shadow Chancellor who looks like a cross between former cricket umpire Dickie Bird and that old uncle you hope doesn’t come at Christmas cause his flatulence and racist jokes are annoying. As for Harriet Harman, well, she’s fine. I’m not saying anything negative about a lady who looks like she could knock me into the middle of next week and then somehow still be there to tell me all about the news I missed out on.

My concern is this – Is the Labour Party devoid of genuinely inspiring Leadership? Well, as much as I hate fence sitting, yes and no. The simple fact is that the entire Labour Party is slap bang in the middle of change. There’s that word again. Change. Mr Miliband is a different type of politician. In as much as he is very much like David Cameron and Nick Clegg. But he’s very different for the Labour Party. In as much as he’s not all that far removed from Tony Blair c.1994. It’s all very confusing. Change. No one really likes change because well it’s different. It’s something we haven’t had before. It’s new, New Labour. But not New Labour. Just a new Labour Party. But not The New Labour Party. Just the Labour Party but a bit different. And more new…but not in that way.

I may have to get back to you on this one.

The Londoners Life, October. By Phil Ryan.

The Londoners Life. October.

To be a Londoner. It’s strange thing. A kind of love hate relationship. The underground round here seems permanently closed. Most weekends at least. The chilling signs of doom proclaiming that fearful message. Replacement bus service. What this means is some bloke who doesn’t know where he’s going takes you on a long and slow mystery tour. You get to your station. Just four hours later. But you learn to accept these things. It’s part of being a Londoner. A bit like being a Satanist really. You know it’s crazy but it works for you. And as my out of town friends say. It’s a London thing.

A bit like the mad prices. I work on my tea and cake index. To judge an area, simply find a café and have tea and cake. If you’re in Hampstead or Chelsea say it’ll be the price of a full meal somewhere else. But then again the somewhere else could be a charming greasy spoon on a crack dealing run down sink estate. In the parade. Next to the launderette. Kebab Shop. And Pound Shop. Tea and jaffa cakes. Two quid mate. Oh and d’you need any blow? Gun perhaps? Alibi? Fake passport? Exotic snake? Very London.

My favourite recent experience was flat hunting. My old lease expired and they sold the building. And being London you get two months to vacate. How terribly reasonable. So I hit the estate agents. Rentals. The desperate home of lies. I can see why people hate estate agents. They don’t listen. And I met Richie. Smiling lying Richie. His accent indeterminate. Sharply dressed. Blackberry glued to ear. “I can find you exactly what you need”. So onto my fifth dank dark and damp lower ground floor flat (basement) with a handy bijou garden (with the look and feel of an abandoned child paupers grave) We went down the lower ground floor steps. The house from the outside resembling a poorly constructed mental asylum. I watched him enter. Then I followed. The damp smell almost making me gag. Richie? No expression. Constantly receiving texts. There was a stain on the floor. A large bloodstain. I looked at it. He didn’t. I turned sideways to enter the half size bathroom door. I looked at the bath. Ideal if you were a hobbit. He said. Compact and easy to clean. I pointed to the fact that the kitchen had a service hatch into the bedroom. Handy for midnight snacks he instantly answered. I thought of the bloodstain. I fancied adding another. His.

And of course the costs. Eye watering deposits. Security deposits. One months rent in advance. And then the paperwork. “It’s just a formality really. But we’ll need the following”. Bank Statement. Credit card Statement. Savings account statement. Mobile phone bill. Passport. Tax bill. Council tax bill from last property. Letter from an authorised person. Letter from another authorised person authorising the first one. Letter from the Doctor. Birth certificate. Car registration papers. School reports. Screenplay for an unfinished film. Plan for ending world poverty. Directions to Atlantis.

I looked at countless other places. Toilet in lounge place. Place without windows place. Top floor so high you looked down on aeroplanes place. Strangely decorated in mirrors everywhere place. Place that smelt of death place. Richie was replaced by Steve and Harrington. All congenital liars. And congenial liars too. Pleasant but ultimately in control. “You’ll have to act quick, we have ten more people looking at the place” And they did. I met one couple. We arrived at the same time. The girl who resembled an elk in a duvet cover looked at me suspiciously. Her partner a small man with receding legs grinned. “Lovely eh?” I looked at the rust covered windows. I smiled. “No it’s a rat hole”. His face brightened. “It’s perfect for us” he said without a hint of irony. She glared at me. I left them to it.
I found somewhere. Through a business colleague.

But this is London. Not a city but another country. Things work differently here. We have theatre. Art galleries. Clubs. Quick break down. Theatre can mean two women in black leotards in a room above a pub shouting in Czech as a Britney Spears CD plays at half speed. Art gallery can mean people with piercings and curious hair standing around in an old warehouse drinking cheap white wine as the walls appear to be hung with the daubing of a hyperactive chimp. Clubs. Well could be a basement so packed and hot and loud people are paying to leave. But it’s cosmopolitan. Apparently.

Next London life report: Important questions answered – Why are night buses like moving mental health communities? Are you getting into re-cycling difficulties? And why nobody you ever ask for directions ever lives in that area?

Phil Ryan.

Buy Your Own Jazz Band. {Ideas for Christmas}

City Jazz are offering us all the chance to have our very own Jazz band this Christmas….

City Jazz, the independent Jazz agency operated by professional musicians,
will be offering us all the opportunity to have our own band this party season.
Affordable and bespoke packages mean we can all be spared the usual DJs
or avoid trying to please everyone by sticking the ipod on shuffle. With a 100%
success rate and flawless testimonials, City Jazz can promise an experience
to top any efforts from previous years. Sam Sharp, founder of the agency
explains “We do lots of gigs for cool brands, corporate giants and of course
weddings.” Sharp continues “People immediately think hiring a band to come
to your house or your local will be too expensive. We offer lots of different
packages and friends will often chip in to cover our fee.”

Launched in 2005 by Sam Sharp, City Jazz is the product of a life long love of
Jazz and a determination to work full time in music. Sharp, having first played
professionally at the age of 13 and not stopped performing since then. His
reason for setting up the agency was to offer affordable and professional live
Jazz bands for any occasions and at any location.

Making a booking with City Jazz is easy, from experience Sharp insisted the
website was as simple and accessible as possible. Enquiries by email or over
the phone are encouraged and an online booking form is available. The
website also has audio samples so you can experience the high standard of
musicians and singers that make up City Jazz. If you don?t have a clear vision
of what you want, Sharp will listen to your needs and give you his expert
observations. City Jazz offer many packages to suit most budgets, themes
and venue restrictions. “Sometimes customers want the band to add
ambience, while others clearly want to keep the guests from sitting down. I
usually suggest a singer if dancing is required.” Sam finishes “I look at every
customer with fresh eyes, it?s important they get what they want plus we love
the fact that every gig is a unique experience.”

Sam Sharp and his team of musicians and singers are trained to professional
level with a considerable amount of experience in pleasing crowds. City Jazz
will always discuss the set list, even work to a theme and naturally, they will
always be dressed, pressed and ready to play some of the best Jazz in the
City.

BBC 2 Electric Proms trailer represents first project for BNS London.

Production company and design studio Brand New School London is very proud to announce its role in designing and directing a 30″ promo trailer and additional visual content for advertising agency Fallon’s campaign promoting the BBC Radio 2 Electric Proms. Radio 2’s Electric Proms is dedicated to creating new moments in music. Created under the direction of Fallon’s executive creative director Augusto Sola, art director Gary Anderson and copy writer Tony Miller, the innovative stop-motion trailer directed by BNS’s Jonathan Notaro and Mario Stipinovich debuted yesterday on the BBC. The trailer promotes this year’s Electric Proms performances from Elton John, Robert Plant and Neil Diamond, taking place from Thursday, 28 October, until Saturday, 30 October at the Roundhouse in London.

“This is always such an exciting event, and we are always really thrilled to be part of it,” said Fallon CEO Gail Gallie. “The campaign captures all of that excitement in a really fresh and original way.”

BBC “Electric Proms” from Brand New School on Vimeo.

“We were thrilled to be asked by Fallon to submit a treatment for this amazing, high-profile project, and then to be awarded the job” began Kayt Hall, executive producer for BNS London. “The main idea behind the script was creating the faces of these iconic artists from actual pop memorabilia. We could not be happier with the results: It plays to all our strengths – strong design, great animation, and an end product that everyone is delighted with.”

As Notaro explained, “In keeping with the agency’s sentiments, we proposed producing the content practically through stop-motion animation, knowing that making physical objects move together to create readable portraits would give the idea the payoff and spectacle it deserved.”

Planning for the ambitious production involved gathering, and in some cases, producing, props of the proper scale, anticipating that each face would be approximately 6 metres wide when assembled. Over the course of six days on a set in East London, in close collaboration with director of photography Toby Howell and using a Canon EOS 5D Mark II with Milo and Juno motion control rigs, the crew hand-animated the prescribed actions in reverse order (beginning with the final collages), capturing each sequence completely in-camera with single takes. The project was finished in Adobe After Effects at BNS London’s studio.

In addition to Notaro, Stipinovich, and Hall, credits for BNS London also include producer Kat Harrison, lead animator Andy Biddle, art director Andy Kelly, editor Jamie Foord, compositors Cassiano Prado and David Pocull, and rotoscope artist Rebecca Clay. Audio post is courtesy of Wave.

More information on Electric Proms is available online at www.bbc.co.uk/electricproms.

About Brand New School

With offices in New York, Los Angeles and London, Brand New School is a vertically integrated production company and design studio that delivers extraordinary media on all platforms. Offering a new model for creative digital production, we are filmmakers, developers, designers, animators, editors, illustrators, and producers dedicated to driving communications to new heights. Akin to leading academic institutions, our guiding philosophies prize experimentation and learning, and our commitment to discovering the best ideas for our clients is absolute. For more information, please visit www.BrandNewSchool.com.

By Catherine Balavage

Littlewoods.com and Coleen Rooney Search for Great British Design Talent {Design}

Littlewoods.com and Coleen Rooney are carrying out a nationwide search to unearth the very best of British design talent, ahead of a showcase at the Pride of Britain Awards on Monday 8th November.

Mums and their families are being offered the chance to see their very own designs brought to life in this unique search. Coleen and Littlewoods.com are inviting them to create an outfit that they feel encompasses what makes them proud to be British inspired by the colours of the Union Jack. Whether it is a flowing summer dress or a new uniform for the NHS, the outfit will show off the best of British pride.

Littlewoods’ style ambassador Coleen Rooney will be judging the nationwide search and declaring three winners. The winners from across the country will be invited to attend the star-studded Pride of Britain Awards where the designs will be unveiled and brought to life with an overall winner being crowned.

Littlewoods.com are proud sponsors of the Pride of Britain Awards this year, the ceremony takes place on the 8th November and will, for the 12th year running, bring to life the extraordinary stories of bravery, kindness and endeavour that go on day–to-day in our local communities.

Visit www.littlewoods.com/prideofbritain for more information on how to be in with a chance to not only win a wardrobe for the family worth £750, but attend the Pride of Britain awards, meet Coleen Rooney and be crowned the winner of ‘Proud to Dress Britain’.

Photo: Gordon Brown, Cheryl Cole and Simon Cowell at the Pride of Britain awards.

Manchester United’s Only Hope is To Go Bust As Soon as Possible {Sport}

One looks back in sorrow to the summer of 2005 when the Glazers came to Manchester United. We all knew at the time it was a disaster but the full effects of the takeover have only begun to be felt in the more recent past. For a while it appeared as if United might get away with it. Premier league title wins in 2007, 2008, 2009 and the champion’s league win in 2008 made it look as if nothing had changed. But behind the football the finances told the story of an impending tragedy. Interest repayments at 16.25% were always going to be a recipe for disaster and the situation has been further accelerated by the loss of their best player Cristiano Ronaldo.

Uniteds current team is mediocre and with the impending retirement of their best players the outlook is bleak. United only has one truly world class player, Wayne Rooney, and we are all aware of his recent problems.

The fact is people like to support winners. All these great deals United is making with international sponsors won’t mean anything in a few years if United is languishing in mid table. 470 million followers won’t hang around for long. And fans also support a team because of individuals, a Kobe Bryant, Lionel Messi or David Beckham. This is why Cristiano Ronaldo was worth £80 million. It’s why Wayne Rooney is so important to United. His recent failures both on and off the pitch have hurt United. Luckily they have just managed to keep hold of him. There is no doubt his future success is crucial to that of United’s.

United is such a strong brand that they should eventually recover. There are probably thousands of people queuing up to buy Manchester United. But every day the Glazers cling on United is damaged further and any future recovery is made that much harder. United are bleeding, both in terms of money and reputation. The situation is made more urgent by the rise of well-funded rivals Manchester City. If only United could go bust or get taken over now the damage would be limited. Alas the club is in a cruel position whereby it is just about able to service its debt but has no money left for badly needed investment.

Unfortunately with their current team and impending retirements I can’t see United winning anything important in the near future. One can only feel sorry for the real United fans at this difficult time.

By James Yardley.

Wall Street 2: Money Never Sleeps. {Film Review}

When the original Wall Street film came out in 1987, only two months after the Black Monday stock market crash, it was very apt. It was as much a damning indictment of the yuppie generation as it was Hollywood entertainment. As history repeats itself, so has the timing of the second film. With fears of double dip recessions, crashing house prices in America and massive unemployment, Oliver Stone once again holds up a mirror to the financial world – it looks as ugly as it did last time.

Whilst the original glamourised the industry it sought to shame, Wall Street 2 makes the industry seem much more brutal. Michael Douglas as Gordon Gekko is more grizzled and world weary. Coming out of prison after decades for insider trading.

I can’t separate the actors life from the character. This may seem strange, but during filming Douglas’s son, Cameron, went to prison for 5 years for dealing drugs. In the film, Gekko has a son who died from a drug overdose. In a speech near the end about his son, the speech is so truthful I could barely watch, the pain was so visible.

Wall Street 2 is a good film. Shia LaBeouf is spot on as the hier broker engaged to Gekko’s daughter. Josh Brolin is as good as ever as Bretton James. An unscrupulous billionaire who’s callous actions cause Shia LaBeouf’s character, Jake Moore, to seek revenge. To incredibly watchable effect.

The other thing this things reminds you of is how amazing Michael Douglas is as an actor. I really hope he has a speedy recovery from cancer soon. The loss to cinema would be too great.

Throw in a cameo no-one was expecting and you have a brilliant film. Well worth a watch.

By Catherine Balavage

The Event. Fridays at 9pm on Channel 4. {TV Review}

I am one of those people who thought that the plot of lost got, well, lost. This doesn’t mean I haven’t had a a yearning for a good thrilling drama. I have been pining the end of The West Wing for a while now. This is why I want to tell everyone about The Event. It’s a sci-fi thriller, it’s poltical, it’s drama. It’s a whole lot of good TV rolled into one.

A new high-octane US thriller starring Jason Ritter as a man whose investigation in to the mysterious disappearance of his fiancée unwittingly exposes the biggest cover-up in American history…Only, unlike Lost, you can actually know what is going on. There’s aliens and a boyfriend trying to find the women he was about to propose to.

It has been a while since I found something to get excited about but I won’t be missing an episode of this.

There is a taster below.


The Event. Fridays at 9pm on Channel 4. www.channel4.com/theevent