National Poetry Day Kicks off with new BBC poetry festival and report of boom in poetry book sales

National Poetry Day, the world’s greatest celebration of poetry, will see a mass outbreak of verse today. The BBC is celebrating National Poetry Day across all its channels, as are Visit England, Art UK, Virgin Trains, Royal Mail, Twitter, the V&A and thousands of schools, libraries, pubs, bus routes, museums and railway stations: the celebrations will be impossible to ignore.

 

Poetry is booming! This year marked the best sales on record for poetry books in both volume and value: since January, sales are up by 10 per cent on the same period last year, driven by a new appetite for the work of living poets with strong online followings, including Rupi Kaur and Hollie McNish. Poetry, according to Nielsen BookScan, is now challenging prose on the bestseller lists, boosted by the popularity of both live and recorded performances and strong followings on Instagram and Twitter. In May, Manchester’s resilience under attack found voice in a much-shared spoken-word poem by “Longfella”, in June, thousands cheered Kate Tempest at Glastonbury: poetry, whether provocation or consolation, has never felt so present.

 

National Poetry Day also sees the launch of a major new four-day poetry festival (Contains Strong Language) in Hull 2017 UK City of Culture, a partnership with the BBC, Hull UK City of Culture, Humber Mouth, Arts Council England, British Council, National Poetry Day and other poetry organisations. The festival stars a line-up of 17 innovative poets, the Hull 17, and will feature more than 50 events across 8 venues, including performances by the BBC Philharmonic Orchestra, John Cooper Clarke, Kate Tempest and a mammoth washing line of poetry created from 2017 new poems about city landmarks written by Hull residents.

 

There will be hundreds of events across the UK and Ireland including many responding to the invitation to ‘share a poem’ on social media.

 

For a second year running National Poetry Day has partnered with BBC Local Radio. Taking their cue from National Poetry Day’s 2017 theme – Freedom – BBC Local Radio stations across England called on listeners to ‘Free the Word’ by nominating a distinctive local word that deserves to be better known nationally. The final selection was made with the help of lexicographers from the Oxford English Dictionary, on the look out for new definitions and usages to fill the gaps in the dictionary’s overview of the English language.

 

12 local words are now the inspiration for 12 new local poems, to be broadcast across the BBC network today: among the words selected are cheeselog, meaning a woodlouse (Hollie McNish, BBC Radio Berkshire) and bobowler, a West Midlands’ word for a large moth (Liz Berry, BBC WM) and mardy (moody) from Leicester listeners (Toby Campion, BBC Radio Leicester). BBC Radio Cumbria chose to twine (to complain) for their poet Kate Hale. BBC Radio Leeds’ poet Vidyan Ravinthiran, will take a poetic walk down a ginnel (alleyway), BBC Radio Devon’s listeners chose an evocative word to describe twilight – dimpsy – for local poet Chrissy Williams. Finally, the capital’s first Young People’s Laureate Caleb Femi has turned fam, the street slang address for a friend, into a poem for BBC Radio London.

 

Poet Isaiah Hull has woven all 12 words into a bravura poem-of-poems, commissioned and broadcast as part of the Contains Strong Language festival.

 

BBC Radio Wales and BBC Radio Scotland are also joining in the fun. BBC Radio Scotland’s Poet in Residence Stuart Paterson has penned a poem Here’s the Weather which contains a flurry of the 700 words nominated by listeners, as well as the word topping the poll – dreich – meaning dreary weather; while the word cwtch, a hug in Welsh, was chosen by Sophie McKeand, Young People’s Laureate for Wales, for her poem.

 

National Poetry Day has also announced its first ever dedicated book trade promotion highlighting 40 inspiring poetry books in four wide-ranging categories: anthologies, children’s poetry, current collections and poetry for book groups. The campaign’s aim – to enable all to enjoy, discover and share poetry and titles include William Sieghart’s The Poetry Pharmacy: Tried-and-True Prescriptions for the Mind, Heart and Soul (Penguin Press), Plum (Picador) by Ted Hughes Award-winning Hollie McNish and Milk and Honey by bestselling insta-poet Rupi Kaur.

Visit England is focussing its ‘Literary Heroes’ campaign on poets and poetry this month, commissioning poets Andrew McMillan and Remi Graves to rework much-loved classics for the 21st century. Andrew has transplanted Wordsworth’s daffodils to urban Manchester and Remi will use Blake’s London to explore Kings Cross. Films of their new poems are released today for National Poetry Day.

 

Art UK, the online home for every work of public art in the UK, announces the winner of its Art Speaks competition, open to young poets aged 13 to 24, for a filmed poem about any picture in public ownership: Matthew Arnold Bracy Smith’s The Disrobing (Despoiling) of Christ (after El Greco) at Scarborough Art Gallery was the inspiration for 22 year-old civil servantAmani Saeed’s winning poem “Jesus Christ Goes Clubbing”; while poet and DJ James Massiah has created a 1 minute poem for giffgaff, the youth-focused mobile phone network which is cheap, flexible and speaks to “freedom”, fitting perfectly with this year’s theme. At the V&A in London the visitor experience team will be reciting poetry alongside relevant art works throughout the day.

 

On board staff of Virgin Trains will be including poetry in their announcements on the day and Poet in the City presents Sound of the Underground: 9 poets across 5 London Underground stations reading poetry exploring this year’s theme of freedom and travel; while Royal Mail is postmarking millions of items of mail nationwide with National Poetry Day 28 September: an honour reserved only for special occasions and significant events.

 

Glasgow will mark the day with pop-up poetry events across the city; in Yorkshire, the number 59 bus route from Wakefieldto Barnsley will be taken over by poets and musicians, while Bradford, Unesco City of Film, will feature poems on its Big Screen. St Pancras Station, the Old Vic Theatre, Soho’s L’Escargot restaurant and Cassandra Goad’s jewellery shop on Sloane Street are just four of many London venues putting poetry before the public in surprising and delightful ways.

 

Susannah Herbert, National Poetry Day says: “A poem gives people the freedom to play with words, to rub off the dull tarnish until they’re fresh as new pennies. That’s why the BBC’s push to get poets to celebrate the nation’s favourite local words has struck such a chord with the nation. Everyone who shares a poem today, whether in a tweet, a nursery rhyme or a note on the fridge, is pushing back against the deadening regime of prose and striking a blow for the imagination.”

 

Expect impromptu pop-up poetry festivals in thousands of unexpected places, from shops, streets and offices to doctors’ waiting rooms and postal sorting offices. Ricky Gervais, J K Rowling, Paul McCartney, Stephen Hawking, George RR Martin and Ellen DeGeneres are among the hundreds of thousands of poetry-lovers who have shared poems they love on past National Poetry Day via Twitter.  Last year the hashtag #nationalpoetryday had a 520 million reach, trending #1 across the globe on the day.

 

National Poetry Day is co-ordinated by the Forward Arts Foundation, an Arts Council National Portfolio Organisation that celebrates poetry and promotes it as part of everyday life.

 

With Macmillan Children’s Books, it has nominated 18 poets as National Poetry Day Ambassadors, with special responsibility for igniting enthusiasm nationwide by visiting schools, organizing events and competitions and writing new work on the theme of Freedom. Their new poems have been collected as a free downloadable eBook Freedom: A National Poetry Day Book available from the National Poetry Day website, alongside posters, lesson plans and ‘freedom’ images from artist/poet Sophie Herxheimer.

 

For further information, visit http://nationalpoetryday.co.uk

Follow on social media using #NationalPoetryDay

 

National Poetry Day and the BBC commission 12 new poems celebrating local words

nationalpoetrydayNational Poetry Day and the BBC are joining forces this year to discover and celebrate the nation’s great local words in 12 specially commissioned poems – one for each of the 12 BBC regions in England.

 

From today and taking their cue from National Poetry Day’s 2017 theme – Freedom – BBC Local Radio across England will be calling on listeners to ‘Free the word’: nominating a truly distinctive local word that deserves to be better known nationally.  These 12 words, once chosen, will each be offered to a local poet as the creative spark for a new poem, to be broadcast on the BBC on National Poetry Day, 28th September.

 

Across BBC Local Radio, on social media, and in interviews and discussions, people are invited to recommend a word that is used by local people but not yet known by the nation at large.

 

The words suggested will be considered for inclusion in the Oxford English Dictionary. The search embraces dialect, slang and idiom – any word that makes visitors do a double-take and ask what is meant. The ideal word will be striking and give a flavour of the place and local identity. It can be ancient or newly imported, just as long as it is regularly used by people locally and deserves wider circulation.

These suggestions will help an expert team of lexicographers from the Oxford English Dictionary build a fresh picture of regional English as it is spoken now. Each region will then be celebrated in its own poem, inspired by the chosen word, to be broadcast on National Poetry Day.

 

BBC Radio Scotland and BBC Radio Cymru (the Welsh-language station) are also taking part and will be calling for their own local words to provide the inspiration for a poem for National Poetry Day.

 

Susannah Herbert, Executive Director, National Poetry Day, said:

 

“National Poetry Day is truly national when it’s truly local. The distinctive words and figures of speech used in different regions have inspired poets for centuries, from Chaucer and Shakespeare to Daljit Nagra and Liz Berry – and a poem is still a great way to get a favourite expression before a wide audience. These new poems will draw on words handed down by grandparents and picked up in street markets: we’re hungry to hear how the nation speaks when it’s at home.”

 

Michael Proffitt, Chief Editor, Oxford English Dictionary, said:

 

“The Oxford English Dictionary is delighted to participate in National Poetry Day. This year’s focus on regional words and phrases makes it a particularly good match, as a celebration of linguistic creativity and diversity across the country.

 

The OED already records many thousands of words associated with particular regions. But language changes as society changes, and the OED is constantly updating its record of English. A national event about regional language is a great way for the OED to learn more about the distinctive, evocative, and poetic words and phrases that people use now, some of which have yet to appear in the dictionary.”

 

Last year on National Poetry Day the 40 stations of BBC Local Radio marked National Poetry Day by each broadcasting a poem about a local landmark commissioned from 40 #BBClocalpoets in an unprecedented lyrical mapping of the English landscape.

 

National Poetry Day (28 September 2017) is a mass celebration of poetry that annually engages people across the country with reading, writing, performing and listening to poetry. It enjoys very high participation rates, especially online and in schools and libraries: supporters include the Football Association, the Royal Mail, the BBC, and HRH the Prince of Wales. It is co-ordinated by Forward Arts Foundation, which brings together leading poetry, literacy and literary organisations around a common purpose: promoting the enjoyment, discovery and sharing of poetry.

 

For further information, visit http://nationalpoetryday.co.uk

To nominate a local word on social media use #FreetheWord

 

 

Win Tickets To The BBC Good Food Show

https-::www.bbcgoodfoodshowlondon.comLove food? Well then you are in luck. We are giving away tickets to the BBC Good Food Show in London on the 13-15 November at Olympia.

You can win a pair of standard entry tickets for every day apart from Saturday. Mary Berry and Paul Hollywood will be there, as will Michel Roux Jr. To be in with the chance of winning this fantastic prize, follow @Frostmag on Twitter or Instagram, or like us on Facebook. Alternatively, sign up to our newsletter. Or subscribe to Frost Magazine TV on YouTube here: http://t.co/9etf8j0kkz.Then comment below saying what you did. There has also been two seats allocated for each session at the supertheatre at each of the Shows as a prize as well.

If you don’t want to enter the competition then we are offering a reader discount for the BBC Good Food Shows in Scotland, London, Bakes & Cakes and Winter. You can get 15% off with the promotional code: SPR1. 

 

@BBCGoodFoodShow 

https://www.bbcgoodfoodshowlondon.com

 

Terms and Conditions

*15% off valid on advance Adult and Over 65s tickets only (excluding VIP). Offer expires 29.11.15. Standard Supertheatre seat included with all advance Super tickets subject to availability. Upgrade to Gold seat for £3 extra. 20% discount also available on Value tickets which exclude Supertheatre, entry from 11am only. Prices include all admin and transactional fees. Not valid with any other offer. Not all celebrities appear on all days, check website for details. The BBC Good Food Shows are organised and presented by River Street Events.

 

 

 

 

Amanda Holden Struggles With Nerves on First Day of Shoot

Amanda Holden struggles with nerves on first day of shootHaving last appeared on stage in the nationally acclaimed ‘Shrek the Musical’ back in 2011, Amanda Holden made her long awaited return to the stage in what could prove to be her toughest role yet.

 

In a behind the scenes video documenting her latest acting role, Holden is seen to struggle with nerves and even forget her lines on two occasions in front of impatient directors.

 

But as is always the case in show business, all is not as it first seems.

 

Holden, a mother of two children herself, was actually filming a spoof advert in her latest role as the face of Pebli Town, a revolutionary new pre-school toy that fuses traditional play with the latest technology.

 

With Holden reciting her lines to a team of directors made up of three children, Pebli Town is designed to give youngsters full control of four traditional play pieces and a physical play board that in turn interacts with a tablet to bring the toy to life.

 

“As an actor, it’s not often you’re asked to perform poorly in front of directors that are a similar age to your own children,” said Holden.

 

“What has impressed me most about Pebli Town is that children are really the directors of their own show. It’s also a toy that allows parents to be more involved whilst accommodating for all key developmental and educational needs a parent would want for their child.”

 

With four exciting interactive game modes, Pebli Town is designed to help develop children’s problem solving skills and hand eye coordination whilst sparking creativity, imagination and self-expression.

 

“As a performer myself, I think it’s really important that children are given the opportunity to express themselves and show their creative side at play time,” admitted Holden, who is mother to nine-year-old Alexa and three-year-old Hollie.

 

“I know from my experiences that children can be incredibly creative if encouraged in a fun way.”

 

As an established actress, singer, presenter and judge, the daily juggle between career and family life remains an admittedly challenging one for Holden.

 

“Like every mother, sometimes it feels a little like the time you have to spend with your children is going, it’s slipping away. It’s about finding a balance and making sure you get to spend the right amount of time with your family and my current workload absolutely allows me to do this.”

 

“It’s scary how quickly your children grow up so its important parents spend as much time with them as possible.”

 

“Even physically, Lexie went from a size two to a three in two months and she has gone to school with a sort of side, low ponytail and there’s no Alice T-bar shoes anymore, she has got slip on shoes. Because Holly is three and a half and looks up to her big sister, she tries to dress the same and appears more mature than an actual three and a half year old. You can even have a full conversation with her.”

 

With Pebli Town representing a new age of toys being brought to life through technology, the current trend of parents allowing their children to have unfettered access to their own tablets and mobile devices is growing, with children now spending an average of two hours 56 minutes in front of a screen every day.

 

According to a recent survey by ComRes, 84 per cent of parents believe there are educational benefits in their children having access to tablets and smartphones, a statistic Holden supports.

 

“It can only be a positive thing introducing children to technology in a way that is safe, controlled and benefits their educational development,” said the 44-year-old.

 

“Pebli Town has got the balance right as 99% of all game play is still done on the board so you avoid having your children glued to a tablet.”

 

As for Holden’s future career ventures for the rest of 2015, her relentless workload doesn’t look as though it will ease up just yet.

 

“I am filming something for the BBC now and doing a load of stuff for Text Santa. As for acting, there is a possible musical in the running but I can’t tell you too much at this stage. Watch this space!”

 

 

Doctor Who Symphonic Spectacular Review

02Inspired by the stunning decade of live Doctor Who recitals – including the 50th Anniversary BBC Proms in 2013 – the Doctor Who Symphonic Spectacular arrives in the UK for the very first time, celebrating the music of the world’s longest-running television series. A regular event for families in Australia, Doctor Who Symphonic Spectacular makes its début here, now touring across Doctor Who’s homeland, doing so in style and (here in London, at least) to a packed celebrity audience, including the Twelfth Doctor himself – Peter Capaldi.

Vision Nine, working in association with BBC Worldwide have set about to present the very best musical experience that Doctor Who can offer, celebrating the series’ rich musical past. Focusing on the acclaimed work of Murray Gold – who has scored every episode of the series since its revival in 2005 – and with the BBC National Orchestra of Wales and the BBC National Chorus of Wales, lead by Ben Foster, the Doctor Who Symphonic Spectacular delivers on every level with assured confidence and a dazzling sparkle, all at the sweep of a Sonic Baton. 

There is a clear and concise technical execution of the show in terms of staging, lighting and sound – written and directed by Paul Bullock – which adds to the slickness of Ben Foster’s elegant rapport with the BBC National Orchestra of Wales and the BBC National Chorus of Wales – a rapport no doubt built up due to Foster long history of working with both groups, orchestrating and conducting Murray Gold’s music since David Tennant’s début episode back in 2005. Not one note, not one beat, not one cue is missed to make this look like an effortlessly smooth event – no easy feat when you find yourself coming under siege from the most terrible things the universe has ever bred.

Because, yes, beware! There are monsters! A Doctor Who concert would not be complete with a large, seemingly numerous collection Doctor’s most dangerous foes sweeping us up into events, threatening to disintegrate, assimilate or exterminate. Even though the fear factor for the audience was high, there were plenty of children in the families to comfort their terrified parents, no doubt assured by the presence of the Doctor himself. Or should that be Doctors? Because Peter Capaldi was not the only Timelord present – events were wittily and charming lead by the ever-charming Peter Davison (who played the Fifth Doctor) who bantered with the performers with great ease, forming a lovely verbal and visual comedic double-act with Ben Foster for the audience between sets, which climaxes with… sorry, sweetie. Spoilers. Also present for fans are the ever-versatile Nick Briggs (Big Finish Maestro, voice of the Daleks, Cybermen, the Judoon, and many more), and regular Doctor Who monster performers Paul Kasey and Jon Davey.

These touches are really the icing on the Doctor Who Symphonic Spectacular cake – the real star is the music and those who perform it. With over ten years worth of material to choose from, this is two hours representing the very best Doctor Who has to offer. It isn’t until you step into the arena with the BBC National Orchestra of Wales and the BBC National Chorus of Wales you can begin to feel the real power of Murray Gold’s scores and Ben Foster’s orchestration – unlike on television, you really can hear and feel the music on an immediate and effecting level. Added by silent (no pun intended) visuals, the emotional essence of each piece is able to immediately effect the packed audiences present. Particularly effective was the beautiful voice of Elin Manahan Thomas, who excelled with her vocal work on the Tenth Doctor’s swansong Vale Decem, and most movingly, Abigail’s Song (from Matt Smith’s first Christmas Special, A Christmas Carol).

Doctor Who Symphonic Spectacular remains true to its roots and remembers that Doctor Who is a family show for children of all ages, and carries that through every second of the performance, and ends with the audience on their feet, applauding to the roof tops and calling for the TARDIS to be used to start the show over again, all as the Doctor Who reaches its crescendo. This half-term, whether you have to beg, borrow or steal a ticket, take a journey with Vision Nine, Murray Gold, Ben Foster, Peter Davison, the BBC National Orchestra of Wales and the BBC National Chorus of Wales to have the ultimate musical adventure in space and time guaranteed to thrill everyone. Stylish, effecting and exciting, this might be the best treat for any Doctor Who fan in your family.

Tickets: http://www.doctorwhosymphonicspectacular.com/

A Vision Nine Presentation in association with BBC Worldwide

 

 

Charlize Theron Admits To Lying On Her CV

Actors are known for being a little bit economical when it comes to the truth on their CV. We can all ride horses and snowboard, oh, and speak French. It turns out that not even famous actors are immune. Even Charlize Theron has admitted she has told the odd lie on her CV.

charlize theron oscars 2013

Charlize says she didn’t lie about being able to ride a horse (and I am proud to say I can too). Which is just as well as she had to ride in new comedy western A Million Ways To Die In The West.

You can hear Theron’s interview with the BBC’s Genevieve Hassan here.

Hunt vs Lauda DVD Review

hunt vs laudaFor racing fans, Hunt Vs Lauda: Grand Prix’s Greatest Racing Rivals is a documentary between two legends. Even for those who are not, it is still fascinating.

The victory duel for the 1976 Formula 1 World Championship has become the stuff of legend. The spectacular battle for supremacy that raged between Austrian Niki Lauda and ‘True Brit’ James Hunt has never been equalled and now this amazing story is told in a fascinating new documentary Hunt Vs Lauda: Grand Prix’s Greatest Racing Rivals.

After almost burning to death in his car at the Nurburgring track, Lauda came back from the dead and fought Hunt all the way to the last race of the season…But this film is no simple tale of driver-versus-driver: both men had their demons, but the forces that threatened them most were bred from the insane circus that surrounded them.

This powerful documentary originally aired on BBC4 and is now out on DVD courtesy of Delta Leisure

Told through unseen footage and exclusive interviews with the team managers, families, journalists and friends who were in the front row it captures the heart of the 1970s and the season that changed Formula 1 forever.

This documentary is inspiring and breathtaking. We even felt emotional a few times. A truly stunning documentary with lots of great stuff we had never seen before. A must-watch.

 

‘I did not want to start the race at the Nurburgring…I did so out of loyalty towards my firm and my friends. It was not a good compromise for me’ Niki Lauda

‘Niki was the only bloke who could get half his face burnt off and come out better looking’ James Hunt

 

Title: Hunt Vs Lauda: Grand Prix’s Greatest Racing Rivals

Cert: 15 Cat.

Running time: 52 mins approx.

Hunt Vs Lauda: Grand Prix’s Greatest Racing Rivals (BBC Official) [DVD]

 

BBC To Commercialise World Service

BBC_TV_CentreThe BBC have unveiled plans to commercialise the 80-year-old World Service, causing anger in some parts.  Coverage of politics will be downplayed. The BBC is to take over funding of the World Service from the Foreign and Commonwealth Office. It will transfer to licence-fee funding in April. One of the reforms may be advertising on the site, which staff believe that the changes are in part to attract advertisers, outside of the UK the BBC relies on commercials on it’s channels and websites. BBC Global News Ltd lost £800,000 last year, and £21million was lost in the UK operation according to accounts, most of the loss was offset by advertising and sponsorship money made overseas.

A spokesperson for the BBC told The Independent: “The BBC’s reputation for providing impartial and independent news will always take precedence over wider commercial goals. Our experience with World News, bbc.com and some limited World Service commercial activity shows that these forms of funding are generally accepted by audiences outside the UK, and that editorial standards and public service priorities can be maintained.”

 

However Shadow culture minister Helen Goodman said: “The proposed drift away from the core purpose of the World Service is precisely what people feared when this Government said that the Foreign Office would no longer finance it. It’s really important that the World Service stays on mission as a reliable, truthful broadcaster of important news to people in places where this is not otherwise available.”

 

What do you think? Is commercialisation a good or bad thing? Is this just a sign of the times?