Amanda Holden Struggles With Nerves on First Day of Shoot

Amanda Holden struggles with nerves on first day of shootHaving last appeared on stage in the nationally acclaimed ‘Shrek the Musical’ back in 2011, Amanda Holden made her long awaited return to the stage in what could prove to be her toughest role yet.

 

In a behind the scenes video documenting her latest acting role, Holden is seen to struggle with nerves and even forget her lines on two occasions in front of impatient directors.

 

But as is always the case in show business, all is not as it first seems.

 

Holden, a mother of two children herself, was actually filming a spoof advert in her latest role as the face of Pebli Town, a revolutionary new pre-school toy that fuses traditional play with the latest technology.

 

With Holden reciting her lines to a team of directors made up of three children, Pebli Town is designed to give youngsters full control of four traditional play pieces and a physical play board that in turn interacts with a tablet to bring the toy to life.

 

“As an actor, it’s not often you’re asked to perform poorly in front of directors that are a similar age to your own children,” said Holden.

 

“What has impressed me most about Pebli Town is that children are really the directors of their own show. It’s also a toy that allows parents to be more involved whilst accommodating for all key developmental and educational needs a parent would want for their child.”

 

With four exciting interactive game modes, Pebli Town is designed to help develop children’s problem solving skills and hand eye coordination whilst sparking creativity, imagination and self-expression.

 

“As a performer myself, I think it’s really important that children are given the opportunity to express themselves and show their creative side at play time,” admitted Holden, who is mother to nine-year-old Alexa and three-year-old Hollie.

 

“I know from my experiences that children can be incredibly creative if encouraged in a fun way.”

 

As an established actress, singer, presenter and judge, the daily juggle between career and family life remains an admittedly challenging one for Holden.

 

“Like every mother, sometimes it feels a little like the time you have to spend with your children is going, it’s slipping away. It’s about finding a balance and making sure you get to spend the right amount of time with your family and my current workload absolutely allows me to do this.”

 

“It’s scary how quickly your children grow up so its important parents spend as much time with them as possible.”

 

“Even physically, Lexie went from a size two to a three in two months and she has gone to school with a sort of side, low ponytail and there’s no Alice T-bar shoes anymore, she has got slip on shoes. Because Holly is three and a half and looks up to her big sister, she tries to dress the same and appears more mature than an actual three and a half year old. You can even have a full conversation with her.”

 

With Pebli Town representing a new age of toys being brought to life through technology, the current trend of parents allowing their children to have unfettered access to their own tablets and mobile devices is growing, with children now spending an average of two hours 56 minutes in front of a screen every day.

 

According to a recent survey by ComRes, 84 per cent of parents believe there are educational benefits in their children having access to tablets and smartphones, a statistic Holden supports.

 

“It can only be a positive thing introducing children to technology in a way that is safe, controlled and benefits their educational development,” said the 44-year-old.

 

“Pebli Town has got the balance right as 99% of all game play is still done on the board so you avoid having your children glued to a tablet.”

 

As for Holden’s future career ventures for the rest of 2015, her relentless workload doesn’t look as though it will ease up just yet.

 

“I am filming something for the BBC now and doing a load of stuff for Text Santa. As for acting, there is a possible musical in the running but I can’t tell you too much at this stage. Watch this space!”

 

 

Frost’s Editor Catherine Balavage Writes How To Be A Successful Actor Book

Frost’s Editor, Catherine Balavage, has written a book on How To Be A Successful Actor. It is called How To Be a Successful Actor: Becoming an Actorpreneur. It has gotten as high as number 5 on the Kindle charts under Stage & Theatre. It will also be released on paperback and Smashwords soon. Handpicked Future did a great piece on it and Catherine was on the front page of the Entertainment section in The Huffington Post with her Actors Who Make Their Own Work article. You can also read an article by Catherine written on her own blog.

howtobeasuccessful_actor_book_cover The book is available here for UK readers and here for US readers. It is also available worldwide.

Cover art by Steve McAleavy

 

 

An Experiment With An Air Pump: Theatre Review

I have seen many plays in my life, but none have so intertwined art and science as An Experiment With An Airpump. The play by Shelagh Stevenson is a murder mystery wrapped up in the morals of science.

The play was inspired by the famous painting by Derby’s Joseph Wright of a scientist demonstrating an experiment on the powers of oxygen. He puts a small bird in a bottle and closes the lid. The bird dies – apparently. He takes off the lid and the bird miraculously recovers.

The play is set in 1799 and in 1999 on New Years Eve. Tom, and his scientist wife, Ellen have to leave the house as they can no longer afford to live there. They employ a builder to do some maintenance work and they discover a body under the sink – the bones of a female who has been there for centuries. Ellen also grasps with the morality of taking a job that evolves working with pre-embryos.

The other family are from 1799. The play shows that if history does not repeat itself, it at least rhymes, with people rioting in the streets. It also shows how far women have come. In 1799, Holly Clark plays an oppressed wife who seeks solace in alcohol. In 1999, she is the scientist, doing groundbreaking work, and funding her unemployed husband.

The play has very high production values. The set is amazing and looks expensive. The characters costumes are spot on.

There is a cast of seven in total and most actors play two parts. Mason Kayne plays Armstrong, a medical student, in 1799 and the Geordie builder in 1999. Mason is a stunningly talented young actor. He peals away the layers of Armstrong until he reveals his cold heart. A stunning tour-de-force. The only real character is Roget – who was the man who devised the thesaurus.
This play is well acted, well directed and well written. A marvellous play that is long, but feels short. An intellectual triumph and an absolute must-see.

By Shelagh Stephenson

Directed by Liisa Smith
Produced by Giant Olive Theatre

Cast:
Joseph Fenwick / Tom – Steven Lello
Susannah Fenwick / Ellen – Holly Clark
Harriet Fenwick / Kate – Rae Brogan
Maria Fenwick – Billie Fulford-Brown
Isobel Bridie – Olivia Hunter
Peter Mark Roget – Noah James
Thomas Armstrong / Phil – Mason Kayne

Music composed by: Angus Moncrieff
Costume & set: Cara Newman
Lighting Design: Ciaran Cunningham
Stage Manager: Nathalie Gunzle
Image Design: Merilyn Puss
Photography: Alexander Ford


http://www.giantolive.com/anexperimentwithanairpump.html

Keira Knightley returns to the West End {Theatre}

According to the Stage Keira Knightley is set to return to tread the boards in London’s West End next year in Lillian Hellman’s ‘The Children’s Hour’.

Keira will be playing alongside Elizabeth Moss (Mad Men), this production will be Moss’ West End debut. The two stars will play teachers who run a girls’ boarding school in America in the early Thirties and are accused by a malicious child of conducting an affair with one another. It’s a lie that’s to have grave repercussions as fur flies and legal action ensues.

The Children’s Hour will be directed by Ian Rickson, who directed Jerusalem at the Royal Court and in the West End and produced by Sonia Friedman Productions and Scott Landis.

Full casting and production information are to be announced.