Victoria Aitken on music, film and fashion.

1) You have tried a few different careers in your life. What is your favorite?

Same ones as you…Aren’t you also a writer and actress ? [I am indeed – Editor] I love being a singer songwriter as its a combination of being a writer and actress. But love acting too as its so fun-I almost gave it up but this year was great-a fun film I just acted in Persuite just got into rain dance and this summer I acted in film – called the lotus eaters, the script was amazing- and they have lots of great bands music in the film.

2) Who are your musical influences?

Ace of Base, Madonna, Lady Gaga, Dave Aude – I love his remixes- I also was just listening to some Bimbo Jones remixes which are great.

3) Who is the most inspirational person you have ever met?

That varies from time to time, right now its very inspirational listening to Glam Scum radio -its not your usual kind of radio station , check out www.glamscum.com

4) Do you think being called Aitken is a help or a hindrance ?

In music- a hindrance for fashion parties it helps- helps with some things, hinders things with others.

5) Your music career is going well. How does that feel?

It feels amazing ! I can hardly believe I’ve had 4 songs in the charts one after the other.

6) Where do you get the inspiration for your songs?

Usually men ! As Lady Gaga’ would say usually from some “Bad Romance”

7) Where do you hang out in London?

Bungalow 8 , Whisky Mist – Piers Adam is amazing- I ran into him in the street recently and he has been very kind. Also Guy Pelly- who used to be the man behind Mahiki has a new venture (place) coming soon and knowing him, it will be somewhere amazing –

8) What are your favorite designers?

Latisha Reuss- I love her rings, Just Bluff for T-shirts, Gina for shoes,
Mecura sunglasses are amazing.

9) What is your proudest moment?

Getting to number 7 in the dance charts without a record label.

10) What’s next?

New songs

Thank you Victoria.

ENGLAND RUGBY STARS CLOSE LONDON FASHION WEEK IN STYLE BY STRIPPING OFF FOR CHARITY

It takes a lot to get Genevieve and I excited. Rugby stars Ugo Monye, Danny Care, Nils Mordt and Seb Stegmann stripping off to help Ghanaian children’s charity AfriKids, managed to do it though.

Perfectly toned Rugby stars Ugo Monye, Danny Care, Nils Mordt and Seb Stegmann got their kit off in support of Deutsche Bank’s charity of the year, AfriKids, bringing London Fashion Week to a close with The Alternative London Fashion Event. I have never heard grown women scream so much in my life.

Monye made his first public appearance for the Ghanaian children’s charity AfriKids, bringing along his England Rugby pals to bare all (well, almost!) for the evening and support the event, at the exclusive One Mayfair. The beautiful converted church setting showcased some of the world’s most recognised designer’s autumn and winter collection pieces, alongside some African designers connected to AfriKids. Not only did the England stars parade in the designer underwear, but guests also bid for the skimpy items protecting their modesty in an auction at the end of the night.

Thanks to the likes of Jaeger, Ted Baker, The Couture Gallery, Wolford, Frank Usher and many other designers who donated pieces from their latest collections, nearly £20,000 was generated on the night which will go directly to help improve life for Ghana’s most vulnerable and disadvantaged children, including the ‘spirit children’.

During the evening the audience were also given the chance to bid for a dinner date with Ugo and former England Captain Nick Easter

About AfriKids.

AfriKids is a Child Rights organisation set up nearly a decade ago to work on traditional children’s projects including foster homes, schools and street child centres and also more groundbreaking initiatives which tackle complex cultural issues, including child trafficking, child labour and the spirit child phenomenon. During her gap year in 1997, Georgie Fienberg, Founder of AfriKids, realised that there was a dire need to prevent the deaths of so-called ‘spirit children’. ‘Spirit Children’ are those whose mothers die during childbirth, which are then regarded by African society and culture as outcasts to live and survive on the fringes of society.

As well as financing and delivering sustainable child rights projects, AfriKids owns and runs businesses, including a medical centre, an eco-lodge and several ethical trade programmes. AfriKids aims for its Western office, based in London, to be redundant by 2018.

www.afrikids.org

What Price Feminism?

Is feminism a dirty word? You would think so by how some people respond to the word.

Feminism is not an easy subject to write about. It has so many connotations. So many people have an opinion on it. It brings up images of women burning bras and hating men. Losing the entire point of it: equality.

What I started writing this article I put out a twitter and Facebook plea for comments about feminism. Tamsin Omond came up with a fabulous quote from J.Winterstone on lesbians: ‘they have a confidence about them that doesn’t depend on the male view. that is sexy and it is new.’

Then came the obvious,

Forbes KB: ‘Right after you finished the washing up and the ironing I hope!’ Luckily, I know he is joking.

Darren Errol Clarke did much better: ‘I dislike the word “Feminism”! It conjures up so many wrong images. Everything should be about sharing and equality, but the name doesn’t depict that!

A warrior from the Amazon once said that she was shocked that Western women were so …weak and that they were referred to as “Flowers”! She was upset that she couldn’t “See” the flowers that they were talking about. She said, “Flowers are strong, adapting, versatile and beyond the visual. A flower can be destroyed, yet come back as beautiful as before and more than before. The humans I see before more me represent nothing more than a shadow of their true potential.”

Whilst man has a lot to answer for in history, women have come through and stamped their individuality through out. I think that when women were striving to be better than the men that suppressed them they were irrepressible, but now they have joined in the drunken madness that is today’s civilization. I hope that the mantle isn’t totally buried, as it would be nice to see more women bring true equality to the world and not the fallacy that is the modern world.’ Good points there.

Lynn Burgess: ‘It’s not about pushing a female agenda. It’s about equality.’

Caroline Gold: ‘Look to the working class women and you will see there is still disparity and it’s about more than legislature. We are not a minority. Feminism is just humanism for all. Go girl!

One of the best came from film director Richard Wright: ‘Ultimately its not about pushing a female agenda or pushing a male agenda its about pushing an agenda of tolerance and understanding no matter who it is. It’s about equality across the board not the positive discrimination of one over another, that doesn’t work because it’s still discrimination. The argument should be about how we, together as a society, create a better tomorrow and where we all fit in no matter who we are.’

Amen to that.

The London Underground is never a nice place at rush hour. A few million Londoners trying to get home means stress is high and manners non- existent. Spending a 20 minute journey with your face in some strangers armpit is common. This did not prepare me for being shoved out of the way by a man so he could sit in the last seat however. That’s right: actually pushed out out the way. Not only are manners dead, but so is chivalry.

This got me thinking about equality. I always offer to pay on dates. While discussing this with a male friend he mentioned that he thought women should always pay for themselves, after all, wasn’t that what feminism was all about? What we were fighting for all these years? Well, no. It’s not. We seem to have got the worst of both worlds. No chivalry and no equality either.

I recently read an article by James Delingpole in which he claimed, because times are tough, that only boys should be sent to public school, because his daughter could just marry a rich man. Which was more funny than offensive until I read Mary Dudley’s response that she would be sending her daughter to public school instead…so she could marry a rich man. Apparently Kate Middleton wouldn’t have had a look in if she had not been to Marlborough. Doors to manual indeed. What century is this? How Jane Austen.

We were fighting for equal pay: which we haven’t got. To have any career we want without hitting a glass ceiling. To not be though of as the weaker sex. Not better than men, just equal. With different strengths. This is all low rumbling compared to some countries. Although there is a female Prime Minister in Australia and female president in Finland, in Britain we have 126 female MPs, out of 646 members of British Parliament. Where have all the women gone?

Then there is the other thing that is holding us back: other women. I have lost count of how many times I have had another actress try and sabotage me or overheard a women bitching about me. On a set recently an older actress came up to me and said; ‘You will be just like me one day. You will lose your beauty, you will have nothing left. It all goes.’

Can we really reach our true potential if we are wasting energy stabbing each other in the back? I have an amazing group of female friends now, but it took years to find them.

Then comes all of the depressing statistics. 1 in 4 women have experienced rape or attempted rape, 95% of cases are never reported, 23% of reported cases are ‘no crimed, ‘ or thrown out, by the police. Over 66% of reported cases never make it to court and the conviction rate is a depressing 6.5% for reported cases. It seems rape is the easiest crime to get away with.

In Afghanistan the female soldiers were more afraid of their colleagues than the front line. 30 percent of female US soldiers have been raped, 71% sexually assaulted and 90% sexually harassed. Four out of five cases go unreported. Helen Benedict, author of ‘The Lonely Soldier: The Private War of women serving in Iraq’, believe rapes occur not because the soldiers are sex starved, but because they enjoy humiliating female colleagues. ‘A lot of men think women shouldn’t be in the military and feel threatened. I think a lot of sexual predators sign up because of the power they’ll wield.’ Helen goes on to say that, ‘There is a culture of sexism on the military and women are seen as sex objects.’

Then there is gendercide. 100 Million girls have disappeared. In China and Northern India 120 being born for every 100 girls. Most girls are aborted. In Iraq they stone women to death and have to be covered from head to toe. They cannot even leave the house without their male relatives. Even if they are younger than them.

So am I a feminist? I don’t care about what people think of the word, or of me for using it, as long as women are stoned to death, sold into slavery or aborted just because of their gender, the answer is yes. My name is Catherine Balavage and I am a feminist.

Facts and Figures.

3 Million women and girls are slaves in the sex trade.

An estimates 18,000 women (some as young as 14) are working as sex slaves in the UK.

Women aged 15-44 are more likely to be killed by men than cancer, malaria, car crashes and war combined.

130 million women worldwide have had their genitals mutilated.

In the past 50 years, more women have been killed because of their gender than all the men in all the wars of the 20th century.

And a beautiful quote.

Mao Zedong said “women hold up half the sky.” So don’t let it come crashing down.

http://www.unwomen.org/

Anthony Epes: London at Dawn & Arboreal Dreams. {Art Review}

Where: Pop-up gallery, Arch 5, Burrel Street, SE1
When: Thursday September 16th, 6-8pm.

Amongst the great, the good and others of Anthony Epes’s Private View where; John and Diane Bird , Nic Careem and Lizzie Mary Cullen.

Epes’s Private View showed off his amazing eye. He is an artist who can capture the very essence of a city, of a time and place. His London at Dawn photographs give a glimpse of London very few people see. Epes spent months getting up in the early hours of the morning to capture these photographs. His determination paid off. The photographs are spectacular. I have to admit I have been a fan for a while.

Epes’s use of colour is original and visionary. I look forward to the next exhibition. I can’t wait to see what he does next. To see more of his work. Click on the link below.

www.anthonyepes.com

Catherine Balavage

Beautiful Crime presents: ‘Hendrix Still Reigning, Still Dreaming’ {Social Diary}

Where: Red Bull Studio, London Tooley Street, SE1
When: 6:30pm – 10pm Thursday 16th September 2010

To coincide with the 40th anniversary of Jimi Hendrix’s death, Beautiful Crime held an event pre-releasing urban artist Fin DAC’s highly anticipated ‘Hendrix Still Reigning, Still Dreaming’ hand finished, limited edition prints. The one night only pop-up exhibition at The Red Bull Studio. Guests were engulfed in the rock’n’roll atmosphere, with Fin DAC’s striking images of Hendrix taking centre stage. Fin has previously sold his artwork on an international scale. He has worked with the likes of Armani, The Morgan’s Hotel Group and has exhibited with Jamie Reid (the Sex Pistols album cover fame), Goldie, Julia Reston-Roitfeld and Jef Aerosol.

On the night, it was noted that the prints and their prices were subtly linked to Hendrix. As
he died in 1970, the guests had a privilege to view the outstanding artist’s seventy limited
edition hand-finished prints and as it was in the ninth month, there were nine, one of a kind
special edition prints on copper, steel, wood and wallpapered canvas.

To make the show even more unforgettable, Fin DAC completed the metal edition live on
the night. The prints will be officially released on the Beautiful Crime website on 18th
September (www.beautifulcrime.com).

Guests in attendance included Gemma Arterton, Goldie, Danny Cipriani, Idris Elba. As they sipped on Raining Rum and Daiquiri Dream cocktails courtesy of The Online Off Licence (www.theonlineofflicence.co.uk), they also enjoyed a live DJ set from Stuee from The Paddingtons, who got behind the decks to fuse his own recently recorded tunes, creating an electric atmosphere for the celebration of the 40th anniversary of one of the greatest rock
and roll legends.

It was a night to remember.

Minister lauches social impact Bond Pilot. { Politics }

Prisons Minister Crispin Blunt and David Hutchison, Chief Executive of social investment organisation Social Finance, are today visiting HMP Peterborough to launch the Social Impact Bond (SIB) pilot.

The Social Finance run SIB pilot is the first scheme in the world that has used new funding from investors outside government to reduce reoffending with offenders. Investors will only receive returns on their investment from the Ministry of Justice if they reduce reoffending by a set amount.

At a time of tight public finances, payment by results models, such as the Social Impact Bond, can tap into new sources of funding to reduce reoffending and provide value for money for the tax payer

Justice Minister Crispin Blunt said:

“Our priorities are to punish offenders, protect the public and provide access to justice. But we want to initiate a more constructive approach to rehabilitation and sentencing, and re-think whether putting more and more people into custody really does make people safer.

“We want to actively involve individuals and voluntary and community organisations – not just in tackling crime and re-offending but in helping to keep people out of the criminal justice system in the first place. This payment by results pilot is both innovative and imaginative. I am delighted to be launching it at HMP Peterborough today.”

The six-year SIB pilot scheme in Kalyx-run Peterborough prison, run by Social Finance, will prepare around 3,000 short term prisoners for their lives post-release and will work with them to prevent a return to a life of crime

If these services are successful and re-offending drops by more than 7.5 per cent within six years, investors receive a payment representing a proportion of the cost of re-offending. The payment will increase based on the reduction in re-offending with the total cost of the project capped at £8m.

Secretary of State for Justice Kenneth Clarke MP said:

“This Government has a historic opportunity to initiate a more constructive approach to rehabilitation. This means making prisons places of punishment, but also of education, hard work and change. As part of our radical approach to rehabilitation we are considering a range of payment by results schemes like the Social Impact Bond.

“The voluntary and private sectors will be crucial to our success and we want to make far better use of their enthusiasm and expertise to get offenders away from the revolving door of crime and prison.”

David Hutchison, Chief Executive of Social Finance commented:

“The Social Impact Bond aligns the interests of government, charities, social enterprises and socially motivated investors around a common goal. We are delighted to be launching the first such structure in the world here at Peterborough.

Our work is driven by a desire to transform society’s ability to invest in addressing its most intractable problems. Developing the Social Impact Bond market will take years, but we believe that with care it can enable future investment of hundreds of millions of pounds a year in these crucial areas.”

Social Finance has raised capital from social investors that will be used to pay for the services in the prison and outside in the community. It is expected to close the £5 million fund by the end of the year. Initial investors include the Esmée Fairbairn Foundation, the Monument Trust and committed individuals.

The development of Social Impact Bonds has been supported by a number of partners including Allen & Overy, Kalyx and the Cambridgeshire and Peterborough community including the Criminal Justice agencies, Local Authority and the voluntary sector.

Phil Andrew, Kalyx Managing Director, said:

“We are delighted to be working in partnership with Social Finance. Our work is dedicated to preventing future victims by delivering rehabilitative opportunities to prisoners through work skills, educational qualifications, behaviour programmes, substance misuse interventions, and assistance with accommodation and employment.

“This project will complement our work by supporting ex-offenders through the difficult transition from prison to the community, and it will increase the chances of them avoiding further crime in the future.”

SCARED BUT FRESH. A Matthew Rose collection. { Art }

A Collection of Works by Matthew Rose
6th October – 31st October

Preview works at www.orangedotgallery.co.uk

Matthew Rose spells with scissors and glue…..

I am very excited about this exhibition. Matthew Rose is very talented. An American artist now based in Paris, Matthew Rose is an exciting talent who creates pieces of visual delight through his cleverly crafted and beautifully laid out collages.

Know particularly for his installations, massive 1000-piece wall-to-wall displays of individual collage works reinvent the process of reading. His recent exhibitions ‘Spelling With Scissors’ and ‘The Whole Truth’ brought together the artist’s immense visual and textural vocabulary in what several critics cited as a dadaist exploration of sense and nonsense. Surrealism moves into the 21st century with Rose’s collages, text works, needlepoints and altered objects and books. Combining beautifully laid colours and patterns with secrets and riddles his works stimulate both the mind and eye.

Matthew Rose’s artworks have been exhibited throughout Europe, Asia and the United States for more than 20 years, and his art is collected both privately and by public collections. His work has been featured in numerous books and magazines, most recently MASTERS: COLLAGE (Sterling Publishing/Lark Books, 2010) which will be on sale at the Orange Dot Gallery for the duration of the show.

Matthew has also created an EXCLUSIVE PRINT to coincide with the show and will be available exclusively online from www.keepcalmgallery.com, with a limited number of signed prints also available from Orange Dot Gallery.

You can download the exhibition poster for the Scared but Fresh show from Matthew’s site. www.matthewrosestudio.blogspot.com/

An exciting artist, exhibition and opportunity to view his works in a more intimate space. Go see this!

Ground breaking artists exhibit New Ink Painting from China At Michael Goedhuis .

The New Ink Painting from China is an exhibition carefully selected by Michael Goedhuis to reflect some of the finest contemporary works currently available on the market. The exhibition of 30 contemporary ink paintings is the first comprehensive display of Chinese New Ink Painting ever held in Britain and will take place at 16 Bloomfield Terrace, London SW1W 8PG. Timed to coincide with the internationally celebrated event Asian Art in London (4-13 November 2010), the exhibition will run from Friday, 5 November to 3 December 2010.

Ten ground breaking artists from internationally recognized Liu Kuo-sung to the new generation of the avant-garde, Qin Feng, will each exhibit three works. New Ink Painting is the genre poised to be China’s choice for the modern pictorial expression of Chinese civilization and as such is a must for collectors interested in this area. Michael Goedhuis was one of the first western dealers to enter the Chinese contemporary market. He identified artists previously unknown to the West such as Zhang Xiaogang, including one of his key works in the Estella collection which subsequently sold for $6million when the collection was offered at auction in 2008. These ten artists are Michael Goedhuis’ choice for where collectors and first time buyers, with an eye to the future, should now turn their attention. Prices range from $25,000 – $150,000.

“The New Ink Painting is perhaps the boldest pictorial experiment in contemporary Chinese culture. Artists trained rigorously in the traditional brush and ink on paper painting tradition, which is still considered the foundation stone of Chinese civilization, have, in the past few years, broken away from the classical canon and are making works which are meaningful for and relevant to society in modern China”, comments Michael Goedhuis.

Of the established figures Liu Kuo-sung, the most famous of the Taiwanese artists, is exhibiting works from both of his major styles: Snow Capped Mountain which is an example of his pioneering abstract expressionist period and Full Moon which draws on his interest in the cool colour-field works of the 1970’s.

Li Jin from Beijing has recently appeared on the front cover of the publication on ink painting Chinese Ink Painting Now and is known for his humorous and gently satirical brush paintings celebrating the good life in simpler times.

Qin Feng from Beijing and Qiu Deshu in Shanghai are both artists who are exploring ways in which to incorporate a clear link with tradition both technically and through the subject matter, but with a pictorial treatment that connects with society today. This is particularly illustrated in Qin Feng’s Desire Landscape, 2005 and Qiu Deshu’s Mountainscape (red), 2005.

The exceptional variety in this field is illustrated in the broad range of works from Xu Lei, whose blue figurative paintings evoke surrealism to the tough calligraphic abstraction of Wang Dongling.

The artists exhibited are from China or Taiwan and include Li Jin, Qin Feng, Liu Kuo-sung, Qiu Deshu, Lo Ch’ing, Wang Dongling, Zeng Shanqing, Zeng Xiaojun, Yao Jui-chung and Yang Yanping.

An illustrated catalogue of the exhibition is available.

www.michaelgoedhuis.com

Exhibition: New Ink Painting from China
16 Bloomfield Terrace
London SW1W 8PG
From the 5 November to the 3 December 2010
Open 11:00-17:00 Monday – Saturday