Vogue Model Exposes Financial, Physical & Exploitation in the Fashion Industry

the model manifesto, modelling, fashion industry, exploitation,

I was interested to see this book on the modeling industry. I have worked as an actor and I have also done modeling in the past. There are no words for how much I hated working as a model. I was never actually a model, but the way women are treated is awful. On the other side, I have covered London Fashion Week many times. Seeing how thin and young the models were always tugged on my conscious. 

Leanne Maskell is a warrior. This brave book she has written should be read by every model and everyone who works in the fashion industry. It should indeed become a manifesto. Bravo to Leanne. I hope she sells millions of copies of this book. 

The Life of a Model: Physical, Financial and Emotional Exploitation

Vogue model releases an A-Z anti-exploitation manual for the fashion industry

Why this book matters:

  • Exploitation has become accepted in the industry, with 29.7% of models being inappropriately touched on a shoot and 28% of models facing pressure to sleep with someone at work.
  • Over half of all models start working before they are 16, yet America is the only country to legally enforce breaks, chaperones and limit working hours. The lack of restrictions led to 14-year-old model Vlada Dzyuba working herself to death in 2017.
  • The pressure on models to lose weight and the constant rejection from clients can leave them vulnerable to mental illness, with 31% suffering from eating disorders and 68% from anxiety and/or depression.
  • Models face intense financial exploitation, with hidden contracts signed on their behalf meaning agencies in the UK take as much as 45% commission and can charge required expenses such as transport, personal trainers, nutritionists and hairdressers to the model without their prior knowledge or consent.
  • Modelling can be very dangerous, with 77% of models said they had been exposed to alcohol or drugs while on a job and 50% exposed to cocaine.

Sixteen hour working days, forced onto starvation diet plans, waiting months to be paid, no changing rooms, hair bleached beyond repair, made to strip naked at work, swallowing cotton wool soaked in water to curb your appetite – this is the ugly truth behind the life of a model.

 

Leanne Maskell is the author of The Model Manifesto, an A to Z anti-exploitation manual to the fashion industry which aims to educate current and aspiring models on how to find success and avoid the pitfalls of physical, financial, and emotional exploitation.

 

The book’s advice covers essential topics every model needs to know including: finding the right agency, creating a portfolio, understanding tax, working aboard, the role of social media, avoiding hidden agency expenses and knowing your own legal rights.

 

Leanne Maskell, author, Vogue model and activist.

 

Leanne started modelling at the age of thirteen, working for clients such as Vogue and London Fashion Week. Now, with 13 years of experience working regularly for clients such as ASOS, Amazon and New Look, she has created a book to give models the information she wished she had been provided with throughout her career.

 

While she loved her career, she frequently suffered from exploitation, including two men changing her into tights on a shoot when she was 13, having her drink spiked, being heavily pressured into shooting revealing imagery and being sent to a hotel room for a “casting” for escorts by her agency. The cost of Leanne’s successful career was suffering from anorexia, bulimia and severe depression.

 

Leanne empowered herself by studying Law at University and has combined her legal and modelling experience to empower other models in the hope that they do not encounter the same pitfalls as she has. Whilst writing The Model Manifesto, she created policies to improve the modelling industry which has led to a legal career advising on immigration law & mental health law policy.

 

The Model Manifesto has been written to protect the 99% of models that don’t make it big – the ones who are treated as disposable objects. It also aims to educate those who wish to be models on how to avoid exploitation, empower themselves and enjoy the benefits of the job.” – Leanne Maskell

 

The Model Manifesto by Leanne Maskell is out 02 May 2019 and is priced at £14.99. To find out more go to: www.themodelmanifesto.com

Review: Me and My Girl, Chichester Festival Theatre

Me and My Girl
Chichester Festival Theatre (until 25 August)
Tickets: 01243 781312; cft.org.uk

Credit: Johan Persson

Chichester Festival Theatre director Daniel Evans (also at the helm of the show) earned groans of disappointment in response to his on-stage announcement that Matt Lucas was under Doctor’s orders to rest his voice and would not be appearing. But all was not lost, he quickly reassured us. With just two hours’ rehearsal the understudy had gamely agreed to step into the role.
Ryan Pidgen can surely now step into any role he pleases. In a totally self-assured, flawless performance, had we not known that Lucas was the intended leading man then we would have been none the wiser. On note, in step and word perfect, not for a nanosecond were we even remotely short-changed.
Playing the South London cheeky chappie Bill Snibson who suddenly needs to ‘posh up’ in order to take up his birth right as the unlikely heir of Hareford, Pidgen was not merely competent. Giving Bill warmth, exuberance and sweetness, he bounced around the stage like an adorable scamp of a puppy and, as the kids say, performed like a boss.
The plot may be lightweight, but elsewhere performances are also rock-solid. Clive Rowe as Sir John twinkles in tweed, later revealing a shy and long-nurtured love for Caroline Quentin’s splendidly redoubtable Duchess. A feisty old matriarch with a good heart, by golly she can’t half hoof, too!
Alex Young as Bill’s ‘girl’ Sally is in sweetly soaring voice and balances cockney chirpiness with a touching vulnerability.
When it comes to musical numbers it is fair to say that the majority (give or take The Lambeth Walk and The Sun Has Got His Hat On) are not especially memorable, but the dazzling choreography (nice work, Alistair David) and superb singing (and you, Gareth Valentine, Doug Besterman and Mark Cumberland) make the very best of the raw material.
Lez Brotherston’s stunning set manages to be both traditional and fairy tale – Downton meets Hogwarts, interspersed with the London skyline and beautifully lit by Tim Mitchell.
The night, however, belonged to the heroic Mr Pidgen. As an understudy who endured several ‘thrust-into-the-limelight’ moments (albeit without anything like such professionalism and sheer talent) I absolutely salute you, sir.
The perfect shot-in-the-arm antidote to all things Brexit and Trump, Me and My Girl teems with Pearly kings and queens and exudes triple espresso energy. An unashamedly frothy and feel-good extravaganza, cor blimey you’ll miss out if you don’t nab a Wilson Pickett!

Peter Pilotto Spring-Summer 2015

 

A firm Frost favourite, we fell head over hells in love with Peter Pilotto’s SS15 collection. We want EVERYTHING.

Peter Pilotto and Christopher de Vos explore a transcendent wash of light and colour in their SS15 collection as craft is elevated beyond print, through a myriad of treatments. Cyber florals join a constellation of swirling geometry as coils and fans of guipure lace meet technical macrame and custom dandelion jacquards with sparkling tinsel.

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Applied to iridescent organza, silk leaves and windowpane checks float over the skin, whilst grids of naive florals blossom on black denim. The collection’s spectral palette pulses energetically throughout.

The silhouette moves between a trim bodice, to ultra slim trousers to planed shifts, some with airy volumes explored as a handkerchief hem and the neat folds of an A-line skirt.

Giant paisley and abstract rosettes in Perspex are hinged and fractured amongst a scatter of Swarovski crystal. Studies of classical draping, paired with featherweight knits, melt into asymmetry, finished with a cascade of sequins. Interlocking chain motifs, realised in bright embroideries, vibrate throughout the collection.

 

 

Ong-Oaj Pairam SS15 Collection | London Fashion Week

We have been having a ball at London Fashion Week. A highlight was Ong-Oaj Pairam’s show. Ong-Oaj Pairam’s third season showcasing during Fashion Week was another triumph. After being named as ‘one to watch’ by the Times last week, the SS15 collection did not disappoint. By combining pastels, prints and metallics, Ong-Oaj Pairam’s latest collection is inspired by the designers fragmented memories of growing up alongside his families noodle factory in Nakhon Ratichasima, Thailand. We loved it.

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What do you think?

Backstage With Ashley Isham at London Fashion Week

I got to shoot backstage for Ashley Isham this season. Ashley is one of my all time favourite designers and having worked with him before I knew we where in for an amazing show. Here is what you don’t really see, the real roots of London Fashion Week. The blood sweat and tears…well not the tears as it was incredibly calm and wonderful backstage and the show was mind blowing!

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I did manage to get a lovely snap of Ashley and his sister Khaty.

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Ashley is delightful, very graceful and highly talented. He started making his own clothes aged 12. A lifetime of devotion, skill and passion has gone into each and every one of his shows, with each one getting better and better. I can truly say this one was something of pure beauty and the ravishing dresses had us holding your hands to our faces and gasping in utter delight.

Backstage was easy going, relaxed and almost spa like. What has happened to the dramatic, rushed hot and bothered fashion week I ounce knew. I Think it has something to do with the organisation from Selina at freelancetheworkspace.com as it was heaven to be part of. Don’t get me wrong there where a few people rushing about here and there trying to find models that where a little late coming from other shows but the cool calmness was apparent and Selina herself is such a wonderful calm person, I believe it has rubbed off!

Nails by Naomi Gonzalez Represented by Freelance The Work Space using The Body Shop

Hair by TONY&GUY session team directed by Daniele Angelis using Label m Professional haircare

Makeup by Nguyen Grealis using The Body Shop
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Front row was full of excited and interesting people knowing they wouldn’t be disappointed.

Now for the show itself….are you ready!! It was marvellous and magical!!

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A wonderful romantic show thats going to be hard to top!!

 

London Fashion Week: Jamie Wei Huang

The show was the first one of the day for us on Friday. The collection was fun vibrant and had the feel of industrial oversized garments that will be hugely sort after. Strong elements with cool design details and bold silhouettes. Jackets with additions of PVC pockets and fine detailing and edging. Puffball boobtube crop tops and billowing masculine trousers. The entire collection was original and fun. Brilliant use of materials and cutting to represent the modern girl about town. All in all wearable but slightly wacky.

Although one aspect of the show will keep tongues wagging for days…a few of the models where so tiny it created a stir amongst the crowd. Shocked and bewildered faces could be seen no and again. Its such a shame the British fashion council have not regulated this enough. This was the only downside to to show. The collection had many items that can and will fit into the fashion sets wardrobe we are sure.

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Oversized bum bags and clutches caught our eyes and are one the wish list for Spring Summer next year.

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The Lovely Kimberly Garner sat and watched the show dressed in a cute outfit of a loose black chiffon top, leather shorts and over the knee boots.

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 Jamie Wei Huang

 Jamie Wei Huang

The crowd at the show was oh so very stylish and we couldn’t help grab a snap of them as we watched. Apart form these two astonished faces and the concerned looks of most of the people around us….We particularly loved this young ladies hat!

For more from our day featuring our very own fashion and style head over to www.slbstyle.com and check it out.

Jasper Conran Spring Summer 2015

We have completely fallen in love with Jasper Conran’s SS15 collection. We want it all for the perfect capsule wardrobe. jasperconranss15ddd jasperconranss15f jasperconranss15gf SS15-Look-11jasperconranss15 SS15-Look-14jasperconranss2015 SS15-Look-01jasperconran jasperconran jasperconranss15

Photos: Jasper Conran.

John Rocha Retires From London Fashion Week

JohnRocha retires from London Fashion WeekLondon Fashion Week will be very different this September, after John Rocha has announced he is retiring from it after 29 years.

Rocha told Vogue: “If I stay, I want to have something to say and I always want to keep the standard high. The last couple of collections I looked back on and I thought to myself, ‘that is really the best work I can do’, For the last few years I can see lots of talented people and designers coming up and with so much young talent you have to work so much harder, and I’m not going to do it until I drop!”

Rocha has been showing at London Fashion Week since 1985. Many have been taken by surprise at the news. He went on to tell Vogue why he was retiring: “People ask me why, and it’s because I want to do more with my time. I left Hong Kong in 1971 and I have never been back to spend Chinese New Year with my family because it always falls in February during the shows. In 40 years I have never taken more than ten days holiday at once. At this point in my life I want to live by my calendar and not the Fashion Week calendar. Stopping allows me to do that. It’s not an overnight decision, Odette and I have been talking about it for some time.”

The Rocha name will be carried on by his daughter Simone: “Simone can continue the family tradition in fashion, In the last couple of collections people finally understand what I’m about and I’ve achieved more than I ever thought. But for now I’m embracing the future. It’s time to move on.”