The Xcerts – Scatterbrain | Music Review

I’ve never been to Scotland; never felt the need or desire. I watched a documentary called ‘Trainspotting’ when I was a kid and felt I’d seen enough. However, they do produce a disproportionate amount of good music for the 5 or so million population. Not so fresh off the production line are Aberdeen rockers The Xcerts, who, according to their Wikipedia entry at least, formed after meeting in their headmaster’s office at their school. Boys after my own heart.

‘Scatterbrain’ is the band’s 2nd album and one they’ve actually been touring since it’s release in October 2010. If I’m honest I’d ignored the band. I couldn’t stomach the name and, rather incorrectly, assumed they were some sort of electro laptop-band, a genre I loathe. Rather fortunately I’ve just managed to enjoy them before they return to the studio to hibernate.

This is a good record and one that brilliantly occupies the space between twee indie-rock and the sonic noise of alt-rock. Demonstrating their sounds perfectly the track ‘Young’ has two versions on this record, one with their powerpop sound and the other, the album’s closing track, a stripped back acoustic strum-along.

Still only in their early 20’s this record has at times the feel of a band more mature than their years and at others they sound like mid 90’s punk-pop band Midget. At times it’s clever and exciting. Imagine Biffy Clyro back when they didn’t take themselves too seriously. ‘Tear Me Down’ even sounds like it has borrowed a wee bit from Biffy’s ‘Justboy’.

The criticism of the record is that it plunders rather obviously from other bands. It’s a band still finding their feet and developing their sound, which you would be at 23, but it’s an album worth listening to and a band worth taking note of. That they haven’t yet carved their own niche is not necessarily a bad thing. This record shows the band have plenty of potential. Watch this space and buy this record, I can think of few things better to spend £5.99 on right now.

 

Scatterbrain is out now via Xtra Mile. Catch the band on tour in May.

 

Bonnie ‘Prince’ Billy announced new EP, book + reissue of 6 LP’s | Music News

 

We’ve had quite a year from Bonnie ‘Prince’ Billy. First there was ‘Will Oldham on Bonnie ‘Prince’ Billy‘ – a book of conversations with longtime collaborator Alan Licht, now the hardest working man in music has announced that he will re-release six classic recordings dated between 1996 and 2004.

To give you an idea of just how hard working this man is, between his first Palace Brothers record, 1993’s There Is No-One What Will Take Care Of You’ and last year’s Bonnie ‘Prince’ Billy album ‘Wolfroy Goes To Town‘, Bonny has released no less than seventeen studio albums, twenty-five EPs and five live albums.

It is in the spirit of celebration of an artistic life so remarkable that Domino Records is this year to re-issue these six seminal records on 30th July. The albums will be ‘Arise Therefore’ (1996) and ‘Joya’ (1997),  ‘I See A Darkness’ (1999), ‘Ease Down The Road’ (2001), ‘Master And Everyone’ (2003) and ‘Greatest Palace Music’ (2004).

Is that enough? Not for Billy! Most people would happily sit back and enjoy such a handsome array of releases but he’s releasing a new EP, titled ‘Now Here’s My Plan’, which is a collection of old songs newly recorded with Steve Albini. The EP is out on Domino on 24th June.

Enough? It bloody well should be!

 

The Xcerts: our last tour, we’re off to the studio | Music News

Four days ahead of an extensive 25-date UK tour, Aberdeen alt-rock band The Xcerts have announced that this will be their last for a while. Speaking in an email to fans they said that the tour will be “the last full UK tour in support of the album (2010’s ‘Scatterbrain’) before we take some time out to work on new material, hangout with loved ones and lose our social lives to the hands of Netflix”.

The tour begins at the Tunbridge Wells Forum on 4th May and runs through to 25th May at Bristol Cooler, full details here.


New TALIBAM! video unveiled | Music News

Brooklyn “no-school rap” duo TALIBAM! have unveiled the video for their new single ‘Step into the Marina’, which you can view here.

The band have also released a statement explaining their sound: “GONG ACCIDENT LEADS TO RAP ALBUM: If you went to rap school, you wasted your money. Talibam!’s #noschoolrap is the result of circumstance. They never studied old or new school rap. Rap found them. In 2009, a falling gong broke Kevin Shea’s bass drum foot in Torino, Italy. In a subsequent recording session, Shea adapted using his other foot on the bass drum. The ensuing beats, composed without samples or loops, inspired Mottel and Shea to flex their symbiotic verbal epiphanies within their self produced floral pop paradise.”

The London Mayoral Election – Can You Really Bring Yourself to Vote for Ken? 10 Reasons To Make You Think Before You Do

It’s now less than a week to go to the London mayoral election and it’s is a two-horse race between the Conservative incumbent, Boris Johnson and the former mayor and Labour candidate, Ken Livingstone.

In the polls, Ken is behind, somewhere between 2 and 10 points behind according to the latest figures. This is surprising when the same polls suggest the Conservatives are 15 points behind in London and set to get hammered in the local elections. This is down to two factors, Boris’s charisma and Ken’s cronyism.

Ken has brushed off Labour supporters voting against him (up to one in five is expected to vote for Boris). ‘They are only voting for Boris because he makes them laugh’, says Ken. This is only partly true. Yes, Boris’s charisma and flair are a factor, but so is Ken. Many voters simply can’t bring themselves to vote for Ken because they don’t trust him and you can’t blame them.

Whatever side of the political spectrum you come from, it’s vital that we hold our politicians to account. In my eyes, Ken has been slippery and divisive at best. A self-confessed political nerd, he is everything which is wrong in modern politics today. He will do or say anything to win. It says a lot that many senior figures in the Labour party not only won’t offer their support for him, but are actively risking their own standing in the party to campaign against him.

“In my opinion he is a driven, power-crazed egomaniac who will do anything to regain the power he once had,” says Lord Sugar.

He is “quite a tricky sort of customer” who has “espoused some disastrous causes,” says another Labour peer, Robert Winston.

Here’s a top 10 of Ken gaffes, cronyism, hypocrisy and champagne socialism:

  • Ken was heavily criticised in February 2005 for remarks made to an Evening Standard reporter. He compared him to a Nazi concentration camp guard, after the Jewish reporter had tried to interview him. Ken refused to apologise or retract the statement after the reporter let it be known he was Jewish.
  • In December 2007, the Evening Standard published news of an investigation into grants worth £2.5 million paid to organisations in which Ken Livingstone’s adviser Lee Jasper was involved. It is confirmed that some of these grants were paid directly by the mayor’s office. An independent report into the affair by auditor Michael Haworth-Maden in July 2009 found no evidence of “misappropriation of funds” but noted “significant” gaps in financial paperwork.
  • Livingstone was criticised following a 21 March 2006 press conference at which he is alleged to have said of David and Simon Reuben — two Indian-born Jewish businessmen involved in a property development project — that “if they’re not happy they can always go back to Iran and see if they can do better under the Ayatollahs.”
  • Following Livingstone’s defeat in the 2008 Mayoral Elections, the Daily Mail reported that “eight ‘cronies’ of Ken were to receive £1.6 million in pay-offs following his defeat in the London mayoral elections.”
  • Livingstone has been criticised for his links to Islamic extremism. He was heavily condemned for inviting Islamic scholar Yusuf al-Qaradawi to a conference. Al-Qaradawi has been accused of supporting “female genital mutilation, wife-beating, and the execution of homosexuals.”
  • In a meeting, Ken is alleged to have said that he did not expect the Jewish community to vote Labour as votes for the left are inversely proportional to wealth levels. He supposedly suggested that as the Jewish community is rich they simply wouldn’t vote for him.
  • Ken has been accused of hypocrisy over his tax affairs. He was very critical of wealthy Londoners who used companies to lower the rate of tax they were paying. It subsequently transpired he was doing exactly the same himself through the company Silveta Ltd.
  • Ken used private healthcare despite claiming to be a strong proponent of the NHS.
  • Ken cried over a campaign film of ‘ordinary Londoners’, arguing why they wanted Ken as mayor. It subsequently transpired the film was scripted and made using paid actors. Both of which Ken knew about.
  • Ken’s trip to Cuba and aborted journey to Venezuela in 2006 cost Londoners £30,000 according to assembly figures. Just one of many wasteful incidents.

The Labour party fearfully nominated Ken as their candidate and it may cost them. They still have bad memories from 2001 when they didn’t give Ken the nomination and he won a stunning victory against them as an independent.

They feared Ken running as an independent again, splitting their vote, and handing Boris an easy victory. Nevertheless, the decision to choose Ken may yet haunt them. One can’t help thinking that any other half-decent candidate would have had a very good chance of beating Boris. Figures like Ken have no place in modern politics. If we vote for them, we get what we deserve.

 

The Magnetic Fields – Love At The Bottom Of The Sea – Music Review

The Magnetic Fields are magnificent. Always have been and probably always will be.

Still best known for 1991’s 100,000 Fireflies single, in this album the band are back on form – back to their mid 90’s best. It’s not that the group have been poor, but when you hit the highs that The Magnetic Fields have, it’s tough to keep hitting them.

They can’t be judged in the way other bands do because other bands pale into insignificance. The Magnetic Fields are very, very good. If you don’t own a copy of their 1999 album ’69 Love Songs’, then your record collection has a hole in it.

Love At The Bottom Of The Sea is an album that is almost The Magnetic Fields by formula. It’s to type, but that type is marvellous. It’s all synth, strings and strums with great subject matter – my favourite track, the electro-jolt of “God Wants Us To wait” tells the story of a religious cock-block. The Magnetic Fields are the thinking man’s Flaming Lips.  Buy this album now – you’ll not regret listening to me.

 

Kathryn Williams – new band, new album, new single + tour details | Music News

Scouse folk singer Kathryn Williams returns in May with a new band ‘The Pond‘. The band are hitting the road to promote their album ‘The Pond’, which is to be released on 28th May and is to be preceded a week earlier by single ‘Circle Round a Tree’.

The Pond’s UK tour dates are as follows:

Mon        28 May                   Brighton Komedia              

Tue         29 May                   London Union Chapel        

Wed       30 May                   Manchester Ruby Lounge 

Fri           01 Jun                    Leeds Brudenell Social Club              

Sat          02 Jun                    Glasgow King Tuts               

Sun         03 Jun                    Gateshead Sage 2

Woyzeck, Lord Stanley | Theatre Review

Georg Büchner is third in the triumvirate of German literary greats after Goethe and Schiller. That he died of typhus in Zürich, aged 23, is why he’s not seen in quite the same way as the other two. Had he lived a little longer he almost certainly would be. At the time of his death Woyzeck was incomplete and it’s because of this incomplete state that it has perennially lent itself to directors who like to leave their mark. A creative blank canvas of a play that has come to be the most performed play in German theatre.

The story is simple enough and revolves around Franz Woyzeck, wonderfully played by Jerome Quiles. Woyzech works for a man named the Captain, played by David Dawkins, who bullies and humiliates him whilst employing him to do menial jobs. To make ends meet he offers his body to the Doctor who conducts experiments on him. The Doctor is played by Daniel Sawicki and is a masterful piece of casting by director Shaban Arifi. Sawicki plays the role perfectly although I suspect he’s just as annoying and smug in real life. Not so much acting as just playing himself. I digress. Woyzeck, in a bid to make ends meet, submits himself to the doctor who uses him for scientific research. One such experiment involves him eating nothing but peas. This is why we ought to see Georg Büchner as the visionary he clearly was. In 2002 Morgan Spurlock produced the documentary where he ate nothing but McDonalds; Büchner was writing about similar in 1836.

As Woyzech eats the peas his mental health starts to take a turn for the worse and he starts to see a series of apocalyptic visions. As all this is going on the raven-haired Marie, the unmarried love of his life and mother of his child, turns her attention to a handsome drum major who in one rather graphic scene sleeps with her. Woyzech becomes suspicious, confronting the drum major, who beats him up and humiliates him. Finally, Woyzeck stabs Marie to death by a pond and the inevitable tragedy is complete.

This version here at the Lord Stanley is brilliant. Quick at around 65 minutes, what makes this production special is the intimacy of the theatre. It has been staged perfectly within the confines of this intimate theatre above a pub in Kentish Town. Using light to split the stage and keep the pace of the production up it’s gripping, enthralling and fun. Perhaps taking itself too seriously at times but ultimately watching this play is an enjoyable way to spend an evening. Catch it now on this all too short run.