WRITING CAREER CROSSROADS BY SUE MOORCROFT: PART 1

Recognising the crossroads

In my book Summer on a Sunny Island, Rosa and Zach stand at crossroads in their lives. In one scene on a sunny roof terrace, they attempt to coach each other over a beer. Is change necessary? If so, what does that look like and how can they effect it?

Credit: Silvia Rosado Photography

A few years ago, I felt at a crossroads. I wasn’t on a Maltese roof terrace overlooking the blue Mediterranean with a handy friend, so I coached myself. It had a profound effect on my writing career.

I’d published nine novels and a raft of short stories, serials, courses and columns; I was a creative writing tutor and writing-competition judge. I had what’s politely referred to as ‘a portfolio career’. Translation: I would take on most paid tasks if they related to writing and some that were unpaid if they might prove useful to my career or meant I was ‘giving back’.

I’d suffered a bereavement and felt unhappy, over-stressed and underpaid. I couldn’t change the bereavement (no matter how much I yearned to), so I assessed everything writing-connected under three headings, subdivided into good or bad.

Things that make me happy Things that make me unhappy Things that are good for me Things that are bad for me Things that earn me money Things that don’t earn me money

 

Two things were instant candidates for all three bold columns:

  • being a committee member and vice chair of an authors’ organisation
  • writing a column for a Formula 1 website

I was shocked to see volunteering for the authors’ organisation in all the wrong columns. But I had to accept that an organisation that has brought me a lot of joy and helped me professionally, was also sucking up hundreds of hours each year and causing anxiety. I emailed the chair, who’s one of my best friends, and said, ‘I don’t think I can be vice chair anymore.’ To her huge credit, she supported my decision and had me replaced without one word of reproach, though she could have felt immensely let down. After that, it was comparatively easy to email the Formula 1 website and gracefully retire from their list of writers. I think my son encapsulated this situation perfectly when he said, ‘You’d taken two of your greatest pleasures and made them into jobs.’

I felt tonnes lighter. I could read what I chose instead of books that needed appraising for awards. I could watch Formula 1 races without making notes or worrying about the angle the column I had to write.

Spurred by this success, I began to cut other things that appeared in negative columns. They earned me some money but not much:

  • appraising manuscripts
  • tutoring creative writing students
  • judging writing competitions – especially after a writing group ‘forgot’ to pay me a fee that was only ever nominal, even after three polite reminders

What made me unhappy about tutoring was not the students, who were fulfilling to work with, but the constant flow of work that piled up if I were ill or on holiday. The workflow was not within my control and kept me from my own stuff.

Sloughing off these two items gave me significant time for my own writing without losing me much money. A win-win.

Takeaways from the self-coaching:

  • recognise when self-coaching is necessary
  • recognise the results, even when shocking
  • act on them

WRITERS ON THE ROAD: KAREN KING

Places I’ve been to or lived in often inspire my writing, as do people I meet, conversations I overhear, incidents that happen. They’re all fuel for an author’s imagination, as my family and friends know and say to me ‘you can put that in a book’ when we go to a particularly interesting place or something unusual happens – and I frequently do!

I often set my books in places that I’ve lived in or visited – many of my romances are set in Cornwall – where I lived for many years – or Spain – where I currently live.  Whereas my psychological thrillers are usually set in a city such as Birmingham where I was born and grew up or Worcester where I lived for several years before moving to Spain. That doesn’t mean that I don’t have to do any research though, as I like to revisit a place to check on some facts,  especially at a different time of day or a different month. A busy city, for example, will have a different feel to it during the daytime when it will be bustling with people going to work or shopping to the evening when it can sometimes feel dark and threating, whilst a holiday destination such as Cornwall can be teeming with life in the summer and almost deserted during the winter months. Unless you’ve actually experienced the difference between the crowded streets of a popular Cornish town in the summer months when sometimes you can barely put one foot in front of the other because of the throngs of people and cling tight to your child’s hands in case they wander off and you can’t find them, and the empty streets and closed shops of the winter, it can be difficult to write authentically about.

My latest romance, The Spanish Wedding Disaster, is partly set in Gibraltar, which I’ve visited several times, but I still made another visit to double check a few details for the book and went on both the dolphin spotting trip and the visit to the caves that feature in the book. I also stayed in a floating hotel as Steve and Kate do.

For my book, The Year of Starting Over, which again is set in Spain, I actually did the Camino del Rey walk which I mention in the book even though I’m terrified of heights.

Writing psychological thrillers and romance novels is like writing both sides of the same coin, in fact my tagline is ‘writing about the light and dark of relationships’ so I thought for my next thriller, which is out in October, I would do the dark side of The Year of Starting Over, which is partly set in a holiday retreat in Andalucia, Spain. It’s been interesting to turn the idea for my summer Spanish romance on its head and write it as a thriller. It meant looking at things from a different angle – in my romance novel the electricity going off sets of a romantic situation, in my thriller the consequences are more sinister. I can’t give much away at the moment as the book isn’t published yet but for a teaser let me tell you that my tagline is ‘Relaxation, Reconnection and … Revenge.’  And once again, it’s set in a location I know well.

 

If you want to find out more about me and my work, please visit my website at https://karenkingauthor.com/

 

 

 

 

MORTON S GRAY REVIEWS…

Into a Cornish Wind by Kate Ryder

A gentle, slow-burn romance which I was reading at a very hectic time of my life, so it helped to soothe my senses. A hero, Mac, with a painful past, a heroine, Kat, who doubts love and men, interwoven with an otherworldly insight and a strong sense of place. I do not always like present tense written books, but with Kate Ryder this enables the chapters to be absorbed effortlessly. I am now left with a desire for a sequel and the need for a holiday in Cornwall.

The Secret Keeper by Amanda James

I loved this story. As with Amanda James’ other recent titles, this has a touch of otherworldliness, a poignancy and lots of positivity and hope.

Rosa Fernley is keen to fulfil her grandmother, Jocelyn’s dying wish and that is what she sets out to do on her visit to Tintagel in Cornwall, but along the way she not only discovers more about the past, but also a lot about herself.

I had a fascination with Tintagel as a child and enjoyed revisiting the location of so many myths and legends. The story carried me along and was thought provoking and well written.

The Second Chance Holiday Club by Kate Galley

When I started this book, I wasn’t too sure about the age of the main characters, but this was soon dismissed as I got carried away with the story and the reveal about more detail of Evelyn, Joy and Cynthia’s lives. The revelations really make you think about your own life and in particular “seizing the day”. Sad, funny and uplifting. I really think we need a sequel to this one!

An Invitation to Seashell Bay: Part 1 by Bella Osborne

A classic Bella Osborne story with hot heroes, quirky heroines, misunderstandings, almost impossible strange situations and real life stuff. I finished Part One of An Invitation to Seashell Bay with a big outburst of laughter. Fun stuff. Can’t wait for Part Two.

The Collaborator’s Daughter by Eva Glyn

This book is one of my favourite reads this year! I related to the feelings and thoughts of Fran the main character so much that I could be her. Having visited Dubrovnik in my teens, I could easily imagine walking in the streets and well remember oranges and lemons growing on the trees and the bullet holes in the buildings. Fascinating, intriguing, well researched, poignant, heart-breaking and a great read. Another triumph from Eva Glyn – more please.

An Introduction to Needle Felting by Linda Calver

What a beautiful cover this book has with the delightful, felted animals on the front. It immediately makes you want to pick up the book and open it…

Needle felting involves tangling wool fleece using a needle to make 3D sculptures by adding layers of the wool. The process of working the wool initially feels strange, but it is surprising how quickly you can see a project taking shape and how easy it is to change the size and character of what you are trying to make.

I realised very quickly that I would need to practice to achieve the lovely animals in the book, as mine tended to come out a little lopsided with funny faces to begin with, but the craft is very addictive and I will persevere to achieve the standard I would like.

This book is a great introduction to felting and I think if you only work through the projects contained in its pages you will be more than happy, although probably by then, firmly addicted and wanting to make more.

 

WRITERS ON THE ROAD: CAROLINE JAMES

Meet Venus. My writing retreat on wheels.

“Come and write in me!” Venus whispered when I reluctantly went to view her. I’d never had any desire to be a caravaner. It suggested too much Hi-de-Hi! But from the day I met Venus last summer, it was love at first sight.

She’s a big twin-axle unit and, combined with the car, as long as an articulated lorry. Spacious with bedroom, bathroom, kitchen-diner and lounge.

Our first few forays into caravanning were in the UK as we took in the delights of Wales and Northumberland, with only minor mishaps with awnings and wrong turnings. I could write in the peace of the countryside or overlooking a beach. Venus has few demands. There’s minimum cleaning and washing and no gardening – no distractions to stop me from writing.

Now we felt prepared for an overseas adventure. Unlike a motorhome, travelling with a large caravan needs plenty of planning. Would we get stuck in the Eurotunnel? Would our ‘BipandGo’ get us through tolls in each country automatically? Would the pitches be big enough for Venus? The list of checks was long. But most significantly, would all the travelling distract from my writing?

Leaving in mid-December to head south through France, the adventure began, and I was too distracted to write as the days progressed. We enjoyed many stop-offs along the way, including Christmas shopping in Lyon and being frozen to the bone in Beziers during the coldest temperatures for years. But once over the border to Spain, the weather warmed up, and we eventually settled for several weeks on the coast, south of Alicante. Now Venus became our Spanish home, and she adapted beautifully. The awning was up, the canopy open, and wine poured. With a novel to finish and perfect, the peace and tranquillity of my writing environment was a writer’s dream, and the words flowed. Distractions from our European neighbours were pleasant. Bonjour! Guten Morgen! They called out and encouraged me to write.

Travelling around Spain sparked many plot ideas. I know that I will have future characters enjoying the mud baths at Lo Pagan on the Costa Blanca and visiting the eclectic rastro market in Calpe or taking in the rich history of Alicante. With so many festivals to enjoy too, I made prolific notes as I planned the outline of a novel.

Heading home, we took a different route. Driving across Spain via Madrid, I saw how beautiful and rich the country is as we encountered miles of orange groves and vineyards. Every town and village seemed to have a castle built precariously high on a hill, or a medieval church tucked around a corner. Approaching the Pyrenees, bathed in glorious sunshine, the view was magnificent, and I didn’t give the drive a second thought.

But now, I know how to write about fear.

Suddenly, the temperature dropped to sub-zero, and driving snow became a blinding blizzard as darkness fell. Venus is a heavy vehicle, and as we drove along the top of mountains with nowhere to shelter and a hundred miles to go, I thought I was going to die. Look out for a scene in a future novel when the terrified characters disappear into a wintery Spanish night – the story will write itself!

Our next trip will avoid the mountains in winter.

Happy travels everyone!

With love,

Caroline

 

Out now – THE CRUISE

 

PUBLICATION DAY SPECIAL: THE SECRET SHORE BY LIZ FENWICK

I’ll say up front that for me, this is Liz Fenwick’s best book yet. It is just so very rich in everything; the sense of the era, the superbly described settings, the characters that refuse to leave your side.

The Secret Shore is also Liz’s first fully historical novel and her research is impeccable. Not only that, it is used so sparingly in both tiny period details and sweeping events, it whisks you back the Second World War in an entirely credible and unsentimental fashion that never gets in the way of the story.

The entire narrative is carried by the main character, Merry, an Oxford geography lecturer recruited to help the war effort. Merry is an expert in maps and they stretch into every corner of her world; her vital work, her hobbies, and even her personal life. If there is something she cannot map she is deeply uncomfortable. Liz uses the metaphor well and it never seems overdone.

War, however, throws up the unforeseen; the unmappable, the unfathomable, the tragic, the moments of laughter and intense joy. But it is also a time of transit, impermanence, the last time of all that career-minded Merry would want to listen to her heart.

Set mainly around Liz’s beloved Helford River, this book is a treat not to be missed.

When Liz told me in passing she had read forty books in the name of research, I had to ask more about how she set about that gargantuan task:

If I had known beforehand that it would require me to read forty books and multiple academic papers in order to write The Secret Shore, would I have done it? Yes. This story was one I had to write because I love the Helford River so much. The story of the secret flotillas in WW2 is part of the history of the river and I have wanted to write about them for ages. But I struggled to find a way until the character of Meredith Tremayne, a cartographer, came to me.

The starting point for my research was the book The Secret Flotillas by Brooks Richards. In the course of writing The Secret Shore, I reread his book three times just to keep straight the different operations running the routes from Devon and Cornwall to Brittany. After learning of the teams’ immense bravery, I made the decision to use the names of the real people in my novel and this led to more books to research… from general history, to biography, to memoirs, and finally to obscure titles to find the small details. Some I had also read previously while researching for The Returning Tide, such as the personal memoir of the woman who managed the Ferryboat Inn during the war.

In all this fascinating background work the key thing for me was to digest the information and then to step away. It’s far too easy to want to squeeze in all the riveting facts, but that would have dragged the story down. By the end of my research, I may have done the equivalent of a Geography A level, but more akin to the study of geography as taught in the 1930s.

For The Secret Shore I stuck to my tried and tested method of doing my research in chunks. To begin with, only enough to write the first draft, then as the story develops I commence the deep dive for the right information. I can if I’m not careful become easily led astray down the many rabbit holes of research. Through the ensuing drafts I keep seeing the need for further information and will keep reading more to add subtle layers, without overloading it, hopefully bringing the story alive for my readers.

Now the big question is where to put all the books?

 

 

 

EVA GLYN’S HIDDEN CROATIA: THE MUSEUM OF BROKEN RELATIONSHIPS

“A museum about you, about us, about the ways we love and lose”

We stumbled upon it one warm September afternoon in Zagreb’s Upper Town, a sign so intriguing we crossed the road to take a closer look. A museum? For broken relationships? One where the artefacts are contributed not by historians or professional artists, by those involved; the heartbroken, the newly released, the despairing and the ever hopeful.

Zagreb may be the museum’s permanent home but it also has a virtual presence and outreach exhibitions. And anyone can contribute, either by sending their item to the museum or one of the exhibitions, or by filing their story online. Indeed you can upload a story that no-one else will see; it can remain your personal testimony until you are ready to share it, or timelocked until a date of your choosing.

The idea behind donating is this: “Recently ended a relationship? Wish to unburden the emotional load by erasing everything that reminds you of that painful experience? Don’t – one day you may regret it. Instead, send your item to our museum and take part in the creation of a collective emotional history!”

Photo credit: Museum of Broken Relationships/Sanja Bistiric

And which of us has not been there? The decision to part with (or not part with) a possession so intrinsically wrapped into a relationship that is broken beyond repair is one of the toughest. We have lost the person (for better or for worse). Would it be cathartic or even more heart wrenching to lose that birthday card, that pair of boots, that book, that kitten… Please don’t sent the museum the kitten – a photograph will do very nicely.

So what sort of things does the museum receive? The answer is anything and everything and the collection is growing so fast that only around a tenth of it is ever displayed. But it is all carefully curated and kept, seeing the light of day for themed exhibitions and when new space becomes free. Online contributions, in the form of pictures and stories, are published to the museum’s website within a few days.

The Museum of Broken Relationships began in 2006 as creative art project conceived by Olinka Vištica and Dražen Grubišić. Even now the fundamental idea behind it is to pull creativity, rather than destruction, from grief by giving something to the museum. The idea is a sound one. I remember many years ago hearing a rabbi on the radio say that if you make a mistake, rather than fret about it you should wrap it up in a beautiful parcel and make a gift of it to your god. Unlikely as it sounds, it worked for me.

Photo credit: Museum of Broken Relationships/Sanja Bistricic

If you visit the museum or one of its exhibitions you could be confronted by anything so do so with an open mind. Everything is displayed anonymously, with the dates and place the break up happened. A drawing, a doll, a dildo… a piece of belly button lint. Everything has a place here and a story. But one of my absolute favourites is a toaster. The toaster of vindication it’s called, the label pithy and brief: “That’ll show you. How are you going to toast anything now?”

To visit, contribute, browse, or support the museum by buying something quirky or hilarious from its shop, check out its website at https://brokenships.com/

ANGELA PETCH ON THE WEIGHT OF RESPONSIBILITY OF RESEARCH

I felt a weight of responsibility to get my research right for The Girl who Escaped. A main male protagonist is based on my Italian grandfather-in-law and I wanted to respect Luigi’s courage, as well as accurately represent the plight of Jews in Italy.

The first book I consulted was: It happened in Italy, written by an Italo-American lady. Elizabeth Bettina wrote of an internment camp for Jews near her grandparents’ village of Campagna. They’d been treated with kindness and respect. This was a revelation. I had only come across stories of gruesome concentration camps. Did camps like Campagna exist in Tuscany?

I found a camp called Villa Oliveto where archives for internment camps were stored. Brilliant! The hunt was on! I found accounts and photos of this place in the 1940s.

We travelled to the picturesque location set in olive groves near Civitella in Val di Chiana, but the villa, a former orphanage, was closed and archives no longer stored there.

All was not lost, however. I wandered around the building, taking photographs and notes. Then, I came across a puzzling, fading plaque, which told me the villa had once housed British Jews. Extremely puzzled, I asked a local woman who was walking past. But she had no idea. I speak fluent Italian and this helps when researching.

I enjoy a research puzzle and when I discovered the explanation later, it inspired a new character. Bear with me…

A young woman called Shira is a Cyreneican Jew from eastern Libya. (A former Italian colony). After Italy joined the Germans in 1940, many Libyan Jews were sent to concentration camps where they were treated abominably.  Jews lost trust in the Italian government, and began to support the British. The British had first conquered Cyrenaica in December 1940 and abolished Mussolini’s racial laws. Many Jewish men joined the British army and were granted British citizenship. Here was the link I needed.

On April 3rd 1941, Italian and German forces pushed British forces from Benghazi. Jews were arrested by the Italians, especially those who had allied themselves with the enemy, and were sent to the notorious Giado camp. Some Libyan Jews, however, were sent back to Italian camps. I’ve never found the exact reason, but have allowed myself artistic license through detective work. In a brilliant Italian book covering the persecution of Jews in Italy I found possible explanations of why Shira and other Libyan Jews might have landed in Italy, instead of elsewhere.

The Italian government knew about extermination of Jews already by the second half of 1942 – when they’d heard of massacres of Jews in Russia, from word sent home by Italian officers operating on the Eastern front. And foreign Jews who had arrived in Italy, including Hersz Kawa from Siedlce, Poland, had also talked of atrocious treatment too. He and two others had managed to escape in an empty wagon of a train bound for Italy. They spoke to Italian guards who made sure they were sent to an Italian camp, rather than German.  Similar events happened in Vichy France, when French Jews escaped to Italy because they felt they would be better treated.

I’m hoping that the same thing might have happened to those British Libyan Jews mentioned on the plaque. Saved by Italian soldiers acting with conscience.

 

The Girl Who Escaped:  https://geni.us/B0BYC1V9NHcover

 

 

 

 

‘NEVER NEVER’ by Colleen Hoover and Tarryn Fisher

The powerhouse couple of Colleen Hoover and Tarryn Fisher was always going to be an event and my, my, what a book this is. The first in a trilogy about a teenager couple who’s memory vanishes. It’s hard to place the genre initially, but the ride is there in the characterisation and whip-smart dialogue. It made me laugh, smile and kept my guessing all of the way.

A good starter to what I reckon is going to be a belter of a trilogy. Loved it.

Charlie Wynwood and Silas Nash have been best friends since they could walk. They’ve been in love since the age of fourteen. But as of this morning… they are complete strangers. Their first kiss, their first fight, the moment they fell in love… every memory has vanished.

Now Charlie and Silas must work together to uncover the truth about what happened to them and why. But the more they learn about the couple they used to be… the more they question why they were ever together to begin with.

Forgetting is terrifying, but remembering may be worse.

The Number One Sunday Times bestselling author of It Ends with Us joins forces with the New York Times bestselling author of The Wives for a gripping, twisty, romantic mystery unlike any other.

 

Never Never

By Colleen Hoover and Tarryn Fisher

About the author:

Colleen Hoover is the #1 New York Times and international bestselling author of multiple novels and novellas. She lives in Texas with her husband and their three boys. She is the founder of The Bookworm Box, a non-profit book subscription service and bookstore in Sulphur Springs, Texas.

 

Tarryn Fisher is the New York Times and USA TODAY bestselling author of nine novels. Born a sun hater, she currently makes her home in Seattle, Washington, with her children, husband, and psychotic husky. She loves connecting with her readers on Instagram.