Category Archives: Writing

EVA GLYN’S HIDDEN CROATIA: AFTER THE MONKS LEAVE…

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As so often happens when you’re researching, I stumbled across Lopud 1483. Strange name for a monastery now turned event space and high end holiday let, but not when you discover that was the year the Franciscans started to build Gospa od Spilice, or Our Lady of the Cave.

Perched on an outcrop overlooking the main harbour on the island of Lopud, just fifteen kilometres from Dubrovnik, the monastery and its fortifications have been a landmark for generations. After the 1820s it began to crumble, the monks having decamped back to the mainland leaving a local man to open the church for anyone who wanted to pray.

It was a tiny and often forgotten slice of the monastery’s history that fascinated me originally. I was researching what happened to Dubrovnik’s Jewish community during the Second World War and discovered that some of them had been interned on Lopud for a period of about six months. This was done under the strict instructions of the German occupiers, but the soldiers guarding them were Italians who up until that point had avoided imprisoning the Jews under their jurisdiction.

What fascinated me was exactly where on the island the unfortunate Jews had been interned. There didn’t seem to be very many buildings big enough, which left me thinking about the monastery. It might have been a ruin, but it had stout fortified outer walls and in many ways was an obvious choice. So imagine my surprise when, watching a documentary about the monastery’s restoration, I saw the words ‘il duce’ painted on a wall. Italian fascists had definitely been there.

I really, really wanted to visit this beautiful place, as my characters do in the book I was writing and researching. They would have been there in 2010, quite early in the restoration programme, but I knew from experience that walking around the building and grounds would enable me to recreate it so much better for my readers.

I knew I couldn’t afford to rent this iconic property (recent guests include the Beckham family), so I emailed the general manager with the dates of my Croatian trip and kept my fingers firmly crossed. The answer was yes; they had a small gap between rentals – basically a Sunday morning – and their security officer would show me around.

First let me say that Lopud 1483 is a little slice of heaven. Its restoration took the best part of twelve years, but in 2018 it opened its doors for cultural events and private rentals. The project was masterminded by Francesca Thyssen-Bornemizsa, and it now houses her family’s extensive collection of renaissance art, furniture and artefacts.

Our guide was keen to tell us about the art, but also about the property’s history, including the physic garden and the monks’ pharmacy which have also been restored. To walk through the gardens is a wonderful sensory experience and I could have lingered there for hours, but of course I needed to find out about the Italian connection in World War Two.

Standing in the master bedroom looking at the fascist graffiti from eighty years before sent more than a shiver down my spine. The monastery had certainly been the Italians’ headquarters on the island but, as I discovered that day, not where the Jews had been interned. That dubious honour went to a hotel that had been built in the 1930s as a beacon of modernity, something I would never have found out had I not visited Lopud.

And I can always dream that the book, due out in summer 2023, is an international bestseller so I can afford to go back to Lopud 1493 and stay!

My Writing Process Rebecca Raisin

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What have you written, past and present?

I have written eighteen romance novels over a period of about ten years. At the moment I’m writing a book set in Venice and it’s been a joy exploring all the hidden gems albeit with the help of travel blogs and google images. It’s always a lot of fun to research a location to bring it to life in my stories. 

  • What are you promoting now?

My latest release, Elodie’s Library of Second Chances is about the power of stories and second chances. Elodie escapes the family media empire to take the librarian job in small town Willow Grove. She hopes to save the library but with limited funds and resources she’s fighting a losing battle. Until she stumbles upon some real-life stories that need sharing. She decides to lend people to share their stories in the hopes the community will be more accepting of those on the periphery. Everything is going well until her own past gets scrutinised and people find out she’s not who she portrayed herself to be. But don’t we all deserve a second chance? 

  • Tell us a bit about your writing process

I write the first draft fast with a brief outline to guide me. I don’t like to plot in too much detail as I prefer the characters to guide me when they come to life on the pages. In saying that, I do a full character profile for the main characters before I start. I start with their physical descriptions and then dive into what sort of person they are. Do they cry in sad movies? What kind of laugh do they have? What do they want most in the world? What are they scared of? And that gives me a wide scope to work with when it comes time to add some conflict into the story and know how they’ll react to certain situations and where to push them that little bit further. 

  • How do you structure a book?

Every book is different depending on the goal of the heroine but I usually start with a hook, a catalyst that changes her life and forces her to act. The character profile comes in handy here because I will already know what she doesn’t want, or what she fears so I will then move the plot forward by making her face those fears. I use the general idea of what is her goal? Her motivation? What conflict can I add to the mix to make her work for what she wants ahead of the resolution. I also focus on friendship as well as romance so these factor in too but for my heroines the priority is always about them finding their own way in the world. 

  • What do you find hard about writing?

Deadlines! They creep up so fast! It feels like I’ve got all the time in the world and then two minutes later the book is due. Luckily, I love editing, so once I get the first draft done, I enjoy the editing process a lot more. 

  • What do you love about writing?

The best part of writing is when a story comes together in such a way that those characters are in your heart and on your mind and you know you’ve connected to the story on a deep level. The Venice novel I’m writing now feels that way, almost as though they’re real people and not inventions of mine. It’s the best feeling when that happens! 

SUNDAY SCENE: LYNNE SHELBY ON HER FAVOURITE SCENE FROM ROME FOR THE SUMMER

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Kate Harper, the heroine of my new book, Rome For the Summer, has always loved the painting that has hung in her parents’ dining room for years, never suspecting that it is worth a fortune – until her art dealer boyfriend cheats her family out of the proceeds of the painting’s sale, leaving her devastated.

Kate discovers that, two hundred years ago, the girl in the painting, Charlotte Browne, ran off to Rome with the artist who painted her portrait. He abandoned her, but her eventual fate is unknown. Hoping to uncover the mystery of what happened to Charlotte, Kate seizes the chance of a summer job in Rome, where she strikes up a friendship with artist Jamie Taylor . . .

One of my favourite scenes in the book, takes place on Kate’s first day in the city, when Jamie takes her to see the Trevi Fountain, leading her through ‘a maze of streets’ narrow enough for her ‘to wonder how the cars parked along their length could possibly have driven down them.’ Passing apartments with flowers tumbling from their tiny balconies, restaurants with tables outside on the pavement, fruit stalls, ‘and street vendors selling anything from red roses to dubious leather handbags,’ they round a corner into bright sunlight and Kate hears the sound of rushing water . . .

‘Oh – there it is!’ I exclaimed. There in front of me was the famous Trevi Fountain, its white marble statues glowing in the late afternoon sun, water splashing down into a turquoise pool, the steps surrounding it packed with tourists, most of them holding up camera phones. It was a scene familiar to me from every movie set in Rome that I’d ever watched, and yet it took my breath away.

Writing this scene through the eyes of a character who has never visited Rome before bought back memories of my first visit to the city – my reaction on seeing sites like the Trevi Fountain, the Colosseum or the view from the Palatine Hill for the first time, was very similar to Kate’s!

The scene is also the first time Jamie, who spotted Kate sketching on the Spanish Steps earlier in the day, offers to help her improve her painting and drawing technique.

I looked again at the fountain with its statues of a man and two galloping horses set against a backdrop of a palace façade, and knew that I didn’t have the skill to capture it on paper.
‘I could never draw something like that,’ I said.
Jamie raised his eyebrows. ‘You don’t know that.’
‘Believe me, I do,’ I said. ‘I’m no good at drawing people or horses, even if they’re made of marble.’
‘I could help you draw them,’ he said, ‘if you’d like me too.’ He smiled encouragingly, and somehow, even although I felt sure he would be wasting his time, I found myself nodding my head.

Kate’s drawing of the fountain turns out a lot better than she expected, Jamie’s encouragement helping her find the confidence that she lacks to believe that she can actually draw, foreshadowing the way her summer in Rome will lead to her finding the confidence to pursue her dreams and ambitions in other areas of her life as well.

I very much enjoyed writing this scene and giving my heroine a great first day in the Eternal City. As Jamie says to her, at the end of the chapter, as they share a bottle of wine and a pizza at a pavement café: ‘Benvenuti a Roma, Kate.’

 

www.lynneshelby.com

 

 

 

SUNDAY SCENE: KILEY DUNBAR ON HER FAVOURITE SCENE FROM SUMMER AT THE HIGHLAND CORAL BEACH

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I call my third novel, Summer at the Highland Coral Beach, ‘the book of my heart’ as it was deeply emotional to write.

The story follows Bea six months after the miscarriage of her longed-for baby. She’s approaching her fortieth birthday, her marriage has ended, and she’s spiralling. Bea books a spur-of-the-moment crafting holiday in the highlands at the eccentric Princess and the Pea Inn (complete with towering fairy-tale bed). Here, Bea has time to wild swim off the coral beach, make beautiful things, and process her grief a little, helped by willow weaving tutor, Atholl.

Having grown used to keeping her grief to herself (so often grieving parents find they have no outlet for their sadness), the words spill from her during a panic attack witnessed by Atholl. He strikes upon a way of helping Bea begin to say goodbye.

I love this scene because it depicts things not all that often discussed in ‘light’, cosy romances.

He produced a parcel from under his arm and unwrapped the brown paper that protected it. ‘I thought maybe, if you want, you could make use of this wee thing?’

He handed her the intricately weaved hollow bassinette shaped curiously like a Russian doll or an ancient Egyptian sarcophagus with a round hole where the face would be.

‘I made it myself of the spring’s youngest willow back in March.’
‘It’s lovely. What is it?’ Bea asked.
‘It was for a talk Seth was giving about old Highland customs. It’s a swaddling basket. You’d wrap the baby in cloths and bands, tucking them up tight so they could sleep, and then they’d be placed inside the basket and worn over the parent’s back while they worked in the fields or at the fishes.’
‘It’s beautiful. It’s tiny, though. Too small for a newborn.’
‘It was only a model, to show what the real thing would be like.’

Beatrice turned it over in her hands, her eyes misting, and she looked up at him, hesitatingly, still unsure of what he intended her to do.

‘There’s another Highland custom, an ancient one, going back to the earliest folk on the land,’ he said softly. ‘When a loved one passed, they would swaddle them too like a bairn, placing them in the water, letting the tides carry them home.’

Beatrice took his meaning and she bobbed her head as the silent tears came again.

‘Do you want to do it now? There’s a braw moon lighting the harbour.’
‘All right.’

Those were the last words they said to each other that night as Beatrice, the mother of a loved son, threaded the Highland posy of forget-me-nots, heather and white campion into the loose basket work, weaving each flower in amongst the shoots from the sappy willows as Atholl watched on.

When her work was done she left the inn, crossing the dark road and leaning over the sea wall. Atholl stayed by the inn porch, close enough to see her kiss the little bundle before lowering the empty bassinette onto the surface of the gentle waters.

Neither could tell how long it took for the horizon to claim the floating focus of so much of her grief but by sunrise it was gone and Beatrice was asleep soundly in her bed.

 

Despite the sadness, there’s love and laughter in store for Bea and Atholl. I’ve received many messages from parents saying how Bea’s story helped them. I hope it continues to offer a wee bit of brightness to yet more readers when Summer at the Highland Coral Beach comes out on paperback this July.

One in four pregnancies end in miscarriage, the miscarriage association is there to help: https://www.miscarriageassociation.org.uk/

 

 

 

6 Habits Every Writer Should Follow for Efficient Work

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It is the ultimate goal of all writers to knock out thousands of words every day. You dream of touching new heights of success and top the bestseller lists all over the world. However, this process requires you to put your heart and soul into fulfilling your purpose.

As Stephen King once said, “You can, you should, and if you’re brave enough to start, you will. Writing is magic, as much the water of life as any other creative art. The water is free, so drink. Drink and be filled up.” This is why writing is also therapeutic for many authors.

It is an activity that not only gives you a chance to express your feelings but also provides a great opportunity to explore new worlds of your imagination. Every writer dreams of showcasing their skills and talent in front of the whole world, but only a few end up doing so.

So, if you want to be one of the most successful writers and fulfill your dream, here are some of the many important habits you need to adopt.

 

Read More Often

You might be confused about how it is exactly relevant to writing? What you might not be aware of is that reading is part of the process. Yes, you heard it right! Just like music is food for your soul, reading turns out to be the fuel for your writing skills.

Reading your favorite authors and genres more often can give you a chance to enhance your innovation and let you delve into new worlds of different perspectives. It is also a great way to improve your writing skills by identifying several writing styles.

Reading a wide variety of books of different genres gives you better exposure to enhanced vocabulary as well as helps you get your inspiration for your storyline. By reading more interesting books, you will also be able to increase your knowledge about your favorite topics.

 

Write Every Day

We all have our own set of responsibilities and hectic routines, but that should never be the reason for you to skip writing. Taking out time from your daily life and focusing on your writing can not only help you to achieve your goals without having to get into much hassle.

No matter how intimidating and overwhelming it might sound, dedicating a certain time of your day to writing is necessary if you want to be like one of your top favorite authors. This will also turn out to be quite beneficial in keeping things organized.

To fulfill this purpose, you can set up a proper space and time where you can easily focus on your writing. Another easy solution is to give yourself a small, realistic task and try to finish what you started once you start writing.

 

Set Your Deadlines

All writers deal with a mental block, also commonly known as “writer’s block,” every once in a while. However, this should never distract you from your real goal. This means that you need to find out strategies to deal with such situations in an effective manner.

For this, one of the easiest ways to keep working at a consistent pace is by trying to make sure to set reasonable and realistic deadlines for your tasks. You can also divide your work into small sections and give yourself a certain time limit to be able to efficiently work on it.

You can also block a certain time for your tasks to make sure to complete your work within deadlines. However, make sure not to get too hard on yourself, as this can limit your creativity and might not let you get the best out of yourself.

 

Edit After You Write

One of the most common mistakes that most authors might make is editing their work when writing. While it is great to multitask, it is not quite the case when it comes to writing. Since it is a creative process, it comes at its own time.

Instead of that, what you can do is to first complete your draft and then dedicate a certain time to thoroughly edit and proofread your work. Whether it is about the quality of your work or the cover design of your book, you can also take help from professionals to easily achieve your goals.

Just like you can hire a sci-fi book cover designer, you can also get yourself an expert editor. This will help you to check your work with a fresh pair of eyes and from a different perspective. It will also improve the clarity and readability of your book.

 

Embrace Research

Whether you are planning to write fiction, non-fiction, or any other genre, one thing that can certainly play a vital role in your success is research. Believe it or not, even the famous writers have been there once and invested their time in succession.

While it might sound like a long struggle at first, identifying your target audience and market helps you to address the pain points of your potential readers. This lets you understand the likes and dislikes of your target audience as well.

Unlike what most people think, research is not a distraction, and it rather puts you on the right path to success. It also gives your writing a proper direction by letting you know what kind of content you need to shift your focus to.

 

Utilize Technology

With the advancement in technology, we have got plenty of options available for us to complete our work. Especially when it comes to writing, with the internet at your fingertips, you can use a number of different tools and tricks to increase your creativity.

With a vast variety of things available on the internet, you can use this knowledge to speed up the process of your writing. Whether it is about research, writing, editing, or anything else, these tools can help you to easily achieve your goals without having to get into much hassle.

All you need to do is to find the right tools that work for you and utilize them according to your requirements. This will help you to save a lot of time, energy, and money as well and make writing a happier and smoother process for you.

 

SUNDAY SCENE: NANCY PEACH ON HER FAVOURITE SCENE FROM LOVE LIFE

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My debut novel Love Life is set in and around a hospice (admittedly an unusual choice for a romantic comedy) but one of my favourite moments in the book is when the heroine, Tess Carter (a palliative care doctor) visits the home of her patient, Mary Russel. Tess has a complicated relationship with the Russel family. Mary’s son Edward is in denial about his mother’s terminal illness and remains conflicted about the hospice and everything it stands for, including Tess. On this occasion she is visiting the house to return a scarf to Edward but is not sure what to expect. She knows that the Russel family are wealthy, but the family home is a bit more substantial than she’d anticipated.

‘Tess was entirely unprepared for the view of the Russell residence, which was indeed just up the hill from the vet’s practice. As she cornered round the leafy lane that circumnavigated the estate she caught a glimpse of the main house, a Georgian manor in mellow stone nestled amongst smaller outbuildings, including a carriage house and stable block. She pulled to a stop on the gravel drive, half expecting a butler from a Merchant Ivory production to emerge from the main portico and open her passenger door. She sat for a moment in the car just gazing in awe at her surroundings; the lawn rolling down away from the house towards a thicket of trees, the neatly trimmed box hedges that bordered the drive, the sash windows reflecting the early sunlight and lending a cheerful openness to the façade.’

The novel is set in Bristol and has a Pride and Prejudice theme, featuring a Jane Austen character as one of Tess’s internal narrators, and a hero with hints of Mr Darcy. I love the architecture of this period and the Russel house combines elements of Georgian splendour with the warmth of a family home, complete with canine companions.

‘She made her way round to the back of the house, where she found a weathered rear door with iron boot scrapers at either side. She knocked hard against the door panel and found that it was ajar. With some trepidation she nudged it open and called out “Hello?” Almost immediately there was a cacophony of noise from within the house, barking and the scrabbling of claws across tiles, and she was nearly knocked off her feet by a pack of dogs hurtling into her, tails wagging. The first three dogs were rangy setters, their knobbly heads knocking into her thighs as she fussed over them. A few moments later an elderly cocker spaniel with cloudy eyes shuffled into view and the setters backed off to allow the senior member of the party to greet the visitor.

“Hello?” Edward’s familiar voice shouted through from the next room, “I’m just in here, come through.”

Tess made her way into the kitchen accompanied by the enthusiastic canines and discovered Edward, clad in damp running gear holding his ankle behind him with one hand to stretch out his quads whilst supporting himself on the back of a chair with his other hand. He looked up at her in surprise.

“Dr Carter! How nice.” He was smiling, although she couldn’t tell if it was genuine pleasure at seeing her or more of a grimace as his muscles relaxed into the stretch. He released his right ankle and repeated the move with the left whilst trying to fend off the dogs who were all trying to get involved in the warm down. Tess was mortified.’

 

www.nancy-peach.com

My Writing Process Tetyana Denford

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I remember when my mother called me, because the weather had been mild and the air smelled of the coming Spring. It was 2015, and we were living in the UK, so the 5 hour time difference meant that it was already late in New York when I heard her voice on the phone. Her tone was tender, and not a little bit numb and distant, and I would soon understand why: a family secret.

I had grown up in a relatively standard Ukrainian family: I was raised within the language, the traditions, and as I was an only child, my parents would make sure Ukrainian was the world that I knew and flourished within. We lived with my maternal grandmother, Yulia, and whilst her stories of wartime Ukraine were harrowing, nothing was ever out of the ordinary.

And then, we all learned something about her past that seemed more like a movie script than anything we’d ever imagined in real life. For me, my status as an only child, and a writer, meant that it was up to me to write the story down, for the family, for myself, and for my children to know our family story in detail. But could I do it justice? The impostor syndrome was very real, as most writers can attest to on their best days.

The first thing that I learned about writing a book is that the first few drafts are always the story, not the ‘book’; chronological, sometimes painful, but always the purest form. Once I started researching Ukraine, World War II, passenger lists on post-war ships heading to Australia, and New York in the 1960s… the book started coming to life. I’ll admit it felt like it took a solid two years to finish the first few drafts because at the time, my three children were all under eight years old, and my husband was travelling for work constantly, so I had very little time to write apart from very early in the morning or very late at night. It wasn’t easy, but I knew in my bones that this story was an important one to memorialize, because if I didn’t, it would disappear with the passage of time, like so many other family stories.

My grandmother was still alive and still had a semblance of memories stitching her life together in her mind whilst I was writing this, so old photographs and conversations were priceless for me to be able to place myself in her mindset when she was living through all of these painful periods in her life, and what fascinates me now, looking back, is that the current newsreel detailing the war in Ukraine runs in stark parallel to what she and generations of her family had lived through and fought against in the early 1900s and all through the second world war. And we are reminded now that history has a long pattern of repeating itself, because no one seems to remember how hard people fought for their sovereignty.

And now, now I feel proud of knowing that as a younger generation Ukrainian, I have written a story, a whole book, of what people are discovering about Ukraine and its people: their pride, their loyalty to the country that made them, their generosity in standing up for any people who are marginalized and forgotten, their fierce love for their family and friends, and their stubborn refusal to ever back down in their music, their art, their willingness to hope.

I am not an anomaly: there are so many Ukrainian writers and authors and translators who are now taking up the fight and using their voices as a war effort, when they are living all across the world worrying about their friends and their families in danger. We are the future, our stories begin with emotional phone calls, our writings are stitched together with anger and hope, and our platforms are flooded with calls to action from not only Ukrainians but anyone who chooses to stand on the right side of humanity and amplify the stories that make us who we are.

Our words are the weapons we choose to affect the hearts and minds of the entire world, not just to support Ukraine but to remember that all of our family stories are the threads that bind us and remind us to wish for a better future. 

Author Bio

Tetyana Denford grew up in a small town in New York, and is a Ukrainian-American author, translator, and freelance writer. She grew up with her Ukrainian heritage at the forefront of her childhood, and it led to her being fascinated with how storytellers in various cultures passed down their lives to future generations; life stories are where we learn about ourselves, each other, and are the things that matter most, in a world where things move so quickly.

Her debut novel, Motherland was self-published in March 2020 to critical success and longlisted for The Readers Digest Self Published Book Awards. It was based on an incredible family secret that was revealed by her maternal grandmother, Julia, only recently, and has been described by people as ‘haunting’, ‘powerful and devastating’, and ‘a fragile and hopeful story of an immigrant family’. In March 2022, Tetyana signed a 2-book deal with Bookcouture, an imprint of Hachette, and Motherland will be re-released in July 2022 with a new title and cover.

She also works with Frontline News as a translator, has been featured in The New York Times, The Telegraph, The Flock Magazine and Mother Tongue Magazine, and speaks several languages. She also hosts a YouTube show called ‘The Craft and Business of Books’ that helps writers understand both the creative side and the business side of the book world. Her series of ‘conversation books’, collections of poetry and prose about Grief, Motherhood, and Love, were published in 2021.

Tetyana currently lives in New York with her husband and three children.

About the Book

Ukraine, 1940. She cups her daughter’s face with her trembling hands, imprinting it on her mind. ‘I love you. Be brave, ’she whispers through her tears, her heart breaking into a thousand pieces. Sending her child away is the only way to keep her safe. But will she ever see her again?

When war rips their country apart, Julia is sent away by her tearful parents in the dead of night, clutching her mother’s necklace and longing for one last embrace. But soon she is captured by Nazi soldiers and forced into a German labour camp, where behind a tall fence topped with cruel barbed wire, she has never felt more alone.

Just as she begins to give up on all hope, Julia meets Henry, a young man from her village who shares her heart full of dreams. And when she feels a fluttering in her belly that grows and grows, she longs to escape the camp and begin a new life with their child. But then Julia is forced to make a terrible choice. A choice no mother should have to make.

New York, 2011. With her heart shattered and her life changed forever by the shadows of war, as the years go by Julia thinks she will never be whole again. For decades she has been carrying a terrible secret with her, her every moment tainted by tragedy and loss since those dark days of the war.

But when she receives a phone call in the middle of the night, far away from the home and family she lost in the war, will Julia finally be reunited with the missing piece of her heart? Or is it too late for her wounds to heal?

Based on the incredible true story of the author’s grandparents, The Child of Ukraine is a breathtakingly powerful tale of love, loss and family secrets, perfect for fans of The Four Winds, The Last Green Valley, and The Nightingale.

 
This novel was previously published under the name Motherland.

SUNDAY SCENE: AUDREY HARRISON ON HER FAVOURITE SCENE FROM THE SPINSTER’S CAPTAIN

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I have been writing and publishing Regency romances since 2011, being fortunate enough to be a finalist in the Amazon Kindle Storyteller competition and the Romantic Novelists Association Award. I never thought I would write anything other than my regencies, but there was a story in my husband’s family history which has niggled in the background as I wrote in my genre. I had resisted it as it was set in the Victorian era and although close to the Regency, there were still differences which could be stumbling blocks for me.

The story was that In 1846, a spinster travelled to America from Scotland to be a housekeeper for her brother. Domestic staff were hard to come by, so what was more perfect than a spinster sister? Unfortunately for the brother in America, there was also a handsome captain on the ship which was to bring his sister to him.

Researching the story was fascinating, when I (finally) gave in to family requests to write it. Most of the action had to take part onboard ship and so I started down the rabbit hole which was seafaring life.

We consider history as a different world, the language, manners, and rules, but throw in life on the water and there is even more to contend with! In my view sailors were so brave stepping aboard ship, let alone spending their lives onboard. Even within the family history, there is more than one shipwreck. It was a harsh life, but one which could reap rewards, as in the case of our captain.

I do love research, it is the part that I have to contain myself, only so much factual detail can be put into a romance before it becomes a non-fiction book! It doesn’t matter that readers don’t know the hours of research which can go into one sentence.

My resources were hundreds of books I own, and visits to various Maritime Museums all give me the buzz to create the little snapshots of life onboard ship as in this extract:

The call “Who’s for the shore?” had rung out across the ship and through the levels below deck. There had been a final scurry of activity before Robert was approached by David as he stood at the helm.
“We’re ready, Capt’n.”
“Without a moment to spare,” Robert responded.
“Perfect timing then.”
“I was beginning to think we would be stuck in port another day.”
“Oh ye of little faith. As if I would be so tardy.”
“In that case, all hands to weigh anchor and make sail,” Robert instructed.
“Aye, aye, Capt’n.”

The story turned into a trilogy, using two of the other siblings of the spinster. In a family of eleven, they were at the forefront of moving because of the real changes caused by the industrial revolution and it was fascinating enough to keep my research flowing.

The final in the trilogy is set in America, when land was being developed and for the first time men could own the land they worked on, rather than be tenants. So, although I was hesitant to start these stories, I loved writing them.

I have now returned to my regencies, I love taking a snippet of history, whether the Foundling Hospital, the Napoleonic Wars or how they dealt with injuries and disabilities and weaving a romance around that. Always being one who has hovered on the edge of society because of shyness and chronic illness, I will always fight for the underdog to get their happy ever after. It just has to be set in the time in history that I love.

 

www.audreyharrison.co.uk