How Equity Is Helping Models At Work {Careers}

Equity has opened its doors to Models and a new catwalk contract has been introduced in time for London Fashion Week (starting later this week on the 17th)

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It seems impossible that in 2010 in the UK there could be areas of work uncovered by contracts, established breaks or health and safety procedures. It seems more unlikely still that it happens in one of the most glamorous, expensive and envied industries: fashion. Although the fashion industry is subject to the same standards and employment laws as any other area of business it has long operated as if under separate rules, working to its own high artistic standards but with little thought for issues such as the minimum wage or employee’s rights. In the fight to get to the top, standards of employment law fall by the wayside.

“there is an expectation of working for long hours to earn little money, putting up with nudity being demanded in photo-shoots, sexual harassment from photographers. In the early part of a model’s career, often in their teens, this work will be for free.”

Slowly and surely this is beginning to change. At the end of 2007 Equity, the Union for performers in the entertainment industry, agreed, at the request of two pioneering models, Victoria Keon-Cohen and Dunja Knezevic, that models working in the fashion industry should be eligible to join the Union. In 2008 Equity formed a Models Committee to take forward the concerns of the founding members: the lack of protection models have at work, and the lack of recourse when anything should go wrong. In such a competitive profession there is an expectation of working for long hours to earn little money, putting up with nudity being demanded in photo-shoots, sexual harassment from photographers and few, if any, breaks or refreshments. In the early part of a model’s career, often in their teens, this work will be for free as they build up their portfolio.

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The Equity Models Committee now consists of 7 models and Hilary Hadley, the Union Officer. Their current campaign is focused on addressing the lack of professional credits for models work in editorial shoots and websites. The Committee has also been involved in the work to establish the first ever catwalk contract, which will be in use for this coming London Fashion Week (17th to the 21st September). Created through Equity with the British Fashion Council, and other members of the Model Programme, a body set up to ensure the well-being of models during London Fashion week, the contract sets out the minimum terms and conditions a model should expect when employed to walk at a catwalk show.

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This new contract sets out minimum rates of pay including holiday pay, fitting fees, breaks, refreshments, health and safety requirements, changing areas that provide privacy (models are usually expected to change in full view of the catwalk show’s staff) and agreements on nudity/semi-nudity that must be made before the model is booked to work. As well as providing what should legally be there, the new contract also provides models with respect, acknowledging their work as a profession rather than expecting individual, often very young girls, to accept whatever working conditions are offered.

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This new contract marks the beginning of the end for a self-regulated industry. In an environment where models are the lowest in the pecking order and are expected to work without complaint in the hope of becoming one of the lucky ones and making good money, the new Equity Committee provides support, legal assistance and new regulations to make what should be an enjoyable and profitable career safer and more in line with modern employment practices.

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For more information on Equity and if you are a model seeking union representation, please click here.
by Alexa Brown

Alexa Brown is an actress and model, and a member of the Equity Models Committee.

Click and Submit Services for UK Actors {The Film Set}

We’re constantly being told that 90% of an actors job is looking for work. While that’s a massive sweeping generalisation, it is in most ways true. Some of that 90% counts for marketing yourself and going towards making you a more appealing “brand” (so I’m counting going to the gym as work…certainly feels like it). A large proportion of the active looking for work involves click and submit websites. All of these suit different Actors at different stages in their careers but are valid in their own ways…but here’s what we’ve found out.

Starnow

{ Genevieve } Suits people beginning their career or with a really unusual look. Starnow doesn’t have any minimum requirements to join and because of this, there are always loads of people willing to work for free on the site trying to gain experience. It attracts low budget productions or small independant production companies trying to maximise their margins. There’s a huge number of irrelevant jobs on there but it’s usually the first point of call for producers looking for people with very unusual (character) or glamour model looks.

Occasionally there’s a gem of a job in amongst the hubub and I’ve been told that producers post jobs on there because they like the easy user interface.

{ Catherine }  I have been on Star Now for years and people wonder why sometimes as I am no longer a beginner. The answer is above. Occasionally, it has a gem of a job. In my case, a Placebo musiv video I did that has had millions of views. I get recognised a lot from it.

£35.94 for 6 Months

Shooting People

{ Catherine } Shooting people is amazing. Relatively cheap, a hubbub of film making. A lot of the castings are unpaid but you will be in contact with the next Spielberg or Scorsese. It has a good community and some good castings. You can also put up your showreel and films and share with other film makers. Well worth it and affordable. They also do monthly meet ups.

£30 per year

Spotlight

{ Genevieve } The huge majority of professional Actors are on Spotlight’s database. Your page can be viewed by anyone you give the link to or by casting professionals. It’s also published in book form yearly. The book deadline is such a massive event that photographers create special discounts before the deadline to give themselves a competitive edge. The criteria for being listed on the database are fairly strict, it’s limited to professionaly trained or experienced performers. If you have have an agent on your Spotlight profile you won’t even need to submit yourself for breakdowns. They already do that for you. A chat recently with someone in the Spotlight offices recently revealed that unrepresented actors only get 5% of the breakdowns sent. A represented actor will get an additional 75% of the breakdowns sent and there are a few Producers or Casting Directors that prefer to work with Agencies they have established a business relationship with so they choose who to send their breakdowns to…you might think this is unfair considering all the Performers pay the same subscription rate but this selectiveness ensures Spotlight retains the custom of the most productive Casting professionals. Casting professionals pay a subscription too and it’s this level of flexibility and vetting that means Spotlight breakdowns are always from the higher end of the market. If you don’t have an agent then Spotlight can act as a forwarding service for you, giving you some distance from crazed fans. Having a Spotlight card also gets you discounts from a number if retailers and services.

{ Catherine } Spotlight is invaluable. If you are not in it, you are invisible.

Cost varies depending on what time of year you join and what book you want to be listed in but roughly around £177 for one year for Actors and Actresses.

PCR – Production and Casting Report

{ Catherine } Every actor has had PCR at some point in their life. It used to have the hold of Spotlight and be essential. A rite of passage. Again, your agent will get this. It is posted to you and then you post off your CV and headshot or email. Depending on the casting directors preference. It comes on red paper and a lot of the castings will not be happening for a while. It is great for building up contacts. If you can afford it, get it.

£22.46 per month

Casting Call Pro

{ Genevieve } Easy to use website for Actors where you can have your profile online and submit yourself to acting jobs. The membership options are clear and upfront. It’s free to have a profile on the site and apply to unpaid jobs. To register on the site you need to have professional experience or training. Premium membership will allow you to apply for paid jobs, have more photos online and more attachments (Showreels, voicereels etc.) The database is searchable and employers do and will search for you. You can chose to be listed in Google searches or hidden from it and they provides statistics so you can see who’s searching for you online and viewed your profile. There’s a huge mix of jobs on the site, mainly as it’s free to post a casting call and easy to use.

The site also has a huge resource section with details of agents, photographers and services and makes it really easy to find a headshot photographer you like by automatically linking actors headshots with the photographers profile page. There’s an active forum which makes you feel like part of a community, constantly looking for work can be a bit isolating. The yearly socials are good fun and the team behind the website are really friendly.

{ Catherine } Been on it since the beginning. Good for a sense of community and gets good castings.

£117.50 a year for premium membership, free for basic membership.

CastWeb

{ Catherine } Castweb is different from the other services as you get emails about castings,’breakdowns as we call them, and then email the casting director your CV and headshot. It is mostly for agents but I have had a lot of luck with it. It is quite expensive. However, one good job will pay that off. If you can afford it, get it. Your agent will already have it. So ask them if it is needed if money is very short.

£139.95 for 12 Months

Mandy.com

{ Genevieve } A TV and Film production website with a casting section. Free to register as an Actor and upload your photo and CV and also to apply to all the casting calls. Anyone can register but there are few paid opportunities. Fantastic if you are looking to build a showreel. The profile’s arn’t searchable but it’s really easy to submit your details to a job if you’re interested in it.

{ Catherine } Definitely worth it. Free and has the occasional amazing job.

Free

Talent Circle

{ Genevieve } Another free site that allows you to submit yourself for jobs. The site mainly has unpaid student productions of the odd researcher looking for something obscure and has already tried everywhere else. You can choose to receive notifications of new jobs daily via email which makes it really easy to stay on the ball. Sadly though it never saves any of your details which makes applying for jobs an enormous chore. When you’re applying for hundreds of jobs a week you want it to be as painless as possible. However…it is free.

{ Catherine } Also worth it if you have the time. At the beginning of my career I got some very good jobs from it.

Free

Gumtree/Craigslist/Buying a role on eBay…Don’t do it kids.

Ciao for now! Genevieve and Catherine

If you have a topic you’d like covered or something to contribute then send it to info@frostmagazine.com.

Google Alerts, Market Research for Actors | The Film Set

There, I said it…market research.

It’s not called Showbusiness for nothing, there are plenty of amazing Actors out there who are incredibly talented but have never had a paid acting job and there’s nothing wrong with that but if you want to make a career from Acting it makes sense to treat it as a business…That means doing all the boring stuff like tax returns, PR and market research.

(yeh yeh Gen, what about this Google Alerts thing) Chill out inner monologue, I’m getting to it.

What is Google Alerts?

Google Alerts are email updates of the latest relevant Google results (web, news, etc.) You enter the topic you want to keep tabs on and they send you an email when there’s a new result.

The alerts get emailed to you at a frequency you chose or you could opt to receive it via an RSS feed if you have a Google account. Users with Google Accounts can also view, create, edit and delete their alerts using the “Manage your Alerts” page.

What can it be used for?

You can have an alert for yourself (err, it’s not vain), any competitors, any productions that you are really keen on, open auditions in your town, casting directors, that TV show you’re owed repeat fees for, your mates, your mum…the list is endless. (Actually I just learnt the list is limited to 1000 per email address but that’s still a fair few)

Let’s take this scenario for example…there’s a Hypothetical Theatre down the road in the town of Blah where you live. They put their castings up on their website but checking their website everyday is absurd. So, you set up a Google Alert for [“Hypothetical Theatre” Blah Casting] and hooray! When they announce their next casting on their website you’ll be the first to know.

That’s a bit sly isn’t it?

You might think it’s a bit sly but PR companies get paid tons to collect clippings for companies and Google themselves suggest using Alerts for the following things:

” – monitoring a developing news story

– keeping current on a competitor or industry

– getting the latest on a celebrity or event”

What about if there’s more than one person with the same name…

There are folk in the world who have completely unique names…Google Alerts for them are simple and straightforward. However, if you’re searching for a person that has a common name and you don’t want updates on everyone with that particular name, Google have thought of this too and have help guides with some advanced tips.

So for example if you’re searching for someone called thingymabob, and there’s another thingymabob who’s a high profile baker, all you need to do is put a minus (-) sign in front of a keyword attached to the other thingymabob you don’t want to know about. Your search would look like this [“thingymabob” -baker]

My top tip

If you haven’t already got a Google account then head on down and get one. Then instead of choosing to have the alerts sent to you vie email you can receive them to your Google Reader as an RSS feed.

[Google Alerts]

Genevieve Sibayan is a London based Actress, you can find Genevieve’s blog here and get updates by clicking on her rss feed. If you’d like to subscribe to The Film Set on Frost Magazine then click here.

Advice Blogs for Actors {The Film Set | Genevieve Sibayan}

Like every actor out there, I have a stack of books sitting on a shelf gathering dust becoming more and more irrelevant by the minute. There are some good informative books, but they’re becoming the exception rather than the norm. Sometimes I look at my stack of irrelevant books and resent them for costing me (taunting me with their perfect spines) especially as there is so much fantastic advice and information out there on the internet. Here’s a few below, these are just the ones I subscribe to so there may be tons more. Let me know if you find any.

 

Bonnie Gilespie’s Blog – The Actor’s Voice

There is so much amazing info here, all for free. Everything here is positive, inspiring and useful. Casting Director Bonnie Gilespie has clearly put a lot of time into this column on Showfax and even though she’s US based, it’s relevant internationally.

rss feed: http://more.showfax.com/columns/avoice/index.xml

The Actor’s Voice – POV

Showfax, wiz all zis information your are really spoiling uz. This time it’s Bonnie Gilespie and friends. Friends being people in the biz, and there’s quite a few. By a few I mean tons.

rss feed: http://more.showfax.com/plus/pov/index.xml

The Casting Corner

Another column on Showfax, this time from Casting Director Mark Sikes. Mark posts some great advice on a weekly basis…he’s there every week.

rss feed: http://more.showfax.com/columns/corner/index.xml

The Actor Cast Blog

Yet more great advice. ActorCast is a US based web service allowing Actors to submit directly to Casting Directors existing services. Their blog has articles, How to guides, Q&A’s and Open calls.

rss feed: http://actorcastblog.com/blog/?feed=rss2

Backstage Magazine

A US trade journal for Actors proving just how much of an industry this actually is. They have a regular advice column.

rss: http://feeds.feedburner.com/Backstage-Columns

Playbills vs. Paying Bills

Advice and insight from three actors from across the pond. Ben Whitehair, Joe Von Bokern and Emily Beuchat share their stories, resources, recommendations and stuff from their respective acting scenes in LA, Chicago and New York. Read it, you will be entertained and you will learn things!

rss feed: http://playbillsvspayingbills.com/?feed=rss2

The Film Set – Frost Magazine

Brought to you by a couple of London actresses…Catherine Balavage and Genevieve Sibayan. Ok! ok, you caught me, this suggestion’s a little biased but we do have some interviews with fantastic casting directors and people involved in Film and TV.

rss: http://feeds.feedburner.com/FrostMagazineTheFilmSet

Know any more blogs that I’ve missed out? Leave me a comment below and I’ll update the post.

Update:

Minimum Wage Actors [Thanks Pete Jenkinson for this one]

News about National Minimum Wage stories affecting or having affected Actors and Performers.

rss: http://actorsminimumwage.wordpress.com/feed/


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Genevieve Sibayan is a London based Actress, you can find Genevieve’s blog here and get updates by clicking on her rss feed. If you’d like to subscribe to The Film Set on Frost Magazine then click here.

What is an RSS feed? And some (probably) useful feeds for Actors {The Film Set | Genevieve Sibayan}

I don’t want to patronise you…so if you already know all this then scroll down for some (probably) useful feeds…if you think “hmm, feed, omnomnom” then keep reading.

What is an RSS feed?

RSS stands for Rich Site Summary Really Simple Syndication. It’s basically a way of subscribing to a blog or website or any number of things that publish content on a regular basis.

The RSS feed tells your RSS Reader that you’d like to receive updates as and when they happen. By subscribing to a site’s feed in Reader, you will automatically be notified when that website contains new posts or entries. Instead of checking sites repeatedly for updates, RSS feeds bring your favorite websites to you.

This means that you can be kept up to date with a web site and you don’t need to use your bookmarks or clutter up your email inbox with newsletters. Those of us who are Blackberry owners know the feeling of newsletter-overload-itis.

Err…what’s an RSS Reader?

An RSS Reader works a little like an email account. You can subscribe to all the feeds from different sites or sources you like and star, label or organise them into folders just like you can your email account. If you have a Google account then you are already set up for Google Reader, you just need to click on the text link at the top of your Google account page.

If you don’t want to use Google Reader then there are loads of readers out there (here’s a short list) and you can also get them in app form.

Right, got my Feed Reader…now what?

Go to the website you want to receive updates for and look for the feed icon…

When you see it on a website, clicking will usually direct you to that site’s feed. From there, you can either copy and paste the link to subscribe to the feed in Reader, or in the case of many browsers, click a button to subscribe directly.

If that doesn’t happen then right click on the icon and copy the link address. You can then use that address in your reader if you look for the Add Subscription link.

What’s the point again?

Ok, yes you have Twitter and Facebook and email newsletters and people telling you Eastenders spoilers over BBM (yeh, er thanks for that) but with social media and time differences you can miss things and a huge amount of the info isn’t relevant. Cue distraction and reading about peoples lunches and kittens. Readwriteweb.com has a great post on why feed readers rock.

Yeh but…what’s the point again?

You can use RSS feeds to get updates from Casting Directors blogs, updates for productions that are casting, industry news, Google Alerts (which I will go into in more detail about in the future), advice columns and even Youtube Channels.

If you want to follow a youtube channel the feed address is as follows: http://gdata.youtube.com/feeds/base/users/[insert username here]/uploads

You can also use feeds to publicise your own stuff, your blogs, news updates on your website, your webseries channel etc.

Can you give us some examples?

Firstly I have to point out that these question headers are coming from my inner monologue who has just refered to itself as “us”. Should I be worried?

And yes, I can give you some examples…

The Stage – News Headlines and Features

UK pride and joy of the theatrical society The Stagehas almost 600 subscribers via rss alone proving it’s still relevant.

News rss: http://feeds.feedburner.com/TheStageNews

Features rss: http://feeds.feedburner.com/TheStageFeatures

ScreenTerrier

A great new UK blog with news on young british actors. Breaks the occasional story about castings. The feed isn’t even publicised on their site but already has plenty of followers.

rss: http://screenterrier.blogspot.com/feeds/posts/default

The Casting Scoop

USA based with lotsa info and insight but how else would I know that Twilight CD Lana Veenker is holding a workshop in London…

rss: http://castingscoop.blogspot.com/feeds/posts/default

Nancy Bishop’s Blog

Casting director Nancy Bishop’s blog mostly contains updates about events, seminars, links to webinars and projects she’s casting all in THE BIGGEST FONT EVER. I picked up her book recently and I recommend it to any screen actor. Nancy is based in Prague but works internationally.

rss: http://nancybishopcasting.blogspot.com/feeds/posts/default

Bafta Events Feed

Even if you’re not a member you can still go to some of the Bafta events. If you do go…remember to ring the doorbell. Or just hang around outside for a few minutes and giggle at people tugging at the door handles in vain. Not that I do that…honestly!

rss: http://www.bafta.org/events.xml

The Film Set – Frost Magazine

Subscribe to this feed…this actual feed that you’re reading now. A UK based column with interviews with Casting Directors actors etc…run by a couple of Actresses that go by the names of Catherine Balavage and Genevieve Sibayan. Errr…yeh that’s us.

rss: http://feeds.feedburner.com/FrostMagazineTheFilmSet

 

Genevieve’s Feed

That’s me! I’m the one writing this. Subscribe to it…if you like.

rss feeeeeed: http://feeds.feedburner.com/GenevieveSibayan

I don’t wanna overwhelm you so I will stop but rest assured you WILL be getting more suggestions on ace blogs to follow wether you like it or not. Blogs from people who have much better advice than little old me! Tata for now folks!

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Genevieve Sibayan is a London based Actress, you can find Genevieve’s blog here and get updates by clicking on her rss feed. If you’d like to subscribe to The Film Set on Frost Magazine then click here.

My Two Pence {The Film Set | Genevieve Sibayan}

Oh Hai! It’s high time I threw my proverbial hat into the resource share arena.

I’ve been acting in London for a few years now and have a stack of Equity diaries to remind me! It’s not uncommon for newbies to ask my advice (yeah I know! *giggles) but for some reason I always assume that people already know all the same info I know. So when I’m put on the spot I mostly come out with “err, work hard?” which isn’t the most helpful thing to say.

I assume that because there’s so much free (and sometimes not free) information and resources available that everyone’s already found it. Of course that’s a silly thing to think.

So my mission is to share some of the things I know and point my finger at the best resources and occasionally give my opinion on things…most advice out there is the same…CV, headshot, hard work etc…all very important but I’m hoping we can uncover something a bit different. I certainly don’t know everything so if you have any finds you want to share or opinions then the comments are the place to put them. That’s what sharing’s about isn’t it?

I don’t know many Actors in this country (UK) who’s sharing their resources and I can only assume it’s because no one wants to appear arrogant or doesn’t want the competition to know what they know…If I’m wrong, and you do have a blog, I’d love to read it.

So to start off with, let me link you back to a few articles right here on Frost Magazine. And what a place to start! We’ve got a column entitled ‘the film set’ (some pun intended) and here’s a few excerpts from some of the articles (click on the titles to see the whole article:

Interview with Casting Director Richard Evans

We asked: Who is your inspiration?
“Anyone who knows what they want and goes for it wholeheartedly… especially if they have overcome adversity to do so.”

Interview with Lyn Burgess – Life Coach and also runs the Women in Film and TV events committee

““Fake it till you make it!” It’s good to model someone else who is a confident person – give yourself a ‘confident outfit’ or a lucky pair of knickers.”

Interview with Actor and Casting Director Leoni Kibbey

“You get out what you put back in. Always go with your gut instinct. Don’t get cosmetic surgery. Floss. Use Sunscreen.”

Interview with Simon Dale from Casting Call Pro

“Among the strangest we’ve had are requests for actors to play pranks on bosses and ex-partners, as well as a over-zealous salesman who was offering an all-expenses-paid trip to Helsinki for anyone who was willing to impersonate his CEO at a client meeting the the real CEO couldn’t attend.”

We also have an article written by sitcom actor Ceri Phillips (Ollie, Coming of Age) on what it’s like in his world and if you wanted to hear about some unusual moments from our career so far.

Right, off to learn a speech for an audition but I’ll be back very soon (mu ha ha)…ciao for now!

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Genevieve Sibayan is a London based Actress, you can find Genevieve’s blog here and get updates by clicking on her rss feed. If you’d like to subscribe to The Film Set on Frost Magazine then click here.

Tools for actors: Performer Track review {Careers}

An actor’s life is often stressful. With so many auditions, agents, jobs and people in your life. Trying to keep track seems impossible.

This is why I am glad to have come across an amazing organisational tool for actors: Performer Track. With different sections, you can keep track of all of your auditions, contacts, agents and bookings. Although US based, Performer Track works just as well for actors all over the world.

One of my favourite features is income and expenses. It can seem impossible as an actor to keep track of your income as it comes from so many different expenses. Keeping track of tax deductible expenses is just as hard. With Performer track you can put in all of your expenses occurred for every job. You can also find out what agents are good and which ones are not working by keeping track of all the jobs they get you. It is important as an actor to realise that your agents, managers and publicity people work for you. Performers track let’s you know who is propelling your career and who is not working for their percentage.

It let’s you keep track of what you were wearing to each audition, who was in the room and what they said. It let’s you map things to find out where you are going. It takes a chaotic, paper heavy career and makes it simple and easy.

It allows you to be the best CEO you can be of your acting brand. The mistake actors make is that they see themselves just as artists. Researching casting directors, directors and the projects you are working on will give you the edge you need in an overcrowded market with ever-dwindling jobs. Try it. You won’t be disappointed.

Interview with Raindance founder Elliot Grove {The Film Set}

I took a course with Elliot years ago. His knowledge of film, and film-making is vast and impressive. Every actor, writer and director should take a course or go to the awards. Here is the excellent article.

Frost Mag: When did you start Raindance and what was the premise behind it?

Elliot Grove: I started Raindance in 1992 as way to make contacts in the film industry. I started bringing over well known tutors from America. the response was astounding, and within a few months, British filmmakers started making films again. So I thought I’d start a film festival in the heart of London in the week before the now-defunct MIFED market, because I noticed a lot of acquisition execs hanging out at the Meridian Hotel on their way to MIFED in Milan.

I then learned a very painful lesson about British culture. Britains, unlike my native Canadians are very snobbish – and as they couldn’t see a government logo or brand on my poster assumed I was just another tourist. I was pretty much wished bad luck by everyone in the industry.

Fortunately the filmmakers in other countries saw Raindance as a way to launch into Europe and into London. The Festival has grown to the point were we outgrew various venues and are now housed in the largest independent cinema in the West End – the Apollo to be precise.

In 1998 I started the British Independent film Awards for a similar reason: to promote British films and filmmakers. This event has grown to become a keynote in the UK’s film industry calendar.

Of course, none of this wouldn’t have been possible without a few generous benefactors and team of colleagues and collaborators unequaled in passion or ability in London.

Raindance still proudly independent, and without any government support.

Frost Mag: Is this the worst time for Filmmaker’s?

Elliot Grove: This is far from the worst time for filmmakers. In fact, I think it is the very best time for filmmakers. IPTV and online distribution have kicked the old boys distribution model to pieces enabling anyone with good visual storytelling ability and simple and inexpensive camera gear to make a movie and get many many people to see it.

Frost Mag: It seems that every filmmaker comes into Raindance at some point. How does it feel to be the founder of such a creative hub?

Elliot Grove: I can’t take any credit for the hundreds of successful filmmakers I have been fortunate enough to meet at Raindance. Except to say that I, and my hard working colleagues are rewarded daily by meeting or speaking to the most talented people one could ever hope to meet. And that is reward enough for us!

Frost Mag: How important is the internet and how can filmmaker’s make the most of it?

Elliot Grove: There are two types of filmmakers: Those who lo the and fear the internet and social media, and those who embrace it. Any filmmaker or film festival without an online strategy is doomed in my opinion.

Frost Mag: Advice for filmmakers?

Elliot Grove: To make it as a filmmaker, you need to be:
– a great story teller
– be able to get your hands on a bit of money
– develop excellent interpersonal and communication skills
– be firm and be strong enough to draw the line when someone makes unrealistic demands of you
– understand and develop a strong social media presence
– have boundless energy and be able to work 100 hour weeks
– talent helps too, but is the least essential of anything on this list

Frost Mag: Who should we watch out for?

Elliot Grove: I am always asked who to watch out for. I really don’t single out individual filmmakers. we do, however, premiere about 75 features and 150 shorts each year by the most talented filmmakers we have found during the past 12 months.

I returned from Brussels at the end of June and I met some extremely interesting “Roger Corman” type producers there and this was most unusual and most welcome.

Several Belgian films will be playing at the Festival this year.

Join Raindance