Category Archives: Film

Film Producer Chris Morgan goes to war with Cabo Films and Wefund

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UK film producer and screenwriter Chris Morgan has teamed up with Cabo Films and Wefund, to develop, produce and release a uniquely placed motion picture called ‘Coup’, and in doing so, is participating in the largest UK crowd funding exercise to date.

The feature has already begun development, and raised an amazing £750K on Wefund, the UK’s largest crowd-funding site. It is well on its way to becoming the largest film funded success on a crowd-funding site globally.

As Wefund gathers momentum in the UK, film has become an ever important segment and industry suited for crowd funding. Wefund hopes to set a precedent for the future funding of independent films, and change the way traditional films are made, enabled by this exploding new form of funding.

Chris said, “I am extremely excited by both this project and the opportunity presented by Wefund.com. I will lay bare the film-making process from pre-production through to post-production (editing) and invite the crowd to join me on that journey”.

Mike said, “We’re delighted to have this fantastic and ambitious project on Wefund. By choosing to crowd fund this film, Chris and Cabo Films are recognising that the old way of doing things can be improved upon significantly by involving the public in the film making process. The audience will be centre stage. We’re excited to see what happens.”

Speaking on the announcement, Martin Warner said, “Cabo Films looks to identify with stories that connect with the world in real terms today, and done right, cross different cultures and geographies, and can be understood and watched by all ages – we believe Coup is an important feature for the UK market, and a film with world-wide appeal.”

To be a part of the crowd, and help fund ‘Coup’, or, simply to join us on the journey, please visit http://wefund.com/project/coup-film/p30307/

The Dark Knight Rises Review

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I don’t mind saying that I struggled putting this film review together; there are so many people who have already seen The Dark Knight Rises – a film which is now being called the ‘motion picture epic of the summer’ that almost very little remains to be said. As such I was left with a dilemma; do I re-trod old ground of other reviewers, do I try to fill the gaps left by the countless other reviews without giving the plot away or do I try to find a fresh perspective to describe this incredible movie?

The Dark Knight Rises is the final chapter in Christopher Nolan’s epic Batman trilogy; a set of films disparate to any other superhero movies previously seen. Looking at the Avengers and Iron Man films of recent generation it is easy to forget that comic book films formerly prided themselves on suiting their primary audience (which were children) opting for jokey style film making and humour. Caped Crusader (and Bond) films especially were synonymous for focussing on the gadgets rather than on the characterisation. However thank heavens for Mr Nolan, (himself a fan of the Batman comics) because fortunately for us he hadn’t gone through the whole Peter Pan thing – he actually grew up, and as such brought the film bang up to date in a massive, grimy and brutally honest way. Over the past two movies (and equally in this movie) you have villains that actually scare you (The Joker portrayed  by Heath Ledger was actually psychotic) and when we talk about crime syndicates we actually see about the dark and dismal pits of crime corruption where you can trust no one. Written by David S. Goyer, Jonathan Nolan and Bob Kane what we have here in The Dark Knight Rises an incredible master class in film making, fantastic acting from all performers and an astonishing end to perhaps the best film of the summer.

It has been eight years since Batman vanished into the night, turning, in that instant, from hero to fugitive. Taking the blame for the death of D.A. Harvey Dent (Aaron Eckhart), the Dark Knight became a fugitive sacrificing everything so that a law which Dent wanted to pass would go through. For a time the lie worked; officers fought with vigour and criminal activity in Gotham City was crushed under the anti-crime Dent Act. However the arrival of Bane, a masked terrorist with incredible strength and will power and who threatens to crush Gotham city brings Batman out of retirement for one last battle. Oh yes and the arrival of a sexy cat burglar too. The stage is set.

Watching this film I was trying to remember the last time I saw so much emotion in a superhero film. Christian Bale easily carries his part as both billionaire philanthropist Bruce Wayne and as the Dark Knight. Gosh that man has got so much talent. You can tell he gave the role everything, from the visceral fight scenes to the moment to moment realities with his butler Alfred (played impeccably well by Michael Caine) you just can’t help but believe him and in his cause. When Batman does show up – it is incredibly exciting. Equally well played is Tom Hardy as the super-villain, aptly called Bane; a slab of muscle and brutal killing power, every appearance on screen just makes you think something bad is going to happen. Anne Hathaway plays the part of slinky, sexy cat burglar Cat woman. She carries her role well and for the most part is easy on the eye and provides some much needed breaks between the bloody and dark tone of the rest of the film.

And what a dark tone it is – a vision of near apocalyptic catastrophe that quickly swishes through the near 3 hour running time with action, explosions, suspense and twists and turns in spades.  Joseph Gordon-Levitt gives a terrific performance as the young, idealistic police officer, Detective Blake, and there are some excellent role reprisals from Morgan Freeman and even Liam Neeson.

It is sad to think that this is the ‘reportedly’ last Batman movie under Christopher Nolan’s direction. I don’t believe his movies will be forgotten for quite some time. Bearing in mind the amount of money this film has already made at the box office – it is doubtful that we have seen the last of the Caped Crusader one can only hope that the future iterations will be as good as this.

If you havent seen the final instalment in the Batman Trilogy make it your aim to do so – it is a fantastic film.

Verdict

9.5/10

New Bond: Skyfall Picture

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Honda Announced as the Choice of 007 for Skyfall

Honda (UK) is delighted to announce its partnership with the upcoming James Bond film, Skyfall, and today unveiled the actual Honda machines used in the film, at the National Motor Museum in Beaulieu.

Honda’s CRF250R motorcycle proved to be the machine of choice by the 007 film’s action vehicles and stunt crew teams. These motorbikes were modified for the opening sequence of the 23rd James Bond film which was shot in Istanbul and Adana, Turkey earlier this year.

Twenty CRF250R machines were provided in total, to be adapted and ‘dressed’ appropriately into two native style motorbikes. One is a Turkish police bike that henchman, Patrice (Ola Rapace), seizes after a policeman crashes, the other is a Turkish merchant’s bike that James Bond (Daniel Craig) uses to pursue Patrice through the streets. Both bikes feature extensive modifications courtesy of Chris Corbould’s award-winning Special Effects team.

Two CRF450R motorbikes were further chosen for use as HD camera filming machines, as only a motorbike could easily enable the camera crew to keep up with the chase scene and follow the various stunts.

Stunt Co-ordinator for Skyfall, Gary Powell, commented, “We needed a highly versatile and quality off-road motorbike that could be easily modified, without compromising performance or safety, for the opening sequence of Skyfall. Honda’s CRFs are probably the best off-roaders out there so it’s great that we’ve been able to partner with Honda as the bikes, whilst heavily modified, were superb to work with.”

Honda (UK) Corporate Communications Manager, Fiona Cole, said, “We’re delighted to be a partner for Skyfall and are very much looking forward to seeing our Honda CRFs in action in the film and rolling out some great associated activities we’ve got planned from October when the film is released. We like to try and do things differently at Honda, including finding innovative, yet relevant ways to showcase our diverse products, whilst also really engaging with our customers. It’s great to not only have Honda machines chosen as the choice of Bond, but also to be working with such a longstanding film franchise.”

The Skyfall ‘Police’ and ‘Street Merchant’s’ bikes, alongside the unmodified and original Honda CRF250R, were unveiled today at the famous National Motor Museum in Beaulieu, which is currently hosting the BOND IN MOTION exhibition until 31 December 2012. The exhibition, the largest of its kind, celebrates 50 years of the James Bond films and showcases 50 of the best-loved and most iconic Bond vehicles.

To mark the occasion, Honda (UK) is offering twenty pairs of tickets to the BOND IN MOTION exhibition at Beaulieu, to lucky winners who enter Honda’s exclusive competition on its Twitter feed (@Honda_UK) before midnight on Sunday 22 July. Further activities surrounding Honda (UK)’s association with Skyfall will be announced over the coming months on www.honda.co.uk, Facebook/HondaCarsUK and Twitter @Honda_UK.

To see the versatile Honda CRF250Rs in action on screen and to enjoy the latest Bond adventure, head to see Skyfall in cinemas from 26 October.

Man on a Ledge | Film Review

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Man on a Ledge is a smart, fast-paced thriller. It is very much a ‘cinema’ film, and by that I mean one of those films you watch just for pure entertainment.

An ex-cop (Sam Worthington) is jailed for a crime he says he didn’t do and manages to escape from prison. He later threatens to jump to his death from a Manhattan hotel. He asks for a female police psychologist (Elizabeth Banks) who tries to stop him jumping. As the film unwinds we see that things are not as straightforward as they seemed. The plot has lots of twists to keep you entertained.

I really liked Elizabeth Banks’ performance. She known as a strong comedic actress but is equally good in this thriller.

A lot of this movie was filmed on a real ledge, a brave move by Sam Worthington who suffers from vertigo. Jamie Bell plays Worthington’s brother. Bell is fantastic in the film and so is Mandy Gonzalez as his girlfriend.

Ed Harris is as amazing as ever as the villain of the piece. I really don’t want to give too much of the film away but it really is worth a watch. Rent or buy for a good night in.

Man on a Ledge is pure entertainment. It is just a fun film which has the benefit of having brilliant actors in it. The acting really is top notch.

Win Signed Dexter Fletcher Poster!

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Win a signed Dexter Fletcher Poster with Frost Magazine!  Dexter Fletcher has made his directorial debut, Wild Bill,  and we have a signed poster to give away. To enter just follow @Frostmag on Twitter and send us a Tweet or subscribe to our e-edition.

RELEASED ON BLU-RAY, DVD

AND DIGITAL DOWNLOAD

“BRILLIANT GANGSTER DRAMA… OUTSTANDING” – Sunday Express

“A HUGELY ENJOYABLE AND IMPRESSIVE DEBUT” – Total Film

“ONE OF THE BEST BRITISH PICTURES IN YEARS” – The Word

Get down and dirty with this gritty yet heart-warming British drama, as DEXTER FLETCHER’S directorial debut, WILD
BILL arrives on Blu-ray, DVD and Digital Download on 23 July 2012, from Universal Pictures (UK).

Out on parole after 8 years inside, Bill Hayward (CHARLIE CREED-MILES – Harry Brown, You & I) returns home to his

East London home to find it now set in the midst of the Olympics building site. To his horror, he discovers his now 11

and 15-year old sons have been abandoned by their mother and are fending for themselves. Unwilling to play dad, an

uncaring Bill is determined to move on. However, although Bill’s eldest son Dean (WILL POULTER – Son Of Rambow,

The Chronicles Of Narnia: Voyage Of The Dawn Treader) has found a job and is doing his best to be a father to his

younger brother Jimmy, the arrival of Bill has brought them to the attention of social services.

Forced into becoming a dad for the purposes of fooling social services, Bill nevertheless settles into the role for the first

time, discovering he has a place in the world with his family. But darker times loom as Jimmy gets involved with Bill’s

treacherous old drug-dealing cohorts, leaving Bill with the dilemma of breaching the terms of his parole or losing his

Written and directed by DEXTER FLETCHER (Kick Ass, Lock, Stock And Two Smoking Barrels), WILD BILL is one of the

freshest, funniest and most charming British directorial debuts in recent years. With a fantastic British cast that also

includes JASON FLEMYNG, ANDY SERKIS, JAIME WINSTONE and OLIVIA WILLIAMS, WILD BILL will really help to kick of

a summer of British brilliance in the best possible way

Monday 23rd July.

Man of Steel teaser trailer

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Man of Steel was a huge hit at Comic-Con, even made a fanboy cry! So it would be no surprise that a teaser trailer for the film would be shown in-front of The Dark Knight Rises, as Nolan co-wrote the story of Steel but is also serving as the producer. So when I saw Warner Bros., Legendary Pictures and DC Comics logo shown in-front, my heart was beating that I finally get to see footage of the upcoming Superman movie.

 

The music is taken from The Lord of the Rings: The Fellowship of the Ring by Howard Shore (as Hans Zimmer hasn’t started composing music for the film yet), already setting the mood that the film may take with the new Superman movie. It shows Henry Cavill not as Superman but as Clark Kent, sporting a scruffy beard and looking to be traveling the world.* Though we do see shots of Kent farm, though as if this was a Terrence Malick film. We have a voice-over by Jonathan Kent (Kevin Costner)**, implying to be talking to Clark by saying what you’d expect he would say; that he would grow up to do great things. We see shots of a young Clark Kent running around in backyard, wearing a red cape that foreshadows on what will lead to the inevitable. We of course get the title cards, reading ‘From Zack Snyder – Director of Watchmen and 300‘ (luckily they didn’t list Sucker Punch and hope they continue to do so) and ‘And Producer Christopher Nolan – Director of The Dark Knight Trilogy‘. Finally, the last shot we all been waiting for; Superman himself. Though starts off with an aerial view of an unspecified location, then we see a small figure flying up to the sky. The camera zooms in and get a glimpse of Superman as he flies in an unimaginable speed!

 

That’s all that really is to say about the trailer, it really is the meaning of a teaser. I am interested where this Superman film will go but honestly, Superman is the complete opposite in tone to Batman. I am all for different approaches to characters, rather go to the same route to be safe but Christopher Nolan’s influence (for better or worse) is a bit much. I do hope it’s all part of starting really grim and eventually grows to being bright and uplifting as the story develops. We’ll just have to wait and see when it is released on 14th June, 2013.

 

* – It was nice to see a shot of Clark Kent trying to hitch a ride and the road was leading up to Whistler in British Columbia, Canada (probably a different location in the film but still cool nonetheless).

 

** – I have now just found out that there are two versions of the teaser trailer, same footage but two voice-overs. One I saw in front of Rises was with Jonathan Kent and the other is Jor-El’s voice (Russell Crowe) which you can see on Apple website (http://trailers.apple.com/trailers/wb/manofsteel/)

The Dark Knight Rises {Film Review}

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*WARNING! MAY CONTAIN SPOILERS!*

 

Since 2005, Christopher Nolan rebooted the Caped Crusader as we all thought he was long gone with Batman Begins. No one had expectations when the director of Memento was on-board but he delivered one of the biggest surprises and created a film that many other comic book hero films will try to imitate. Then he raised the expectations even higher with the announcement of a sequel and he delivered The Dark Knight in 2008. Continuing to bring maturity and intellectual story-telling but also made an impact to many filmmakers. Now Batman has risen from the darkness and finally has a new challenge, not only from new villains but also Christopher Nolan announcing it will be the conclusion to The Dark Knight Trilogy. Many argue there hasn’t yet been a great comic book hero trilogy and the third in the series always tends to not live up to its predecessors (X-Men, Spider-Man etc.) I can safely say this isn’t that case and will say early that this is the best comic book hero trilogy to date!

 

The story is set eight years after the events of The Dark Knight, Bruce Wayne hanging up his mantle as Batman and keeping away from the spot-light since. Until the terrorist known as Bane enters the stage and plans to bring destruction and chaos to Gotham City. Meanwhile, Bruce interacts with Selina Kyle (aka Catwoman, though never referenced by that name), a cat-burglar but an anti-hero who only helps her own (survival of the fittest). Bruce sees this as an opportunity to go back as the dark knight and come face-to-face with Bane but things go worse than expected (A LOT worse!).

There’s only so much I can reveal the story but it is better to experience it on the big screen. Wally Pfister’s cinematography and Nathan Crowely’s production design really amps the scale, you feel the anarchy Bane delivers from the many set-pieces this film delivers (if you thought the hallway fight scene in Inception was mind-blowing, Nolan really tops that from the opening sequence which could mistake it as a Bond opening). Hans Zimmer’s music is a more bombastic score, further bringing the thundering emotion of Bane’s menacing speeches and actions. Everything about the production in this film is top-notch, do you expect anything less with a Christopher Nolan film? I will say the film is bold and daring to go to places most filmmakers would not even think twice on going, all credit goes to not only Chris Nolan but co-writers David S. Goyer and Jonathan Nolan. Though people will find obvious references to Occupy Wall Street, especially Bane’s motivation on punishing the wealthy and supporting the people (even releasing the prisoners of Gotham to have the city to their own will). The story really does come to full-circle, whatever happened in Begins or Knight comes to full affect in Rises. With all the gloom and doom in this film, Nolan doesn’t forget to bring some humour into this film as he had done from his previous films. The story’s events comes from these three Batman comic book story arcs; The Dark Knight Returns, Knightfall and No Man’s Land.

 

Christian Bale really does shine as he delves deeper to his emotional struggles in this movie, you can feel the suffering and pain he has to go through. Which makes his journey to rise from the ground and come out soaring! Like his father says to him in Batman Begins “why do we fall, Bruce? So that we can learn to pick ourselves up!”, a line that runs through his motivation to save the city and its citizens. Tom Hardy brings a brute menace to Bane and finally brings justice to the character that was ruined in Batman & Robin. He may have the muscles and brawn to show but it’s his tactical thinking that makes him even more threatening. He may lack the sinister edge of Heath Ledger’s Joker but that doesn’t detract the type of villainy he delivers. You honestly worry about Batman, as Bane just brushes off everything Batman throws at him from fists to various techs from his utility belt. Anne Hathaway is terrific as Selina Kyle / Catwoman, she has her own code which is she looks for her own self and doesn’t get involved with anyone else. Though the chemistry between Bruce and Selina is quite electric, both exchanging quips and sassy comebacks but it evolves to something more intimate. Seeing the both of them work together is probably my favourite scenes from the whole film and I honestly think (controversy incoming) Hathaway does portray Catwoman more faithfully than Michelle Pfeiffer did in Batman Returns. The rest of the supporting cast continue to bring the best of their characters; Michael Caine makes an emotionally strong performance as Alfred, fearing the loss of Bruce and not wanting to go through the pain again as he lost Bruce’s parents (a powerful scene where Alfred confesses to Bruce that he wished he never came back). Gary Oldman continues to be the best Jim Gordon, growing to stand being a strong character and is actually exciting he can take care of himself despite his age. Morgan Freeman is the ever charming Lucius Fox, he too continues to grow such a strong supporting character.

 

Is it perfect? No but neither was The Avengers and I enjoyed the hell out of it. The surprise twists won’t surprise most comic book fans but I also blame the media on releasing a few images online that really should have been left offline. Bruce’s reason on exiling himself from the world for such a long time because of the death of Rachel Dawes is a bit hard to swallow but is a minor nit-pick that doesn’t affect the overall film. Zimmer’s score is great to listen to and gets your adrenaline going but it is a bit too thundering at places (and sometimes partially hard to listen when characters are talking). I think many people (including the YouTube community) will start to make fun of Bane’s voice, though I never had a problem understanding him from trailers and didn’t have a problem understanding him in the film. The ending may split opinions, as some may find it being something really bold and broad but then leads to something completely different. Also a reference towards the character of John Blake felt a bit forced and didn’t work in my opinion.

 

As much I really do enjoy this Batman series immensely, I am glad Christopher Nolan has finished with the series and will be moving forward to make more films in the same vein as Memento or Inception where his strengths as a story-teller really does show! Though for now, he’ll be producing Zack Snyder’s Man of Steel in 2013 with Henry Cavill as Kal-El / Clark Kent / Superman.

 

Overall; this film is fantastic, a satisfying conclusion to The Dark Knight Trilogy. Despite the minor faults this movie has, it still delivers an epic blockbuster not only just from the scale but also in emotion. Thank you Mr. Nolan, you made an honourable farewell to one of the greatest iconic heroes of our time.

 

4 out of 5